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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E6300 it is the complementary color #919CFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E6300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E6300 shade: #736300, #84750E, #958721, #A69934 and #B7AB47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E6300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E6300 shade: #6E6300, #5D5100, #4C3F00, #3B2D00 and #2A1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E6300 shade: #706400, #704600, #702800, #700A00 and #700000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E6300 shade: #706400, #5D7000, #3E7000, #207000 and #027000

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E6300 shade matches the following richer shades: #706400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E6300 shade: #706400, #675D09, #5E5612, #544F1B and #4B4724

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E6300 shade: #702900, #704700, #706400, #5D7000 and #3F7000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E6300 shade: #1D1A00, #463F00, #706400, #998A00 and #C2AF00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E6300 shade: #6E6300, #00700B and #380070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E6300 shade: #6E6300, #007064 and #640070

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E6300 shade: #6E6300, #00700B, #000B70 and #700064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E6300 shade: #6E6300, #00702C, #000B70 and #700043

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

Complementary color

CMYK 43 / 39 / 0 / 0

HEX #919CFF

RGB 145 156 255

HSL 234, 1%, 0.78%

LAB 67.29, 20.67, -50.52

 

CMYK 0 / 14 / 100 / 55

HEX #736300

RGB 115 99 0

HSL 51.65, 1%, 0.23%

LAB 42.11, -2.93, 49.06

 

CMYK 0 / 11 / 89 / 48

HEX #84750E

RGB 132 117 14

HSL 52.37, 0.81%, 0.29%

LAB 49.08, -4.7, 51.92

 

CMYK 0 / 9 / 78 / 42

HEX #958721

RGB 149 135 33

HSL 52.76, 0.64%, 0.36%

LAB 55.91, -6.12, 52.79

 

CMYK 0 / 8 / 69 / 35

HEX #A69934

RGB 166 153 52

HSL 53.16, 0.52%, 0.43%

LAB 62.62, -7.25, 52.51

 

CMYK 0 / 7 / 61 / 28

HEX #B7AB47

RGB 183 171 71

HSL 53.57, 0.44%, 0.5%

LAB 69.22, -8.16, 51.69

 

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

CMYK 0 / 13 / 100 / 64

HEX #5D5100

RGB 93 81 0

HSL 52.26, 1%, 0.18%

LAB 34.42, -3.29, 42.52

 

CMYK 0 / 17 / 100 / 70

HEX #4C3F00

RGB 76 63 0

HSL 49.74, 1%, 0.15%

LAB 26.99, -1.04, 36.07

 

CMYK 0 / 24 / 100 / 77

HEX #3B2D00

RGB 59 45 0

HSL 45.76, 1%, 0.12%

LAB 19.25, 1.4, 27.51

 

CMYK 0 / 36 / 100 / 84

HEX #2A1B00

RGB 42 27 0

HSL 38.57, 1%, 0.08%

LAB 11.11, 4.15, 16.64

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 0 / 38 / 100 / 56

HEX #704600

RGB 112 70 0

HSL 37.5, 1%, 0.22%

LAB 33.62, 12.95, 43.07

 

CMYK 0 / 64 / 100 / 56

HEX #702800

RGB 112 40 0

HSL 21.43, 1%, 0.22%

LAB 26.63, 30.16, 37.82

 

CMYK 0 / 91 / 100 / 56

HEX #700A00

RGB 112 10 0

HSL 5.36, 1%, 0.22%

LAB 22.52, 41.44, 33.84

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 17 / 0 / 100 / 56

HEX #5D7000

RGB 93 112 0

HSL 70.18, 1%, 0.22%

LAB 44.11, -20.66, 49.64

 

CMYK 45 / 0 / 100 / 56

HEX #3E7000

RGB 62 112 0

HSL 86.79, 1%, 0.22%

LAB 42.17, -33.65, 47.32

 

CMYK 71 / 0 / 100 / 56

HEX #207000

RGB 32 112 0

HSL 102.86, 1%, 0.22%

LAB 41.05, -42.6, 45.95

 

CMYK 98 / 0 / 100 / 56

HEX #027000

RGB 2 112 0

HSL 118.93, 1%, 0.22%

LAB 40.58, -46.79, 45.37

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 0 / 10 / 91 / 60

HEX #675D09

RGB 103 93 9

HSL 53.62, 0.84%, 0.22%

LAB 39.13, -5.1, 43.85

 

CMYK 0 / 9 / 81 / 63

HEX #5E5612

RGB 94 86 18

HSL 53.68, 0.68%, 0.22%

LAB 36.14, -5.12, 38.01

 

CMYK 0 / 6 / 68 / 67

HEX #544F1B

RGB 84 79 27

HSL 54.74, 0.51%, 0.22%

LAB 33.04, -5.35, 30.54

 

CMYK 0 / 5 / 52 / 71

HEX #4B4724

RGB 75 71 36

HSL 53.85, 0.35%, 0.22%

LAB 29.74, -4.06, 21.53

 

CMYK 0 / 63 / 100 / 56

HEX #702900

RGB 112 41 0

HSL 21.96, 1%, 0.22%

LAB 26.82, 29.64, 37.99

 

CMYK 0 / 37 / 100 / 56

HEX #704700

RGB 112 71 0

HSL 38.04, 1%, 0.22%

LAB 33.88, 12.34, 43.25

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 17 / 0 / 100 / 56

HEX #5D7000

RGB 93 112 0

HSL 70.18, 1%, 0.22%

LAB 44.11, -20.66, 49.64

 

CMYK 44 / 0 / 100 / 56

HEX #3F7000

RGB 63 112 0

HSL 86.25, 1%, 0.22%

LAB 42.22, -33.27, 47.38

 

CMYK 0 / 10 / 100 / 89

HEX #1D1A00

RGB 29 26 0

HSL 53.79, 1%, 0.06%

LAB 8.99, -2.89, 13.4

 

CMYK 0 / 10 / 100 / 73

HEX #463F00

RGB 70 63 0

HSL 54, 1%, 0.14%

LAB 26.32, -4.22, 35.22

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 0 / 10 / 100 / 40

HEX #998A00

RGB 153 138 0

HSL 54.12, 1%, 0.3%

LAB 57.03, -6.73, 61.45

 

CMYK 0 / 10 / 100 / 24

HEX #C2AF00

RGB 194 175 0

HSL 54.12, 1%, 0.38%

LAB 70.96, -7.85, 73.19

 

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 50 / 100 / 0 / 56

HEX #380070

RGB 56 0 112

HSL 270, 1%, 0.22%

LAB 15.54, 45.66, -49.99

 

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

CMYK 100 / 0 / 11 / 56

HEX #007064

RGB 0 112 100

HSL 173.57, 1%, 0.22%

LAB 42.01, -30.07, -1.03

 

CMYK 11 / 100 / 0 / 56

HEX #640070

RGB 100 0 112

HSL 293.57, 1%, 0.22%

LAB 23.27, 51.5, -37.05

 

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 100 / 90 / 0 / 56

HEX #000B70

RGB 0 11 112

HSL 234.11, 1%, 0.22%

LAB 12.02, 38.02, -55.99

 

CMYK 0 / 100 / 11 / 56

HEX #700064

RGB 112 0 100

HSL 306.43, 1%, 0.22%

LAB 24.84, 51.7, -26.59

 

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

CMYK 100 / 0 / 61 / 56

HEX #00702C

RGB 0 112 44

HSL 143.57, 1%, 0.22%

LAB 40.85, -43.24, 29.77

 

CMYK 100 / 90 / 0 / 56

HEX #000B70

RGB 0 11 112

HSL 234.11, 1%, 0.22%

LAB 12.02, 38.02, -55.99

 

CMYK 0 / 100 / 40 / 56

HEX #700043

RGB 112 0 67

HSL 324.11, 1%, 0.22%

LAB 23.17, 47.47, -7.05

 

Description

Color code: HEX #6E6300 | qconv.com Color code: HEX #6E6300 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 99 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 99 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 100 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 100% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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