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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F10CF it is the complementary color #90EF30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F10CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F10CF shade: #7410CA, #8522DD, #9634F0, #A746FF and #B858FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F10CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F10CF shade: #6F10CF, #5E00BC, #4D00A9, #3C0096 and #2B0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F10CF shade: #6F0FD0, #A30FD0, #D00FC9, #D00F95 and #D00F61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F10CF shade: #6F0FD0, #3B0FD0 and #0F0FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F10CF shade matches the following richer shades: #6F0FD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F10CF shade: #6F0FD0, #6F21BE, #6F34AC, #6F469A and #705888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F10CF shade: #0F19D0, #390FD0, #6C0FD0, #A00FD0 and #D00FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F10CF shade: #460983, #5B0CAA, #6F0FD0, #841BED and #9842F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F10CF shade: #6F10CF, #D00F4C and #0FD01F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F10CF shade: #6F10CF, #D06C0F and #0FD06C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F10CF shade: #6F10CF, #D00F4C, #73D00F and #0FD093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F10CF shade: #6F10CF, #D00F12, #73D00F and #0FD0CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 92 / 0 / 19

HEX #6F10CF

RGB 111 16 207

HSL 269.84, 0.86%, 0.44%

LAB 34.51, 69.44, -76.59

 

Complementary color

CMYK 40 / 0 / 80 / 6

HEX #90EF30

RGB 144 239 48

HSL 89.84, 0.86%, 0.56%

LAB 85.94, -55.87, 75.7

 

CMYK 43 / 92 / 0 / 21

HEX #7410CA

RGB 116 16 202

HSL 272.26, 0.85%, 0.43%

LAB 34.7, 68.87, -73.34

 

CMYK 40 / 85 / 0 / 13

HEX #8522DD

RGB 133 34 221

HSL 271.76, 0.73%, 0.5%

LAB 40.17, 70.82, -75.26

 

CMYK 38 / 78 / 0 / 6

HEX #9634F0

RGB 150 52 240

HSL 271.28, 0.86%, 0.57%

LAB 45.95, 71.64, -76.49

 

CMYK 35 / 73 / 0 / 0

HEX #A746FF

RGB 167 70 255

HSL 271.46, 1%, 0.64%

LAB 51.63, 70.85, -75.53

 

CMYK 28 / 65 / 0 / 0

HEX #B858FF

RGB 184 88 255

HSL 274.49, 1%, 0.67%

LAB 56.48, 66.34, -67.58

 

CMYK 46 / 92 / 0 / 19

HEX #6F10CF

RGB 111 16 207

HSL 269.84, 0.86%, 0.44%

LAB 34.51, 69.44, -76.59

 

CMYK 50 / 100 / 0 / 26

HEX #5E00BC

RGB 94 0 188

HSL 270, 1%, 0.37%

LAB 29.44, 66.26, -73.89

 

CMYK 54 / 100 / 0 / 34

HEX #4D00A9

RGB 77 0 169

HSL 267.34, 1%, 0.33%

LAB 25.08, 60.69, -69.8

 

CMYK 60 / 100 / 0 / 41

HEX #3C0096

RGB 60 0 150

HSL 264, 1%, 0.29%

LAB 20.68, 55.08, -65.54

 

CMYK 67 / 100 / 0 / 49

HEX #2B0083

RGB 43 0 131

HSL 259.69, 1%, 0.26%

LAB 16.27, 49.42, -61.05

 

CMYK 47 / 93 / 0 / 18

HEX #6F0FD0

RGB 111 15 208

HSL 269.84, 0.87%, 0.44%

LAB 34.55, 69.84, -77.1

 

CMYK 22 / 93 / 0 / 18

HEX #A30FD0

RGB 163 15 208

HSL 286.01, 0.87%, 0.44%

LAB 42.28, 76.09, -64.14

 

CMYK 0 / 93 / 3 / 18

HEX #D00FC9

RGB 208 15 201

HSL 302.18, 0.87%, 0.44%

LAB 49.46, 82.03, -48.13

 

CMYK 0 / 93 / 28 / 18

HEX #D00F95

RGB 208 15 149

HSL 318.34, 0.87%, 0.44%

LAB 46.87, 75.41, -21.51

 

CMYK 0 / 93 / 53 / 18

HEX #D00F61

RGB 208 15 97

HSL 334.51, 0.87%, 0.44%

LAB 45.1, 70.67, 7.79

 

CMYK 47 / 93 / 0 / 18

HEX #6F0FD0

RGB 111 15 208

HSL 269.84, 0.87%, 0.44%

LAB 34.55, 69.84, -77.1

 

CMYK 72 / 93 / 0 / 18

HEX #3B0FD0

RGB 59 15 208

HSL 253.68, 0.87%, 0.44%

LAB 28.97, 66.14, -86.52

 

CMYK 93 / 93 / 0 / 18

HEX #0F0FD0

RGB 15 15 208

HSL 240, 0.87%, 0.44%

LAB 26.73, 64.93, -90.32

 

CMYK 47 / 93 / 0 / 18

HEX #6F0FD0

RGB 111 15 208

HSL 269.84, 0.87%, 0.44%

LAB 34.55, 69.84, -77.1

 

CMYK 47 / 93 / 0 / 18

HEX #6F0FD0

RGB 111 15 208

HSL 269.84, 0.87%, 0.44%

LAB 34.55, 69.84, -77.1

 

CMYK 42 / 83 / 0 / 25

HEX #6F21BE

RGB 111 33 190

HSL 269.81, 0.7%, 0.44%

LAB 34.37, 61.23, -66.88

 

CMYK 35 / 70 / 0 / 33

HEX #6F34AC

RGB 111 52 172

HSL 269.5, 0.54%, 0.44%

LAB 35.62, 49.06, -54.15

 

CMYK 28 / 55 / 0 / 40

HEX #6F469A

RGB 111 70 154

HSL 269.29, 0.38%, 0.44%

LAB 38.01, 34.85, -39.51

 

CMYK 18 / 35 / 0 / 47

HEX #705888

RGB 112 88 136

HSL 270, 0.21%, 0.44%

LAB 41.54, 19.88, -23.07

 

CMYK 93 / 88 / 0 / 18

HEX #0F19D0

RGB 15 25 208

HSL 236.89, 0.87%, 0.44%

LAB 27.71, 61.93, -88.67

 

CMYK 73 / 93 / 0 / 18

HEX #390FD0

RGB 57 15 208

HSL 253.06, 0.87%, 0.44%

LAB 28.81, 66.05, -86.79

 

CMYK 48 / 93 / 0 / 18

HEX #6C0FD0

RGB 108 15 208

HSL 268.91, 0.87%, 0.44%

LAB 34.16, 69.55, -77.76

 

CMYK 23 / 93 / 0 / 18

HEX #A00FD0

RGB 160 15 208

HSL 285.08, 0.87%, 0.44%

LAB 41.8, 75.67, -64.94

 

CMYK 0 / 93 / 1 / 18

HEX #D00FCD

RGB 208 15 205

HSL 300.93, 0.87%, 0.44%

LAB 49.69, 82.61, -50.07

 

CMYK 47 / 93 / 0 / 49

HEX #460983

RGB 70 9 131

HSL 270, 0.87%, 0.27%

LAB 20.58, 49.08, -53.8

 

CMYK 46 / 93 / 0 / 33

HEX #5B0CAA

RGB 91 12 170

HSL 270, 0.87%, 0.36%

LAB 27.82, 59.87, -65.82

 

CMYK 47 / 93 / 0 / 18

HEX #6F0FD0

RGB 111 15 208

HSL 269.84, 0.87%, 0.44%

LAB 34.55, 69.84, -77.1

 

CMYK 44 / 89 / 0 / 7

HEX #841BED

RGB 132 27 237

HSL 270, 0.85%, 0.52%

LAB 40.9, 75.91, -83.16

 

CMYK 37 / 73 / 0 / 6

HEX #9842F0

RGB 152 66 240

HSL 269.66, 0.85%, 0.6%

LAB 48.09, 66.54, -72.99

 

CMYK 46 / 92 / 0 / 19

HEX #6F10CF

RGB 111 16 207

HSL 269.84, 0.86%, 0.44%

LAB 34.51, 69.44, -76.59

 

CMYK 0 / 93 / 63 / 18

HEX #D00F4C

RGB 208 15 76

HSL 341.04, 0.87%, 0.44%

LAB 44.62, 69.35, 20.26

 

CMYK 93 / 0 / 85 / 18

HEX #0FD01F

RGB 15 208 31

HSL 124.97, 0.87%, 0.44%

LAB 73.1, -72.46, 67.05

 

CMYK 46 / 92 / 0 / 19

HEX #6F10CF

RGB 111 16 207

HSL 269.84, 0.86%, 0.44%

LAB 34.51, 69.44, -76.59

 

CMYK 0 / 48 / 93 / 18

HEX #D06C0F

RGB 208 108 15

HSL 28.91, 0.87%, 0.44%

LAB 56.26, 34.42, 61.24

 

CMYK 93 / 0 / 48 / 18

HEX #0FD06C

RGB 15 208 108

HSL 148.91, 0.87%, 0.44%

LAB 73.74, -64.49, 37.75

 

CMYK 46 / 92 / 0 / 19

HEX #6F10CF

RGB 111 16 207

HSL 269.84, 0.86%, 0.44%

LAB 34.51, 69.44, -76.59

 

CMYK 0 / 93 / 63 / 18

HEX #D00F4C

RGB 208 15 76

HSL 341.04, 0.87%, 0.44%

LAB 44.62, 69.35, 20.26

 

CMYK 45 / 0 / 93 / 18

HEX #73D00F

RGB 115 208 15

HSL 88.91, 0.87%, 0.44%

LAB 75.32, -54.28, 72.64

 

CMYK 93 / 0 / 29 / 18

HEX #0FD093

RGB 15 208 147

HSL 161.04, 0.87%, 0.44%

LAB 74.39, -56.86, 18.51

 

CMYK 46 / 92 / 0 / 19

HEX #6F10CF

RGB 111 16 207

HSL 269.84, 0.86%, 0.44%

LAB 34.51, 69.44, -76.59

 

CMYK 0 / 93 / 91 / 18

HEX #D00F12

RGB 208 15 18

HSL 359.07, 0.87%, 0.44%

LAB 43.94, 67.43, 51.93

 

CMYK 45 / 0 / 93 / 18

HEX #73D00F

RGB 115 208 15

HSL 88.91, 0.87%, 0.44%

LAB 75.32, -54.28, 72.64

 

CMYK 93 / 0 / 1 / 18

HEX #0FD0CD

RGB 15 208 205

HSL 179.07, 0.87%, 0.44%

LAB 75.84, -41.7, -10.54

 

Description

Color code: HEX #6F10CF | qconv.com Color code: HEX #6F10CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 16 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 16 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 92 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 92% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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