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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E58E8 it is the complementary color #91A717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E58E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E58E8 shade: #7358E3, #846AF6, #957CFF, #A68EFF and #B7A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E58E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E58E8 shade: #6E58E8, #5D46D5, #4C34C2, #3B22AF and #2A109C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E58E8 shade: #6E58E8, #9558E8, #BC58E8, #E258E8 and #E858C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E58E8 shade: #6E58E8 and #5858E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E58E8 shade matches the following richer shades: #6E58E8 and #6449F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E58E8 shade: #6E58E8, #7968D9, #8477C9, #8E86BA and #9996AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E58E8 shade: #588FE8, #5869E8, #6E58E8, #9458E8 and #BA58E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E58E8 shade: #381CD2, #4F34E3, #6E58E8, #8E7DED and #ADA1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E58E8 shade: #6E58E8, #E858B6 and #7CE858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E58E8 shade: #6E58E8, #E86E58 and #58E86E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E58E8 shade: #6E58E8, #E858B6, #D2E858 and #58E88B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E58E8 shade: #6E58E8, #E8588B, #D2E858 and #58E8B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

Complementary color

CMYK 13 / 0 / 86 / 35

HEX #91A717

RGB 145 167 23

HSL 69.17, 0.76%, 0.37%

LAB 64.74, -24.9, 63.24

 

CMYK 49 / 61 / 0 / 11

HEX #7358E3

RGB 115 88 227

HSL 251.65, 0.71%, 0.62%

LAB 47.2, 45.48, -67.28

 

CMYK 46 / 57 / 0 / 4

HEX #846AF6

RGB 132 106 246

HSL 251.14, 0.89%, 0.69%

LAB 53.89, 44.06, -67.04

 

CMYK 42 / 51 / 0 / 0

HEX #957CFF

RGB 149 124 255

HSL 251.45, 1%, 0.74%

LAB 59.91, 40.01, -62.24

 

CMYK 35 / 44 / 0 / 0

HEX #A68EFF

RGB 166 142 255

HSL 252.74, 1%, 0.78%

LAB 65.49, 33.9, -53.26

 

CMYK 28 / 37 / 0 / 0

HEX #B7A0FF

RGB 183 160 255

HSL 254.53, 1%, 0.81%

LAB 71.17, 28.31, -44.22

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 56 / 67 / 0 / 16

HEX #5D46D5

RGB 93 70 213

HSL 249.65, 0.63%, 0.55%

LAB 40.43, 47.65, -70.41

 

CMYK 61 / 73 / 0 / 24

HEX #4C34C2

RGB 76 52 194

HSL 250.14, 0.58%, 0.48%

LAB 33.75, 49.29, -70.38

 

CMYK 66 / 81 / 0 / 31

HEX #3B22AF

RGB 59 34 175

HSL 250.64, 0.67%, 0.41%

LAB 27.21, 50.68, -69.95

 

CMYK 73 / 90 / 0 / 39

HEX #2A109C

RGB 42 16 156

HSL 251.14, 0.81%, 0.34%

LAB 21.07, 51.2, -68.65

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 36 / 62 / 0 / 9

HEX #9558E8

RGB 149 88 232

HSL 265.42, 0.76%, 0.63%

LAB 50.91, 53.7, -63.92

 

CMYK 19 / 62 / 0 / 9

HEX #BC58E8

RGB 188 88 232

HSL 281.67, 0.76%, 0.63%

LAB 55.58, 62.35, -56.18

 

CMYK 3 / 62 / 0 / 9

HEX #E258E8

RGB 226 88 232

HSL 297.5, 0.76%, 0.63%

LAB 60.76, 71.2, -47.62

 

CMYK 0 / 62 / 14 / 9

HEX #E858C7

RGB 232 88 199

HSL 313.75, 0.76%, 0.63%

LAB 60.12, 67.49, -29.95

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 60 / 70 / 0 / 3

HEX #6449F7

RGB 100 73 247

HSL 249.31, 0.92%, 0.63%

LAB 44.5, 57.1, -82.99

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 44 / 52 / 0 / 15

HEX #7968D9

RGB 121 104 217

HSL 249.03, 0.6%, 0.63%

LAB 50.66, 34.57, -56

 

CMYK 34 / 41 / 0 / 21

HEX #8477C9

RGB 132 119 201

HSL 249.51, 0.43%, 0.63%

LAB 54.36, 24, -40.96

 

CMYK 24 / 28 / 0 / 27

HEX #8E86BA

RGB 142 134 186

HSL 249.23, 0.27%, 0.63%

LAB 58.36, 14.3, -26.12

 

CMYK 11 / 12 / 0 / 33

HEX #9996AB

RGB 153 150 171

HSL 248.57, 0.11%, 0.63%

LAB 62.95, 5.33, -10.57

 

CMYK 62 / 38 / 0 / 9

HEX #588FE8

RGB 88 143 232

HSL 217.08, 0.76%, 0.63%

LAB 59.48, 8.99, -50.46

 

CMYK 62 / 55 / 0 / 9

HEX #5869E8

RGB 88 105 232

HSL 232.92, 0.76%, 0.63%

LAB 49.5, 32.12, -66.46

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 36 / 62 / 0 / 9

HEX #9458E8

RGB 148 88 232

HSL 265, 0.76%, 0.63%

LAB 50.81, 53.49, -64.1

 

CMYK 20 / 62 / 0 / 9

HEX #BA58E8

RGB 186 88 232

HSL 280.83, 0.76%, 0.63%

LAB 55.32, 61.9, -56.6

 

CMYK 73 / 87 / 0 / 18

HEX #381CD2

RGB 56 28 210

HSL 249.23, 0.76%, 0.47%

LAB 30.22, 62.82, -85.62

 

CMYK 65 / 77 / 0 / 11

HEX #4F34E3

RGB 79 52 227

HSL 249.26, 0.76%, 0.55%

LAB 37.23, 59.36, -83.72

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 40 / 47 / 0 / 7

HEX #8E7DED

RGB 142 125 237

HSL 249.11, 0.76%, 0.71%

LAB 58.54, 32.86, -54.52

 

CMYK 29 / 33 / 0 / 5

HEX #ADA1F2

RGB 173 161 242

HSL 248.89, 0.76%, 0.79%

LAB 70.02, 21.78, -39

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 0 / 62 / 22 / 9

HEX #E858B6

RGB 232 88 182

HSL 320.83, 0.76%, 0.63%

LAB 59.45, 65.11, -21.27

 

CMYK 47 / 0 / 62 / 9

HEX #7CE858

RGB 124 232 88

HSL 105, 0.76%, 0.63%

LAB 83.29, -56.63, 58.87

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 0 / 53 / 62 / 9

HEX #E86E58

RGB 232 110 88

HSL 9.17, 0.76%, 0.63%

LAB 60.79, 45.61, 34.7

 

CMYK 62 / 0 / 53 / 9

HEX #58E86E

RGB 88 232 110

HSL 129.17, 0.76%, 0.63%

LAB 82.33, -63.11, 47.68

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 0 / 62 / 22 / 9

HEX #E858B6

RGB 232 88 182

HSL 320.83, 0.76%, 0.63%

LAB 59.45, 65.11, -21.27

 

CMYK 9 / 0 / 62 / 9

HEX #D2E858

RGB 210 232 88

HSL 69.17, 0.76%, 0.63%

LAB 88.03, -26.26, 65.4

 

CMYK 62 / 0 / 40 / 9

HEX #58E88B

RGB 88 232 139

HSL 141.25, 0.76%, 0.63%

LAB 82.73, -58.7, 34.07

 

CMYK 53 / 62 / 0 / 9

HEX #6E58E8

RGB 110 88 232

HSL 249.17, 0.76%, 0.63%

LAB 47.13, 46.02, -70.23

 

CMYK 0 / 62 / 40 / 9

HEX #E8588B

RGB 232 88 139

HSL 338.75, 0.76%, 0.63%

LAB 58.04, 59.98, 1.59

 

CMYK 9 / 0 / 62 / 9

HEX #D2E858

RGB 210 232 88

HSL 69.17, 0.76%, 0.63%

LAB 88.03, -26.26, 65.4

 

CMYK 62 / 0 / 22 / 9

HEX #58E8B6

RGB 88 232 182

HSL 159.17, 0.76%, 0.63%

LAB 83.53, -50.22, 13.03

 

Description

Color code: HEX #6E58E8 | qconv.com Color code: HEX #6E58E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 88 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 88 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 62 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 62% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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