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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F3240 it is the complementary color #90CDBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F3240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F3240 shade: #74323B, #85444E, #965661, #A76874 and #B87A87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F3240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F3240 shade: #6F3240, #5E202D, #4D0E1A, #3C0007 and #2B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F3240 shade: #703240 and #703232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F3240 shade: #703240, #703251, #703262, #6E3270 and #5D3270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F3240 shade matches the following richer shades: #703240, #7D2539, #8B1832 and #980A2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F3240 shade: #703240, #633F47, #564C4F, #485A56 and #3B675D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F3240 shade: #703262, #703251, #703241, #703432 and #704532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F3240 shade: #371920, #542530, #703240, #8D3F51 and #A94C61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F3240 shade: #6F3240, #706E32 and #325970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F3240 shade: #6F3240, #417032 and #324170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F3240 shade: #6F3240, #706E32, #327062 and #323470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F3240 shade: #6F3240, #607032, #327062 and #433270

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 42 / 56

HEX #6F3240

RGB 111 50 64

HSL 346.23, 0.38%, 0.32%

LAB 29.49, 28.58, 4.23

 

Complementary color

CMYK 30 / 0 / 7 / 20

HEX #90CDBF

RGB 144 205 191

HSL 166.23, 0.38%, 0.68%

LAB 78.08, -22.48, 0.71

 

CMYK 0 / 57 / 49 / 55

HEX #74323B

RGB 116 50 59

HSL 351.82, 0.4%, 0.33%

LAB 30.18, 29.95, 8.61

 

CMYK 0 / 49 / 41 / 48

HEX #85444E

RGB 133 68 78

HSL 350.77, 0.32%, 0.39%

LAB 37.25, 28.87, 6.72

 

CMYK 0 / 43 / 35 / 41

HEX #965661

RGB 150 86 97

HSL 349.69, 0.27%, 0.46%

LAB 44.24, 27.83, 5.22

 

CMYK 0 / 38 / 31 / 35

HEX #A76874

RGB 167 104 116

HSL 348.57, 0.26%, 0.53%

LAB 51.13, 26.87, 3.98

 

CMYK 0 / 34 / 27 / 28

HEX #B87A87

RGB 184 122 135

HSL 347.42, 0.3%, 0.6%

LAB 57.9, 26, 2.9

 

CMYK 0 / 55 / 42 / 56

HEX #6F3240

RGB 111 50 64

HSL 346.23, 0.38%, 0.32%

LAB 29.49, 28.58, 4.23

 

CMYK 0 / 66 / 52 / 63

HEX #5E202D

RGB 94 32 45

HSL 347.42, 0.49%, 0.25%

LAB 22.31, 29.5, 6.44

 

CMYK 0 / 82 / 66 / 70

HEX #4D0E1A

RGB 77 14 26

HSL 348.57, 0.69%, 0.18%

LAB 15.31, 29.85, 9.76

 

CMYK 0 / 100 / 88 / 76

HEX #3C0007

RGB 60 0 7

HSL 353, 1%, 0.12%

LAB 8.79, 28.89, 11.02

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 55 / 43 / 56

HEX #703240

RGB 112 50 64

HSL 346.45, 0.38%, 0.32%

LAB 29.65, 28.97, 4.49

 

CMYK 0 / 55 / 55 / 56

HEX #703232

RGB 112 50 50

HSL 0, 0.38%, 0.32%

LAB 29.3, 27.44, 13.18

 

CMYK 0 / 55 / 43 / 56

HEX #703240

RGB 112 50 64

HSL 346.45, 0.38%, 0.32%

LAB 29.65, 28.97, 4.49

 

CMYK 0 / 55 / 28 / 56

HEX #703251

RGB 112 50 81

HSL 330, 0.38%, 0.32%

LAB 30.21, 31.3, -5.86

 

CMYK 0 / 55 / 13 / 56

HEX #703262

RGB 112 50 98

HSL 313.55, 0.38%, 0.32%

LAB 30.9, 34.12, -15.83

 

CMYK 2 / 55 / 0 / 56

HEX #6E3270

RGB 110 50 112

HSL 298.06, 0.38%, 0.32%

LAB 31.27, 36.14, -24.22

 

CMYK 17 / 55 / 0 / 56

HEX #5D3270

RGB 93 50 112

HSL 281.61, 0.38%, 0.32%

LAB 28.85, 30.99, -28.2

 

CMYK 0 / 55 / 43 / 56

HEX #703240

RGB 112 50 64

HSL 346.45, 0.38%, 0.32%

LAB 29.65, 28.97, 4.49

 

CMYK 0 / 70 / 54 / 51

HEX #7D2539

RGB 125 37 57

HSL 346.36, 0.54%, 0.32%

LAB 29.36, 39.41, 9.03

 

CMYK 0 / 83 / 64 / 45

HEX #8B1832

RGB 139 24 50

HSL 346.43, 0.71%, 0.32%

LAB 30.33, 47.94, 15.46

 

CMYK 0 / 93 / 72 / 40

HEX #980A2B

RGB 152 10 43

HSL 346.06, 0.88%, 0.32%

LAB 31.96, 54.12, 22.7

 

CMYK 0 / 55 / 43 / 56

HEX #703240

RGB 112 50 64

HSL 346.45, 0.38%, 0.32%

LAB 29.65, 28.97, 4.49

 

CMYK 0 / 36 / 28 / 61

HEX #633F47

RGB 99 63 71

HSL 346.67, 0.22%, 0.32%

LAB 31.03, 16.97, 1.64

 

CMYK 0 / 12 / 8 / 66

HEX #564C4F

RGB 86 76 79

HSL 342, 0.06%, 0.32%

LAB 33.38, 4.77, -0.26

 

CMYK 20 / 0 / 4 / 65

HEX #485A56

RGB 72 90 86

HSL 166.67, 0.11%, 0.32%

LAB 36.67, -7.84, 0.01

 

CMYK 43 / 0 / 10 / 60

HEX #3B675D

RGB 59 103 93

HSL 166.36, 0.27%, 0.32%

LAB 40.28, -17.86, 0.87

 

CMYK 0 / 55 / 13 / 56

HEX #703262

RGB 112 50 98

HSL 313.55, 0.38%, 0.32%

LAB 30.9, 34.12, -15.83

 

CMYK 0 / 55 / 28 / 56

HEX #703251

RGB 112 50 81

HSL 330, 0.38%, 0.32%

LAB 30.21, 31.3, -5.86

 

CMYK 0 / 55 / 42 / 56

HEX #703241

RGB 112 50 65

HSL 345.48, 0.38%, 0.32%

LAB 29.68, 29.09, 3.87

 

CMYK 0 / 54 / 55 / 56

HEX #703432

RGB 112 52 50

HSL 1.94, 0.38%, 0.32%

LAB 29.74, 26.31, 13.77

 

CMYK 0 / 38 / 55 / 56

HEX #704532

RGB 112 69 50

HSL 18.39, 0.38%, 0.32%

LAB 33.84, 16.28, 19.15

 

CMYK 0 / 55 / 42 / 78

HEX #371920

RGB 55 25 32

HSL 346, 0.38%, 0.16%

LAB 13.3, 15.85, 1.92

 

CMYK 0 / 56 / 43 / 67

HEX #542530

RGB 84 37 48

HSL 345.96, 0.39%, 0.24%

LAB 21.66, 23.15, 3.2

 

CMYK 0 / 55 / 43 / 56

HEX #703240

RGB 112 50 64

HSL 346.45, 0.38%, 0.32%

LAB 29.65, 28.97, 4.49

 

CMYK 0 / 55 / 43 / 45

HEX #8D3F51

RGB 141 63 81

HSL 346.15, 0.38%, 0.4%

LAB 37.5, 34.99, 5.36

 

CMYK 0 / 55 / 43 / 34

HEX #A94C61

RGB 169 76 97

HSL 346.45, 0.38%, 0.48%

LAB 44.9, 40.29, 6.54

 

CMYK 0 / 55 / 42 / 56

HEX #6F3240

RGB 111 50 64

HSL 346.23, 0.38%, 0.32%

LAB 29.49, 28.58, 4.23

 

CMYK 0 / 2 / 55 / 56

HEX #706E32

RGB 112 110 50

HSL 58.06, 0.38%, 0.32%

LAB 45.4, -8.13, 33.28

 

CMYK 55 / 21 / 0 / 56

HEX #325970

RGB 50 89 112

HSL 202.26, 0.38%, 0.32%

LAB 35.97, -6.61, -17.35

 

CMYK 0 / 55 / 42 / 56

HEX #6F3240

RGB 111 50 64

HSL 346.23, 0.38%, 0.32%

LAB 29.49, 28.58, 4.23

 

CMYK 42 / 0 / 55 / 56

HEX #417032

RGB 65 112 50

HSL 105.48, 0.38%, 0.32%

LAB 42.68, -28.88, 29.24

 

CMYK 55 / 42 / 0 / 56

HEX #324170

RGB 50 65 112

HSL 225.48, 0.38%, 0.32%

LAB 28.46, 8.9, -29.1

 

CMYK 0 / 55 / 42 / 56

HEX #6F3240

RGB 111 50 64

HSL 346.23, 0.38%, 0.32%

LAB 29.49, 28.58, 4.23

 

CMYK 0 / 2 / 55 / 56

HEX #706E32

RGB 112 110 50

HSL 58.06, 0.38%, 0.32%

LAB 45.4, -8.13, 33.28

 

CMYK 55 / 0 / 13 / 56

HEX #327062

RGB 50 112 98

HSL 166.45, 0.38%, 0.32%

LAB 42.99, -23.73, 1.72

 

CMYK 55 / 54 / 0 / 56

HEX #323470

RGB 50 52 112

HSL 238.06, 0.38%, 0.32%

LAB 24.65, 17.8, -35.17

 

CMYK 0 / 55 / 42 / 56

HEX #6F3240

RGB 111 50 64

HSL 346.23, 0.38%, 0.32%

LAB 29.49, 28.58, 4.23

 

CMYK 14 / 0 / 55 / 56

HEX #607032

RGB 96 112 50

HSL 75.48, 0.38%, 0.32%

LAB 44.67, -16.41, 32.09

 

CMYK 55 / 0 / 13 / 56

HEX #327062

RGB 50 112 98

HSL 166.45, 0.38%, 0.32%

LAB 42.99, -23.73, 1.72

 

CMYK 40 / 55 / 0 / 56

HEX #433270

RGB 67 50 112

HSL 256.45, 0.38%, 0.32%

LAB 25.7, 23.48, -33.41

 

Description

Color code: HEX #6F3240 | qconv.com Color code: HEX #6F3240 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 50 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 50 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 42 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 42% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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