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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E7C9E it is the complementary color #918361. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E7C9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E7C9E shade: #737C99, #848EAC, #95A0BF, #A6B2D2 and #B7C4E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E7C9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E7C9E shade: #6E7C9E, #5D6A8B, #4C5878, #3B4665 and #2A3452

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E7C9E shade: #6F7D9F, #6F709F, #7B6F9F, #876F9F and #946F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E7C9E shade: #6F7D9F, #6F709F and #6F6F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E7C9E shade matches the following richer shades: #6F7D9F, #5B75B2, #486DC5, #3564D9 and #215CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E7C9E shade: #6F7D9F, #82858B, #958D78, #A99564 and #BC9D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E7C9E shade: #6F979F, #6F8A9F, #6F7D9F, #6F709F and #7A6F9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E7C9E shade: #4B5670, #5B6889, #6F7D9F, #8793AF and #A0A9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E7C9E shade: #6E7C9E, #9A6F9F and #909F6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E7C9E shade: #6E7C9E, #9F6F7D and #7D9F6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E7C9E shade: #6E7C9E, #9A6F9F, #9F906F and #739F6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E7C9E shade: #6E7C9E, #9F6F95, #9F906F and #6F9F78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 22 / 0 / 38

HEX #6E7C9E

RGB 110 124 158

HSL 222.5, 0.2%, 0.53%

LAB 52.06, 3.08, -19.92

 

Complementary color

CMYK 0 / 10 / 33 / 43

HEX #918361

RGB 145 131 97

HSL 42.5, 0.2%, 0.47%

LAB 55.19, -0.09, 20.34

 

CMYK 25 / 19 / 0 / 40

HEX #737C99

RGB 115 124 153

HSL 225.79, 0.16%, 0.53%

LAB 52.24, 3.39, -16.7

 

CMYK 23 / 17 / 0 / 33

HEX #848EAC

RGB 132 142 172

HSL 225, 0.19%, 0.6%

LAB 59.19, 3.12, -16.97

 

CMYK 22 / 16 / 0 / 25

HEX #95A0BF

RGB 149 160 191

HSL 224.29, 0.25%, 0.67%

LAB 65.98, 2.87, -17.26

 

CMYK 21 / 15 / 0 / 18

HEX #A6B2D2

RGB 166 178 210

HSL 223.64, 0.33%, 0.74%

LAB 72.63, 2.65, -17.56

 

CMYK 20 / 14 / 0 / 10

HEX #B7C4E5

RGB 183 196 229

HSL 223.04, 0.47%, 0.81%

LAB 79.16, 2.44, -17.87

 

CMYK 30 / 22 / 0 / 38

HEX #6E7C9E

RGB 110 124 158

HSL 222.5, 0.2%, 0.53%

LAB 52.06, 3.08, -19.92

 

CMYK 33 / 24 / 0 / 45

HEX #5D6A8B

RGB 93 106 139

HSL 223.04, 0.2%, 0.45%

LAB 44.94, 3.43, -19.75

 

CMYK 37 / 27 / 0 / 53

HEX #4C5878

RGB 76 88 120

HSL 223.64, 0.22%, 0.38%

LAB 37.61, 3.85, -19.63

 

CMYK 42 / 31 / 0 / 60

HEX #3B4665

RGB 59 70 101

HSL 224.29, 0.26%, 0.31%

LAB 30.03, 4.39, -19.58

 

CMYK 49 / 37 / 0 / 68

HEX #2A3452

RGB 42 52 82

HSL 225, 0.32%, 0.24%

LAB 22.15, 5.1, -19.61

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 30 / 30 / 0 / 38

HEX #6F709F

RGB 111 112 159

HSL 238.75, 0.2%, 0.53%

LAB 48.85, 10.81, -25.45

 

CMYK 23 / 30 / 0 / 38

HEX #7B6F9F

RGB 123 111 159

HSL 255, 0.2%, 0.53%

LAB 49.6, 15.2, -24.21

 

CMYK 15 / 30 / 0 / 38

HEX #876F9F

RGB 135 111 159

HSL 270, 0.2%, 0.53%

LAB 50.71, 19.13, -22.39

 

CMYK 7 / 30 / 0 / 38

HEX #946F9F

RGB 148 111 159

HSL 286.25, 0.2%, 0.53%

LAB 52.03, 23.49, -20.26

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 30 / 30 / 0 / 38

HEX #6F709F

RGB 111 112 159

HSL 238.75, 0.2%, 0.53%

LAB 48.85, 10.81, -25.45

 

CMYK 30 / 30 / 0 / 38

HEX #6F6F9F

RGB 111 111 159

HSL 240, 0.2%, 0.53%

LAB 48.58, 11.41, -25.87

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 49 / 34 / 0 / 30

HEX #5B75B2

RGB 91 117 178

HSL 222.07, 0.36%, 0.53%

LAB 49.69, 7.72, -35.32

 

CMYK 63 / 45 / 0 / 23

HEX #486DC5

RGB 72 109 197

HSL 222.24, 0.52%, 0.53%

LAB 47.43, 14.91, -49.94

 

CMYK 76 / 54 / 0 / 15

HEX #3564D9

RGB 53 100 217

HSL 222.8, 0.68%, 0.53%

LAB 45.47, 25.07, -64.58

 

CMYK 86 / 61 / 0 / 7

HEX #215CEC

RGB 33 92 236

HSL 222.56, 0.84%, 0.53%

LAB 44.28, 35.54, -77.31

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 6 / 4 / 0 / 45

HEX #82858B

RGB 130 133 139

HSL 220, 0.04%, 0.53%

LAB 55.47, 0.12, -3.61

 

CMYK 0 / 5 / 19 / 42

HEX #958D78

RGB 149 141 120

HSL 43.45, 0.12%, 0.53%

LAB 58.78, -0.67, 12.28

 

CMYK 0 / 12 / 41 / 34

HEX #A99564

RGB 169 149 100

HSL 42.61, 0.29%, 0.53%

LAB 62.38, 0.34, 28.6

 

CMYK 0 / 16 / 57 / 26

HEX #BC9D51

RGB 188 157 81

HSL 42.62, 0.44%, 0.53%

LAB 66.06, 2.21, 43.48

 

CMYK 30 / 5 / 0 / 38

HEX #6F979F

RGB 111 151 159

HSL 190, 0.2%, 0.53%

LAB 59.9, -11.67, -8.63

 

CMYK 30 / 13 / 0 / 38

HEX #6F8A9F

RGB 111 138 159

HSL 206.25, 0.2%, 0.53%

LAB 56.15, -4.44, -14.28

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 30 / 30 / 0 / 38

HEX #6F709F

RGB 111 112 159

HSL 238.75, 0.2%, 0.53%

LAB 48.85, 10.81, -25.45

 

CMYK 23 / 30 / 0 / 38

HEX #7A6F9F

RGB 122 111 159

HSL 253.75, 0.2%, 0.53%

LAB 49.51, 14.88, -24.35

 

CMYK 33 / 23 / 0 / 56

HEX #4B5670

RGB 75 86 112

HSL 222.16, 0.2%, 0.37%

LAB 36.6, 2.48, -16.26

 

CMYK 34 / 24 / 0 / 46

HEX #5B6889

RGB 91 104 137

HSL 223.04, 0.2%, 0.45%

LAB 44.13, 3.47, -19.81

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 23 / 16 / 0 / 31

HEX #8793AF

RGB 135 147 175

HSL 222, 0.2%, 0.61%

LAB 60.88, 1.95, -16.08

 

CMYK 17 / 12 / 0 / 25

HEX #A0A9C0

RGB 160 169 192

HSL 223.13, 0.2%, 0.69%

LAB 69.22, 1.64, -12.84

 

CMYK 30 / 22 / 0 / 38

HEX #6E7C9E

RGB 110 124 158

HSL 222.5, 0.2%, 0.53%

LAB 52.06, 3.08, -19.92

 

CMYK 3 / 30 / 0 / 38

HEX #9A6F9F

RGB 154 111 159

HSL 293.75, 0.2%, 0.53%

LAB 52.67, 25.53, -19.23

 

CMYK 9 / 0 / 30 / 38

HEX #909F6F

RGB 144 159 111

HSL 78.75, 0.2%, 0.53%

LAB 63.24, -13.8, 23.35

 

CMYK 30 / 22 / 0 / 38

HEX #6E7C9E

RGB 110 124 158

HSL 222.5, 0.2%, 0.53%

LAB 52.06, 3.08, -19.92

 

CMYK 0 / 30 / 21 / 38

HEX #9F6F7D

RGB 159 111 125

HSL 342.5, 0.2%, 0.53%

LAB 52.09, 21.16, -0.07

 

CMYK 21 / 0 / 30 / 38

HEX #7D9F6F

RGB 125 159 111

HSL 102.5, 0.2%, 0.53%

LAB 61.92, -21.03, 21.34

 

CMYK 30 / 22 / 0 / 38

HEX #6E7C9E

RGB 110 124 158

HSL 222.5, 0.2%, 0.53%

LAB 52.06, 3.08, -19.92

 

CMYK 3 / 30 / 0 / 38

HEX #9A6F9F

RGB 154 111 159

HSL 293.75, 0.2%, 0.53%

LAB 52.67, 25.53, -19.23

 

CMYK 0 / 9 / 30 / 38

HEX #9F906F

RGB 159 144 111

HSL 41.25, 0.2%, 0.53%

LAB 60.31, 0.35, 19.6

 

CMYK 28 / 0 / 30 / 38

HEX #739F6F

RGB 115 159 111

HSL 115, 0.2%, 0.53%

LAB 61.3, -24.62, 20.4

 

CMYK 30 / 22 / 0 / 38

HEX #6E7C9E

RGB 110 124 158

HSL 222.5, 0.2%, 0.53%

LAB 52.06, 3.08, -19.92

 

CMYK 0 / 30 / 6 / 38

HEX #9F6F95

RGB 159 111 149

HSL 312.5, 0.2%, 0.53%

LAB 52.85, 25.32, -13.05

 

CMYK 0 / 9 / 30 / 38

HEX #9F906F

RGB 159 144 111

HSL 41.25, 0.2%, 0.53%

LAB 60.31, 0.35, 19.6

 

CMYK 30 / 0 / 25 / 38

HEX #6F9F78

RGB 111 159 120

HSL 131.25, 0.2%, 0.53%

LAB 61.25, -24.38, 15.31

 

Description

Color code: HEX #6E7C9E | qconv.com Color code: HEX #6E7C9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 124 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 124 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 22 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 22% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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