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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E44B5 it is the complementary color #91BB4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E44B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E44B5 shade: #7344B0, #8456C3, #9568D6, #A67AE9 and #B78CFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E44B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E44B5 shade: #6E44B5, #5D32A2, #4C208F, #3B0E7C and #2A0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E44B5 shade: #6E44B5, #8C44B5, #AB44B5, #B544A0 and #B54482

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E44B5 shade: #6E44B5, #5044B5 and #4444B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E44B5 shade matches the following richer shades: #6E44B5, #6930C9, #641CDD and #5E08F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E44B5 shade: #6E44B5, #7358A0, #786D8C, #7E8178 and #839564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E44B5 shade: #4457B5, #4F44B5, #6D44B5, #8B44B5 and #A944B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E44B5 shade: #4A2E79, #5C3997, #6E44B5, #8460C2 and #9B7ECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E44B5 shade: #6E44B5, #B54475 and #48B544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E44B5 shade: #6E44B5, #B56D44 and #44B56D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E44B5 shade: #6E44B5, #B54475, #8BB544 and #44B584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E44B5 shade: #6E44B5, #B54453, #8BB544 and #44B5A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

Complementary color

CMYK 22 / 0 / 60 / 27

HEX #91BB4A

RGB 145 187 74

HSL 82.3, 0.45%, 0.51%

LAB 70.91, -31.61, 51.41

 

CMYK 35 / 61 / 0 / 31

HEX #7344B0

RGB 115 68 176

HSL 266.11, 0.44%, 0.48%

LAB 39.43, 42.63, -50.34

 

CMYK 32 / 56 / 0 / 24

HEX #8456C3

RGB 132 86 195

HSL 265.32, 0.48%, 0.55%

LAB 46.31, 41.6, -50.31

 

CMYK 30 / 51 / 0 / 16

HEX #9568D6

RGB 149 104 214

HSL 264.55, 0.57%, 0.62%

LAB 53.11, 40.58, -50.23

 

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

CMYK 27 / 44 / 0 / 1

HEX #B78CFC

RGB 183 140 252

HSL 263.04, 0.95%, 0.77%

LAB 66.41, 38.72, -50.07

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 43 / 69 / 0 / 36

HEX #5D32A2

RGB 93 50 162

HSL 263.04, 0.53%, 0.42%

LAB 32.3, 43.88, -53.65

 

CMYK 47 / 78 / 0 / 44

HEX #4C208F

RGB 76 32 143

HSL 263.78, 0.63%, 0.34%

LAB 25.42, 44.66, -53.33

 

CMYK 52 / 89 / 0 / 51

HEX #3B0E7C

RGB 59 14 124

HSL 264.55, 0.8%, 0.27%

LAB 18.8, 44.56, -52.34

 

CMYK 60 / 100 / 0 / 59

HEX #2A0069

RGB 42 0 105

HSL 264, 1%, 0.21%

LAB 12.69, 42.78, -50.2

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 23 / 62 / 0 / 29

HEX #8C44B5

RGB 140 68 181

HSL 278.23, 0.45%, 0.49%

LAB 42.83, 49.75, -47.67

 

CMYK 6 / 62 / 0 / 29

HEX #AB44B5

RGB 171 68 181

HSL 294.69, 0.45%, 0.49%

LAB 47.14, 57.34, -40.54

 

CMYK 0 / 62 / 12 / 29

HEX #B544A0

RGB 181 68 160

HSL 311.15, 0.45%, 0.49%

LAB 47.62, 56.35, -27.31

 

CMYK 0 / 62 / 28 / 29

HEX #B54482

RGB 181 68 130

HSL 327.08, 0.45%, 0.49%

LAB 46.4, 52.02, -11.17

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 56 / 62 / 0 / 29

HEX #5044B5

RGB 80 68 181

HSL 246.37, 0.45%, 0.49%

LAB 36.32, 36.74, -58.51

 

CMYK 62 / 62 / 0 / 29

HEX #4444B5

RGB 68 68 181

HSL 240, 0.45%, 0.49%

LAB 35.4, 34.68, -60.05

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 48 / 76 / 0 / 21

HEX #6930C9

RGB 105 48 201

HSL 262.35, 0.61%, 0.49%

LAB 36.62, 57.23, -69.65

 

CMYK 55 / 87 / 0 / 13

HEX #641CDD

RGB 100 28 221

HSL 262.38, 0.78%, 0.49%

LAB 35.52, 68.86, -83.05

 

CMYK 61 / 97 / 0 / 5

HEX #5E08F1

RGB 94 8 241

HSL 262.15, 0.94%, 0.49%

LAB 35.8, 76.97, -94.01

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 28 / 45 / 0 / 37

HEX #7358A0

RGB 115 88 160

HSL 262.5, 0.29%, 0.49%

LAB 43.01, 26.85, -35.15

 

CMYK 14 / 22 / 0 / 45

HEX #786D8C

RGB 120 109 140

HSL 261.29, 0.12%, 0.49%

LAB 48.04, 10.83, -15.42

 

CMYK 2 / 0 / 7 / 49

HEX #7E8178

RGB 126 129 120

HSL 80, 0.04%, 0.49%

LAB 53.48, -2.88, 4.48

 

CMYK 12 / 0 / 33 / 42

HEX #839564

RGB 131 149 100

HSL 82.04, 0.2%, 0.49%

LAB 59.2, -15.24, 23.82

 

CMYK 62 / 52 / 0 / 29

HEX #4457B5

RGB 68 87 181

HSL 229.91, 0.45%, 0.49%

LAB 40.22, 22.58, -52.24

 

CMYK 56 / 62 / 0 / 29

HEX #4F44B5

RGB 79 68 181

HSL 245.84, 0.45%, 0.49%

LAB 36.24, 36.56, -58.64

 

CMYK 40 / 62 / 0 / 29

HEX #6D44B5

RGB 109 68 181

HSL 261.77, 0.45%, 0.49%

LAB 39.11, 42.59, -53.86

 

CMYK 23 / 62 / 0 / 29

HEX #8B44B5

RGB 139 68 181

HSL 277.7, 0.45%, 0.49%

LAB 42.7, 49.51, -47.88

 

CMYK 7 / 62 / 0 / 29

HEX #A944B5

RGB 169 68 181

HSL 293.63, 0.45%, 0.49%

LAB 46.85, 56.84, -41.03

 

CMYK 39 / 62 / 0 / 53

HEX #4A2E79

RGB 74 46 121

HSL 262.4, 0.45%, 0.33%

LAB 26.13, 30.48, -38.4

 

CMYK 39 / 62 / 0 / 41

HEX #5C3997

RGB 92 57 151

HSL 262.34, 0.45%, 0.41%

LAB 32.78, 36.78, -46.2

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 32 / 51 / 0 / 24

HEX #8460C2

RGB 132 96 194

HSL 262.04, 0.45%, 0.57%

LAB 48.47, 35.65, -46.29

 

CMYK 25 / 39 / 0 / 19

HEX #9B7ECE

RGB 155 126 206

HSL 261.75, 0.45%, 0.65%

LAB 58.36, 27.73, -37.36

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 0 / 62 / 35 / 29

HEX #B54475

RGB 181 68 117

HSL 333.98, 0.45%, 0.49%

LAB 45.96, 50.4, -3.92

 

CMYK 60 / 0 / 62 / 29

HEX #48B544

RGB 72 181 68

HSL 117.88, 0.45%, 0.49%

LAB 65.63, -53.26, 47.23

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 0 / 40 / 62 / 29

HEX #B56D44

RGB 181 109 68

HSL 21.77, 0.45%, 0.49%

LAB 53.14, 24.73, 34.72

 

CMYK 62 / 0 / 40 / 29

HEX #44B56D

RGB 68 181 109

HSL 141.77, 0.45%, 0.49%

LAB 66.04, -48.19, 27.47

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 0 / 62 / 35 / 29

HEX #B54475

RGB 181 68 117

HSL 333.98, 0.45%, 0.49%

LAB 45.96, 50.4, -3.92

 

CMYK 23 / 0 / 62 / 29

HEX #8BB544

RGB 139 181 68

HSL 82.3, 0.45%, 0.49%

LAB 68.72, -31.62, 51.53

 

CMYK 62 / 0 / 27 / 29

HEX #44B584

RGB 68 181 132

HSL 153.98, 0.45%, 0.49%

LAB 66.48, -43.59, 15.7

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 0 / 62 / 54 / 29

HEX #B54453

RGB 181 68 83

HSL 352.04, 0.45%, 0.49%

LAB 45.06, 46.97, 15.63

 

CMYK 23 / 0 / 62 / 29

HEX #8BB544

RGB 139 181 68

HSL 82.3, 0.45%, 0.49%

LAB 68.72, -31.62, 51.53

 

CMYK 62 / 0 / 8 / 29

HEX #44B5A6

RGB 68 181 166

HSL 172.04, 0.45%, 0.49%

LAB 67.3, -35.35, -1.81

 

Description

Color code: HEX #6E44B5 | qconv.com Color code: HEX #6E44B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 68 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 68 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 62 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 62% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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