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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EE987 it is the complementary color #911678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EE987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EE987 shade: #73E982, #84FB95, #95FFA8, #A6FFBB and #B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EE987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EE987 shade: #6EE987, #5DD774, #4CC561, #3BB34E and #2AA13B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EE987 shade: #6CE985, #74E96C, #96E96C, #B8E96C and #D9E96C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EE987 shade: #6CE985, #6CE9A7, #6CE9C9, #6CE7E9 and #6CC6E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EE987 shade matches the following richer shades: #6CE985 and #5EF67D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EE987 shade: #6CE985, #7ADB8D, #87CD96, #95C09E and #A3B2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EE987 shade: #96E96C, #74E96C, #6CE985, #6CE9A6 and #6CE9C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EE987 shade: #24DE4A, #48E368, #6CE985, #90EEA3 and #B4F3C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EE987 shade: #6EE987, #6CB7E9 and #E96C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EE987 shade: #6EE987, #856CE9 and #E9856C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EE987 shade: #6EE987, #6CB7E9, #E96CD0 and #E99E6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EE987 shade: #6EE987, #6C91E9, #E96CD0 and #E9C36C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 42 / 9

HEX #6EE987

RGB 110 233 135

HSL 132.2, 0.74%, 0.67%

LAB 83.62, -54.89, 37.36

 

Complementary color

CMYK 0 / 85 / 17 / 43

HEX #911678

RGB 145 22 120

HSL 312.2, 0.74%, 0.33%

LAB 33.88, 57.32, -24.77

 

CMYK 51 / 0 / 44 / 9

HEX #73E982

RGB 115 233 130

HSL 127.63, 0.73%, 0.68%

LAB 83.72, -54.4, 39.99

 

CMYK 47 / 0 / 41 / 2

HEX #84FB95

RGB 132 251 149

HSL 128.57, 0.94%, 0.75%

LAB 89.89, -54.32, 38.72

 

CMYK 42 / 0 / 34 / 0

HEX #95FFA8

RGB 149 255 168

HSL 130.75, 1%, 0.79%

LAB 92.01, -48.36, 32.22

 

CMYK 35 / 0 / 27 / 0

HEX #A6FFBB

RGB 166 255 187

HSL 134.16, 1%, 0.83%

LAB 93.11, -40.29, 24.25

 

CMYK 28 / 0 / 19 / 0

HEX #B7FFCE

RGB 183 255 206

HSL 139.17, 1%, 0.86%

LAB 94.33, -31.84, 16.39

 

CMYK 53 / 0 / 42 / 9

HEX #6EE987

RGB 110 233 135

HSL 132.2, 0.74%, 0.67%

LAB 83.62, -54.89, 37.36

 

CMYK 57 / 0 / 46 / 16

HEX #5DD774

RGB 93 215 116

HSL 131.31, 0.6%, 0.6%

LAB 77.39, -54.84, 38.7

 

CMYK 61 / 0 / 51 / 23

HEX #4CC561

RGB 76 197 97

HSL 130.41, 0.51%, 0.54%

LAB 71.1, -54.62, 40.09

 

CMYK 67 / 0 / 56 / 30

HEX #3BB34E

RGB 59 179 78

HSL 129.5, 0.5%, 0.47%

LAB 64.74, -54.14, 41.49

 

CMYK 74 / 0 / 63 / 37

HEX #2AA13B

RGB 42 161 59

HSL 128.57, 0.59%, 0.4%

LAB 58.32, -53.24, 42.83

 

CMYK 54 / 0 / 43 / 9

HEX #6CE985

RGB 108 233 133

HSL 132, 0.74%, 0.67%

LAB 83.53, -55.69, 38.22

 

CMYK 50 / 0 / 54 / 9

HEX #74E96C

RGB 116 233 108

HSL 116.16, 0.74%, 0.67%

LAB 83.48, -57.1, 50.2

 

CMYK 36 / 0 / 54 / 9

HEX #96E96C

RGB 150 233 108

HSL 99.84, 0.74%, 0.67%

LAB 84.92, -46.96, 52.26

 

CMYK 21 / 0 / 54 / 9

HEX #B8E96C

RGB 184 233 108

HSL 83.52, 0.74%, 0.67%

LAB 86.78, -35.08, 54.91

 

CMYK 7 / 0 / 54 / 9

HEX #D9E96C

RGB 217 233 108

HSL 67.68, 0.74%, 0.67%

LAB 88.98, -22.47, 58.03

 

CMYK 54 / 0 / 43 / 9

HEX #6CE985

RGB 108 233 133

HSL 132, 0.74%, 0.67%

LAB 83.53, -55.69, 38.22

 

CMYK 54 / 0 / 28 / 9

HEX #6CE9A7

RGB 108 233 167

HSL 148.32, 0.74%, 0.67%

LAB 84.1, -49.72, 21.72

 

CMYK 54 / 0 / 14 / 9

HEX #6CE9C9

RGB 108 233 201

HSL 164.64, 0.74%, 0.67%

LAB 84.83, -42.45, 5

 

CMYK 54 / 1 / 0 / 9

HEX #6CE7E9

RGB 108 231 233

HSL 180.96, 0.74%, 0.67%

LAB 85.11, -33.63, -11.45

 

CMYK 54 / 15 / 0 / 9

HEX #6CC6E9

RGB 108 198 233

HSL 196.8, 0.74%, 0.67%

LAB 75.74, -17.36, -25.61

 

CMYK 54 / 0 / 43 / 9

HEX #6CE985

RGB 108 233 133

HSL 132, 0.74%, 0.67%

LAB 83.53, -55.69, 38.22

 

CMYK 62 / 0 / 49 / 4

HEX #5EF67D

RGB 94 246 125

HSL 132.24, 0.89%, 0.67%

LAB 86.88, -64.84, 46.25

 

CMYK 54 / 0 / 43 / 9

HEX #6CE985

RGB 108 233 133

HSL 132, 0.74%, 0.67%

LAB 83.53, -55.69, 38.22

 

CMYK 44 / 0 / 36 / 14

HEX #7ADB8D

RGB 122 219 141

HSL 131.75, 0.57%, 0.67%

LAB 80.02, -45.02, 29.69

 

CMYK 34 / 0 / 27 / 20

HEX #87CD96

RGB 135 205 150

HSL 132.86, 0.41%, 0.67%

LAB 76.69, -33.36, 20.58

 

CMYK 22 / 0 / 18 / 25

HEX #95C09E

RGB 149 192 158

HSL 132.56, 0.25%, 0.67%

LAB 73.91, -21.08, 12.54

 

CMYK 8 / 0 / 7 / 30

HEX #A3B2A6

RGB 163 178 166

HSL 132, 0.09%, 0.67%

LAB 71.13, -7.53, 4.34

 

CMYK 36 / 0 / 54 / 9

HEX #96E96C

RGB 150 233 108

HSL 99.84, 0.74%, 0.67%

LAB 84.92, -46.96, 52.26

 

CMYK 50 / 0 / 54 / 9

HEX #74E96C

RGB 116 233 108

HSL 116.16, 0.74%, 0.67%

LAB 83.48, -57.1, 50.2

 

CMYK 54 / 0 / 43 / 9

HEX #6CE985

RGB 108 233 133

HSL 132, 0.74%, 0.67%

LAB 83.53, -55.69, 38.22

 

CMYK 54 / 0 / 29 / 9

HEX #6CE9A6

RGB 108 233 166

HSL 147.84, 0.74%, 0.67%

LAB 84.08, -49.92, 22.21

 

CMYK 54 / 0 / 15 / 9

HEX #6CE9C7

RGB 108 233 199

HSL 163.68, 0.74%, 0.67%

LAB 84.79, -42.91, 5.99

 

CMYK 84 / 0 / 67 / 13

HEX #24DE4A

RGB 36 222 74

HSL 132.26, 0.74%, 0.51%

LAB 77.94, -71.89, 58.1

 

CMYK 68 / 0 / 54 / 11

HEX #48E368

RGB 72 227 104

HSL 132.39, 0.73%, 0.59%

LAB 80.36, -65.19, 48

 

CMYK 54 / 0 / 43 / 9

HEX #6CE985

RGB 108 233 133

HSL 132, 0.74%, 0.67%

LAB 83.53, -55.69, 38.22

 

CMYK 39 / 0 / 32 / 7

HEX #90EEA3

RGB 144 238 163

HSL 132.13, 0.73%, 0.75%

LAB 86.86, -43.3, 27.77

 

CMYK 26 / 0 / 21 / 5

HEX #B4F3C1

RGB 180 243 193

HSL 132.38, 0.72%, 0.83%

LAB 90.62, -29.48, 17.84

 

CMYK 53 / 0 / 42 / 9

HEX #6EE987

RGB 110 233 135

HSL 132.2, 0.74%, 0.67%

LAB 83.62, -54.89, 37.36

 

CMYK 54 / 21 / 0 / 9

HEX #6CB7E9

RGB 108 183 233

HSL 204, 0.74%, 0.67%

LAB 71.51, -9.43, -32.1

 

CMYK 0 / 54 / 43 / 9

HEX #E96C85

RGB 233 108 133

HSL 348, 0.74%, 0.67%

LAB 61.43, 50.68, 9.97

 

CMYK 53 / 0 / 42 / 9

HEX #6EE987

RGB 110 233 135

HSL 132.2, 0.74%, 0.67%

LAB 83.62, -54.89, 37.36

 

CMYK 43 / 54 / 0 / 9

HEX #856CE9

RGB 133 108 233

HSL 252, 0.74%, 0.67%

LAB 53.59, 39.48, -60.25

 

CMYK 0 / 43 / 54 / 9

HEX #E9856C

RGB 233 133 108

HSL 12, 0.74%, 0.67%

LAB 65.89, 35.85, 30.17

 

CMYK 53 / 0 / 42 / 9

HEX #6EE987

RGB 110 233 135

HSL 132.2, 0.74%, 0.67%

LAB 83.62, -54.89, 37.36

 

CMYK 54 / 21 / 0 / 9

HEX #6CB7E9

RGB 108 183 233

HSL 204, 0.74%, 0.67%

LAB 71.51, -9.43, -32.1

 

CMYK 0 / 54 / 11 / 9

HEX #E96CD0

RGB 233 108 208

HSL 312, 0.74%, 0.67%

LAB 63.84, 60.44, -29.28

 

CMYK 0 / 32 / 54 / 9

HEX #E99E6C

RGB 233 158 108

HSL 24, 0.74%, 0.67%

LAB 71.46, 22.67, 37.29

 

CMYK 53 / 0 / 42 / 9

HEX #6EE987

RGB 110 233 135

HSL 132.2, 0.74%, 0.67%

LAB 83.62, -54.89, 37.36

 

CMYK 54 / 38 / 0 / 9

HEX #6C91E9

RGB 108 145 233

HSL 222.24, 0.74%, 0.67%

LAB 61.06, 12.06, -48.44

 

CMYK 0 / 54 / 11 / 9

HEX #E96CD0

RGB 233 108 208

HSL 312, 0.74%, 0.67%

LAB 63.84, 60.44, -29.28

 

CMYK 0 / 16 / 54 / 9

HEX #E9C36C

RGB 233 195 108

HSL 41.76, 0.74%, 0.67%

LAB 80.42, 3.11, 48.3

 

Description

Color code: HEX #6EE987 | qconv.com Color code: HEX #6EE987 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 233 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 233 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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