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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E676D it is the complementary color #919892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E676D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E676D shade: #736768, #84797B, #958B8E, #A69DA1 and #B7AFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E676D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E676D shade: #6E676D, #5D555A, #4C4347, #3B3134 and #2A1F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E676D shade: #6E676D, #6E676B, #6E6769, #6E6768 and #6E6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E676D shade: #6E676D, #6D676E, #6B676E, #6A676E and #68676E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E676D shade matches the following richer shades: #6E676D, #7F5679, #904586, #A23392 and #B3229E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E676D shade: #6E676D, #5C7961, #4B8A54, #3A9B48 and #28AD3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E676D shade: #6B676E, #6D676E, #6E676D, #6E676B and #6E676A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E676D shade: #433F43, #595358, #6E676D, #837B82 and #979196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E676D shade: #6E676D, #6E6A67 and #676E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E676D shade: #6E676D, #6D6E67 and #676D6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E676D shade: #6E676D, #6E6A67, #676E68 and #676C6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E676D shade: #6E676D, #6E6B67, #676E68 and #676A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

Complementary color

CMYK 5 / 0 / 4 / 40

HEX #919892

RGB 145 152 146

HSL 128.57, 0.03%, 0.58%

LAB 62.13, -3.69, 2.27

 

CMYK 0 / 10 / 10 / 55

HEX #736768

RGB 115 103 104

HSL 355, 0.06%, 0.43%

LAB 44.72, 4.93, 1.16

 

CMYK 0 / 8 / 7 / 48

HEX #84797B

RGB 132 121 123

HSL 349.09, 0.04%, 0.5%

LAB 51.85, 4.59, 0.43

 

CMYK 0 / 7 / 5 / 42

HEX #958B8E

RGB 149 139 142

HSL 342, 0.05%, 0.56%

LAB 58.8, 4.28, -0.26

 

CMYK 0 / 5 / 3 / 35

HEX #A69DA1

RGB 166 157 161

HSL 333.33, 0.05%, 0.63%

LAB 65.59, 4.01, -0.92

 

CMYK 0 / 4 / 2 / 28

HEX #B7AFB4

RGB 183 175 180

HSL 322.5, 0.05%, 0.7%

LAB 72.24, 3.76, -1.54

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 9 / 3 / 64

HEX #5D555A

RGB 93 85 90

HSL 322.5, 0.04%, 0.35%

LAB 37.05, 4.28, -1.73

 

CMYK 0 / 12 / 7 / 70

HEX #4C4347

RGB 76 67 71

HSL 333.33, 0.06%, 0.28%

LAB 29.43, 4.65, -1.02

 

CMYK 0 / 17 / 12 / 77

HEX #3B3134

RGB 59 49 52

HSL 342, 0.09%, 0.21%

LAB 21.48, 5.12, -0.24

 

CMYK 0 / 26 / 21 / 84

HEX #2A1F21

RGB 42 31 33

HSL 349.09, 0.15%, 0.14%

LAB 13.12, 5.74, 0.68

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 6 / 3 / 57

HEX #6E676B

RGB 110 103 107

HSL 325.71, 0.03%, 0.42%

LAB 44.34, 3.55, -1.26

 

CMYK 0 / 6 / 5 / 57

HEX #6E6769

RGB 110 103 105

HSL 342.86, 0.03%, 0.42%

LAB 44.28, 3.14, -0.14

 

CMYK 0 / 6 / 5 / 57

HEX #6E6768

RGB 110 103 104

HSL 351.43, 0.03%, 0.42%

LAB 44.25, 2.95, 0.42

 

CMYK 0 / 6 / 6 / 57

HEX #6E6767

RGB 110 103 103

HSL 0, 0.03%, 0.42%

LAB 44.23, 2.75, 0.98

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 1 / 6 / 0 / 57

HEX #6D676E

RGB 109 103 110

HSL 291.43, 0.03%, 0.42%

LAB 44.34, 3.78, -3.09

 

CMYK 3 / 6 / 0 / 57

HEX #6B676E

RGB 107 103 110

HSL 274.29, 0.03%, 0.42%

LAB 44.16, 3.01, -3.37

 

CMYK 4 / 6 / 0 / 57

HEX #6A676E

RGB 106 103 110

HSL 265.71, 0.03%, 0.42%

LAB 44.08, 2.63, -3.51

 

CMYK 5 / 6 / 0 / 57

HEX #68676E

RGB 104 103 110

HSL 248.57, 0.03%, 0.42%

LAB 43.9, 1.87, -3.79

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 32 / 5 / 50

HEX #7F5679

RGB 127 86 121

HSL 308.78, 0.19%, 0.42%

LAB 42.07, 23.03, -12.98

 

CMYK 0 / 52 / 7 / 44

HEX #904586

RGB 144 69 134

HSL 308, 0.35%, 0.42%

LAB 41.07, 40.79, -22.26

 

CMYK 0 / 69 / 10 / 36

HEX #A23392

RGB 162 51 146

HSL 308.65, 0.52%, 0.42%

LAB 41.41, 56.1, -28.82

 

CMYK 0 / 81 / 12 / 30

HEX #B3229E

RGB 179 34 158

HSL 308.69, 0.68%, 0.42%

LAB 43.06, 67.22, -33.27

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 24 / 0 / 20 / 53

HEX #5C7961

RGB 92 121 97

HSL 130.34, 0.14%, 0.42%

LAB 48.02, -15.68, 9.81

 

CMYK 46 / 0 / 39 / 46

HEX #4B8A54

RGB 75 138 84

HSL 128.57, 0.3%, 0.42%

LAB 52.19, -32.46, 22.78

 

CMYK 63 / 0 / 54 / 39

HEX #3A9B48

RGB 58 155 72

HSL 128.66, 0.46%, 0.42%

LAB 56.89, -46.18, 34.99

 

CMYK 77 / 0 / 66 / 32

HEX #28AD3B

RGB 40 173 59

HSL 128.57, 0.62%, 0.42%

LAB 62.21, -57.6, 47.16

 

CMYK 3 / 6 / 0 / 57

HEX #6B676E

RGB 107 103 110

HSL 274.29, 0.03%, 0.42%

LAB 44.16, 3.01, -3.37

 

CMYK 1 / 6 / 0 / 57

HEX #6D676E

RGB 109 103 110

HSL 291.43, 0.03%, 0.42%

LAB 44.34, 3.78, -3.09

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 6 / 3 / 57

HEX #6E676B

RGB 110 103 107

HSL 325.71, 0.03%, 0.42%

LAB 44.34, 3.55, -1.26

 

CMYK 0 / 6 / 4 / 57

HEX #6E676A

RGB 110 103 106

HSL 334.29, 0.03%, 0.42%

LAB 44.31, 3.34, -0.7

 

CMYK 0 / 6 / 0 / 74

HEX #433F43

RGB 67 63 67

HSL 300, 0.03%, 0.25%

LAB 27.17, 2.59, -1.83

 

CMYK 0 / 7 / 1 / 65

HEX #595358

RGB 89 83 88

HSL 310, 0.03%, 0.34%

LAB 36.01, 3.49, -2.04

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 6 / 1 / 49

HEX #837B82

RGB 131 123 130

HSL 307.5, 0.03%, 0.5%

LAB 52.51, 4.41, -2.72

 

CMYK 0 / 4 / 1 / 41

HEX #979196

RGB 151 145 150

HSL 310, 0.03%, 0.58%

LAB 60.81, 3.16, -1.86

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 4 / 6 / 57

HEX #6E6A67

RGB 110 106 103

HSL 25.71, 0.03%, 0.42%

LAB 45.08, 0.97, 2.23

 

CMYK 6 / 0 / 2 / 57

HEX #676E6C

RGB 103 110 108

HSL 162.86, 0.03%, 0.42%

LAB 45.8, -3.08, 0.19

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 1 / 0 / 6 / 57

HEX #6D6E67

RGB 109 110 103

HSL 68.57, 0.03%, 0.42%

LAB 46.15, -1.78, 3.76

 

CMYK 6 / 1 / 0 / 57

HEX #676D6E

RGB 103 109 110

HSL 188.57, 0.03%, 0.42%

LAB 45.56, -2.07, -1.35

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 4 / 6 / 57

HEX #6E6A67

RGB 110 106 103

HSL 25.71, 0.03%, 0.42%

LAB 45.08, 0.97, 2.23

 

CMYK 6 / 0 / 5 / 57

HEX #676E68

RGB 103 110 104

HSL 128.57, 0.03%, 0.42%

LAB 45.68, -3.92, 2.42

 

CMYK 6 / 2 / 0 / 57

HEX #676C6E

RGB 103 108 110

HSL 197.14, 0.03%, 0.42%

LAB 45.27, -1.48, -1.78

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 3 / 6 / 57

HEX #6E6B67

RGB 110 107 103

HSL 34.29, 0.03%, 0.42%

LAB 45.37, 0.38, 2.65

 

CMYK 6 / 0 / 5 / 57

HEX #676E68

RGB 103 110 104

HSL 128.57, 0.03%, 0.42%

LAB 45.68, -3.92, 2.42

 

CMYK 6 / 4 / 0 / 57

HEX #676A6E

RGB 103 106 110

HSL 214.29, 0.03%, 0.42%

LAB 44.68, -0.3, -2.64

 

Description

Color code: HEX #6E676D | qconv.com Color code: HEX #6E676D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 103 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 103 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 1 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 1% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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