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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED456 it is the complementary color #912BA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED456. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED456 shade: #73D451, #84E664, #95F877, #A6FF8A and #B7FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED456. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED456 shade: #6ED456, #5DC243, #4CB030, #3B9E1D and #2A8C0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED456 shade: #6CD354, #8ED354, #B0D354, #D3D354 and #D3B154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED456 shade: #6CD354, #54D35E, #54D380, #54D3A2 and #54D3C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED456 shade matches the following richer shades: #6CD354, #62E443 and #57F532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED456 shade: #6CD354, #77C166, #82B077, #8C9F88 and #978D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED456 shade: #B1D354, #8FD354, #6DD354, #54D35D and #54D37E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED456 shade: #43A92B, #50CA34, #6CD354, #88DB75 and #A5E496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED456 shade: #6ED456, #54D3D3 and #D354A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED456 shade: #6ED456, #546DD3 and #D3546D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED456 shade: #6ED456, #54D3D3, #B954D3 and #D35454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED456 shade: #6ED456, #54ADD3, #B954D3 and #D37A54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 59 / 17

HEX #6ED456

RGB 110 212 86

HSL 108.57, 0.59%, 0.58%

LAB 76.72, -53.1, 52.19

 

Complementary color

CMYK 14 / 75 / 0 / 34

HEX #912BA9

RGB 145 43 169

HSL 288.57, 0.59%, 0.42%

LAB 38.92, 59.19, -46.79

 

CMYK 46 / 0 / 62 / 17

HEX #73D451

RGB 115 212 81

HSL 104.43, 0.6%, 0.57%

LAB 76.88, -52.13, 54.59

 

CMYK 43 / 0 / 57 / 10

HEX #84E664

RGB 132 230 100

HSL 105.23, 0.72%, 0.65%

LAB 83.14, -52.26, 53.58

 

CMYK 40 / 0 / 52 / 3

HEX #95F877

RGB 149 248 119

HSL 106.05, 0.9%, 0.72%

LAB 89.33, -52.28, 52.47

 

CMYK 35 / 0 / 46 / 0

HEX #A6FF8A

RGB 166 255 138

HSL 105.64, 1%, 0.77%

LAB 92.34, -47.62, 47.46

 

CMYK 28 / 0 / 38 / 0

HEX #B7FF9D

RGB 183 255 157

HSL 104.08, 1%, 0.81%

LAB 93.46, -39.64, 39.88

 

CMYK 48 / 0 / 59 / 17

HEX #6ED456

RGB 110 212 86

HSL 108.57, 0.59%, 0.58%

LAB 76.72, -53.1, 52.19

 

CMYK 52 / 0 / 65 / 24

HEX #5DC243

RGB 93 194 67

HSL 107.72, 0.51%, 0.51%

LAB 70.4, -52.82, 53.13

 

CMYK 57 / 0 / 73 / 31

HEX #4CB030

RGB 76 176 48

HSL 106.88, 0.57%, 0.44%

LAB 64, -52.27, 53.73

 

CMYK 63 / 0 / 82 / 38

HEX #3B9E1D

RGB 59 158 29

HSL 106.05, 0.69%, 0.37%

LAB 57.53, -51.32, 53.63

 

CMYK 70 / 0 / 93 / 45

HEX #2A8C0A

RGB 42 140 10

HSL 105.23, 0.87%, 0.29%

LAB 51, -49.75, 52.18

 

CMYK 49 / 0 / 60 / 17

HEX #6CD354

RGB 108 211 84

HSL 108.66, 0.59%, 0.58%

LAB 76.32, -53.48, 52.59

 

CMYK 33 / 0 / 60 / 17

HEX #8ED354

RGB 142 211 84

HSL 92.6, 0.59%, 0.58%

LAB 77.86, -42.65, 54.75

 

CMYK 17 / 0 / 60 / 17

HEX #B0D354

RGB 176 211 84

HSL 76.54, 0.59%, 0.58%

LAB 79.87, -30.01, 57.54

 

CMYK 0 / 0 / 60 / 17

HEX #D3D354

RGB 211 211 84

HSL 60, 0.59%, 0.58%

LAB 82.42, -15.92, 61.06

 

CMYK 0 / 16 / 60 / 17

HEX #D3B154

RGB 211 177 84

HSL 43.94, 0.59%, 0.58%

LAB 73.5, 1.55, 51.19

 

CMYK 49 / 0 / 60 / 17

HEX #6CD354

RGB 108 211 84

HSL 108.66, 0.59%, 0.58%

LAB 76.32, -53.48, 52.59

 

CMYK 60 / 0 / 55 / 17

HEX #54D35E

RGB 84 211 94

HSL 124.72, 0.59%, 0.58%

LAB 75.63, -58.45, 47.05

 

CMYK 60 / 0 / 39 / 17

HEX #54D380

RGB 84 211 128

HSL 140.79, 0.59%, 0.58%

LAB 76.09, -53.33, 30.91

 

CMYK 60 / 0 / 23 / 17

HEX #54D3A2

RGB 84 211 162

HSL 156.85, 0.59%, 0.58%

LAB 76.73, -46.6, 13.97

 

CMYK 60 / 0 / 7 / 17

HEX #54D3C4

RGB 84 211 196

HSL 172.91, 0.59%, 0.58%

LAB 77.55, -38.45, -3.04

 

CMYK 49 / 0 / 60 / 17

HEX #6CD354

RGB 108 211 84

HSL 108.66, 0.59%, 0.58%

LAB 76.32, -53.48, 52.59

 

CMYK 57 / 0 / 71 / 11

HEX #62E443

RGB 98 228 67

HSL 108.45, 0.75%, 0.58%

LAB 81.01, -63.93, 64.38

 

CMYK 64 / 0 / 80 / 4

HEX #57F532

RGB 87 245 50

HSL 108.62, 0.91%, 0.58%

LAB 85.79, -73.13, 74.31

 

CMYK 49 / 0 / 60 / 17

HEX #6CD354

RGB 108 211 84

HSL 108.66, 0.59%, 0.58%

LAB 76.32, -53.48, 52.59

 

CMYK 38 / 0 / 47 / 24

HEX #77C166

RGB 119 193 102

HSL 108.79, 0.42%, 0.58%

LAB 71.57, -40.55, 38.55

 

CMYK 26 / 0 / 32 / 31

HEX #82B077

RGB 130 176 119

HSL 108.42, 0.27%, 0.58%

LAB 67.37, -26.43, 24.39

 

CMYK 12 / 0 / 14 / 38

HEX #8C9F88

RGB 140 159 136

HSL 109.57, 0.11%, 0.58%

LAB 63.47, -11.2, 9.77

 

CMYK 2 / 8 / 0 / 40

HEX #978D9A

RGB 151 141 154

HSL 286.15, 0.06%, 0.58%

LAB 59.85, 6.21, -5.55

 

CMYK 16 / 0 / 60 / 17

HEX #B1D354

RGB 177 211 84

HSL 76.06, 0.59%, 0.58%

LAB 79.94, -29.62, 57.64

 

CMYK 32 / 0 / 60 / 17

HEX #8FD354

RGB 143 211 84

HSL 92.13, 0.59%, 0.58%

LAB 77.92, -42.3, 54.82

 

CMYK 48 / 0 / 60 / 17

HEX #6DD354

RGB 109 211 84

HSL 108.19, 0.59%, 0.58%

LAB 76.36, -53.2, 52.65

 

CMYK 60 / 0 / 56 / 17

HEX #54D35D

RGB 84 211 93

HSL 124.25, 0.59%, 0.58%

LAB 75.62, -58.57, 47.5

 

CMYK 60 / 0 / 40 / 17

HEX #54D37E

RGB 84 211 126

HSL 139.84, 0.59%, 0.58%

LAB 76.06, -53.68, 31.89

 

CMYK 60 / 0 / 75 / 34

HEX #43A92B

RGB 67 169 43

HSL 108.57, 0.59%, 0.42%

LAB 61.43, -52.39, 52.88

 

CMYK 60 / 0 / 74 / 21

HEX #50CA34

RGB 80 202 52

HSL 108.8, 0.59%, 0.5%

LAB 72.36, -60.29, 60.75

 

CMYK 49 / 0 / 60 / 17

HEX #6CD354

RGB 108 211 84

HSL 108.66, 0.59%, 0.58%

LAB 76.32, -53.48, 52.59

 

CMYK 38 / 0 / 47 / 14

HEX #88DB75

RGB 136 219 117

HSL 108.82, 0.59%, 0.66%

LAB 80.28, -44.43, 42.2

 

CMYK 28 / 0 / 34 / 11

HEX #A5E496

RGB 165 228 150

HSL 108.46, 0.59%, 0.74%

LAB 84.84, -34.36, 31.87

 

CMYK 48 / 0 / 59 / 17

HEX #6ED456

RGB 110 212 86

HSL 108.57, 0.59%, 0.58%

LAB 76.72, -53.1, 52.19

 

CMYK 60 / 0 / 0 / 17

HEX #54D3D3

RGB 84 211 211

HSL 180, 0.59%, 0.58%

LAB 77.98, -34.47, -10.46

 

CMYK 0 / 60 / 24 / 17

HEX #D354A0

RGB 211 84 160

HSL 324.09, 0.59%, 0.58%

LAB 54.79, 57.9, -15.89

 

CMYK 48 / 0 / 59 / 17

HEX #6ED456

RGB 110 212 86

HSL 108.57, 0.59%, 0.58%

LAB 76.72, -53.1, 52.19

 

CMYK 60 / 48 / 0 / 17

HEX #546DD3

RGB 84 109 211

HSL 228.19, 0.59%, 0.58%

LAB 48.92, 21.9, -55.53

 

CMYK 0 / 60 / 48 / 17

HEX #D3546D

RGB 211 84 109

HSL 348.19, 0.59%, 0.58%

LAB 53.27, 52.12, 12.05

 

CMYK 48 / 0 / 59 / 17

HEX #6ED456

RGB 110 212 86

HSL 108.57, 0.59%, 0.58%

LAB 76.72, -53.1, 52.19

 

CMYK 60 / 0 / 0 / 17

HEX #54D3D3

RGB 84 211 211

HSL 180, 0.59%, 0.58%

LAB 77.98, -34.47, -10.46

 

CMYK 12 / 60 / 0 / 17

HEX #B954D3

RGB 185 84 211

HSL 287.72, 0.59%, 0.58%

LAB 53.34, 59.29, -47.9

 

CMYK 0 / 60 / 60 / 17

HEX #D35454

RGB 211 84 84

HSL 0, 0.59%, 0.58%

LAB 52.76, 50.12, 26.15

 

CMYK 48 / 0 / 59 / 17

HEX #6ED456

RGB 110 212 86

HSL 108.57, 0.59%, 0.58%

LAB 76.72, -53.1, 52.19

 

CMYK 60 / 18 / 0 / 17

HEX #54ADD3

RGB 84 173 211

HSL 197.95, 0.59%, 0.58%

LAB 66.88, -15.47, -27.27

 

CMYK 12 / 60 / 0 / 17

HEX #B954D3

RGB 185 84 211

HSL 287.72, 0.59%, 0.58%

LAB 53.34, 59.29, -47.9

 

CMYK 0 / 42 / 60 / 17

HEX #D37A54

RGB 211 122 84

HSL 17.95, 0.59%, 0.58%

LAB 60.26, 31.13, 35.58

 

Description

Color code: HEX #6ED456 | qconv.com Color code: HEX #6ED456 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 212 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 212 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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