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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EE2C3 it is the complementary color #911D3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EE2C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EE2C3 shade: #73E2BE, #84F4D1, #95FFE4, #A6FFF7 and #B7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EE2C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EE2C3 shade: #6EE2C3, #5DD0B0, #4CBE9D, #3BAC8A and #2A9A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EE2C3 shade: #6EE2C3, #6EE2A4, #6EE284, #77E26E and #96E26E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EE2C3 shade: #6EE2C3, #6EE2E2, #6EC2E2, #6EA3E2 and #6E84E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EE2C3 shade matches the following richer shades: #6EE2C3, #60F0C9 and #52FED0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EE2C3 shade: #6EE2C3, #7CD4BC, #8AC6B6, #98B8AF and #A6AAA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EE2C3 shade: #6EE283, #6EE2A2, #6EE2C1, #6EE2E0 and #6EC5E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EE2C3 shade: #29D4A6, #4BDBB5, #6EE2C3, #90E9D1 and #B3F0DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EE2C3 shade: #6EE2C3, #6E77E2 and #E2936E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EE2C3 shade: #6EE2C3, #C16EE2 and #E2C16E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EE2C3 shade: #6EE2C3, #6E77E2, #E26E8F and #E2D86E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EE2C3 shade: #6EE2C3, #876EE2, #E26E8F and #C9E26E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

Complementary color

CMYK 0 / 80 / 59 / 43

HEX #911D3C

RGB 145 29 60

HSL 343.97, 0.67%, 0.34%

LAB 32.31, 48.92, 11.74

 

CMYK 49 / 0 / 16 / 11

HEX #73E2BE

RGB 115 226 190

HSL 160.54, 0.66%, 0.67%

LAB 82.78, -40.29, 7.87

 

CMYK 46 / 0 / 14 / 4

HEX #84F4D1

RGB 132 244 209

HSL 161.25, 0.84%, 0.74%

LAB 89.02, -40.17, 6.96

 

CMYK 42 / 0 / 11 / 0

HEX #95FFE4

RGB 149 255 228

HSL 164.72, 1%, 0.79%

LAB 93.24, -36.85, 3.29

 

CMYK 35 / 0 / 3 / 0

HEX #A6FFF7

RGB 166 255 247

HSL 174.61, 1%, 0.83%

LAB 94.46, -28.32, -4.65

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 55 / 0 / 15 / 18

HEX #5DD0B0

RGB 93 208 176

HSL 163.3, 0.55%, 0.59%

LAB 76.42, -40.3, 6.08

 

CMYK 60 / 0 / 17 / 25

HEX #4CBE9D

RGB 76 190 157

HSL 162.63, 0.47%, 0.52%

LAB 70.03, -40.22, 7.12

 

CMYK 66 / 0 / 20 / 33

HEX #3BAC8A

RGB 59 172 138

HSL 161.95, 0.49%, 0.45%

LAB 63.57, -39.99, 8.27

 

CMYK 73 / 0 / 23 / 40

HEX #2A9A77

RGB 42 154 119

HSL 161.25, 0.57%, 0.38%

LAB 57.01, -39.55, 9.54

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 51 / 0 / 27 / 11

HEX #6EE2A4

RGB 110 226 164

HSL 147.93, 0.67%, 0.66%

LAB 82.05, -46.91, 20.46

 

CMYK 51 / 0 / 42 / 11

HEX #6EE284

RGB 110 226 132

HSL 131.38, 0.67%, 0.66%

LAB 81.5, -52.58, 36.1

 

CMYK 47 / 0 / 51 / 11

HEX #77E26E

RGB 119 226 110

HSL 115.34, 0.67%, 0.66%

LAB 81.53, -53.3, 46.94

 

CMYK 34 / 0 / 51 / 11

HEX #96E26E

RGB 150 226 110

HSL 99.31, 0.67%, 0.66%

LAB 82.91, -43.75, 48.94

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 51 / 0 / 0 / 11

HEX #6EE2E2

RGB 110 226 226

HSL 180, 0.67%, 0.66%

LAB 83.55, -32.7, -10.07

 

CMYK 51 / 14 / 0 / 11

HEX #6EC2E2

RGB 110 194 226

HSL 196.55, 0.67%, 0.66%

LAB 74.44, -16.85, -23.8

 

CMYK 51 / 28 / 0 / 11

HEX #6EA3E2

RGB 110 163 226

HSL 212.59, 0.67%, 0.66%

LAB 65.75, -0.04, -37.2

 

CMYK 51 / 42 / 0 / 11

HEX #6E84E2

RGB 110 132 226

HSL 228.62, 0.67%, 0.66%

LAB 57.37, 18.03, -50.39

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 60 / 0 / 16 / 6

HEX #60F0C9

RGB 96 240 201

HSL 163.75, 0.83%, 0.66%

LAB 86.52, -47.82, 7.38

 

CMYK 68 / 0 / 18 / 0

HEX #52FED0

RGB 82 254 208

HSL 163.95, 0.99%, 0.66%

LAB 90.43, -54.29, 9.31

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 42 / 0 / 11 / 17

HEX #7CD4BC

RGB 124 212 188

HSL 163.64, 0.51%, 0.66%

LAB 79.04, -32.08, 3.59

 

CMYK 30 / 0 / 8 / 22

HEX #8AC6B6

RGB 138 198 182

HSL 164, 0.34%, 0.66%

LAB 75.56, -22.72, 1.84

 

CMYK 17 / 0 / 5 / 28

HEX #98B8AF

RGB 152 184 175

HSL 163.13, 0.18%, 0.66%

LAB 72.26, -12.66, 0.96

 

CMYK 2 / 0 / 1 / 33

HEX #A6AAA9

RGB 166 170 169

HSL 165, 0.02%, 0.66%

LAB 69.27, -1.6, 0.01

 

CMYK 51 / 0 / 42 / 11

HEX #6EE283

RGB 110 226 131

HSL 130.86, 0.67%, 0.66%

LAB 81.48, -52.73, 36.59

 

CMYK 51 / 0 / 28 / 11

HEX #6EE2A2

RGB 110 226 162

HSL 146.9, 0.67%, 0.66%

LAB 82.01, -47.3, 21.45

 

CMYK 51 / 0 / 15 / 11

HEX #6EE2C1

RGB 110 226 193

HSL 162.93, 0.67%, 0.66%

LAB 82.68, -40.75, 6.12

 

CMYK 51 / 0 / 1 / 11

HEX #6EE2E0

RGB 110 226 224

HSL 178.97, 0.67%, 0.66%

LAB 83.49, -33.22, -9.1

 

CMYK 51 / 13 / 0 / 11

HEX #6EC5E2

RGB 110 197 226

HSL 195, 0.67%, 0.66%

LAB 75.29, -18.4, -22.51

 

CMYK 81 / 0 / 22 / 17

HEX #29D4A6

RGB 41 212 166

HSL 163.86, 0.68%, 0.5%

LAB 76.26, -52.24, 11.05

 

CMYK 66 / 0 / 17 / 14

HEX #4BDBB5

RGB 75 219 181

HSL 164.17, 0.67%, 0.58%

LAB 79.33, -47.21, 7.52

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 38 / 0 / 10 / 9

HEX #90E9D1

RGB 144 233 209

HSL 163.82, 0.67%, 0.74%

LAB 86.41, -32.09, 3.26

 

CMYK 25 / 0 / 7 / 6

HEX #B3F0DF

RGB 179 240 223

HSL 163.28, 0.67%, 0.82%

LAB 90.43, -22.63, 1.98

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 51 / 47 / 0 / 11

HEX #6E77E2

RGB 110 119 226

HSL 235.34, 0.67%, 0.66%

LAB 54.03, 25.85, -55.73

 

CMYK 0 / 35 / 51 / 11

HEX #E2936E

RGB 226 147 110

HSL 19.14, 0.67%, 0.66%

LAB 68.14, 25.9, 31.82

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 15 / 51 / 0 / 11

HEX #C16EE2

RGB 193 110 226

HSL 282.93, 0.67%, 0.66%

LAB 59.87, 51.67, -45.96

 

CMYK 0 / 15 / 51 / 11

HEX #E2C16E

RGB 226 193 110

HSL 42.93, 0.67%, 0.66%

LAB 79.29, 1.45, 45.8

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 51 / 47 / 0 / 11

HEX #6E77E2

RGB 110 119 226

HSL 235.34, 0.67%, 0.66%

LAB 54.03, 25.85, -55.73

 

CMYK 0 / 51 / 37 / 11

HEX #E26E8F

RGB 226 110 143

HSL 342.93, 0.67%, 0.66%

LAB 61.05, 48.42, 3.52

 

CMYK 0 / 4 / 51 / 11

HEX #E2D86E

RGB 226 216 110

HSL 54.83, 0.67%, 0.66%

LAB 85.2, -10.34, 52.89

 

CMYK 51 / 0 / 14 / 11

HEX #6EE2C3

RGB 110 226 195

HSL 163.97, 0.67%, 0.66%

LAB 82.73, -40.29, 5.13

 

CMYK 40 / 51 / 0 / 11

HEX #876EE2

RGB 135 110 226

HSL 252.93, 0.67%, 0.66%

LAB 53.81, 36.85, -55.97

 

CMYK 0 / 51 / 37 / 11

HEX #E26E8F

RGB 226 110 143

HSL 342.93, 0.67%, 0.66%

LAB 61.05, 48.42, 3.52

 

CMYK 11 / 0 / 51 / 11

HEX #C9E26E

RGB 201 226 110

HSL 72.93, 0.67%, 0.66%

LAB 85.97, -25.18, 53.33

 

Description

Color code: HEX #6EE2C3 | qconv.com Color code: HEX #6EE2C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 226 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 226 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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