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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E8DA9 it is the complementary color #917256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E8DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E8DA9 shade: #738DA4, #849FB7, #95B1CA, #A6C3DD and #B7D5F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E8DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E8DA9 shade: #6E8DA9, #5D7B96, #4C6983, #3B5770 and #2A455D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E8DA9 shade: #6E8DAA, #6E7DAA, #6F6EAA, #7F6EAA and #8F6EAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E8DA9 shade: #6E8DAA, #6E7DAA and #6E6EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E8DA9 shade matches the following richer shades: #6E8DAA, #5B8EBC, #498FCF, #3690E1 and #2491F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E8DA9 shade: #6E8DAA, #808C97, #938B84, #A68A72 and #B8895F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E8DA9 shade: #6EAAA6, #6E9EAA, #6E8EAA, #6E7EAA and #6E6EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E8DA9 shade: #49647C, #587996, #6E8DAA, #88A2B9 and #A2B6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E8DA9 shade: #6E8DA9, #966EAA and #A6AA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E8DA9 shade: #6E8DA9, #AA6E8E and #8EAA6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E8DA9 shade: #6E8DA9, #966EAA, #AA8A6E and #82AA6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E8DA9 shade: #6E8DA9, #A86EAA, #AA8A6E and #70AA6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 17 / 0 / 34

HEX #6E8DA9

RGB 110 141 169

HSL 208.47, 0.26%, 0.55%

LAB 57.3, -3.84, -18.27

 

Complementary color

CMYK 0 / 21 / 41 / 43

HEX #917256

RGB 145 114 86

HSL 28.47, 0.26%, 0.45%

LAB 50.37, 8.2, 20.17

 

CMYK 30 / 14 / 0 / 36

HEX #738DA4

RGB 115 141 164

HSL 208.16, 0.21%, 0.55%

LAB 57.44, -3.64, -15.16

 

CMYK 28 / 13 / 0 / 28

HEX #849FB7

RGB 132 159 183

HSL 208.24, 0.26%, 0.62%

LAB 64.26, -3.77, -15.5

 

CMYK 26 / 12 / 0 / 21

HEX #95B1CA

RGB 149 177 202

HSL 208.3, 0.33%, 0.69%

LAB 70.94, -3.9, -15.84

 

CMYK 25 / 12 / 0 / 13

HEX #A6C3DD

RGB 166 195 221

HSL 208.36, 0.45%, 0.76%

LAB 77.49, -4.01, -16.19

 

CMYK 24 / 11 / 0 / 6

HEX #B7D5F0

RGB 183 213 240

HSL 208.42, 0.66%, 0.83%

LAB 83.94, -4.12, -16.54

 

CMYK 35 / 17 / 0 / 34

HEX #6E8DA9

RGB 110 141 169

HSL 208.47, 0.26%, 0.55%

LAB 57.3, -3.84, -18.27

 

CMYK 38 / 18 / 0 / 41

HEX #5D7B96

RGB 93 123 150

HSL 208.42, 0.23%, 0.48%

LAB 50.33, -3.62, -18

 

CMYK 42 / 20 / 0 / 49

HEX #4C6983

RGB 76 105 131

HSL 208.36, 0.27%, 0.41%

LAB 43.18, -3.36, -17.76

 

CMYK 47 / 22 / 0 / 56

HEX #3B5770

RGB 59 87 112

HSL 208.3, 0.31%, 0.34%

LAB 35.82, -3.01, -17.54

 

CMYK 55 / 26 / 0 / 64

HEX #2A455D

RGB 42 69 93

HSL 208.24, 0.38%, 0.26%

LAB 28.22, -2.52, -17.36

 

CMYK 35 / 17 / 0 / 33

HEX #6E8DAA

RGB 110 141 170

HSL 209, 0.26%, 0.55%

LAB 57.33, -3.57, -18.78

 

CMYK 35 / 26 / 0 / 33

HEX #6E7DAA

RGB 110 125 170

HSL 225, 0.26%, 0.55%

LAB 52.82, 5.72, -25.71

 

CMYK 35 / 35 / 0 / 33

HEX #6F6EAA

RGB 111 110 170

HSL 241, 0.26%, 0.55%

LAB 48.8, 15.01, -31.96

 

CMYK 25 / 35 / 0 / 33

HEX #7F6EAA

RGB 127 110 170

HSL 257, 0.26%, 0.55%

LAB 50.18, 19.81, -29.71

 

CMYK 16 / 35 / 0 / 33

HEX #8F6EAA

RGB 143 110 170

HSL 273, 0.26%, 0.55%

LAB 51.72, 24.84, -27.2

 

CMYK 35 / 17 / 0 / 33

HEX #6E8DAA

RGB 110 141 170

HSL 209, 0.26%, 0.55%

LAB 57.33, -3.57, -18.78

 

CMYK 35 / 26 / 0 / 33

HEX #6E7DAA

RGB 110 125 170

HSL 225, 0.26%, 0.55%

LAB 52.82, 5.72, -25.71

 

CMYK 35 / 35 / 0 / 33

HEX #6E6EAA

RGB 110 110 170

HSL 240, 0.26%, 0.55%

LAB 48.72, 14.72, -32.09

 

CMYK 35 / 17 / 0 / 33

HEX #6E8DAA

RGB 110 141 170

HSL 209, 0.26%, 0.55%

LAB 57.33, -3.57, -18.78

 

CMYK 52 / 24 / 0 / 26

HEX #5B8EBC

RGB 91 142 188

HSL 208.45, 0.42%, 0.55%

LAB 57.27, -3.95, -29.22

 

CMYK 65 / 31 / 0 / 19

HEX #498FCF

RGB 73 143 207

HSL 208.66, 0.58%, 0.55%

LAB 57.62, -2.05, -39.46

 

CMYK 76 / 36 / 0 / 12

HEX #3690E1

RGB 54 144 225

HSL 208.42, 0.74%, 0.55%

LAB 58.2, 0.92, -48.68

 

CMYK 85 / 41 / 0 / 4

HEX #2491F4

RGB 36 145 244

HSL 208.56, 0.9%, 0.55%

LAB 59.12, 5.63, -57.76

 

CMYK 35 / 17 / 0 / 33

HEX #6E8DAA

RGB 110 141 170

HSL 209, 0.26%, 0.55%

LAB 57.33, -3.57, -18.78

 

CMYK 15 / 7 / 0 / 41

HEX #808C97

RGB 128 140 151

HSL 208.7, 0.1%, 0.55%

LAB 57.64, -1.96, -7.33

 

CMYK 0 / 5 / 10 / 42

HEX #938B84

RGB 147 139 132

HSL 28, 0.06%, 0.55%

LAB 58.35, 1.7, 4.8

 

CMYK 0 / 17 / 31 / 35

HEX #A68A72

RGB 166 138 114

HSL 27.69, 0.23%, 0.55%

LAB 59.43, 6.96, 16.83

 

CMYK 0 / 26 / 48 / 28

HEX #B8895F

RGB 184 137 95

HSL 28.31, 0.39%, 0.55%

LAB 60.7, 12.75, 29.45

 

CMYK 35 / 0 / 2 / 33

HEX #6EAAA6

RGB 110 170 166

HSL 176, 0.26%, 0.55%

LAB 65.61, -20.3, -4.12

 

CMYK 35 / 7 / 0 / 33

HEX #6E9EAA

RGB 110 158 170

HSL 192, 0.26%, 0.55%

LAB 62.23, -12.98, -11.38

 

CMYK 35 / 16 / 0 / 33

HEX #6E8EAA

RGB 110 142 170

HSL 208, 0.26%, 0.55%

LAB 57.62, -4.14, -18.35

 

CMYK 35 / 26 / 0 / 33

HEX #6E7EAA

RGB 110 126 170

HSL 224, 0.26%, 0.55%

LAB 53.1, 5.12, -25.28

 

CMYK 35 / 35 / 0 / 33

HEX #6E6EAA

RGB 110 110 170

HSL 240, 0.26%, 0.55%

LAB 48.72, 14.72, -32.09

 

CMYK 41 / 19 / 0 / 51

HEX #49647C

RGB 73 100 124

HSL 208.24, 0.26%, 0.39%

LAB 41.19, -3.29, -16.59

 

CMYK 41 / 19 / 0 / 41

HEX #587996

RGB 88 121 150

HSL 208.06, 0.26%, 0.47%

LAB 49.44, -3.89, -19.39

 

CMYK 35 / 17 / 0 / 33

HEX #6E8DAA

RGB 110 141 170

HSL 209, 0.26%, 0.55%

LAB 57.33, -3.57, -18.78

 

CMYK 26 / 12 / 0 / 27

HEX #88A2B9

RGB 136 162 185

HSL 208.16, 0.26%, 0.63%

LAB 65.42, -3.72, -14.84

 

CMYK 19 / 9 / 0 / 22

HEX #A2B6C8

RGB 162 182 200

HSL 208.42, 0.26%, 0.71%

LAB 73.09, -3.03, -11.42

 

CMYK 35 / 17 / 0 / 34

HEX #6E8DA9

RGB 110 141 169

HSL 208.47, 0.26%, 0.55%

LAB 57.3, -3.84, -18.27

 

CMYK 12 / 35 / 0 / 33

HEX #966EAA

RGB 150 110 170

HSL 280, 0.26%, 0.55%

LAB 52.44, 27.1, -26.02

 

CMYK 2 / 0 / 35 / 33

HEX #A6AA6E

RGB 166 170 110

HSL 64, 0.26%, 0.55%

LAB 68.01, -10.98, 30.49

 

CMYK 35 / 17 / 0 / 34

HEX #6E8DA9

RGB 110 141 169

HSL 208.47, 0.26%, 0.55%

LAB 57.3, -3.84, -18.27

 

CMYK 0 / 35 / 16 / 33

HEX #AA6E8E

RGB 170 110 142

HSL 328, 0.26%, 0.55%

LAB 53.65, 28.59, -7.61

 

CMYK 16 / 0 / 35 / 33

HEX #8EAA6E

RGB 142 170 110

HSL 88, 0.26%, 0.55%

LAB 66.23, -20.4, 27.84

 

CMYK 35 / 17 / 0 / 34

HEX #6E8DA9

RGB 110 141 169

HSL 208.47, 0.26%, 0.55%

LAB 57.3, -3.84, -18.27

 

CMYK 12 / 35 / 0 / 33

HEX #966EAA

RGB 150 110 170

HSL 280, 0.26%, 0.55%

LAB 52.44, 27.1, -26.02

 

CMYK 0 / 19 / 35 / 33

HEX #AA8A6E

RGB 170 138 110

HSL 28, 0.26%, 0.55%

LAB 59.75, 8.07, 19.58

 

CMYK 24 / 0 / 35 / 33

HEX #82AA6E

RGB 130 170 110

HSL 100, 0.26%, 0.55%

LAB 65.45, -24.88, 26.66

 

CMYK 35 / 17 / 0 / 34

HEX #6E8DA9

RGB 110 141 169

HSL 208.47, 0.26%, 0.55%

LAB 57.3, -3.84, -18.27

 

CMYK 1 / 35 / 0 / 33

HEX #A86EAA

RGB 168 110 170

HSL 298, 0.26%, 0.55%

LAB 54.43, 32.97, -22.79

 

CMYK 0 / 19 / 35 / 33

HEX #AA8A6E

RGB 170 138 110

HSL 28, 0.26%, 0.55%

LAB 59.75, 8.07, 19.58

 

CMYK 34 / 0 / 35 / 33

HEX #70AA6E

RGB 112 170 110

HSL 118, 0.26%, 0.55%

LAB 64.42, -31.17, 25.11

 

Description

Color code: HEX #6E8DA9 | qconv.com Color code: HEX #6E8DA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 141 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 141 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 17 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 17% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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