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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EAF00 it is the complementary color #9150FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EAF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EAF00 shade: #73AF00, #84C10E, #95D321, #A6E534 and #B7F747

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EAF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EAF00 shade: #6EAF00, #5D9D00, #4C8B00, #3B7900 and #2A6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EAF00 shade: #6CAD00, #9BAD00, #AD9000, #AD6100 and #AD3200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EAF00 shade: #6CAD00, #3EAD00, #0FAD00, #00AD1F and #00AD4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EAF00 shade matches the following richer shades: #6CAD00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EAF00 shade: #6CAD00, #699F0E, #65911C, #62832A and #5E7538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EAF00 shade: #AD9000, #9CAD00, #6DAD00, #3FAD00 and #11AD00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EAF00 shade: #395A00, #538400, #6CAD00, #86D600 and #A0FF00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EAF00 shade: #6EAF00, #00AD62 and #A700AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EAF00 shade: #6EAF00, #006DAD and #AD006D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EAF00 shade: #6EAF00, #00AD62, #3F00AD and #AD004B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EAF00 shade: #6EAF00, #00AD96, #3F00AD and #AD0017

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 100 / 31

HEX #6EAF00

RGB 110 175 0

HSL 82.29, 1%, 0.34%

LAB 64.94, -43.01, 66.03

 

Complementary color

CMYK 43 / 69 / 0 / 0

HEX #9150FF

RGB 145 80 255

HSL 262.29, 1%, 0.66%

LAB 50.66, 62.65, -77.21

 

CMYK 34 / 0 / 100 / 31

HEX #73AF00

RGB 115 175 0

HSL 80.57, 1%, 0.34%

LAB 65.2, -41.17, 66.34

 

CMYK 32 / 0 / 93 / 24

HEX #84C10E

RGB 132 193 14

HSL 80.45, 0.86%, 0.41%

LAB 71.61, -42.31, 70.1

 

CMYK 29 / 0 / 84 / 17

HEX #95D321

RGB 149 211 33

HSL 80.9, 0.73%, 0.48%

LAB 77.93, -43.22, 72.34

 

CMYK 28 / 0 / 77 / 10

HEX #A6E534

RGB 166 229 52

HSL 81.36, 0.77%, 0.55%

LAB 84.17, -43.91, 73.37

 

CMYK 26 / 0 / 71 / 3

HEX #B7F747

RGB 183 247 71

HSL 81.82, 0.92%, 0.62%

LAB 90.34, -44.44, 73.6

 

CMYK 37 / 0 / 100 / 31

HEX #6EAF00

RGB 110 175 0

HSL 82.29, 1%, 0.34%

LAB 64.94, -43.01, 66.03

 

CMYK 41 / 0 / 100 / 38

HEX #5D9D00

RGB 93 157 0

HSL 84.46, 1%, 0.31%

LAB 58.45, -41.6, 60.63

 

CMYK 45 / 0 / 100 / 45

HEX #4C8B00

RGB 76 139 0

HSL 87.19, 1%, 0.27%

LAB 51.84, -40.1, 55.13

 

CMYK 51 / 0 / 100 / 53

HEX #3B7900

RGB 59 121 0

HSL 90.74, 1%, 0.24%

LAB 45.09, -38.48, 49.53

 

CMYK 59 / 0 / 100 / 60

HEX #2A6700

RGB 42 103 0

HSL 95.53, 1%, 0.2%

LAB 38.19, -36.65, 43.82

 

CMYK 38 / 0 / 100 / 32

HEX #6CAD00

RGB 108 173 0

HSL 82.54, 1%, 0.34%

LAB 64.22, -42.9, 65.42

 

CMYK 10 / 0 / 100 / 32

HEX #9BAD00

RGB 155 173 0

HSL 66.24, 1%, 0.34%

LAB 67.17, -23.98, 68.96

 

CMYK 0 / 17 / 100 / 32

HEX #AD9000

RGB 173 144 0

HSL 49.94, 1%, 0.34%

LAB 60.63, -0.79, 64.92

 

CMYK 0 / 44 / 100 / 32

HEX #AD6100

RGB 173 97 0

HSL 33.64, 1%, 0.34%

LAB 48.8, 25.37, 57

 

CMYK 0 / 71 / 100 / 32

HEX #AD3200

RGB 173 50 0

HSL 17.34, 1%, 0.34%

LAB 39.86, 48.34, 51.96

 

CMYK 38 / 0 / 100 / 32

HEX #6CAD00

RGB 108 173 0

HSL 82.54, 1%, 0.34%

LAB 64.22, -42.9, 65.42

 

CMYK 64 / 0 / 100 / 32

HEX #3EAD00

RGB 62 173 0

HSL 98.5, 1%, 0.34%

LAB 62.43, -56.75, 63.26

 

CMYK 91 / 0 / 100 / 32

HEX #0FAD00

RGB 15 173 0

HSL 114.8, 1%, 0.34%

LAB 61.64, -63.63, 62.3

 

CMYK 100 / 0 / 82 / 32

HEX #00AD1F

RGB 0 173 31

HSL 130.75, 1%, 0.34%

LAB 61.64, -63.32, 56.58

 

CMYK 100 / 0 / 55 / 32

HEX #00AD4E

RGB 0 173 78

HSL 147.05, 1%, 0.34%

LAB 62.03, -58.44, 38.06

 

CMYK 38 / 0 / 100 / 32

HEX #6CAD00

RGB 108 173 0

HSL 82.54, 1%, 0.34%

LAB 64.22, -42.9, 65.42

 

CMYK 38 / 0 / 100 / 32

HEX #6CAD00

RGB 108 173 0

HSL 82.54, 1%, 0.34%

LAB 64.22, -42.9, 65.42

 

CMYK 34 / 0 / 91 / 38

HEX #699F0E

RGB 105 159 14

HSL 82.34, 0.84%, 0.34%

LAB 59.74, -37.71, 59.82

 

CMYK 30 / 0 / 81 / 43

HEX #65911C

RGB 101 145 28

HSL 82.56, 0.68%, 0.34%

LAB 55.18, -32.44, 52.41

 

CMYK 25 / 0 / 68 / 49

HEX #62832A

RGB 98 131 42

HSL 82.25, 0.51%, 0.34%

LAB 50.68, -26.09, 42.68

 

CMYK 20 / 0 / 52 / 54

HEX #5E7538

RGB 94 117 56

HSL 82.62, 0.35%, 0.34%

LAB 46.16, -19.27, 30.67

 

CMYK 0 / 17 / 100 / 32

HEX #AD9000

RGB 173 144 0

HSL 49.94, 1%, 0.34%

LAB 60.63, -0.79, 64.92

 

CMYK 10 / 0 / 100 / 32

HEX #9CAD00

RGB 156 173 0

HSL 65.9, 1%, 0.34%

LAB 67.24, -23.54, 69.04

 

CMYK 37 / 0 / 100 / 32

HEX #6DAD00

RGB 109 173 0

HSL 82.2, 1%, 0.34%

LAB 64.27, -42.54, 65.49

 

CMYK 64 / 0 / 100 / 32

HEX #3FAD00

RGB 63 173 0

HSL 98.15, 1%, 0.34%

LAB 62.46, -56.51, 63.29

 

CMYK 90 / 0 / 100 / 32

HEX #11AD00

RGB 17 173 0

HSL 114.1, 1%, 0.34%

LAB 61.66, -63.49, 62.31

 

CMYK 37 / 0 / 100 / 65

HEX #395A00

RGB 57 90 0

HSL 82, 1%, 0.18%

LAB 34.36, -25.52, 41.14

 

CMYK 37 / 0 / 100 / 48

HEX #538400

RGB 83 132 0

HSL 82.27, 1%, 0.26%

LAB 49.91, -34.52, 53.79

 

CMYK 38 / 0 / 100 / 32

HEX #6CAD00

RGB 108 173 0

HSL 82.54, 1%, 0.34%

LAB 64.22, -42.9, 65.42

 

CMYK 37 / 0 / 100 / 16

HEX #86D600

RGB 134 214 0

HSL 82.43, 1%, 0.42%

LAB 77.97, -50.53, 76.62

 

CMYK 37 / 0 / 100 / 0

HEX #A0FF00

RGB 160 255 0

HSL 82.35, 1%, 0.5%

LAB 91.23, -57.89, 87.42

 

CMYK 37 / 0 / 100 / 31

HEX #6EAF00

RGB 110 175 0

HSL 82.29, 1%, 0.34%

LAB 64.94, -43.01, 66.03

 

CMYK 100 / 0 / 43 / 32

HEX #00AD62

RGB 0 173 98

HSL 153.99, 1%, 0.34%

LAB 62.31, -55.02, 28.2

 

CMYK 3 / 100 / 0 / 32

HEX #A700AD

RGB 167 0 173

HSL 297.92, 1%, 0.34%

LAB 39.97, 72.48, -47.29

 

CMYK 37 / 0 / 100 / 31

HEX #6EAF00

RGB 110 175 0

HSL 82.29, 1%, 0.34%

LAB 64.94, -43.01, 66.03

 

CMYK 100 / 37 / 0 / 32

HEX #006DAD

RGB 0 109 173

HSL 202.2, 1%, 0.34%

LAB 44.17, -1.65, -41.32

 

CMYK 0 / 100 / 37 / 32

HEX #AD006D

RGB 173 0 109

HSL 322.2, 1%, 0.34%

LAB 37.82, 65.38, -11.28

 

CMYK 37 / 0 / 100 / 31

HEX #6EAF00

RGB 110 175 0

HSL 82.29, 1%, 0.34%

LAB 64.94, -43.01, 66.03

 

CMYK 100 / 0 / 43 / 32

HEX #00AD62

RGB 0 173 98

HSL 153.99, 1%, 0.34%

LAB 62.31, -55.02, 28.2

 

CMYK 64 / 100 / 0 / 32

HEX #3F00AD

RGB 63 0 173

HSL 261.85, 1%, 0.34%

LAB 23.91, 60.75, -74.2

 

CMYK 0 / 100 / 57 / 32

HEX #AD004B

RGB 173 0 75

HSL 333.99, 1%, 0.34%

LAB 36.73, 62.51, 8.95

 

CMYK 37 / 0 / 100 / 31

HEX #6EAF00

RGB 110 175 0

HSL 82.29, 1%, 0.34%

LAB 64.94, -43.01, 66.03

 

CMYK 100 / 0 / 13 / 32

HEX #00AD96

RGB 0 173 150

HSL 172.02, 1%, 0.34%

LAB 63.42, -42.71, 1.28

 

CMYK 64 / 100 / 0 / 32

HEX #3F00AD

RGB 63 0 173

HSL 261.85, 1%, 0.34%

LAB 23.91, 60.75, -74.2

 

CMYK 0 / 100 / 87 / 32

HEX #AD0017

RGB 173 0 23

HSL 352.02, 1%, 0.34%

LAB 35.88, 60.22, 40.25

 

Description

Color code: HEX #6EAF00 | qconv.com Color code: HEX #6EAF00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 175 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 175 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 100 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 100% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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