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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EE74F it is the complementary color #9118B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EE74F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EE74F shade: #73E74A, #84F95D, #95FF70, #A6FF83 and #B7FF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EE74F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EE74F shade: #6EE74F, #5DD53C, #4CC329, #3BB116 and #2A9F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EE74F shade: #6EE74F, #97E74F, #C0E74F, #E7E54F and #E7BC4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EE74F shade: #6EE74F, #4FE759, #4FE782, #4FE7AB and #4FE7D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EE74F shade matches the following richer shades: #6EE74F and #65F73F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EE74F shade: #6EE74F, #78D760, #81C670, #8BB680 and #94A690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EE74F shade: #C1E74F, #99E74F, #70E74F, #4FE757 and #4FE77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EE74F shade: #3EC91B, #50E22B, #6EE74F, #8CEC74 and #AAF198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EE74F shade: #6EE74F, #4FE7E4 and #E74FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EE74F shade: #6EE74F, #4F70E7 and #E74F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EE74F shade: #6EE74F, #4FE7E4, #C64FE7 and #E74F52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EE74F shade: #6EE74F, #4FBCE7, #C64FE7 and #E77A4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

Complementary color

CMYK 18 / 86 / 0 / 31

HEX #9118B0

RGB 145 24 176

HSL 287.76, 0.76%, 0.39%

LAB 37.49, 66.02, -53.27

 

CMYK 50 / 0 / 68 / 9

HEX #73E74A

RGB 115 231 74

HSL 104.33, 0.77%, 0.6%

LAB 82.53, -60.03, 63.55

 

CMYK 47 / 0 / 63 / 2

HEX #84F95D

RGB 132 249 93

HSL 105, 0.93%, 0.67%

LAB 88.66, -60.37, 62.84

 

CMYK 42 / 0 / 56 / 0

HEX #95FF70

RGB 149 255 112

HSL 104.48, 1%, 0.72%

LAB 91.27, -55.86, 57.92

 

CMYK 35 / 0 / 49 / 0

HEX #A6FF83

RGB 166 255 131

HSL 103.06, 1%, 0.76%

LAB 92.25, -48.47, 50.65

 

CMYK 28 / 0 / 41 / 0

HEX #B7FF96

RGB 183 255 150

HSL 101.14, 1%, 0.79%

LAB 93.36, -40.57, 43.17

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 56 / 0 / 72 / 16

HEX #5DD53C

RGB 93 213 60

HSL 107.06, 0.65%, 0.54%

LAB 76.22, -60.4, 61.95

 

CMYK 61 / 0 / 79 / 24

HEX #4CC329

RGB 76 195 41

HSL 106.36, 0.65%, 0.46%

LAB 69.98, -59.51, 61.93

 

CMYK 67 / 0 / 88 / 31

HEX #3BB116

RGB 59 177 22

HSL 105.68, 0.78%, 0.39%

LAB 63.7, -58.16, 60.93

 

CMYK 74 / 0 / 98 / 38

HEX #2A9F03

RGB 42 159 3

HSL 105, 0.96%, 0.32%

LAB 57.36, -56.18, 58.57

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 35 / 0 / 66 / 9

HEX #97E74F

RGB 151 231 79

HSL 91.58, 0.76%, 0.61%

LAB 84.12, -48.46, 63.77

 

CMYK 17 / 0 / 66 / 9

HEX #C0E74F

RGB 192 231 79

HSL 75.39, 0.76%, 0.61%

LAB 86.47, -33.45, 66.95

 

CMYK 0 / 1 / 66 / 9

HEX #E7E54F

RGB 231 229 79

HSL 59.21, 0.76%, 0.61%

LAB 88.73, -16.89, 70.17

 

CMYK 0 / 19 / 66 / 9

HEX #E7BC4F

RGB 231 188 79

HSL 43.03, 0.76%, 0.61%

LAB 78.18, 3.9, 59.16

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 66 / 0 / 61 / 9

HEX #4FE759

RGB 79 231 89

HSL 123.95, 0.76%, 0.61%

LAB 81.58, -67.07, 56.15

 

CMYK 66 / 0 / 44 / 9

HEX #4FE782

RGB 79 231 130

HSL 140.13, 0.76%, 0.61%

LAB 82.07, -61.52, 37.66

 

CMYK 66 / 0 / 26 / 9

HEX #4FE7AB

RGB 79 231 171

HSL 156.32, 0.76%, 0.61%

LAB 82.78, -53.76, 17.69

 

CMYK 66 / 0 / 8 / 9

HEX #4FE7D4

RGB 79 231 212

HSL 172.5, 0.76%, 0.61%

LAB 83.74, -44.05, -2.48

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 59 / 0 / 74 / 3

HEX #65F73F

RGB 101 247 63

HSL 107.61, 0.92%, 0.61%

LAB 86.82, -70, 71.6

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 44 / 0 / 55 / 16

HEX #78D760

RGB 120 215 96

HSL 107.9, 0.6%, 0.61%

LAB 78.13, -50.26, 49.41

 

CMYK 35 / 0 / 43 / 22

HEX #81C670

RGB 129 198 112

HSL 108.14, 0.43%, 0.61%

LAB 73.69, -38.14, 36.3

 

CMYK 24 / 0 / 30 / 29

HEX #8BB680

RGB 139 182 128

HSL 107.78, 0.27%, 0.61%

LAB 69.83, -24.77, 22.96

 

CMYK 11 / 0 / 13 / 35

HEX #94A690

RGB 148 166 144

HSL 109.09, 0.11%, 0.61%

LAB 66.2, -10.57, 9.27

 

CMYK 16 / 0 / 66 / 9

HEX #C1E74F

RGB 193 231 79

HSL 75, 0.76%, 0.61%

LAB 86.53, -33.06, 67.04

 

CMYK 34 / 0 / 66 / 9

HEX #99E74F

RGB 153 231 79

HSL 90.79, 0.76%, 0.61%

LAB 84.22, -47.78, 63.9

 

CMYK 52 / 0 / 66 / 9

HEX #70E74F

RGB 112 231 79

HSL 106.97, 0.76%, 0.61%

LAB 82.47, -60.43, 61.51

 

CMYK 66 / 0 / 62 / 9

HEX #4FE757

RGB 79 231 87

HSL 123.16, 0.76%, 0.61%

LAB 81.57, -67.29, 56.98

 

CMYK 66 / 0 / 45 / 9

HEX #4FE77F

RGB 79 231 127

HSL 138.95, 0.76%, 0.61%

LAB 82.03, -62, 39.09

 

CMYK 69 / 0 / 87 / 21

HEX #3EC91B

RGB 62 201 27

HSL 107.93, 0.76%, 0.45%

LAB 71.47, -65.13, 66.71

 

CMYK 65 / 0 / 81 / 11

HEX #50E22B

RGB 80 226 43

HSL 107.87, 0.76%, 0.53%

LAB 79.77, -68.84, 70.53

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 41 / 0 / 51 / 7

HEX #8CEC74

RGB 140 236 116

HSL 108, 0.76%, 0.69%

LAB 85.42, -50.46, 49.04

 

CMYK 29 / 0 / 37 / 5

HEX #AAF198

RGB 170 241 152

HSL 107.87, 0.76%, 0.77%

LAB 88.79, -38.34, 36.13

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 66 / 0 / 1 / 9

HEX #4FE7E4

RGB 79 231 228

HSL 178.82, 0.76%, 0.61%

LAB 84.18, -39.81, -10.28

 

CMYK 0 / 66 / 25 / 9

HEX #E74FAD

RGB 231 79 173

HSL 322.89, 0.76%, 0.61%

LAB 57.65, 67.24, -18.82

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 66 / 52 / 0 / 9

HEX #4F70E7

RGB 79 112 231

HSL 226.97, 0.76%, 0.61%

LAB 50.71, 26.02, -63.96

 

CMYK 0 / 66 / 52 / 9

HEX #E74F70

RGB 231 79 112

HSL 346.97, 0.76%, 0.61%

LAB 55.84, 60.87, 14.35

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 66 / 0 / 1 / 9

HEX #4FE7E4

RGB 79 231 228

HSL 178.82, 0.76%, 0.61%

LAB 84.18, -39.81, -10.28

 

CMYK 14 / 66 / 0 / 9

HEX #C64FE7

RGB 198 79 231

HSL 286.97, 0.76%, 0.61%

LAB 55.45, 68.31, -55.75

 

CMYK 0 / 66 / 65 / 9

HEX #E74F52

RGB 231 79 82

HSL 358.82, 0.76%, 0.61%

LAB 55.27, 58.79, 31.18

 

CMYK 52 / 0 / 66 / 9

HEX #6EE74F

RGB 110 231 79

HSL 107.76, 0.76%, 0.61%

LAB 82.4, -60.96, 61.41

 

CMYK 66 / 19 / 0 / 9

HEX #4FBCE7

RGB 79 188 231

HSL 196.97, 0.76%, 0.61%

LAB 71.82, -18.03, -30.61

 

CMYK 14 / 66 / 0 / 9

HEX #C64FE7

RGB 198 79 231

HSL 286.97, 0.76%, 0.61%

LAB 55.45, 68.31, -55.75

 

CMYK 0 / 47 / 66 / 9

HEX #E77A4F

RGB 231 122 79

HSL 16.97, 0.76%, 0.61%

LAB 62.9, 38.68, 42.07

 

Description

Color code: HEX #6EE74F | qconv.com Color code: HEX #6EE74F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 231 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 231 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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