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Color name
HEX #6E5A2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E5A2A it is the complementary color #91A5D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E5A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E5A2A shade: #735A25, #846C38, #957E4B, #A6905E and #B7A271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E5A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E5A2A shade: #6E5A2A, #5D4817, #4C3604, #3B2400 and #2A1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E5A2A shade: #6E5A2A, #6E482A, #6E352A and #6E2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E5A2A shade: #6E5A2A, #6E6D2A, #5E6E2A, #4B6E2A and #386E2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E5A2A shade matches the following richer shades: #6E5A2A, #7B5F1D, #876411 and #946904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E5A2A shade: #6E5A2A, #625536, #565042, #494B4F and #3D465B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E5A2A shade: #6E352A, #6E472A, #6E5A2A, #6E6C2A and #5E6E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E5A2A shade: #332913, #51421E, #6E5A2A, #8C7335 and #AA8B40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E5A2A shade: #6E5A2A, #306E2A and #3E2A6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E5A2A shade: #6E5A2A, #2A6E5A and #5A2A6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E5A2A shade: #6E5A2A, #306E2A, #2A3E6E and #682A6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E5A2A shade: #6E5A2A, #2A6E37, #2A3E6E and #6E2A61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

Complementary color

CMYK 32 / 23 / 0 / 16

HEX #91A5D5

RGB 145 165 213

HSL 222.35, 0.45%, 0.7%

LAB 67.82, 4.24, -26.66

 

CMYK 0 / 22 / 68 / 55

HEX #735A25

RGB 115 90 37

HSL 40.77, 0.51%, 0.3%

LAB 39.73, 3.88, 33.68

 

CMYK 0 / 18 / 58 / 48

HEX #846C38

RGB 132 108 56

HSL 41.05, 0.4%, 0.37%

LAB 46.86, 2.74, 32.31

 

CMYK 0 / 15 / 50 / 42

HEX #957E4B

RGB 149 126 75

HSL 41.35, 0.33%, 0.44%

LAB 53.83, 1.86, 30.91

 

CMYK 0 / 13 / 43 / 35

HEX #A6905E

RGB 166 144 94

HSL 41.67, 0.29%, 0.51%

LAB 60.66, 1.15, 29.57

 

CMYK 0 / 11 / 38 / 28

HEX #B7A271

RGB 183 162 113

HSL 42, 0.33%, 0.58%

LAB 67.35, 0.57, 28.31

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 23 / 75 / 64

HEX #5D4817

RGB 93 72 23

HSL 42, 0.6%, 0.23%

LAB 31.86, 3.15, 31.59

 

CMYK 0 / 29 / 95 / 70

HEX #4C3604

RGB 76 54 4

HSL 41.67, 0.9%, 0.16%

LAB 24.27, 4.88, 31.91

 

CMYK 0 / 39 / 100 / 77

HEX #3B2400

RGB 59 36 0

HSL 36.61, 1%, 0.12%

LAB 16.46, 7.47, 24.17

 

CMYK 0 / 57 / 100 / 84

HEX #2A1200

RGB 42 18 0

HSL 25.71, 1%, 0.08%

LAB 8.35, 10.53, 12.72

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 35 / 62 / 57

HEX #6E482A

RGB 110 72 42

HSL 26.47, 0.45%, 0.3%

LAB 34.23, 12.8, 24.4

 

CMYK 0 / 52 / 62 / 57

HEX #6E352A

RGB 110 53 42

HSL 9.71, 0.45%, 0.3%

LAB 29.48, 24.17, 18.51

 

CMYK 0 / 62 / 62 / 57

HEX #6E2A2A

RGB 110 42 42

HSL 0, 0.45%, 0.3%

LAB 27.12, 30.24, 15.48

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 1 / 62 / 57

HEX #6E6D2A

RGB 110 109 42

HSL 59.12, 0.45%, 0.3%

LAB 44.83, -9.17, 36.64

 

CMYK 15 / 0 / 62 / 57

HEX #5E6E2A

RGB 94 110 42

HSL 74.12, 0.45%, 0.3%

LAB 43.8, -17, 35.12

 

CMYK 32 / 0 / 62 / 57

HEX #4B6E2A

RGB 75 110 42

HSL 90.88, 0.45%, 0.3%

LAB 42.48, -25.07, 33.28

 

CMYK 49 / 0 / 62 / 57

HEX #386E2A

RGB 56 110 42

HSL 107.65, 0.45%, 0.3%

LAB 41.47, -32.07, 31.85

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 23 / 76 / 52

HEX #7B5F1D

RGB 123 95 29

HSL 42.13, 0.62%, 0.3%

LAB 41.98, 4.26, 40.13

 

CMYK 0 / 26 / 87 / 47

HEX #876411

RGB 135 100 17

HSL 42.2, 0.78%, 0.3%

LAB 44.67, 6.58, 47.61

 

CMYK 0 / 29 / 97 / 42

HEX #946904

RGB 148 105 4

HSL 42.08, 0.95%, 0.3%

LAB 47.51, 9.56, 53.64

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 13 / 45 / 62

HEX #625536

RGB 98 85 54

HSL 42.27, 0.29%, 0.3%

LAB 36.67, 0.47, 20.03

 

CMYK 0 / 7 / 23 / 66

HEX #565042

RGB 86 80 66

HSL 42, 0.13%, 0.3%

LAB 34.21, -0.17, 9.15

 

CMYK 8 / 5 / 0 / 69

HEX #494B4F

RGB 73 75 79

HSL 220, 0.04%, 0.3%

LAB 31.84, 0.1, -2.66

 

CMYK 33 / 23 / 0 / 64

HEX #3D465B

RGB 61 70 91

HSL 222, 0.2%, 0.3%

LAB 29.73, 2, -13.63

 

CMYK 0 / 52 / 62 / 57

HEX #6E352A

RGB 110 53 42

HSL 9.71, 0.45%, 0.3%

LAB 29.48, 24.17, 18.51

 

CMYK 0 / 35 / 62 / 57

HEX #6E472A

RGB 110 71 42

HSL 25.59, 0.45%, 0.3%

LAB 33.96, 13.41, 24.08

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 2 / 62 / 57

HEX #6E6C2A

RGB 110 108 42

HSL 58.24, 0.45%, 0.3%

LAB 44.53, -8.61, 36.31

 

CMYK 15 / 0 / 62 / 57

HEX #5E6E2A

RGB 94 110 42

HSL 74.12, 0.45%, 0.3%

LAB 43.8, -17, 35.12

 

CMYK 0 / 20 / 63 / 80

HEX #332913

RGB 51 41 19

HSL 41.25, 0.46%, 0.14%

LAB 17.16, 1.17, 16.04

 

CMYK 0 / 19 / 63 / 68

HEX #51421E

RGB 81 66 30

HSL 42.35, 0.46%, 0.22%

LAB 28.75, 1.41, 24.01

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 0 / 18 / 62 / 45

HEX #8C7335

RGB 140 115 53

HSL 42.76, 0.45%, 0.38%

LAB 49.61, 2.13, 37.29

 

CMYK 0 / 18 / 62 / 33

HEX #AA8B40

RGB 170 139 64

HSL 42.45, 0.45%, 0.46%

LAB 59.33, 2.93, 43.64

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 56 / 0 / 62 / 57

HEX #306E2A

RGB 48 110 42

HSL 114.71, 0.45%, 0.3%

LAB 41.13, -34.57, 31.38

 

CMYK 44 / 62 / 0 / 57

HEX #3E2A6E

RGB 62 42 110

HSL 257.65, 0.45%, 0.3%

LAB 23.02, 26.71, -36.45

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 62 / 0 / 18 / 57

HEX #2A6E5A

RGB 42 110 90

HSL 162.35, 0.45%, 0.3%

LAB 41.82, -26.71, 4.81

 

CMYK 18 / 62 / 0 / 57

HEX #5A2A6E

RGB 90 42 110

HSL 282.35, 0.45%, 0.3%

LAB 26.61, 34.17, -30.5

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 56 / 0 / 62 / 57

HEX #306E2A

RGB 48 110 42

HSL 114.71, 0.45%, 0.3%

LAB 41.13, -34.57, 31.38

 

CMYK 62 / 44 / 0 / 57

HEX #2A3E6E

RGB 42 62 110

HSL 222.35, 0.45%, 0.3%

LAB 26.91, 8.32, -30.3

 

CMYK 5 / 62 / 0 / 57

HEX #682A6E

RGB 104 42 110

HSL 294.71, 0.45%, 0.3%

LAB 28.71, 38.12, -27.04

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 62 / 0 / 50 / 57

HEX #2A6E37

RGB 42 110 55

HSL 131.47, 0.45%, 0.3%

LAB 41.09, -34.31, 24.34

 

CMYK 62 / 44 / 0 / 57

HEX #2A3E6E

RGB 42 62 110

HSL 222.35, 0.45%, 0.3%

LAB 26.91, 8.32, -30.3

 

CMYK 0 / 62 / 12 / 57

HEX #6E2A61

RGB 110 42 97

HSL 311.47, 0.45%, 0.3%

LAB 28.99, 37.43, -18.16

 

Description

Color code: HEX #6E5A2A | qconv.com Color code: HEX #6E5A2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 90 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 90 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 62 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 62% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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