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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E6225 it is the complementary color #919DDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E6225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E6225 shade: #736220, #847433, #958646, #A69859 and #B7AA6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E6225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E6225 shade: #6E6225, #5D5012, #4C3E00, #3B2C00 and #2A1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E6225 shade: #6E6224, #6E4E24, #6E3A24, #6E2624 and #6E2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E6225 shade: #6E6224, #676E24, #536E24, #3F6E24 and #2B6E24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E6225 shade matches the following richer shades: #6E6224, #7A6A19, #86720D and #927A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E6225 shade: #6E6224, #625A30, #56523C, #4B4A48 and #3F4254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E6225 shade: #6E3B24, #6E4E24, #6E6224, #676E24 and #536E24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E6225 shade: #312B10, #4F471A, #6E6224, #8D7E2F and #AC9939

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E6225 shade: #6E6225, #246E27 and #45246E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E6225 shade: #6E6225, #246E62 and #62246E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E6225 shade: #6E6225, #246E27, #24316E and #6E246C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E6225 shade: #6E6225, #246E3D, #24316E and #6E2456

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 66 / 57

HEX #6E6225

RGB 110 98 37

HSL 50.14, 0.5%, 0.29%

LAB 41.51, -3.24, 35.47

 

Complementary color

CMYK 33 / 28 / 0 / 15

HEX #919DDA

RGB 145 157 218

HSL 230.14, 0.5%, 0.71%

LAB 65.9, 10.04, -32.39

 

CMYK 0 / 15 / 72 / 55

HEX #736220

RGB 115 98 32

HSL 47.71, 0.56%, 0.29%

LAB 41.98, -1.18, 38.5

 

CMYK 0 / 12 / 61 / 48

HEX #847433

RGB 132 116 51

HSL 48.15, 0.44%, 0.36%

LAB 49.05, -2.27, 37.45

 

CMYK 0 / 10 / 53 / 42

HEX #958646

RGB 149 134 70

HSL 48.61, 0.36%, 0.43%

LAB 55.97, -3.1, 36.19

 

CMYK 0 / 8 / 46 / 35

HEX #A69859

RGB 166 152 89

HSL 49.09, 0.3%, 0.5%

LAB 62.75, -3.76, 34.89

 

CMYK 0 / 7 / 41 / 28

HEX #B7AA6C

RGB 183 170 108

HSL 49.6, 0.34%, 0.57%

LAB 69.4, -4.3, 33.63

 

CMYK 0 / 11 / 66 / 57

HEX #6E6225

RGB 110 98 37

HSL 50.14, 0.5%, 0.29%

LAB 41.51, -3.24, 35.47

 

CMYK 0 / 14 / 81 / 64

HEX #5D5012

RGB 93 80 18

HSL 49.6, 0.68%, 0.22%

LAB 34.21, -2.03, 36.16

 

CMYK 0 / 18 / 100 / 70

HEX #4C3E00

RGB 76 62 0

HSL 48.95, 1%, 0.15%

LAB 26.68, -0.41, 35.8

 

CMYK 0 / 25 / 100 / 77

HEX #3B2C00

RGB 59 44 0

HSL 44.75, 1%, 0.12%

LAB 18.93, 2.07, 27.14

 

CMYK 0 / 38 / 100 / 84

HEX #2A1A00

RGB 42 26 0

HSL 37.14, 1%, 0.08%

LAB 10.78, 4.86, 16.19

 

CMYK 0 / 11 / 67 / 57

HEX #6E6224

RGB 110 98 36

HSL 50.27, 0.51%, 0.29%

LAB 41.5, -3.31, 35.95

 

CMYK 0 / 29 / 67 / 57

HEX #6E4E24

RGB 110 78 36

HSL 34.05, 0.51%, 0.29%

LAB 35.77, 8.66, 29.63

 

CMYK 0 / 47 / 67 / 57

HEX #6E3A24

RGB 110 58 36

HSL 17.84, 0.51%, 0.29%

LAB 30.56, 20.78, 23.58

 

CMYK 0 / 65 / 67 / 57

HEX #6E2624

RGB 110 38 36

HSL 1.62, 0.51%, 0.29%

LAB 26.24, 31.83, 18.28

 

CMYK 0 / 67 / 67 / 57

HEX #6E2424

RGB 110 36 36

HSL 0, 0.51%, 0.29%

LAB 25.87, 32.81, 17.82

 

CMYK 0 / 11 / 67 / 57

HEX #6E6224

RGB 110 98 36

HSL 50.27, 0.51%, 0.29%

LAB 41.5, -3.31, 35.95

 

CMYK 6 / 0 / 67 / 57

HEX #676E24

RGB 103 110 36

HSL 65.68, 0.51%, 0.29%

LAB 44.47, -13.41, 38.91

 

CMYK 25 / 0 / 67 / 57

HEX #536E24

RGB 83 110 36

HSL 81.89, 0.51%, 0.29%

LAB 42.94, -22.33, 36.83

 

CMYK 43 / 0 / 67 / 57

HEX #3F6E24

RGB 63 110 36

HSL 98.11, 0.51%, 0.29%

LAB 41.75, -30.29, 35.18

 

CMYK 61 / 0 / 67 / 57

HEX #2B6E24

RGB 43 110 36

HSL 114.32, 0.51%, 0.29%

LAB 40.88, -36.71, 33.99

 

CMYK 0 / 11 / 67 / 57

HEX #6E6224

RGB 110 98 36

HSL 50.27, 0.51%, 0.29%

LAB 41.5, -3.31, 35.95

 

CMYK 0 / 13 / 80 / 52

HEX #7A6A19

RGB 122 106 25

HSL 50.1, 0.66%, 0.29%

LAB 44.96, -2.83, 44.59

 

CMYK 0 / 15 / 90 / 47

HEX #86720D

RGB 134 114 13

HSL 50.08, 0.82%, 0.29%

LAB 48.43, -2.07, 51.71

 

CMYK 0 / 16 / 99 / 43

HEX #927A01

RGB 146 122 1

HSL 50.07, 0.99%, 0.29%

LAB 51.87, -1.14, 57.27

 

CMYK 0 / 11 / 67 / 57

HEX #6E6224

RGB 110 98 36

HSL 50.27, 0.51%, 0.29%

LAB 41.5, -3.31, 35.95

 

CMYK 0 / 8 / 51 / 62

HEX #625A30

RGB 98 90 48

HSL 50.4, 0.34%, 0.29%

LAB 38.06, -3.23, 25.29

 

CMYK 0 / 5 / 30 / 66

HEX #56523C

RGB 86 82 60

HSL 50.77, 0.18%, 0.29%

LAB 34.68, -2.37, 13.54

 

CMYK 0 / 1 / 4 / 71

HEX #4B4A48

RGB 75 74 72

HSL 40, 0.02%, 0.29%

LAB 31.49, -0.01, 1.33

 

CMYK 25 / 21 / 0 / 67

HEX #3F4254

RGB 63 66 84

HSL 231.43, 0.14%, 0.29%

LAB 28.36, 3.32, -11.19

 

CMYK 0 / 46 / 67 / 57

HEX #6E3B24

RGB 110 59 36

HSL 18.65, 0.51%, 0.29%

LAB 30.81, 20.18, 23.87

 

CMYK 0 / 29 / 67 / 57

HEX #6E4E24

RGB 110 78 36

HSL 34.05, 0.51%, 0.29%

LAB 35.77, 8.66, 29.63

 

CMYK 0 / 11 / 67 / 57

HEX #6E6224

RGB 110 98 36

HSL 50.27, 0.51%, 0.29%

LAB 41.5, -3.31, 35.95

 

CMYK 6 / 0 / 67 / 57

HEX #676E24

RGB 103 110 36

HSL 65.68, 0.51%, 0.29%

LAB 44.47, -13.41, 38.91

 

CMYK 25 / 0 / 67 / 57

HEX #536E24

RGB 83 110 36

HSL 81.89, 0.51%, 0.29%

LAB 42.94, -22.33, 36.83

 

CMYK 0 / 12 / 67 / 81

HEX #312B10

RGB 49 43 16

HSL 49.09, 0.51%, 0.13%

LAB 17.54, -1.58, 18.24

 

CMYK 0 / 10 / 67 / 69

HEX #4F471A

RGB 79 71 26

HSL 50.94, 0.5%, 0.21%

LAB 30.02, -3.05, 27.61

 

CMYK 0 / 11 / 67 / 57

HEX #6E6224

RGB 110 98 36

HSL 50.27, 0.51%, 0.29%

LAB 41.5, -3.31, 35.95

 

CMYK 0 / 11 / 67 / 45

HEX #8D7E2F

RGB 141 126 47

HSL 50.43, 0.5%, 0.37%

LAB 52.72, -4.06, 43.65

 

CMYK 0 / 11 / 67 / 33

HEX #AC9939

RGB 172 153 57

HSL 50.09, 0.5%, 0.45%

LAB 63.22, -4.3, 51.16

 

CMYK 0 / 11 / 66 / 57

HEX #6E6225

RGB 110 98 37

HSL 50.14, 0.5%, 0.29%

LAB 41.51, -3.24, 35.47

 

CMYK 67 / 0 / 65 / 57

HEX #246E27

RGB 36 110 39

HSL 122.43, 0.51%, 0.29%

LAB 40.69, -38.13, 32.27

 

CMYK 37 / 67 / 0 / 57

HEX #45246E

RGB 69 36 110

HSL 266.76, 0.51%, 0.29%

LAB 22.49, 32.07, -37.27

 

CMYK 0 / 11 / 66 / 57

HEX #6E6225

RGB 110 98 37

HSL 50.14, 0.5%, 0.29%

LAB 41.51, -3.24, 35.47

 

CMYK 67 / 0 / 11 / 57

HEX #246E62

RGB 36 110 98

HSL 170.27, 0.51%, 0.29%

LAB 41.86, -25.72, 0.02

 

CMYK 11 / 67 / 0 / 57

HEX #62246E

RGB 98 36 110

HSL 290.27, 0.51%, 0.29%

LAB 26.69, 39.43, -30.3

 

CMYK 0 / 11 / 66 / 57

HEX #6E6225

RGB 110 98 37

HSL 50.14, 0.5%, 0.29%

LAB 41.51, -3.24, 35.47

 

CMYK 67 / 0 / 65 / 57

HEX #246E27

RGB 36 110 39

HSL 122.43, 0.51%, 0.29%

LAB 40.69, -38.13, 32.27

 

CMYK 67 / 55 / 0 / 57

HEX #24316E

RGB 36 49 110

HSL 229.46, 0.51%, 0.29%

LAB 22.65, 16.17, -37.17

 

CMYK 0 / 67 / 2 / 57

HEX #6E246C

RGB 110 36 108

HSL 301.62, 0.51%, 0.29%

LAB 28.54, 42.24, -25.96

 

CMYK 0 / 11 / 66 / 57

HEX #6E6225

RGB 110 98 37

HSL 50.14, 0.5%, 0.29%

LAB 41.51, -3.24, 35.47

 

CMYK 67 / 0 / 45 / 57

HEX #246E3D

RGB 36 110 61

HSL 140.27, 0.51%, 0.29%

LAB 41, -34.66, 20.8

 

CMYK 67 / 55 / 0 / 57

HEX #24316E

RGB 36 49 110

HSL 229.46, 0.51%, 0.29%

LAB 22.65, 16.17, -37.17

 

CMYK 0 / 67 / 22 / 57

HEX #6E2456

RGB 110 36 86

HSL 319.46, 0.51%, 0.29%

LAB 27.43, 38.48, -13.37

 

Description

Color code: HEX #6E6225 | qconv.com Color code: HEX #6E6225 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 98 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 98 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 66 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 66% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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