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Color name
HEX #6EA616

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EA616 it is the complementary color #9159E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EA616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EA616 shade: #73A611, #84B824, #95CA37, #A6DC4A and #B7EE5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EA616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EA616 shade: #6EA616, #5D9403, #4C8200, #3B7000 and #2A5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EA616 shade: #6EA615, #95A615, #A69115, #A66915 and #A64215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EA616 shade: #6EA615, #47A615, #20A615, #15A632 and #15A659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EA616 shade matches the following richer shades: #6EA615 and #71B606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EA616 shade: #6EA615, #6B9724, #678834, #647943 and #606952

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EA616 shade: #A69115, #96A615, #6FA615, #48A615 and #21A615

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EA616 shade: #3E5D0C, #568210, #6EA615, #86CB1A and #9CE32B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EA616 shade: #6EA616, #15A66A and #A415A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EA616 shade: #6EA616, #156FA6 and #A6156F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EA616 shade: #6EA616, #15A66A, #4D15A6 and #A61552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EA616 shade: #6EA616, #15A696, #4D15A6 and #A61526

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 87 / 35

HEX #6EA616

RGB 110 166 22

HSL 83.33, 0.77%, 0.37%

LAB 62.21, -38.66, 60.42

 

Complementary color

CMYK 38 / 62 / 0 / 9

HEX #9159E9

RGB 145 89 233

HSL 263.33, 0.77%, 0.63%

LAB 50.74, 52.59, -64.78

 

CMYK 31 / 0 / 90 / 35

HEX #73A611

RGB 115 166 17

HSL 80.54, 0.81%, 0.36%

LAB 62.47, -36.9, 61.77

 

CMYK 28 / 0 / 80 / 28

HEX #84B824

RGB 132 184 36

HSL 81.08, 0.67%, 0.43%

LAB 68.98, -37.7, 63.32

 

CMYK 26 / 0 / 73 / 21

HEX #95CA37

RGB 149 202 55

HSL 81.63, 0.58%, 0.5%

LAB 75.39, -38.29, 63.72

 

CMYK 25 / 0 / 66 / 14

HEX #A6DC4A

RGB 166 220 74

HSL 82.19, 0.68%, 0.58%

LAB 81.72, -38.71, 63.44

 

CMYK 23 / 0 / 61 / 7

HEX #B7EE5D

RGB 183 238 93

HSL 82.76, 0.81%, 0.65%

LAB 87.97, -39.01, 62.78

 

CMYK 34 / 0 / 87 / 35

HEX #6EA616

RGB 110 166 22

HSL 83.33, 0.77%, 0.37%

LAB 62.21, -38.66, 60.42

 

CMYK 37 / 0 / 98 / 42

HEX #5D9403

RGB 93 148 3

HSL 82.76, 0.96%, 0.3%

LAB 55.6, -37.69, 57.93

 

CMYK 42 / 0 / 100 / 49

HEX #4C8200

RGB 76 130 0

HSL 84.92, 1%, 0.25%

LAB 48.89, -36.29, 52.84

 

CMYK 47 / 0 / 100 / 56

HEX #3B7000

RGB 59 112 0

HSL 88.39, 1%, 0.22%

LAB 42.03, -34.73, 47.14

 

CMYK 55 / 0 / 100 / 63

HEX #2A5E00

RGB 42 94 0

HSL 93.19, 1%, 0.18%

LAB 35, -33.01, 41.31

 

CMYK 34 / 0 / 87 / 35

HEX #6EA615

RGB 110 166 21

HSL 83.17, 0.78%, 0.37%

LAB 62.2, -38.69, 60.64

 

CMYK 10 / 0 / 87 / 35

HEX #95A615

RGB 149 166 21

HSL 67.03, 0.78%, 0.37%

LAB 64.74, -22.74, 63.78

 

CMYK 0 / 13 / 87 / 35

HEX #A69115

RGB 166 145 21

HSL 51.31, 0.78%, 0.37%

LAB 60.26, -4.18, 60.71

 

CMYK 0 / 37 / 87 / 35

HEX #A66915

RGB 166 105 21

HSL 34.76, 0.78%, 0.37%

LAB 49.82, 18.17, 52.19

 

CMYK 0 / 60 / 87 / 35

HEX #A64215

RGB 166 66 21

HSL 18.62, 0.78%, 0.37%

LAB 41.31, 39.1, 45.19

 

CMYK 34 / 0 / 87 / 35

HEX #6EA615

RGB 110 166 21

HSL 83.17, 0.78%, 0.37%

LAB 62.2, -38.69, 60.64

 

CMYK 57 / 0 / 87 / 35

HEX #47A615

RGB 71 166 21

HSL 99.31, 0.78%, 0.37%

LAB 60.49, -51.49, 58.48

 

CMYK 81 / 0 / 87 / 35

HEX #20A615

RGB 32 166 21

HSL 115.45, 0.78%, 0.37%

LAB 59.56, -59.33, 57.31

 

CMYK 87 / 0 / 70 / 35

HEX #15A632

RGB 21 166 50

HSL 132, 0.78%, 0.37%

LAB 59.58, -58.49, 48

 

CMYK 87 / 0 / 46 / 35

HEX #15A659

RGB 21 166 89

HSL 148.14, 0.78%, 0.37%

LAB 60.03, -53.08, 30

 

CMYK 34 / 0 / 87 / 35

HEX #6EA615

RGB 110 166 21

HSL 83.17, 0.78%, 0.37%

LAB 62.2, -38.69, 60.64

 

CMYK 38 / 0 / 97 / 29

HEX #71B606

RGB 113 182 6

HSL 83.52, 0.94%, 0.37%

LAB 67.26, -44.75, 67.16

 

CMYK 34 / 0 / 87 / 35

HEX #6EA615

RGB 110 166 21

HSL 83.17, 0.78%, 0.37%

LAB 62.2, -38.69, 60.64

 

CMYK 29 / 0 / 76 / 41

HEX #6B9724

RGB 107 151 36

HSL 82.96, 0.61%, 0.37%

LAB 57.45, -32.43, 52.04

 

CMYK 24 / 0 / 62 / 47

HEX #678834

RGB 103 136 52

HSL 83.57, 0.45%, 0.37%

LAB 52.66, -25.66, 40.38

 

CMYK 17 / 0 / 45 / 53

HEX #647943

RGB 100 121 67

HSL 83.33, 0.29%, 0.37%

LAB 47.99, -17.52, 27.06

 

CMYK 9 / 0 / 22 / 59

HEX #606952

RGB 96 105 82

HSL 83.48, 0.12%, 0.37%

LAB 43.06, -8.01, 11.81

 

CMYK 0 / 13 / 87 / 35

HEX #A69115

RGB 166 145 21

HSL 51.31, 0.78%, 0.37%

LAB 60.26, -4.18, 60.71

 

CMYK 10 / 0 / 87 / 35

HEX #96A615

RGB 150 166 21

HSL 66.62, 0.78%, 0.37%

LAB 64.81, -22.31, 63.88

 

CMYK 33 / 0 / 87 / 35

HEX #6FA615

RGB 111 166 21

HSL 82.76, 0.78%, 0.37%

LAB 62.26, -38.31, 60.71

 

CMYK 57 / 0 / 87 / 35

HEX #48A615

RGB 72 166 21

HSL 98.9, 0.78%, 0.37%

LAB 60.52, -51.22, 58.53

 

CMYK 80 / 0 / 87 / 35

HEX #21A615

RGB 33 166 21

HSL 115.03, 0.78%, 0.37%

LAB 59.57, -59.2, 57.33

 

CMYK 33 / 0 / 87 / 64

HEX #3E5D0C

RGB 62 93 12

HSL 82.96, 0.77%, 0.21%

LAB 35.75, -24.34, 38.78

 

CMYK 34 / 0 / 88 / 49

HEX #568210

RGB 86 130 16

HSL 83.16, 0.78%, 0.29%

LAB 49.47, -31.98, 50.32

 

CMYK 34 / 0 / 87 / 35

HEX #6EA615

RGB 110 166 21

HSL 83.17, 0.78%, 0.37%

LAB 62.2, -38.69, 60.64

 

CMYK 34 / 0 / 87 / 20

HEX #86CB1A

RGB 134 203 26

HSL 83.39, 0.77%, 0.45%

LAB 74.73, -45.54, 70.76

 

CMYK 31 / 0 / 81 / 11

HEX #9CE32B

RGB 156 227 43

HSL 83.15, 0.77%, 0.53%

LAB 83.01, -47.09, 74.57

 

CMYK 34 / 0 / 87 / 35

HEX #6EA616

RGB 110 166 22

HSL 83.33, 0.77%, 0.37%

LAB 62.21, -38.66, 60.42

 

CMYK 87 / 0 / 36 / 35

HEX #15A66A

RGB 21 166 106

HSL 155.17, 0.78%, 0.37%

LAB 60.31, -49.75, 21.28

 

CMYK 1 / 87 / 0 / 35

HEX #A415A6

RGB 164 21 166

HSL 299.17, 0.78%, 0.37%

LAB 39.89, 68.24, -43.28

 

CMYK 34 / 0 / 87 / 35

HEX #6EA616

RGB 110 166 22

HSL 83.33, 0.77%, 0.37%

LAB 62.21, -38.66, 60.42

 

CMYK 87 / 33 / 0 / 35

HEX #156FA6

RGB 21 111 166

HSL 202.76, 0.78%, 0.37%

LAB 44.63, -4.56, -36.46

 

CMYK 0 / 87 / 33 / 35

HEX #A6156F

RGB 166 21 111

HSL 322.76, 0.78%, 0.37%

LAB 37.46, 61.2, -13.22

 

CMYK 34 / 0 / 87 / 35

HEX #6EA616

RGB 110 166 22

HSL 83.33, 0.77%, 0.37%

LAB 62.21, -38.66, 60.42

 

CMYK 87 / 0 / 36 / 35

HEX #15A66A

RGB 21 166 106

HSL 155.17, 0.78%, 0.37%

LAB 60.31, -49.75, 21.28

 

CMYK 54 / 87 / 0 / 35

HEX #4D15A6

RGB 77 21 166

HSL 263.17, 0.78%, 0.37%

LAB 26.35, 55.14, -65.88

 

CMYK 0 / 87 / 51 / 35

HEX #A61552

RGB 166 21 82

HSL 334.76, 0.78%, 0.37%

LAB 36.47, 58.39, 3.84

 

CMYK 34 / 0 / 87 / 35

HEX #6EA616

RGB 110 166 22

HSL 83.33, 0.77%, 0.37%

LAB 62.21, -38.66, 60.42

 

CMYK 87 / 0 / 10 / 35

HEX #15A696

RGB 21 166 150

HSL 173.38, 0.78%, 0.37%

LAB 61.34, -38.7, -1.74

 

CMYK 54 / 87 / 0 / 35

HEX #4D15A6

RGB 77 21 166

HSL 263.17, 0.78%, 0.37%

LAB 26.35, 55.14, -65.88

 

CMYK 0 / 87 / 77 / 35

HEX #A61526

RGB 166 21 38

HSL 352.97, 0.78%, 0.37%

LAB 35.56, 55.78, 30.81

 

Description

Color code: HEX #6EA616 | qconv.com Color code: HEX #6EA616 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 166 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 166 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 87 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 87% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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