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Color name
HEX #6E6E1A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E6E1A it is the complementary color #9191E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E6E1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E6E1A shade: #736E15, #848028, #95923B, #A6A44E and #B7B661

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E6E1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E6E1A shade: #6E6E1A, #5D5C07, #4C4A00, #3B3800 and #2A2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E6E1A shade: #6F6F1A, #6F581A, #6F411A, #6F2A1A and #6F1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E6E1A shade: #6F6F1A, #586F1A, #416F1A, #2A6F1A and #1A6F20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E6E1A shade matches the following richer shades: #6F6F1A, #7A7A0F and #858503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E6E1A shade: #6F6F1A, #646425, #595930, #4E4E3B and #424246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E6E1A shade: #6F421A, #6F581A, #6F6F1A, #586F1A and #426F1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E6E1A shade: #2C2C0A, #4E4E12, #6F6F1A, #909022 and #B2B229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E6E1A shade: #6E6E1A, #1A6F2B and #4D1A6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E6E1A shade: #6E6E1A, #1A6F6F and #6F1A6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E6E1A shade: #6E6E1A, #1A6F2B, #1A1A6F and #6F1A5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E6E1A shade: #6E6E1A, #1A6F44, #1A1A6F and #6F1A44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 76 / 57

HEX #6E6E1A

RGB 110 110 26

HSL 60, 0.62%, 0.27%

LAB 45, -10.76, 43.83

 

Complementary color

CMYK 37 / 37 / 0 / 10

HEX #9191E5

RGB 145 145 229

HSL 240, 0.62%, 0.73%

LAB 63.28, 19.84, -42.56

 

CMYK 0 / 4 / 82 / 55

HEX #736E15

RGB 115 110 21

HSL 56.81, 0.69%, 0.27%

LAB 45.43, -8.62, 46.17

 

CMYK 0 / 3 / 70 / 48

HEX #848028

RGB 132 128 40

HSL 57.39, 0.53%, 0.34%

LAB 52.39, -9.72, 46.13

 

CMYK 0 / 2 / 60 / 42

HEX #95923B

RGB 149 146 59

HSL 58, 0.43%, 0.41%

LAB 59.22, -10.56, 45.35

 

CMYK 0 / 1 / 53 / 35

HEX #A6A44E

RGB 166 164 78

HSL 58.64, 0.36%, 0.48%

LAB 65.91, -11.21, 44.27

 

CMYK 0 / 1 / 47 / 28

HEX #B7B661

RGB 183 182 97

HSL 59.3, 0.37%, 0.55%

LAB 72.49, -11.73, 43.1

 

CMYK 0 / 0 / 76 / 57

HEX #6E6E1A

RGB 110 110 26

HSL 60, 0.62%, 0.27%

LAB 45, -10.76, 43.83

 

CMYK 0 / 1 / 92 / 64

HEX #5D5C07

RGB 93 92 7

HSL 59.3, 0.86%, 0.2%

LAB 37.84, -9.52, 42.94

 

CMYK 0 / 3 / 100 / 70

HEX #4C4A00

RGB 76 74 0

HSL 58.42, 1%, 0.15%

LAB 30.48, -7.79, 38.89

 

CMYK 0 / 5 / 100 / 77

HEX #3B3800

RGB 59 56 0

HSL 56.95, 1%, 0.12%

LAB 22.86, -5.73, 31.46

 

CMYK 0 / 10 / 100 / 84

HEX #2A2600

RGB 42 38 0

HSL 54.29, 1%, 0.08%

LAB 14.84, -3.5, 21.64

 

CMYK 0 / 0 / 77 / 56

HEX #6F6F1A

RGB 111 111 26

HSL 60, 0.62%, 0.27%

LAB 45.39, -10.85, 44.23

 

CMYK 0 / 21 / 77 / 56

HEX #6F581A

RGB 111 88 26

HSL 43.76, 0.62%, 0.27%

LAB 38.61, 2.47, 37.68

 

CMYK 0 / 41 / 77 / 56

HEX #6F411A

RGB 111 65 26

HSL 27.53, 0.62%, 0.27%

LAB 32.34, 16.41, 31.29

 

CMYK 0 / 62 / 77 / 56

HEX #6F2A1A

RGB 111 42 26

HSL 11.29, 0.62%, 0.27%

LAB 27.05, 29.58, 25.59

 

CMYK 0 / 77 / 77 / 56

HEX #6F1A1A

RGB 111 26 26

HSL 0, 0.62%, 0.27%

LAB 24.3, 36.99, 22.5

 

CMYK 0 / 0 / 77 / 56

HEX #6F6F1A

RGB 111 111 26

HSL 60, 0.62%, 0.27%

LAB 45.39, -10.85, 44.23

 

CMYK 21 / 0 / 77 / 56

HEX #586F1A

RGB 88 111 26

HSL 76.24, 0.62%, 0.27%

LAB 43.53, -21.39, 41.8

 

CMYK 41 / 0 / 77 / 56

HEX #416F1A

RGB 65 111 26

HSL 92.47, 0.62%, 0.27%

LAB 42.1, -30.86, 39.92

 

CMYK 62 / 0 / 77 / 56

HEX #2A6F1A

RGB 42 111 26

HSL 108.71, 0.62%, 0.27%

LAB 41.11, -38.35, 38.6

 

CMYK 77 / 0 / 71 / 56

HEX #1A6F20

RGB 26 111 32

HSL 124.24, 0.62%, 0.27%

LAB 40.72, -41.39, 35.52

 

CMYK 0 / 0 / 77 / 56

HEX #6F6F1A

RGB 111 111 26

HSL 60, 0.62%, 0.27%

LAB 45.39, -10.85, 44.23

 

CMYK 0 / 0 / 88 / 52

HEX #7A7A0F

RGB 122 122 15

HSL 60, 0.78%, 0.27%

LAB 49.61, -12.15, 51.72

 

CMYK 0 / 0 / 98 / 48

HEX #858503

RGB 133 133 3

HSL 60, 0.96%, 0.27%

LAB 53.78, -13.24, 57.73

 

CMYK 0 / 0 / 77 / 56

HEX #6F6F1A

RGB 111 111 26

HSL 60, 0.62%, 0.27%

LAB 45.39, -10.85, 44.23

 

CMYK 0 / 0 / 63 / 61

HEX #646425

RGB 100 100 37

HSL 60, 0.46%, 0.27%

LAB 41.15, -9.14, 34.8

 

CMYK 0 / 0 / 46 / 65

HEX #595930

RGB 89 89 48

HSL 60, 0.3%, 0.27%

LAB 36.9, -6.84, 23.66

 

CMYK 0 / 0 / 24 / 69

HEX #4E4E3B

RGB 78 78 59

HSL 60, 0.14%, 0.27%

LAB 32.67, -3.68, 11.29

 

CMYK 6 / 6 / 0 / 73

HEX #424246

RGB 66 66 70

HSL 240, 0.03%, 0.27%

LAB 28.11, 0.92, -2.42

 

CMYK 0 / 41 / 77 / 56

HEX #6F421A

RGB 111 66 26

HSL 28.24, 0.62%, 0.27%

LAB 32.59, 15.8, 31.56

 

CMYK 0 / 21 / 77 / 56

HEX #6F581A

RGB 111 88 26

HSL 43.76, 0.62%, 0.27%

LAB 38.61, 2.47, 37.68

 

CMYK 0 / 0 / 77 / 56

HEX #6F6F1A

RGB 111 111 26

HSL 60, 0.62%, 0.27%

LAB 45.39, -10.85, 44.23

 

CMYK 21 / 0 / 77 / 56

HEX #586F1A

RGB 88 111 26

HSL 76.24, 0.62%, 0.27%

LAB 43.53, -21.39, 41.8

 

CMYK 41 / 0 / 77 / 56

HEX #426F1A

RGB 66 111 26

HSL 91.76, 0.62%, 0.27%

LAB 42.16, -30.48, 39.99

 

CMYK 0 / 0 / 77 / 83

HEX #2C2C0A

RGB 44 44 10

HSL 60, 0.63%, 0.11%

LAB 17.27, -5.49, 20.66

 

CMYK 0 / 0 / 77 / 69

HEX #4E4E12

RGB 78 78 18

HSL 60, 0.63%, 0.19%

LAB 32.06, -8.34, 33.57

 

CMYK 0 / 0 / 77 / 56

HEX #6F6F1A

RGB 111 111 26

HSL 60, 0.62%, 0.27%

LAB 45.39, -10.85, 44.23

 

CMYK 0 / 0 / 76 / 44

HEX #909022

RGB 144 144 34

HSL 60, 0.62%, 0.35%

LAB 58.03, -13.2, 54.23

 

CMYK 0 / 0 / 77 / 30

HEX #B2B229

RGB 178 178 41

HSL 60, 0.63%, 0.43%

LAB 70.5, -15.56, 64.43

 

CMYK 0 / 0 / 76 / 57

HEX #6E6E1A

RGB 110 110 26

HSL 60, 0.62%, 0.27%

LAB 45, -10.76, 43.83

 

CMYK 77 / 0 / 61 / 56

HEX #1A6F2B

RGB 26 111 43

HSL 132, 0.62%, 0.27%

LAB 40.84, -40.03, 30.36

 

CMYK 31 / 77 / 0 / 56

HEX #4D1A6F

RGB 77 26 111

HSL 276, 0.62%, 0.27%

LAB 21.81, 39.35, -38.95

 

CMYK 0 / 0 / 76 / 57

HEX #6E6E1A

RGB 110 110 26

HSL 60, 0.62%, 0.27%

LAB 45, -10.76, 43.83

 

CMYK 77 / 0 / 0 / 56

HEX #1A6F6F

RGB 26 111 111

HSL 180, 0.62%, 0.27%

LAB 42.36, -23.84, -7.12

 

CMYK 0 / 77 / 0 / 56

HEX #6F1A6F

RGB 111 26 111

HSL 300, 0.62%, 0.27%

LAB 27.48, 47, -29.55

 

CMYK 0 / 0 / 76 / 57

HEX #6E6E1A

RGB 110 110 26

HSL 60, 0.62%, 0.27%

LAB 45, -10.76, 43.83

 

CMYK 77 / 0 / 61 / 56

HEX #1A6F2B

RGB 26 111 43

HSL 132, 0.62%, 0.27%

LAB 40.84, -40.03, 30.36

 

CMYK 77 / 77 / 0 / 56

HEX #1A1A6F

RGB 26 26 111

HSL 240, 0.62%, 0.27%

LAB 16.03, 30.84, -48.64

 

CMYK 0 / 77 / 15 / 56

HEX #6F1A5E

RGB 111 26 94

HSL 312, 0.62%, 0.27%

LAB 26.52, 44.14, -20.03

 

CMYK 0 / 0 / 76 / 57

HEX #6E6E1A

RGB 110 110 26

HSL 60, 0.62%, 0.27%

LAB 45, -10.76, 43.83

 

CMYK 77 / 0 / 39 / 56

HEX #1A6F44

RGB 26 111 68

HSL 149.65, 0.62%, 0.27%

LAB 41.23, -35.55, 17.01

 

CMYK 77 / 77 / 0 / 56

HEX #1A1A6F

RGB 26 26 111

HSL 240, 0.62%, 0.27%

LAB 16.03, 30.84, -48.64

 

CMYK 0 / 77 / 39 / 56

HEX #6F1A44

RGB 111 26 68

HSL 330.35, 0.62%, 0.27%

LAB 25.37, 40.52, -4.46

 

Description

Color code: HEX #6E6E1A | qconv.com Color code: HEX #6E6E1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 110 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 110 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 76 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 76% 57% C M Y K

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Provide designers and agencies with accurate color values.

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