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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EEC40 it is the complementary color #9113BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EEC40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EEC40 shade: #73EC3B, #84FE4E, #95FF61, #A6FF74 and #B7FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EEC40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EEC40 shade: #6EEC40, #5DDA2D, #4CC81A, #3BB607 and #2AA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EEC40 shade: #6EEC40, #9CEC40, #CBEC40, #ECDF40 and #ECB040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EEC40 shade: #6EEC40, #40EC41, #40EC6F, #40EC9D and #40ECCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EEC40 shade matches the following richer shades: #6EEC40 and #66FD2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EEC40 shade: #6EEC40, #76DB51, #7ECA62, #86B973 and #8EA884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EEC40 shade: #CCEC40, #9FEC40, #71EC40, #43EC40 and #40EC6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EEC40 shade: #43C613, #52E81B, #6EEC40, #8BEF66 and #A7F38B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EEC40 shade: #6EEC40, #40ECDD and #EC40B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EEC40 shade: #6EEC40, #4071EC and #EC4071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EEC40 shade: #6EEC40, #40ECDD, #BB40EC and #EC404F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EEC40 shade: #6EEC40, #40C7EC, #BB40EC and #EC6540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

Complementary color

CMYK 24 / 90 / 0 / 25

HEX #9113BF

RGB 145 19 191

HSL 283.95, 0.82%, 0.41%

LAB 38.28, 69.79, -60.86

 

CMYK 51 / 0 / 75 / 7

HEX #73EC3B

RGB 115 236 59

HSL 101.02, 0.82%, 0.58%

LAB 83.94, -62.9, 70.21

 

CMYK 48 / 0 / 69 / 0

HEX #84FE4E

RGB 132 254 78

HSL 101.59, 0.99%, 0.65%

LAB 90.02, -63.46, 70.05

 

CMYK 42 / 0 / 62 / 0

HEX #95FF61

RGB 149 255 97

HSL 100.25, 1%, 0.69%

LAB 91.13, -57.31, 64.13

 

CMYK 35 / 0 / 55 / 0

HEX #A6FF74

RGB 166 255 116

HSL 98.42, 1%, 0.73%

LAB 92.08, -50.13, 57.29

 

CMYK 28 / 0 / 47 / 0

HEX #B7FF87

RGB 183 255 135

HSL 96, 1%, 0.76%

LAB 93.16, -42.41, 50.09

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 57 / 0 / 79 / 15

HEX #5DDA2D

RGB 93 218 45

HSL 103.35, 0.7%, 0.52%

LAB 77.67, -63.11, 68.18

 

CMYK 62 / 0 / 87 / 22

HEX #4CC81A

RGB 76 200 26

HSL 102.76, 0.77%, 0.44%

LAB 71.5, -61.91, 67.07

 

CMYK 68 / 0 / 96 / 29

HEX #3BB607

RGB 59 182 7

HSL 102.17, 0.93%, 0.37%

LAB 65.28, -60.21, 64.62

 

CMYK 74 / 0 / 100 / 36

HEX #2AA400

RGB 42 164 0

HSL 104.63, 1%, 0.32%

LAB 59.01, -57.84, 60.34

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 34 / 0 / 73 / 7

HEX #9CEC40

RGB 156 236 64

HSL 87.91, 0.82%, 0.59%

LAB 85.72, -49.82, 70.92

 

CMYK 14 / 0 / 73 / 7

HEX #CBEC40

RGB 203 236 64

HSL 71.51, 0.82%, 0.59%

LAB 88.48, -32.28, 74.54

 

CMYK 0 / 6 / 73 / 7

HEX #ECDF40

RGB 236 223 64

HSL 55.47, 0.82%, 0.59%

LAB 87.47, -12.6, 74.45

 

CMYK 0 / 25 / 73 / 7

HEX #ECB040

RGB 236 176 64

HSL 39.07, 0.82%, 0.59%

LAB 75.61, 11.55, 62.95

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 73 / 0 / 72 / 7

HEX #40EC41

RGB 64 236 65

HSL 120.35, 0.82%, 0.59%

LAB 82.63, -73.47, 66.47

 

CMYK 73 / 0 / 53 / 7

HEX #40EC6F

RGB 64 236 111

HSL 136.4, 0.82%, 0.59%

LAB 83.03, -68.56, 47.94

 

CMYK 73 / 0 / 33 / 7

HEX #40EC9D

RGB 64 236 157

HSL 152.44, 0.82%, 0.59%

LAB 83.71, -60.82, 26.16

 

CMYK 73 / 0 / 14 / 7

HEX #40ECCB

RGB 64 236 203

HSL 168.49, 0.82%, 0.59%

LAB 84.69, -50.48, 3.6

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 60 / 0 / 81 / 1

HEX #66FD2F

RGB 102 253 47

HSL 103.98, 0.98%, 0.59%

LAB 88.58, -72.63, 77.79

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 46 / 0 / 63 / 14

HEX #76DB51

RGB 118 219 81

HSL 103.91, 0.66%, 0.59%

LAB 79.1, -54, 57.1

 

CMYK 38 / 0 / 51 / 21

HEX #7ECA62

RGB 126 202 98

HSL 103.85, 0.5%, 0.59%

LAB 74.55, -42.7, 44.25

 

CMYK 28 / 0 / 38 / 27

HEX #86B973

RGB 134 185 115

HSL 103.71, 0.33%, 0.59%

LAB 70.18, -29.99, 30.27

 

CMYK 15 / 0 / 21 / 34

HEX #8EA884

RGB 142 168 132

HSL 103.33, 0.17%, 0.59%

LAB 66.08, -15.92, 15.67

 

CMYK 14 / 0 / 73 / 7

HEX #CCEC40

RGB 204 236 64

HSL 71.16, 0.82%, 0.59%

LAB 88.54, -31.89, 74.62

 

CMYK 33 / 0 / 73 / 7

HEX #9FEC40

RGB 159 236 64

HSL 86.86, 0.82%, 0.59%

LAB 85.87, -48.78, 71.12

 

CMYK 52 / 0 / 73 / 7

HEX #71EC40

RGB 113 236 64

HSL 102.91, 0.82%, 0.59%

LAB 83.9, -63.13, 68.51

 

CMYK 72 / 0 / 73 / 7

HEX #43EC40

RGB 67 236 64

HSL 118.95, 0.82%, 0.59%

LAB 82.68, -73.07, 66.88

 

CMYK 73 / 0 / 55 / 7

HEX #40EC6B

RGB 64 236 107

HSL 135, 0.82%, 0.59%

LAB 82.99, -69.1, 49.74

 

CMYK 66 / 0 / 90 / 22

HEX #43C613

RGB 67 198 19

HSL 103.91, 0.82%, 0.43%

LAB 70.61, -63.45, 67.5

 

CMYK 65 / 0 / 88 / 9

HEX #52E81B

RGB 82 232 27

HSL 103.9, 0.82%, 0.51%

LAB 81.61, -70.98, 75.65

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 31 / 0 / 43 / 5

HEX #A7F38B

RGB 167 243 139

HSL 103.85, 0.81%, 0.75%

LAB 89.01, -41.99, 42.79

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 73 / 0 / 6 / 7

HEX #40ECDD

RGB 64 236 221

HSL 174.77, 0.82%, 0.59%

LAB 85.15, -45.83, -5.19

 

CMYK 0 / 73 / 23 / 7

HEX #EC40B5

RGB 236 64 181

HSL 319.19, 0.82%, 0.59%

LAB 56.92, 74.73, -24.52

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 73 / 52 / 0 / 7

HEX #4071EC

RGB 64 113 236

HSL 222.91, 0.82%, 0.59%

LAB 50.64, 25.07, -66.92

 

CMYK 0 / 73 / 52 / 7

HEX #EC4071

RGB 236 64 113

HSL 342.91, 0.82%, 0.59%

LAB 54.75, 67.86, 12.37

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 73 / 0 / 6 / 7

HEX #40ECDD

RGB 64 236 221

HSL 174.77, 0.82%, 0.59%

LAB 85.15, -45.83, -5.19

 

CMYK 21 / 73 / 0 / 7

HEX #BB40EC

RGB 187 64 236

HSL 282.91, 0.82%, 0.59%

LAB 52.16, 72.82, -63.92

 

CMYK 0 / 73 / 67 / 7

HEX #EC404F

RGB 236 64 79

HSL 354.77, 0.82%, 0.59%

LAB 54.1, 65.68, 31.65

 

CMYK 53 / 0 / 73 / 7

HEX #6EEC40

RGB 110 236 64

HSL 103.95, 0.82%, 0.59%

LAB 83.8, -63.92, 68.38

 

CMYK 73 / 16 / 0 / 7

HEX #40C7EC

RGB 64 199 236

HSL 192.91, 0.82%, 0.59%

LAB 74.82, -24.17, -28.74

 

CMYK 21 / 73 / 0 / 7

HEX #BB40EC

RGB 187 64 236

HSL 282.91, 0.82%, 0.59%

LAB 52.16, 72.82, -63.92

 

CMYK 0 / 57 / 73 / 7

HEX #EC6540

RGB 236 101 64

HSL 12.91, 0.82%, 0.59%

LAB 59.44, 50.04, 46.16

 

Description

Color code: HEX #6EEC40 | qconv.com Color code: HEX #6EEC40 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 236 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 236 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 73 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 73% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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