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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F0573 it is the complementary color #90FA8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F0573. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F0573 shade: #74056E, #851781, #962994, #A73BA7 and #B84DBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F0573. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F0573 shade: #6F0573, #5E0060, #4D004D, #3C003A and #2B0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F0573 shade: #710475, #75045B, #75043C, #75041E and #750404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F0573 shade: #710475, #530475, #340475, #160475 and #040475

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F0573 shade matches the following richer shades: #710475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F0573 shade: #710475, #680E6B, #5F1861, #552257 and #4C2C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F0573 shade: #330475, #510475, #6F0475, #75045D and #75043F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F0573 shade: #240126, #4B034D, #710475, #97069D and #BD08C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F0573 shade: #6F0573, #751504 and #047542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F0573 shade: #6F0573, #756F04 and #04756F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F0573 shade: #6F0573, #751504, #0A7504 and #046475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F0573 shade: #6F0573, #753704, #0A7504 and #044275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 96 / 0 / 55

HEX #6F0573

RGB 111 5 115

HSL 297.82, 0.92%, 0.24%

LAB 25.94, 52.92, -34.58

 

Complementary color

CMYK 42 / 0 / 44 / 2

HEX #90FA8C

RGB 144 250 140

HSL 117.82, 0.92%, 0.76%

LAB 89.95, -51.92, 43.28

 

CMYK 0 / 96 / 5 / 55

HEX #74056E

RGB 116 5 110

HSL 303.24, 0.92%, 0.24%

LAB 26.58, 53.05, -30.28

 

CMYK 0 / 83 / 3 / 48

HEX #851781

RGB 133 23 129

HSL 302.18, 0.71%, 0.31%

LAB 32.22, 55.83, -33.18

 

CMYK 0 / 73 / 1 / 41

HEX #962994

RGB 150 41 148

HSL 301.1, 0.57%, 0.37%

LAB 38.21, 57.21, -35.21

 

CMYK 0 / 65 / 0 / 35

HEX #A73BA7

RGB 167 59 167

HSL 300, 0.48%, 0.44%

LAB 44.42, 57.66, -36.63

 

CMYK 1 / 59 / 0 / 27

HEX #B84DBA

RGB 184 77 186

HSL 298.9, 0.44%, 0.52%

LAB 50.74, 57.56, -37.66

 

CMYK 3 / 96 / 0 / 55

HEX #6F0573

RGB 111 5 115

HSL 297.82, 0.92%, 0.24%

LAB 25.94, 52.92, -34.58

 

CMYK 2 / 100 / 0 / 62

HEX #5E0060

RGB 94 0 96

HSL 298.75, 1%, 0.19%

LAB 20.92, 47.69, -30.43

 

CMYK 0 / 100 / 0 / 70

HEX #4D004D

RGB 77 0 77

HSL 300, 1%, 0.15%

LAB 16.07, 41.29, -25.57

 

CMYK 0 / 100 / 3 / 76

HEX #3C003A

RGB 60 0 58

HSL 302, 1%, 0.12%

LAB 11.04, 34.64, -20.47

 

CMYK 0 / 100 / 9 / 83

HEX #2B0027

RGB 43 0 39

HSL 305.58, 1%, 0.08%

LAB 5.96, 26.79, -14.68

 

CMYK 3 / 97 / 0 / 54

HEX #710475

RGB 113 4 117

HSL 297.88, 0.93%, 0.24%

LAB 26.4, 53.81, -35.11

 

CMYK 0 / 97 / 22 / 54

HEX #75045B

RGB 117 4 91

HSL 313.81, 0.93%, 0.24%

LAB 25.64, 50.67, -19.35

 

CMYK 0 / 97 / 49 / 54

HEX #75043C

RGB 117 4 60

HSL 330.27, 0.93%, 0.24%

LAB 24.31, 47.16, -0.43

 

CMYK 0 / 97 / 74 / 54

HEX #75041E

RGB 117 4 30

HSL 346.19, 0.93%, 0.24%

LAB 23.55, 45.08, 19.28

 

CMYK 0 / 97 / 97 / 54

HEX #750404

RGB 117 4 4

HSL 0, 0.93%, 0.24%

LAB 23.26, 44.28, 33.34

 

CMYK 3 / 97 / 0 / 54

HEX #710475

RGB 113 4 117

HSL 297.88, 0.93%, 0.24%

LAB 26.4, 53.81, -35.11

 

CMYK 29 / 97 / 0 / 54

HEX #530475

RGB 83 4 117

HSL 281.95, 0.93%, 0.24%

LAB 20.87, 48.88, -44.32

 

CMYK 56 / 97 / 0 / 54

HEX #340475

RGB 52 4 117

HSL 265.49, 0.93%, 0.24%

LAB 16.01, 45.16, -52.48

 

CMYK 81 / 97 / 0 / 54

HEX #160475

RGB 22 4 117

HSL 249.56, 0.93%, 0.24%

LAB 12.87, 43.24, -57.79

 

CMYK 97 / 97 / 0 / 54

HEX #040475

RGB 4 4 117

HSL 240, 0.93%, 0.24%

LAB 11.94, 42.77, -59.37

 

CMYK 3 / 97 / 0 / 54

HEX #710475

RGB 113 4 117

HSL 297.88, 0.93%, 0.24%

LAB 26.4, 53.81, -35.11

 

CMYK 3 / 97 / 0 / 54

HEX #710475

RGB 113 4 117

HSL 297.88, 0.93%, 0.24%

LAB 26.4, 53.81, -35.11

 

CMYK 3 / 87 / 0 / 58

HEX #680E6B

RGB 104 14 107

HSL 298.06, 0.77%, 0.24%

LAB 24.7, 48.35, -31.48

 

CMYK 2 / 75 / 0 / 62

HEX #5F1861

RGB 95 24 97

HSL 298.36, 0.6%, 0.24%

LAB 23.5, 41.32, -26.95

 

CMYK 2 / 61 / 0 / 66

HEX #552257

RGB 85 34 87

HSL 297.74, 0.44%, 0.24%

LAB 22.87, 31.95, -21.45

 

CMYK 1 / 43 / 0 / 70

HEX #4C2C4D

RGB 76 44 77

HSL 298.18, 0.27%, 0.24%

LAB 23.25, 20.89, -14.29

 

CMYK 56 / 97 / 0 / 54

HEX #330475

RGB 51 4 117

HSL 264.96, 0.93%, 0.24%

LAB 15.88, 45.07, -52.71

 

CMYK 31 / 97 / 0 / 54

HEX #510475

RGB 81 4 117

HSL 280.88, 0.93%, 0.24%

LAB 20.52, 48.59, -44.9

 

CMYK 5 / 97 / 0 / 54

HEX #6F0475

RGB 111 4 117

HSL 296.81, 0.93%, 0.24%

LAB 26.01, 53.45, -35.74

 

CMYK 0 / 97 / 21 / 54

HEX #75045D

RGB 117 4 93

HSL 312.74, 0.93%, 0.24%

LAB 25.74, 50.94, -20.51

 

CMYK 0 / 97 / 46 / 54

HEX #75043F

RGB 117 4 63

HSL 328.67, 0.93%, 0.24%

LAB 24.41, 47.44, -2.34

 

CMYK 5 / 97 / 0 / 85

HEX #240126

RGB 36 1 38

HSL 296.76, 0.95%, 0.08%

LAB 4.85, 22.83, -15.75

 

CMYK 3 / 96 / 0 / 70

HEX #4B034D

RGB 75 3 77

HSL 298.38, 0.93%, 0.16%

LAB 15.99, 39.92, -25.73

 

CMYK 3 / 97 / 0 / 54

HEX #710475

RGB 113 4 117

HSL 297.88, 0.93%, 0.24%

LAB 26.4, 53.81, -35.11

 

CMYK 4 / 96 / 0 / 38

HEX #97069D

RGB 151 6 157

HSL 297.62, 0.93%, 0.32%

LAB 36.26, 66.65, -43.79

 

CMYK 4 / 96 / 0 / 23

HEX #BD08C4

RGB 189 8 196

HSL 297.77, 0.92%, 0.4%

LAB 45.6, 78.78, -51.59

 

CMYK 3 / 96 / 0 / 55

HEX #6F0573

RGB 111 5 115

HSL 297.82, 0.92%, 0.24%

LAB 25.94, 52.92, -34.58

 

CMYK 0 / 82 / 97 / 54

HEX #751504

RGB 117 21 4

HSL 9.03, 0.93%, 0.24%

LAB 24.72, 40.12, 34.79

 

CMYK 97 / 0 / 44 / 54

HEX #047542

RGB 4 117 66

HSL 152.92, 0.93%, 0.24%

LAB 42.98, -40.76, 20.43

 

CMYK 3 / 96 / 0 / 55

HEX #6F0573

RGB 111 5 115

HSL 297.82, 0.92%, 0.24%

LAB 25.94, 52.92, -34.58

 

CMYK 0 / 5 / 97 / 54

HEX #756F04

RGB 117 111 4

HSL 56.81, 0.93%, 0.24%

LAB 45.85, -8.71, 50.93

 

CMYK 97 / 0 / 5 / 54

HEX #04756F

RGB 4 117 111

HSL 176.81, 0.93%, 0.24%

LAB 44.08, -28.74, -4.59

 

CMYK 3 / 96 / 0 / 55

HEX #6F0573

RGB 111 5 115

HSL 297.82, 0.92%, 0.24%

LAB 25.94, 52.92, -34.58

 

CMYK 0 / 82 / 97 / 54

HEX #751504

RGB 117 21 4

HSL 9.03, 0.93%, 0.24%

LAB 24.72, 40.12, 34.79

 

CMYK 91 / 0 / 97 / 54

HEX #0A7504

RGB 10 117 4

HSL 116.81, 0.93%, 0.24%

LAB 42.45, -47.4, 45.97

 

CMYK 97 / 15 / 0 / 54

HEX #046475

RGB 4 100 117

HSL 189.03, 0.93%, 0.24%

LAB 38.59, -17.87, -16.51

 

CMYK 3 / 96 / 0 / 55

HEX #6F0573

RGB 111 5 115

HSL 297.82, 0.92%, 0.24%

LAB 25.94, 52.92, -34.58

 

CMYK 0 / 53 / 97 / 54

HEX #753704

RGB 117 55 4

HSL 27.08, 0.93%, 0.24%

LAB 30.7, 24.27, 39.85

 

CMYK 91 / 0 / 97 / 54

HEX #0A7504

RGB 10 117 4

HSL 116.81, 0.93%, 0.24%

LAB 42.45, -47.4, 45.97

 

CMYK 97 / 44 / 0 / 54

HEX #044275

RGB 4 66 117

HSL 207.08, 0.93%, 0.24%

LAB 27.32, 3.22, -34.18

 

Description

Color code: HEX #6F0573 | qconv.com Color code: HEX #6F0573 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 5 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 5 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 96 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 96% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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