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Color name
HEX #6E4D5C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E4D5C it is the complementary color #91B2A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E4D5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E4D5C shade: #734D57, #845F6A, #95717D, #A68390 and #B795A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E4D5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E4D5C shade: #6E4D5C, #5D3B49, #4C2936, #3B1723 and #2A0510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E4D5C shade: #6F4D5C, #6F4D53 and #6F4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E4D5C shade: #6F4D5C, #6F4D65, #6F4D6F, #664D6F and #5D4D6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E4D5C shade matches the following richer shades: #6F4D5C, #7E3E5B, #8D2E5A, #9D1F58 and #AC1057

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E4D5C shade: #6F4D5C, #605C5E, #506B5F, #417B60 and #328A62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E4D5C shade: #6F4D6F, #6F4D66, #6F4D5D, #6F4D54 and #6F4F4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E4D5C shade: #3E2B34, #563C48, #6F4D5C, #875E71 and #9D7285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E4D5C shade: #6E4D5C, #6F664D and #4D6A6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E4D5C shade: #6E4D5C, #5D6F4D and #4D5D6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E4D5C shade: #6E4D5C, #6F664D, #4D6F5F and #4D566F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E4D5C shade: #6E4D5C, #6E6F4D, #4D6F5F and #4E4D6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 16 / 57

HEX #6E4D5C

RGB 110 77 92

HSL 332.73, 0.18%, 0.37%

LAB 36.73, 16.48, -3.23

 

Complementary color

CMYK 19 / 0 / 8 / 30

HEX #91B2A3

RGB 145 178 163

HSL 152.73, 0.18%, 0.63%

LAB 69.83, -14.29, 3.95

 

CMYK 0 / 33 / 24 / 55

HEX #734D57

RGB 115 77 87

HSL 344.21, 0.2%, 0.38%

LAB 37.19, 17.63, 0.65

 

CMYK 0 / 28 / 20 / 48

HEX #845F6A

RGB 132 95 106

HSL 342.16, 0.16%, 0.45%

LAB 44.42, 16.85, -0.28

 

CMYK 0 / 24 / 16 / 42

HEX #95717D

RGB 149 113 125

HSL 340, 0.15%, 0.51%

LAB 51.47, 16.16, -1.1

 

CMYK 0 / 21 / 13 / 35

HEX #A68390

RGB 166 131 144

HSL 337.71, 0.16%, 0.58%

LAB 58.37, 15.56, -1.84

 

CMYK 0 / 19 / 11 / 28

HEX #B795A3

RGB 183 149 163

HSL 335.29, 0.19%, 0.65%

LAB 65.13, 15.03, -2.54

 

CMYK 0 / 30 / 16 / 57

HEX #6E4D5C

RGB 110 77 92

HSL 332.73, 0.18%, 0.37%

LAB 36.73, 16.48, -3.23

 

CMYK 0 / 37 / 22 / 64

HEX #5D3B49

RGB 93 59 73

HSL 335.29, 0.22%, 0.3%

LAB 29.25, 17.3, -2.35

 

CMYK 0 / 46 / 29 / 70

HEX #4C2936

RGB 76 41 54

HSL 337.71, 0.3%, 0.23%

LAB 21.54, 18.26, -1.26

 

CMYK 0 / 61 / 41 / 77

HEX #3B1723

RGB 59 23 35

HSL 340, 0.44%, 0.16%

LAB 13.61, 19.31, 0.26

 

CMYK 0 / 88 / 62 / 84

HEX #2A0510

RGB 42 5 16

HSL 342.16, 0.79%, 0.09%

LAB 5.76, 19.37, 2

 

CMYK 0 / 31 / 17 / 56

HEX #6F4D5C

RGB 111 77 92

HSL 333.53, 0.18%, 0.37%

LAB 36.86, 16.88, -3.03

 

CMYK 0 / 31 / 25 / 56

HEX #6F4D53

RGB 111 77 83

HSL 349.41, 0.18%, 0.37%

LAB 36.58, 15.33, 2.22

 

CMYK 0 / 31 / 31 / 56

HEX #6F4D4D

RGB 111 77 77

HSL 0, 0.18%, 0.37%

LAB 36.41, 14.38, 5.75

 

CMYK 0 / 31 / 17 / 56

HEX #6F4D5C

RGB 111 77 92

HSL 333.53, 0.18%, 0.37%

LAB 36.86, 16.88, -3.03

 

CMYK 0 / 31 / 9 / 56

HEX #6F4D65

RGB 111 77 101

HSL 317.65, 0.18%, 0.37%

LAB 37.16, 18.56, -8.22

 

CMYK 0 / 31 / 0 / 56

HEX #6F4D6F

RGB 111 77 111

HSL 300, 0.18%, 0.37%

LAB 37.54, 20.58, -13.88

 

CMYK 8 / 31 / 0 / 56

HEX #664D6F

RGB 102 77 111

HSL 284.12, 0.18%, 0.37%

LAB 36.52, 17.31, -15.54

 

CMYK 16 / 31 / 0 / 56

HEX #5D4D6F

RGB 93 77 111

HSL 268.24, 0.18%, 0.37%

LAB 35.56, 14.08, -17.09

 

CMYK 0 / 31 / 17 / 56

HEX #6F4D5C

RGB 111 77 92

HSL 333.53, 0.18%, 0.37%

LAB 36.86, 16.88, -3.03

 

CMYK 0 / 51 / 28 / 51

HEX #7E3E5B

RGB 126 62 91

HSL 332.81, 0.34%, 0.37%

LAB 35.27, 31.31, -4.52

 

CMYK 0 / 67 / 36 / 45

HEX #8D2E5A

RGB 141 46 90

HSL 332.21, 0.51%, 0.37%

LAB 34.71, 44.26, -4.45

 

CMYK 0 / 80 / 44 / 38

HEX #9D1F58

RGB 157 31 88

HSL 332.86, 0.67%, 0.37%

LAB 35.7, 54.13, -1.37

 

CMYK 0 / 91 / 49 / 33

HEX #AC1057

RGB 172 16 87

HSL 332.69, 0.83%, 0.37%

LAB 37.53, 61.18, 2.32

 

CMYK 0 / 31 / 17 / 56

HEX #6F4D5C

RGB 111 77 92

HSL 333.53, 0.18%, 0.37%

LAB 36.86, 16.88, -3.03

 

CMYK 0 / 4 / 2 / 62

HEX #605C5E

RGB 96 92 94

HSL 330, 0.02%, 0.37%

LAB 39.49, 2.01, -0.58

 

CMYK 25 / 0 / 11 / 58

HEX #506B5F

RGB 80 107 95

HSL 153.33, 0.14%, 0.37%

LAB 42.83, -12.68, 3.5

 

CMYK 47 / 0 / 22 / 52

HEX #417B60

RGB 65 123 96

HSL 152.07, 0.31%, 0.37%

LAB 47.15, -25.8, 8.95

 

CMYK 64 / 0 / 29 / 46

HEX #328A62

RGB 50 138 98

HSL 152.73, 0.47%, 0.37%

LAB 51.54, -36.11, 13.84

 

CMYK 0 / 31 / 0 / 56

HEX #6F4D6F

RGB 111 77 111

HSL 300, 0.18%, 0.37%

LAB 37.54, 20.58, -13.88

 

CMYK 0 / 31 / 8 / 56

HEX #6F4D66

RGB 111 77 102

HSL 315.88, 0.18%, 0.37%

LAB 37.2, 18.76, -8.79

 

CMYK 0 / 31 / 16 / 56

HEX #6F4D5D

RGB 111 77 93

HSL 331.76, 0.18%, 0.37%

LAB 36.89, 17.06, -3.61

 

CMYK 0 / 31 / 24 / 56

HEX #6F4D54

RGB 111 77 84

HSL 347.65, 0.18%, 0.37%

LAB 36.61, 15.49, 1.63

 

CMYK 0 / 29 / 31 / 56

HEX #6F4F4D

RGB 111 79 77

HSL 3.53, 0.18%, 0.37%

LAB 36.94, 13.16, 6.5

 

CMYK 0 / 31 / 16 / 76

HEX #3E2B34

RGB 62 43 52

HSL 331.58, 0.18%, 0.21%

LAB 20.04, 10.52, -2.31

 

CMYK 0 / 30 / 16 / 66

HEX #563C48

RGB 86 60 72

HSL 332.31, 0.18%, 0.29%

LAB 28.59, 13.58, -2.78

 

CMYK 0 / 31 / 17 / 56

HEX #6F4D5C

RGB 111 77 92

HSL 333.53, 0.18%, 0.37%

LAB 36.86, 16.88, -3.03

 

CMYK 0 / 30 / 16 / 47

HEX #875E71

RGB 135 94 113

HSL 332.2, 0.18%, 0.45%

LAB 44.73, 19.81, -4.03

 

CMYK 0 / 27 / 15 / 38

HEX #9D7285

RGB 157 114 133

HSL 333.49, 0.18%, 0.53%

LAB 52.84, 20.01, -3.71

 

CMYK 0 / 30 / 16 / 57

HEX #6E4D5C

RGB 110 77 92

HSL 332.73, 0.18%, 0.37%

LAB 36.73, 16.48, -3.23

 

CMYK 0 / 8 / 31 / 56

HEX #6F664D

RGB 111 102 77

HSL 44.12, 0.18%, 0.37%

LAB 43.39, -0.72, 15.45

 

CMYK 31 / 5 / 0 / 56

HEX #4D6A6F

RGB 77 106 111

HSL 188.82, 0.18%, 0.37%

LAB 42.81, -9.23, -6.23

 

CMYK 0 / 30 / 16 / 57

HEX #6E4D5C

RGB 110 77 92

HSL 332.73, 0.18%, 0.37%

LAB 36.73, 16.48, -3.23

 

CMYK 16 / 0 / 31 / 56

HEX #5D6F4D

RGB 93 111 77

HSL 91.76, 0.18%, 0.37%

LAB 44.56, -13.48, 16.79

 

CMYK 31 / 16 / 0 / 56

HEX #4D5D6F

RGB 77 93 111

HSL 211.76, 0.18%, 0.37%

LAB 38.82, -1.48, -12.24

 

CMYK 0 / 30 / 16 / 57

HEX #6E4D5C

RGB 110 77 92

HSL 332.73, 0.18%, 0.37%

LAB 36.73, 16.48, -3.23

 

CMYK 0 / 8 / 31 / 56

HEX #6F664D

RGB 111 102 77

HSL 44.12, 0.18%, 0.37%

LAB 43.39, -0.72, 15.45

 

CMYK 31 / 0 / 14 / 56

HEX #4D6F5F

RGB 77 111 95

HSL 151.76, 0.18%, 0.37%

LAB 43.91, -15.96, 5.02

 

CMYK 31 / 23 / 0 / 56

HEX #4D566F

RGB 77 86 111

HSL 224.12, 0.18%, 0.37%

LAB 36.71, 2.86, -15.45

 

CMYK 0 / 30 / 16 / 57

HEX #6E4D5C

RGB 110 77 92

HSL 332.73, 0.18%, 0.37%

LAB 36.73, 16.48, -3.23

 

CMYK 1 / 0 / 31 / 56

HEX #6E6F4D

RGB 110 111 77

HSL 61.76, 0.18%, 0.37%

LAB 45.93, -6.37, 18.86

 

CMYK 31 / 0 / 14 / 56

HEX #4D6F5F

RGB 77 111 95

HSL 151.76, 0.18%, 0.37%

LAB 43.91, -15.96, 5.02

 

CMYK 30 / 31 / 0 / 56

HEX #4E4D6F

RGB 78 77 111

HSL 241.76, 0.18%, 0.37%

LAB 34.14, 8.92, -19.4

 

Description

Color code: HEX #6E4D5C | qconv.com Color code: HEX #6E4D5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 77 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 77 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 16 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 16% 57% C M Y K

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Provide designers and agencies with accurate color values.

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