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Color name
HEX #6F1A6B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F1A6B it is the complementary color #90E594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F1A6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F1A6B shade: #741A66, #852C79, #963E8C, #A7509F and #B862B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F1A6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F1A6B shade: #6F1A6B, #5E0858, #4D0045, #3C0032 and #2B001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F1A6B shade: #6F1A6B, #6F1A54, #6F1A3D, #6F1A26 and #6F1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F1A6B shade: #6F1A6B, #5C1A6F, #451A6F, #2E1A6F and #1A1A6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F1A6B shade matches the following richer shades: #6F1A6B, #7A0F75 and #85037F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F1A6B shade: #6F1A6B, #642561, #593057, #4E3B4D and #424643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F1A6B shade: #441A6F, #5B1A6F, #6F1A6C, #6F1A55 and #6F1A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F1A6B shade: #2C0A2B, #4E124B, #6F1A6B, #90228B and #B229AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F1A6B shade: #6F1A6B, #6F2E1A and #1A6F50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F1A6B shade: #6F1A6B, #6C6F1A and #1A6C6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F1A6B shade: #6F1A6B, #6F2E1A, #1A6F1D and #1A5B6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F1A6B shade: #6F1A6B, #6F471A, #1A6F1D and #1A426F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

Complementary color

CMYK 37 / 0 / 35 / 10

HEX #90E594

RGB 144 229 148

HSL 122.82, 0.62%, 0.73%

LAB 84.02, -41.81, 31.61

 

CMYK 0 / 78 / 12 / 55

HEX #741A66

RGB 116 26 102

HSL 309.33, 0.63%, 0.28%

LAB 27.88, 46.69, -23.06

 

CMYK 0 / 67 / 9 / 48

HEX #852C79

RGB 133 44 121

HSL 308.09, 0.5%, 0.35%

LAB 34.33, 47.27, -24.84

 

CMYK 0 / 59 / 7 / 41

HEX #963E8C

RGB 150 62 140

HSL 306.82, 0.42%, 0.42%

LAB 40.93, 47.13, -26.06

 

CMYK 0 / 52 / 5 / 35

HEX #A7509F

RGB 167 80 159

HSL 305.52, 0.35%, 0.48%

LAB 47.57, 46.63, -26.96

 

CMYK 0 / 47 / 3 / 28

HEX #B862B2

RGB 184 98 178

HSL 304.19, 0.38%, 0.55%

LAB 54.18, 45.97, -27.65

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 91 / 6 / 63

HEX #5E0858

RGB 94 8 88

HSL 304.19, 0.84%, 0.2%

LAB 21.05, 44.4, -24.89

 

CMYK 0 / 100 / 10 / 70

HEX #4D0045

RGB 77 0 69

HSL 306.23, 1%, 0.15%

LAB 15.53, 39.96, -20.9

 

CMYK 0 / 100 / 17 / 76

HEX #3C0032

RGB 60 0 50

HSL 310, 1%, 0.12%

LAB 10.49, 33.3, -15.52

 

CMYK 0 / 100 / 28 / 83

HEX #2B001F

RGB 43 0 31

HSL 316.74, 1%, 0.08%

LAB 5.53, 25.01, -9.15

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 77 / 24 / 56

HEX #6F1A54

RGB 111 26 84

HSL 319.06, 0.62%, 0.27%

LAB 26.04, 42.63, -14.18

 

CMYK 0 / 77 / 45 / 56

HEX #6F1A3D

RGB 111 26 61

HSL 335.29, 0.62%, 0.27%

LAB 25.12, 39.72, -0.07

 

CMYK 0 / 77 / 66 / 56

HEX #6F1A26

RGB 111 26 38

HSL 351.53, 0.62%, 0.27%

LAB 24.51, 37.69, 14.78

 

CMYK 0 / 77 / 77 / 56

HEX #6F1A1A

RGB 111 26 26

HSL 0, 0.62%, 0.27%

LAB 24.3, 36.99, 22.5

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 17 / 77 / 0 / 56

HEX #5C1A6F

RGB 92 26 111

HSL 286.59, 0.62%, 0.27%

LAB 24.2, 42.63, -34.98

 

CMYK 38 / 77 / 0 / 56

HEX #451A6F

RGB 69 26 111

HSL 270.35, 0.62%, 0.27%

LAB 20.64, 37.69, -40.91

 

CMYK 59 / 77 / 0 / 56

HEX #2E1A6F

RGB 46 26 111

HSL 254.12, 0.62%, 0.27%

LAB 17.77, 33.5, -45.72

 

CMYK 77 / 77 / 0 / 56

HEX #1A1A6F

RGB 26 26 111

HSL 240, 0.62%, 0.27%

LAB 16.03, 30.84, -48.64

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 88 / 4 / 52

HEX #7A0F75

RGB 122 15 117

HSL 302.8, 0.78%, 0.27%

LAB 28.81, 53.5, -31.15

 

CMYK 0 / 98 / 5 / 48

HEX #85037F

RGB 133 3 127

HSL 302.77, 0.96%, 0.27%

LAB 30.84, 59.21, -34.12

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 63 / 3 / 61

HEX #642561

RGB 100 37 97

HSL 302.86, 0.46%, 0.27%

LAB 26.44, 36.89, -22.27

 

CMYK 0 / 46 / 2 / 65

HEX #593057

RGB 89 48 87

HSL 302.93, 0.3%, 0.27%

LAB 26.52, 25.26, -15.71

 

CMYK 0 / 24 / 1 / 69

HEX #4E3B4D

RGB 78 59 77

HSL 303.16, 0.14%, 0.27%

LAB 27.53, 11.97, -7.74

 

CMYK 6 / 0 / 4 / 73

HEX #424643

RGB 66 70 67

HSL 135, 0.03%, 0.27%

LAB 29.27, -2.32, 1.23

 

CMYK 39 / 77 / 0 / 56

HEX #441A6F

RGB 68 26 111

HSL 269.65, 0.62%, 0.27%

LAB 20.5, 37.49, -41.15

 

CMYK 18 / 77 / 0 / 56

HEX #5B1A6F

RGB 91 26 111

HSL 285.88, 0.62%, 0.27%

LAB 24.03, 42.4, -35.26

 

CMYK 0 / 77 / 3 / 56

HEX #6F1A6C

RGB 111 26 108

HSL 302.12, 0.62%, 0.27%

LAB 27.3, 46.47, -27.91

 

CMYK 0 / 77 / 23 / 56

HEX #6F1A55

RGB 111 26 85

HSL 318.35, 0.62%, 0.27%

LAB 26.08, 42.78, -14.77

 

CMYK 0 / 77 / 43 / 56

HEX #6F1A3F

RGB 111 26 63

HSL 333.88, 0.62%, 0.27%

LAB 25.19, 39.94, -1.33

 

CMYK 0 / 77 / 2 / 83

HEX #2C0A2B

RGB 44 10 43

HSL 301.76, 0.63%, 0.11%

LAB 8.37, 22.66, -13.91

 

CMYK 0 / 77 / 4 / 69

HEX #4E124B

RGB 78 18 75

HSL 303, 0.63%, 0.19%

LAB 18.19, 35.22, -20.82

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 76 / 3 / 44

HEX #90228B

RGB 144 34 139

HSL 302.73, 0.62%, 0.35%

LAB 35.86, 56.69, -33.49

 

CMYK 0 / 77 / 4 / 30

HEX #B229AB

RGB 178 41 171

HSL 303.07, 0.63%, 0.43%

LAB 44.22, 67.09, -39.21

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 59 / 77 / 56

HEX #6F2E1A

RGB 111 46 26

HSL 14.12, 0.62%, 0.27%

LAB 27.87, 27.44, 26.5

 

CMYK 77 / 0 / 28 / 56

HEX #1A6F50

RGB 26 111 80

HSL 158.12, 0.62%, 0.27%

LAB 41.48, -32.75, 10.28

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 3 / 0 / 77 / 56

HEX #6C6F1A

RGB 108 111 26

HSL 62.12, 0.62%, 0.27%

LAB 45.13, -12.25, 43.89

 

CMYK 77 / 3 / 0 / 56

HEX #1A6C6F

RGB 26 108 111

HSL 182.12, 0.62%, 0.27%

LAB 41.36, -22.28, -8.62

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 59 / 77 / 56

HEX #6F2E1A

RGB 111 46 26

HSL 14.12, 0.62%, 0.27%

LAB 27.87, 27.44, 26.5

 

CMYK 77 / 0 / 74 / 56

HEX #1A6F1D

RGB 26 111 29

HSL 122.12, 0.62%, 0.27%

LAB 40.7, -41.7, 36.8

 

CMYK 77 / 18 / 0 / 56

HEX #1A5B6F

RGB 26 91 111

HSL 194.12, 0.62%, 0.27%

LAB 35.69, -12.87, -17.24

 

CMYK 0 / 77 / 4 / 56

HEX #6F1A6B

RGB 111 26 107

HSL 302.82, 0.62%, 0.27%

LAB 27.24, 46.3, -27.36

 

CMYK 0 / 36 / 77 / 56

HEX #6F471A

RGB 111 71 26

HSL 31.76, 0.62%, 0.27%

LAB 33.9, 12.77, 32.92

 

CMYK 77 / 0 / 74 / 56

HEX #1A6F1D

RGB 26 111 29

HSL 122.12, 0.62%, 0.27%

LAB 40.7, -41.7, 36.8

 

CMYK 77 / 41 / 0 / 56

HEX #1A426F

RGB 26 66 111

HSL 211.76, 0.62%, 0.27%

LAB 27.47, 2.95, -30.1

 

Description

Color code: HEX #6F1A6B | qconv.com Color code: HEX #6F1A6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 26 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 26 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 4 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 4% 56% C M Y K

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Provide designers and agencies with accurate color values.

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