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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E8DC3 it is the complementary color #91723C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E8DC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E8DC3 shade: #738DBE, #849FD1, #95B1E4, #A6C3F7 and #B7D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E8DC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E8DC3 shade: #6E8DC3, #5D7BB0, #4C699D, #3B578A and #2A4577

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E8DC3 shade: #6F8DC2, #6F77C2, #7D6FC2, #946FC2 and #AA6FC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E8DC3 shade: #6F8DC2, #6F77C2 and #6F6FC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E8DC3 shade matches the following richer shades: #6F8DC2, #5E89D3, #4E84E3 and #3D80F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E8DC3 shade: #6F8DC2, #7F92B2, #9096A1, #A09B91 and #B19F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E8DC3 shade: #6FBAC2, #6FA4C2, #6F8DC2, #6F77C2 and #7D6FC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E8DC3 shade: #41639D, #5276B6, #6F8DC2, #8CA4CE and #A9BBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E8DC3 shade: #6E8DC3, #B46FC2 and #AFC26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E8DC3 shade: #6E8DC3, #C26F8D and #8DC26F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E8DC3 shade: #6E8DC3, #B46FC2, #C2A46F and #7DC26F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E8DC3 shade: #6E8DC3, #C26FB7, #C2A46F and #6FC27A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 28 / 0 / 24

HEX #6E8DC3

RGB 110 141 195

HSL 218.12, 0.41%, 0.6%

LAB 58.33, 3.4, -31.47

 

Complementary color

CMYK 0 / 21 / 59 / 43

HEX #91723C

RGB 145 114 60

HSL 38.12, 0.41%, 0.4%

LAB 49.95, 5.53, 34.18

 

CMYK 39 / 26 / 0 / 25

HEX #738DBE

RGB 115 141 190

HSL 219.2, 0.37%, 0.6%

LAB 58.43, 3.31, -28.46

 

CMYK 37 / 24 / 0 / 18

HEX #849FD1

RGB 132 159 209

HSL 218.96, 0.46%, 0.67%

LAB 65.2, 2.9, -28.55

 

CMYK 35 / 22 / 0 / 11

HEX #95B1E4

RGB 149 177 228

HSL 218.73, 0.59%, 0.74%

LAB 71.85, 2.54, -28.68

 

CMYK 33 / 21 / 0 / 3

HEX #A6C3F7

RGB 166 195 247

HSL 218.52, 0.84%, 0.81%

LAB 78.38, 2.22, -28.83

 

CMYK 28 / 16 / 0 / 0

HEX #B7D5FF

RGB 183 213 255

HSL 215, 1%, 0.86%

LAB 84.42, -0.68, -23.76

 

CMYK 44 / 28 / 0 / 24

HEX #6E8DC3

RGB 110 141 195

HSL 218.12, 0.41%, 0.6%

LAB 58.33, 3.4, -31.47

 

CMYK 47 / 30 / 0 / 31

HEX #5D7BB0

RGB 93 123 176

HSL 218.31, 0.34%, 0.53%

LAB 51.41, 3.99, -31.45

 

CMYK 52 / 33 / 0 / 38

HEX #4C699D

RGB 76 105 157

HSL 218.52, 0.35%, 0.46%

LAB 44.34, 4.72, -31.48

 

CMYK 57 / 37 / 0 / 46

HEX #3B578A

RGB 59 87 138

HSL 218.73, 0.4%, 0.39%

LAB 37.08, 5.66, -31.56

 

CMYK 65 / 42 / 0 / 53

HEX #2A4577

RGB 42 69 119

HSL 218.96, 0.48%, 0.32%

LAB 29.61, 6.94, -31.7

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 43 / 39 / 0 / 24

HEX #6F77C2

RGB 111 119 194

HSL 234.22, 0.4%, 0.6%

LAB 52.36, 16.41, -40.23

 

CMYK 36 / 43 / 0 / 24

HEX #7D6FC2

RGB 125 111 194

HSL 250.12, 0.4%, 0.6%

LAB 51.41, 24.94, -41.66

 

CMYK 24 / 43 / 0 / 24

HEX #946FC2

RGB 148 111 194

HSL 266.75, 0.4%, 0.6%

LAB 53.56, 31.43, -38.13

 

CMYK 12 / 43 / 0 / 24

HEX #AA6FC2

RGB 170 111 194

HSL 282.65, 0.4%, 0.6%

LAB 55.9, 37.93, -34.3

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 43 / 39 / 0 / 24

HEX #6F77C2

RGB 111 119 194

HSL 234.22, 0.4%, 0.6%

LAB 52.36, 16.41, -40.23

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC2

RGB 111 111 194

HSL 240, 0.4%, 0.6%

LAB 50.27, 21.26, -43.55

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 55 / 35 / 0 / 17

HEX #5E89D3

RGB 94 137 211

HSL 217.95, 0.57%, 0.6%

LAB 57.05, 6.85, -42.55

 

CMYK 66 / 42 / 0 / 11

HEX #4E84E3

RGB 78 132 227

HSL 218.26, 0.73%, 0.6%

LAB 55.75, 12.17, -53.63

 

CMYK 75 / 48 / 0 / 4

HEX #3D80F4

RGB 61 128 244

HSL 218.03, 0.89%, 0.6%

LAB 55.03, 18.28, -64.28

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 29 / 18 / 0 / 30

HEX #7F92B2

RGB 127 146 178

HSL 217.65, 0.25%, 0.6%

LAB 60.14, 0.75, -18.95

 

CMYK 11 / 7 / 0 / 37

HEX #9096A1

RGB 144 150 161

HSL 218.82, 0.08%, 0.6%

LAB 61.93, 0.11, -6.52

 

CMYK 0 / 3 / 9 / 37

HEX #A09B91

RGB 160 155 145

HSL 40, 0.07%, 0.6%

LAB 64.13, 0, 5.88

 

CMYK 0 / 10 / 28 / 31

HEX #B19F80

RGB 177 159 128

HSL 37.96, 0.24%, 0.6%

LAB 66.29, 1.71, 18.6

HEX #B19F80

CMYK 43 / 4 / 0 / 24

HEX #6FBAC2

RGB 111 186 194

HSL 185.78, 0.4%, 0.6%

LAB 71.14, -21.19, -11.36

 

CMYK 43 / 15 / 0 / 24

HEX #6FA4C2

RGB 111 164 194

HSL 201.69, 0.4%, 0.6%

LAB 64.82, -9.59, -20.9

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 43 / 39 / 0 / 24

HEX #6F77C2

RGB 111 119 194

HSL 234.22, 0.4%, 0.6%

LAB 52.36, 16.41, -40.23

 

CMYK 36 / 43 / 0 / 24

HEX #7D6FC2

RGB 125 111 194

HSL 250.12, 0.4%, 0.6%

LAB 51.41, 24.94, -41.66

 

CMYK 59 / 37 / 0 / 38

HEX #41639D

RGB 65 99 157

HSL 217.83, 0.41%, 0.44%

LAB 41.97, 5.92, -35.25

 

CMYK 55 / 35 / 0 / 29

HEX #5276B6

RGB 82 118 182

HSL 218.4, 0.41%, 0.52%

LAB 49.65, 6.27, -37.73

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 32 / 20 / 0 / 19

HEX #8CA4CE

RGB 140 164 206

HSL 218.18, 0.4%, 0.68%

LAB 66.96, 1.57, -24.14

 

CMYK 23 / 15 / 0 / 14

HEX #A9BBDB

RGB 169 187 219

HSL 218.4, 0.41%, 0.76%

LAB 75.51, 0.73, -18.09

 

CMYK 44 / 28 / 0 / 24

HEX #6E8DC3

RGB 110 141 195

HSL 218.12, 0.41%, 0.6%

LAB 58.33, 3.4, -31.47

 

CMYK 7 / 43 / 0 / 24

HEX #B46FC2

RGB 180 111 194

HSL 289.88, 0.4%, 0.6%

LAB 57.04, 40.94, -32.42

 

CMYK 10 / 0 / 43 / 24

HEX #AFC26F

RGB 175 194 111

HSL 73.73, 0.4%, 0.6%

LAB 75.35, -19.58, 39.5

 

CMYK 44 / 28 / 0 / 24

HEX #6E8DC3

RGB 110 141 195

HSL 218.12, 0.41%, 0.6%

LAB 58.33, 3.4, -31.47

 

CMYK 0 / 43 / 27 / 24

HEX #C26F8D

RGB 194 111 141

HSL 338.31, 0.4%, 0.6%

LAB 56.84, 36.52, -1.98

 

CMYK 27 / 0 / 43 / 24

HEX #8DC26F

RGB 141 194 111

HSL 98.31, 0.4%, 0.6%

LAB 73.15, -32.33, 36.25

 

CMYK 44 / 28 / 0 / 24

HEX #6E8DC3

RGB 110 141 195

HSL 218.12, 0.41%, 0.6%

LAB 58.33, 3.4, -31.47

 

CMYK 7 / 43 / 0 / 24

HEX #B46FC2

RGB 180 111 194

HSL 289.88, 0.4%, 0.6%

LAB 57.04, 40.94, -32.42

 

CMYK 0 / 15 / 43 / 24

HEX #C2A46F

RGB 194 164 111

HSL 38.31, 0.4%, 0.6%

LAB 68.87, 3.78, 31.56

 

CMYK 36 / 0 / 43 / 24

HEX #7DC26F

RGB 125 194 111

HSL 109.88, 0.4%, 0.6%

LAB 72.29, -37.8, 34.98

 

CMYK 44 / 28 / 0 / 24

HEX #6E8DC3

RGB 110 141 195

HSL 218.12, 0.41%, 0.6%

LAB 58.33, 3.4, -31.47

 

CMYK 0 / 43 / 6 / 24

HEX #C26FB7

RGB 194 111 183

HSL 307.95, 0.4%, 0.6%

LAB 58.28, 43.19, -24.09

 

CMYK 0 / 15 / 43 / 24

HEX #C2A46F

RGB 194 164 111

HSL 38.31, 0.4%, 0.6%

LAB 68.87, 3.78, 31.56

 

CMYK 43 / 0 / 37 / 24

HEX #6FC27A

RGB 111 194 122

HSL 127.95, 0.4%, 0.6%

LAB 71.8, -40.47, 28.53

 

Description

Color code: HEX #6E8DC3 | qconv.com Color code: HEX #6E8DC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 141 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 141 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 28 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 28% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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