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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E7AB1 it is the complementary color #91854E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E7AB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E7AB1 shade: #737AAC, #848CBF, #959ED2, #A6B0E5 and #B7C2F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E7AB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E7AB1 shade: #6E7AB1, #5D689E, #4C568B, #3B4478 and #2A3265

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E7AB1 shade: #6D79B0, #736DB0, #856DB0, #976DB0 and #A96DB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E7AB1 shade: #6D79B0 and #6D6DB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E7AB1 shade matches the following richer shades: #6D79B0, #5A6DC2, #4861D4, #3656E6 and #244AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E7AB1 shade: #6D79B0, #7F849E, #91908C, #A39C79 and #B5A767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E7AB1 shade: #6D9DB0, #6D8BB0, #6D79B0, #726DB0 and #846DB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E7AB1 shade: #475184, #55629E, #6D79B0, #8791BE and #A2AACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E7AB1 shade: #6E7AB1, #B06DAF and #94B06D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E7AB1 shade: #6E7AB1, #B06D79 and #79B06D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E7AB1 shade: #6E7AB1, #B06DAF, #B0A46D and #6DB06E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E7AB1 shade: #6E7AB1, #B06D9B, #B0A46D and #6DB082

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

Complementary color

CMYK 0 / 8 / 46 / 43

HEX #91854E

RGB 145 133 78

HSL 49.25, 0.3%, 0.44%

LAB 55.43, -3.5, 31.19

 

CMYK 33 / 29 / 0 / 33

HEX #737AAC

RGB 115 122 172

HSL 232.63, 0.26%, 0.56%

LAB 52.45, 9.52, -27.42

 

CMYK 31 / 27 / 0 / 25

HEX #848CBF

RGB 132 140 191

HSL 231.86, 0.32%, 0.63%

LAB 59.36, 9.02, -27.48

 

CMYK 29 / 25 / 0 / 18

HEX #959ED2

RGB 149 158 210

HSL 231.15, 0.4%, 0.7%

LAB 66.13, 8.59, -27.58

 

CMYK 28 / 23 / 0 / 10

HEX #A6B0E5

RGB 166 176 229

HSL 230.48, 0.55%, 0.77%

LAB 72.77, 8.2, -27.71

 

CMYK 26 / 22 / 0 / 3

HEX #B7C2F8

RGB 183 194 248

HSL 229.85, 0.82%, 0.85%

LAB 79.29, 7.85, -27.87

 

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

CMYK 41 / 34 / 0 / 38

HEX #5D689E

RGB 93 104 158

HSL 229.85, 0.26%, 0.49%

LAB 45.22, 10.11, -30.62

 

CMYK 45 / 38 / 0 / 45

HEX #4C568B

RGB 76 86 139

HSL 230.48, 0.29%, 0.42%

LAB 37.94, 10.92, -30.74

 

CMYK 51 / 43 / 0 / 53

HEX #3B4478

RGB 59 68 120

HSL 231.15, 0.34%, 0.35%

LAB 30.45, 11.95, -30.94

 

CMYK 58 / 50 / 0 / 60

HEX #2A3265

RGB 42 50 101

HSL 231.86, 0.41%, 0.28%

LAB 22.7, 13.33, -31.24

 

CMYK 38 / 31 / 0 / 31

HEX #6D79B0

RGB 109 121 176

HSL 229.25, 0.3%, 0.56%

LAB 51.91, 9.48, -30.61

 

CMYK 35 / 38 / 0 / 31

HEX #736DB0

RGB 115 109 176

HSL 245.37, 0.3%, 0.56%

LAB 49.15, 18.42, -34.88

 

CMYK 24 / 38 / 0 / 31

HEX #856DB0

RGB 133 109 176

HSL 261.49, 0.3%, 0.56%

LAB 50.76, 23.74, -32.25

 

CMYK 14 / 38 / 0 / 31

HEX #976DB0

RGB 151 109 176

HSL 277.61, 0.3%, 0.56%

LAB 52.57, 29.31, -29.29

 

CMYK 4 / 38 / 0 / 31

HEX #A96DB0

RGB 169 109 176

HSL 293.73, 0.3%, 0.56%

LAB 54.56, 35.03, -26.04

 

CMYK 38 / 31 / 0 / 31

HEX #6D79B0

RGB 109 121 176

HSL 229.25, 0.3%, 0.56%

LAB 51.91, 9.48, -30.61

 

CMYK 38 / 38 / 0 / 31

HEX #6D6DB0

RGB 109 109 176

HSL 240, 0.3%, 0.56%

LAB 48.66, 16.73, -35.68

 

CMYK 38 / 31 / 0 / 31

HEX #6D79B0

RGB 109 121 176

HSL 229.25, 0.3%, 0.56%

LAB 51.91, 9.48, -30.61

 

CMYK 54 / 44 / 0 / 24

HEX #5A6DC2

RGB 90 109 194

HSL 229.04, 0.46%, 0.56%

LAB 48.27, 17.49, -46.81

 

CMYK 66 / 54 / 0 / 17

HEX #4861D4

RGB 72 97 212

HSL 229.29, 0.62%, 0.56%

LAB 45.19, 27.72, -62.14

 

CMYK 77 / 63 / 0 / 10

HEX #3656E6

RGB 54 86 230

HSL 229.09, 0.78%, 0.56%

LAB 42.99, 38.75, -76

 

CMYK 86 / 70 / 0 / 2

HEX #244AF9

RGB 36 74 249

HSL 229.3, 0.95%, 0.56%

LAB 41.39, 51.37, -89.36

 

CMYK 38 / 31 / 0 / 31

HEX #6D79B0

RGB 109 121 176

HSL 229.25, 0.3%, 0.56%

LAB 51.91, 9.48, -30.61

 

CMYK 20 / 16 / 0 / 38

HEX #7F849E

RGB 127 132 158

HSL 230.32, 0.14%, 0.56%

LAB 55.57, 3.89, -14.47

 

CMYK 0 / 1 / 3 / 43

HEX #91908C

RGB 145 144 140

HSL 48, 0.02%, 0.56%

LAB 59.76, -0.39, 2.24

 

CMYK 0 / 4 / 26 / 36

HEX #A39C79

RGB 163 156 121

HSL 50, 0.19%, 0.56%

LAB 64.12, -3.22, 19.29

 

CMYK 0 / 8 / 43 / 29

HEX #B5A767

RGB 181 167 103

HSL 49.23, 0.35%, 0.56%

LAB 68.34, -4.07, 34.87

 

CMYK 38 / 11 / 0 / 31

HEX #6D9DB0

RGB 109 157 176

HSL 197.01, 0.3%, 0.56%

LAB 62.08, -11.16, -14.99

 

CMYK 38 / 21 / 0 / 31

HEX #6D8BB0

RGB 109 139 176

HSL 213.13, 0.3%, 0.56%

LAB 56.93, -1.09, -22.83

 

CMYK 38 / 31 / 0 / 31

HEX #6D79B0

RGB 109 121 176

HSL 229.25, 0.3%, 0.56%

LAB 51.91, 9.48, -30.61

 

CMYK 35 / 38 / 0 / 31

HEX #726DB0

RGB 114 109 176

HSL 244.48, 0.3%, 0.56%

LAB 49.07, 18.14, -35.02

 

CMYK 25 / 38 / 0 / 31

HEX #846DB0

RGB 132 109 176

HSL 260.6, 0.3%, 0.56%

LAB 50.66, 23.44, -32.41

 

CMYK 46 / 39 / 0 / 48

HEX #475184

RGB 71 81 132

HSL 230.16, 0.3%, 0.4%

LAB 35.77, 10.55, -29.91

 

CMYK 46 / 38 / 0 / 38

HEX #55629E

RGB 85 98 158

HSL 229.32, 0.3%, 0.48%

LAB 42.97, 11.68, -34.19

 

CMYK 38 / 31 / 0 / 31

HEX #6D79B0

RGB 109 121 176

HSL 229.25, 0.3%, 0.56%

LAB 51.91, 9.48, -30.61

 

CMYK 29 / 24 / 0 / 25

HEX #8791BE

RGB 135 145 190

HSL 229.09, 0.3%, 0.64%

LAB 60.89, 6.78, -24.55

 

CMYK 21 / 17 / 0 / 20

HEX #A2AACD

RGB 162 170 205

HSL 228.84, 0.3%, 0.72%

LAB 70.06, 4.65, -18.73

 

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

CMYK 0 / 38 / 1 / 31

HEX #B06DAF

RGB 176 109 175

HSL 300.9, 0.3%, 0.56%

LAB 55.34, 37.08, -24.19

 

CMYK 16 / 0 / 38 / 31

HEX #94B06D

RGB 148 176 109

HSL 85.07, 0.3%, 0.56%

LAB 68.35, -21.28, 31.21

 

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

CMYK 0 / 38 / 31 / 31

HEX #B06D79

RGB 176 109 121

HSL 349.25, 0.3%, 0.56%

LAB 53.54, 28.21, 4.65

 

CMYK 31 / 0 / 38 / 31

HEX #79B06D

RGB 121 176 109

HSL 109.25, 0.3%, 0.56%

LAB 66.69, -31.13, 28.72

 

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

CMYK 0 / 38 / 1 / 31

HEX #B06DAF

RGB 176 109 175

HSL 300.9, 0.3%, 0.56%

LAB 55.34, 37.08, -24.19

 

CMYK 0 / 7 / 38 / 31

HEX #B0A46D

RGB 176 164 109

HSL 49.25, 0.3%, 0.56%

LAB 67.19, -3.85, 30.13

 

CMYK 38 / 0 / 38 / 31

HEX #6DB06E

RGB 109 176 110

HSL 120.9, 0.3%, 0.56%

LAB 66.08, -34.95, 27.28

 

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

CMYK 0 / 38 / 12 / 31

HEX #B06D9B

RGB 176 109 155

HSL 318.81, 0.3%, 0.56%

LAB 54.59, 33.46, -13.74

 

CMYK 0 / 7 / 38 / 31

HEX #B0A46D

RGB 176 164 109

HSL 49.25, 0.3%, 0.56%

LAB 67.19, -3.85, 30.13

 

CMYK 38 / 0 / 26 / 31

HEX #6DB082

RGB 109 176 130

HSL 138.81, 0.3%, 0.56%

LAB 66.45, -31.41, 17

 

Description

Color code: HEX #6E7AB1 | qconv.com Color code: HEX #6E7AB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 122 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 122 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 31 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 31% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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