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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EEF51 it is the complementary color #9110AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EEF51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EEF51 shade: #73EF4C, #84FF5F, #95FF72, #A6FF85 and #B7FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EEF51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EEF51 shade: #6EEF51, #5DDD3E, #4CCB2B, #3BB918 and #2AA705

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EEF51 shade: #6FEE52, #99EE52, #C3EE52, #EDEE52 and #EEC552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EEF51 shade: #6FEE52, #52EE5F, #52EE8A, #52EEB4 and #52EEDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EEF51 shade matches the following richer shades: #6FEE52 and #65FE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EEF51 shade: #6FEE52, #78DF61, #82D070, #8CC180 and #95B18F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EEF51 shade: #C5EE52, #9BEE52, #71EE52, #52EE5C and #52EE86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EEF51 shade: #38DA14, #4FEB2C, #6FEE52, #8EF278 and #AEF59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EEF51 shade: #6EEF51, #52EEEE and #EE52B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EEF51 shade: #6EEF51, #5271EE and #EE5271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EEF51 shade: #6EEF51, #52EEEE, #CF52EE and #EE5252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EEF51 shade: #6EEF51, #52BFEE, #CF52EE and #EE8152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

Complementary color

CMYK 17 / 91 / 0 / 32

HEX #9110AE

RGB 145 16 174

HSL 288.99, 0.83%, 0.37%

LAB 36.83, 67.19, -53.15

 

CMYK 52 / 0 / 68 / 6

HEX #73EF4C

RGB 115 239 76

HSL 105.64, 0.84%, 0.62%

LAB 84.95, -62.8, 65.33

 

CMYK 48 / 0 / 63 / 0

HEX #84FF5F

RGB 132 255 95

HSL 106.13, 1%, 0.69%

LAB 90.44, -62.44, 63.98

 

CMYK 42 / 0 / 55 / 0

HEX #95FF72

RGB 149 255 114

HSL 105.11, 1%, 0.72%

LAB 91.29, -55.65, 57.06

 

CMYK 35 / 0 / 48 / 0

HEX #A6FF85

RGB 166 255 133

HSL 103.77, 1%, 0.76%

LAB 92.27, -48.23, 49.74

 

CMYK 28 / 0 / 40 / 0

HEX #B7FF98

RGB 183 255 152

HSL 101.94, 1%, 0.8%

LAB 93.39, -40.31, 42.23

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 58 / 0 / 72 / 13

HEX #5DDD3E

RGB 93 221 62

HSL 108.3, 0.7%, 0.55%

LAB 78.69, -63.07, 63.75

 

CMYK 63 / 0 / 79 / 20

HEX #4CCB2B

RGB 76 203 43

HSL 107.63, 0.65%, 0.48%

LAB 72.51, -62.13, 63.73

 

CMYK 68 / 0 / 87 / 27

HEX #3BB918

RGB 59 185 24

HSL 106.96, 0.77%, 0.41%

LAB 66.29, -60.7, 62.77

 

CMYK 75 / 0 / 97 / 35

HEX #2AA705

RGB 42 167 5

HSL 106.3, 0.94%, 0.34%

LAB 60.02, -58.65, 60.43

 

CMYK 53 / 0 / 66 / 7

HEX #6FEE52

RGB 111 238 82

HSL 108.85, 0.82%, 0.63%

LAB 84.55, -62.98, 62.56

 

CMYK 36 / 0 / 66 / 7

HEX #99EE52

RGB 153 238 82

HSL 92.69, 0.82%, 0.63%

LAB 86.27, -50.45, 64.91

 

CMYK 18 / 0 / 66 / 7

HEX #C3EE52

RGB 195 238 82

HSL 76.54, 0.82%, 0.63%

LAB 88.62, -35.29, 68.1

 

CMYK 0 / 0 / 66 / 7

HEX #EDEE52

RGB 237 238 82

HSL 60.38, 0.82%, 0.63%

LAB 91.58, -18.66, 72.08

 

CMYK 0 / 17 / 66 / 7

HEX #EEC552

RGB 238 197 82

HSL 44.23, 0.82%, 0.63%

LAB 81.14, 2.33, 61.23

 

CMYK 53 / 0 / 66 / 7

HEX #6FEE52

RGB 111 238 82

HSL 108.85, 0.82%, 0.63%

LAB 84.55, -62.98, 62.56

 

CMYK 66 / 0 / 60 / 7

HEX #52EE5F

RGB 82 238 95

HSL 125, 0.82%, 0.63%

LAB 83.85, -68.2, 56.17

 

CMYK 66 / 0 / 42 / 7

HEX #52EE8A

RGB 82 238 138

HSL 141.54, 0.82%, 0.63%

LAB 84.37, -62.22, 36.69

 

CMYK 66 / 0 / 24 / 7

HEX #52EEB4

RGB 82 238 180

HSL 157.69, 0.82%, 0.63%

LAB 85.12, -54.13, 16.29

 

CMYK 66 / 0 / 7 / 7

HEX #52EEDE

RGB 82 238 222

HSL 173.85, 0.82%, 0.63%

LAB 86.11, -44.09, -4.25

 

CMYK 53 / 0 / 66 / 7

HEX #6FEE52

RGB 111 238 82

HSL 108.85, 0.82%, 0.63%

LAB 84.55, -62.98, 62.56

 

CMYK 60 / 0 / 74 / 0

HEX #65FE43

RGB 101 254 67

HSL 109.09, 0.99%, 0.63%

LAB 88.95, -72.07, 72.41

 

CMYK 53 / 0 / 66 / 7

HEX #6FEE52

RGB 111 238 82

HSL 108.85, 0.82%, 0.63%

LAB 84.55, -62.98, 62.56

 

CMYK 46 / 0 / 57 / 13

HEX #78DF61

RGB 120 223 97

HSL 109.05, 0.66%, 0.63%

LAB 80.53, -53.36, 51.77

 

CMYK 38 / 0 / 46 / 18

HEX #82D070

RGB 130 208 112

HSL 108.75, 0.51%, 0.63%

LAB 76.7, -42.24, 40.11

 

CMYK 27 / 0 / 34 / 24

HEX #8CC180

RGB 140 193 128

HSL 108.92, 0.34%, 0.63%

LAB 73.07, -29.76, 27.33

 

CMYK 16 / 0 / 19 / 31

HEX #95B18F

RGB 149 177 143

HSL 109.41, 0.18%, 0.63%

LAB 69.34, -16.15, 14.26

 

CMYK 17 / 0 / 66 / 7

HEX #C5EE52

RGB 197 238 82

HSL 75.77, 0.82%, 0.63%

LAB 88.75, -34.53, 68.27

 

CMYK 35 / 0 / 66 / 7

HEX #9BEE52

RGB 155 238 82

HSL 91.92, 0.82%, 0.63%

LAB 86.37, -49.78, 65.04

 

CMYK 53 / 0 / 66 / 7

HEX #71EE52

RGB 113 238 82

HSL 108.08, 0.82%, 0.63%

LAB 84.62, -62.46, 62.65

 

CMYK 66 / 0 / 61 / 7

HEX #52EE5C

RGB 82 238 92

HSL 123.85, 0.82%, 0.63%

LAB 83.82, -68.53, 57.42

 

CMYK 66 / 0 / 44 / 7

HEX #52EE86

RGB 82 238 134

HSL 140, 0.82%, 0.63%

LAB 84.31, -62.88, 38.59

 

CMYK 74 / 0 / 91 / 15

HEX #38DA14

RGB 56 218 20

HSL 109.09, 0.83%, 0.47%

LAB 76.7, -71.58, 72.39

 

CMYK 66 / 0 / 81 / 8

HEX #4FEB2C

RGB 79 235 44

HSL 109.01, 0.83%, 0.55%

LAB 82.52, -71.86, 72.79

 

CMYK 53 / 0 / 66 / 7

HEX #6FEE52

RGB 111 238 82

HSL 108.85, 0.82%, 0.63%

LAB 84.55, -62.98, 62.56

 

CMYK 41 / 0 / 50 / 5

HEX #8EF278

RGB 142 242 120

HSL 109.18, 0.82%, 0.71%

LAB 87.3, -51.83, 49.48

 

CMYK 29 / 0 / 36 / 4

HEX #AEF59D

RGB 174 245 157

HSL 108.41, 0.81%, 0.79%

LAB 90.2, -38.11, 35.52

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 66 / 0 / 0 / 7

HEX #52EEEE

RGB 82 238 238

HSL 180, 0.82%, 0.63%

LAB 86.56, -39.83, -11.99

 

CMYK 0 / 66 / 26 / 7

HEX #EE52B0

RGB 238 82 176

HSL 323.85, 0.82%, 0.63%

LAB 59.29, 68.35, -17.96

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 66 / 53 / 0 / 7

HEX #5271EE

RGB 82 113 238

HSL 228.08, 0.82%, 0.63%

LAB 51.58, 28.27, -66.47

 

CMYK 0 / 66 / 53 / 7

HEX #EE5271

RGB 238 82 113

HSL 348.08, 0.82%, 0.63%

LAB 57.47, 61.91, 16.19

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 66 / 0 / 0 / 7

HEX #52EEEE

RGB 82 238 238

HSL 180, 0.82%, 0.63%

LAB 86.56, -39.83, -11.99

 

CMYK 13 / 66 / 0 / 7

HEX #CF52EE

RGB 207 82 238

HSL 288.08, 0.82%, 0.63%

LAB 57.53, 70.37, -56.27

 

CMYK 0 / 66 / 66 / 7

HEX #EE5252

RGB 238 82 82

HSL 0, 0.82%, 0.63%

LAB 56.9, 59.84, 33.47

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 66 / 20 / 0 / 7

HEX #52BFEE

RGB 82 191 238

HSL 198.08, 0.82%, 0.63%

LAB 73.04, -16.94, -32.52

 

CMYK 13 / 66 / 0 / 7

HEX #CF52EE

RGB 207 82 238

HSL 288.08, 0.82%, 0.63%

LAB 57.53, 70.37, -56.27

 

CMYK 0 / 46 / 66 / 7

HEX #EE8152

RGB 238 129 82

HSL 18.08, 0.82%, 0.63%

LAB 65.35, 38, 43.61

 

Description

Color code: HEX #6EEF51 | qconv.com Color code: HEX #6EEF51 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 239 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 239 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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