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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F47A0 it is the complementary color #90B85F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F47A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F47A0 shade: #74479B, #8559AE, #966BC1, #A77DD4 and #B88FE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F47A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F47A0 shade: #6F47A0, #5E358D, #4D237A, #3C1167 and #2B0054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F47A0 shade: #6E459F, #86459F, #9E459F, #9F4588 and #9F4570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F47A0 shade: #6E459F, #56459F and #45459F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F47A0 shade matches the following richer shades: #6E459F, #6C33B2, #6A20C4 and #680ED7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F47A0 shade: #6E459F, #70588C, #716B7A, #737D67 and #759055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F47A0 shade: #454E9F, #54459F, #6C459F, #84459F and #9C459F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F47A0 shade: #462C66, #5A3982, #6E459F, #8258B6 and #9875C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F47A0 shade: #6F47A0, #9F4566 and #459F48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F47A0 shade: #6F47A0, #9F6C45 and #459F6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F47A0 shade: #6F47A0, #9F4566, #789F45 and #459F7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F47A0 shade: #6F47A0, #9F454B, #789F45 and #459F99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 56 / 0 / 37

HEX #6F47A0

RGB 111 71 160

HSL 266.97, 0.39%, 0.45%

LAB 38.59, 35.81, -42.18

 

Complementary color

CMYK 22 / 0 / 48 / 28

HEX #90B85F

RGB 144 184 95

HSL 86.97, 0.39%, 0.55%

LAB 70.2, -28.47, 40.66

 

CMYK 25 / 54 / 0 / 39

HEX #74479B

RGB 116 71 155

HSL 272.14, 0.37%, 0.44%

LAB 38.87, 35.89, -38.7

 

CMYK 24 / 49 / 0 / 32

HEX #8559AE

RGB 133 89 174

HSL 271.06, 0.34%, 0.52%

LAB 45.89, 34.95, -38.74

 

CMYK 22 / 45 / 0 / 24

HEX #966BC1

RGB 150 107 193

HSL 270, 0.41%, 0.59%

LAB 52.78, 34.06, -38.76

 

CMYK 21 / 41 / 0 / 17

HEX #A77DD4

RGB 167 125 212

HSL 268.97, 0.5%, 0.66%

LAB 59.56, 33.22, -38.79

 

CMYK 20 / 38 / 0 / 9

HEX #B88FE7

RGB 184 143 231

HSL 267.95, 0.65%, 0.73%

LAB 66.22, 32.45, -38.83

 

CMYK 31 / 56 / 0 / 37

HEX #6F47A0

RGB 111 71 160

HSL 266.97, 0.39%, 0.45%

LAB 38.59, 35.81, -42.18

 

CMYK 33 / 62 / 0 / 45

HEX #5E358D

RGB 94 53 141

HSL 267.95, 0.45%, 0.38%

LAB 31.46, 36.83, -42.18

 

CMYK 37 / 71 / 0 / 52

HEX #4D237A

RGB 77 35 122

HSL 268.97, 0.55%, 0.31%

LAB 24.27, 37.72, -42.01

 

CMYK 42 / 83 / 0 / 60

HEX #3C1167

RGB 60 17 103

HSL 270, 0.72%, 0.24%

LAB 17.18, 38.01, -41.39

 

CMYK 49 / 100 / 0 / 67

HEX #2B0054

RGB 43 0 84

HSL 270.71, 1%, 0.16%

LAB 10.21, 37.61, -40.2

 

CMYK 31 / 57 / 0 / 38

HEX #6E459F

RGB 110 69 159

HSL 267.33, 0.39%, 0.45%

LAB 37.98, 36.44, -42.58

 

CMYK 16 / 57 / 0 / 38

HEX #86459F

RGB 134 69 159

HSL 283.33, 0.39%, 0.45%

LAB 40.94, 42.85, -37.68

 

CMYK 1 / 57 / 0 / 38

HEX #9E459F

RGB 158 69 159

HSL 299.33, 0.39%, 0.45%

LAB 44.27, 49.44, -32.19

 

CMYK 0 / 57 / 14 / 38

HEX #9F4588

RGB 159 69 136

HSL 315.33, 0.39%, 0.45%

LAB 43.37, 45.76, -19.75

 

CMYK 0 / 57 / 30 / 38

HEX #9F4570

RGB 159 69 112

HSL 331.33, 0.39%, 0.45%

LAB 42.46, 42.18, -6.44

 

CMYK 31 / 57 / 0 / 38

HEX #6E459F

RGB 110 69 159

HSL 267.33, 0.39%, 0.45%

LAB 37.98, 36.44, -42.58

 

CMYK 46 / 57 / 0 / 38

HEX #56459F

RGB 86 69 159

HSL 251.33, 0.39%, 0.45%

LAB 35.47, 30.51, -46.73

 

CMYK 57 / 57 / 0 / 38

HEX #45459F

RGB 69 69 159

HSL 240, 0.39%, 0.45%

LAB 34.03, 26.81, -49.13

 

CMYK 31 / 57 / 0 / 38

HEX #6E459F

RGB 110 69 159

HSL 267.33, 0.39%, 0.45%

LAB 37.98, 36.44, -42.58

 

CMYK 39 / 71 / 0 / 30

HEX #6C33B2

RGB 108 51 178

HSL 266.93, 0.55%, 0.45%

LAB 35.54, 50.46, -57.88

 

CMYK 46 / 84 / 0 / 23

HEX #6A20C4

RGB 106 32 196

HSL 267.07, 0.72%, 0.45%

LAB 34.15, 62.31, -70.77

 

CMYK 52 / 93 / 0 / 16

HEX #680ED7

RGB 104 14 215

HSL 266.87, 0.88%, 0.45%

LAB 34.32, 70.93, -81.56

 

CMYK 31 / 57 / 0 / 38

HEX #6E459F

RGB 110 69 159

HSL 267.33, 0.39%, 0.45%

LAB 37.98, 36.44, -42.58

 

CMYK 20 / 37 / 0 / 45

HEX #70588C

RGB 112 88 140

HSL 267.69, 0.23%, 0.45%

LAB 41.72, 20.85, -25.21

 

CMYK 7 / 12 / 0 / 52

HEX #716B7A

RGB 113 107 122

HSL 264, 0.07%, 0.45%

LAB 46.22, 5.46, -7.48

 

CMYK 8 / 0 / 18 / 51

HEX #737D67

RGB 115 125 103

HSL 87.27, 0.1%, 0.45%

LAB 51.03, -8.01, 10.76

 

CMYK 19 / 0 / 41 / 44

HEX #759055

RGB 117 144 85

HSL 87.46, 0.26%, 0.45%

LAB 56.47, -20.28, 28.26

 

CMYK 57 / 51 / 0 / 38

HEX #454E9F

RGB 69 78 159

HSL 234, 0.39%, 0.45%

LAB 36.4, 20.99, -45.31

 

CMYK 47 / 57 / 0 / 38

HEX #54459F

RGB 84 69 159

HSL 250, 0.39%, 0.45%

LAB 35.29, 30.05, -47.03

 

CMYK 32 / 57 / 0 / 38

HEX #6C459F

RGB 108 69 159

HSL 266, 0.39%, 0.45%

LAB 37.75, 35.92, -42.95

 

CMYK 17 / 57 / 0 / 38

HEX #84459F

RGB 132 69 159

HSL 282, 0.39%, 0.45%

LAB 40.68, 42.3, -38.11

 

CMYK 2 / 57 / 0 / 38

HEX #9C459F

RGB 156 69 159

HSL 298, 0.39%, 0.45%

LAB 43.98, 48.89, -32.67

 

CMYK 31 / 57 / 0 / 60

HEX #462C66

RGB 70 44 102

HSL 266.9, 0.4%, 0.29%

LAB 23.88, 25.24, -29.85

 

CMYK 31 / 56 / 0 / 49

HEX #5A3982

RGB 90 57 130

HSL 267.12, 0.39%, 0.37%

LAB 31.14, 30.53, -35.91

 

CMYK 31 / 57 / 0 / 38

HEX #6E459F

RGB 110 69 159

HSL 267.33, 0.39%, 0.45%

LAB 37.98, 36.44, -42.58

 

CMYK 29 / 52 / 0 / 29

HEX #8258B6

RGB 130 88 182

HSL 266.81, 0.39%, 0.53%

LAB 45.77, 36.67, -43.62

 

CMYK 22 / 40 / 0 / 24

HEX #9875C2

RGB 152 117 194

HSL 267.27, 0.39%, 0.61%

LAB 55.37, 29.15, -35.26

 

CMYK 31 / 56 / 0 / 37

HEX #6F47A0

RGB 111 71 160

HSL 266.97, 0.39%, 0.45%

LAB 38.59, 35.81, -42.18

 

CMYK 0 / 57 / 36 / 38

HEX #9F4566

RGB 159 69 102

HSL 338, 0.39%, 0.45%

LAB 42.13, 40.88, -0.73

 

CMYK 57 / 0 / 55 / 38

HEX #459F48

RGB 69 159 72

HSL 122, 0.39%, 0.45%

LAB 58.54, -45.07, 37.07

 

CMYK 31 / 56 / 0 / 37

HEX #6F47A0

RGB 111 71 160

HSL 266.97, 0.39%, 0.45%

LAB 38.59, 35.81, -42.18

 

CMYK 0 / 32 / 57 / 38

HEX #9F6C45

RGB 159 108 69

HSL 26, 0.39%, 0.45%

LAB 50.13, 15.96, 29.85

 

CMYK 57 / 0 / 32 / 38

HEX #459F6C

RGB 69 159 108

HSL 146, 0.39%, 0.45%

LAB 59.11, -38.97, 18.72

 

CMYK 31 / 56 / 0 / 37

HEX #6F47A0

RGB 111 71 160

HSL 266.97, 0.39%, 0.45%

LAB 38.59, 35.81, -42.18

 

CMYK 0 / 57 / 36 / 38

HEX #9F4566

RGB 159 69 102

HSL 338, 0.39%, 0.45%

LAB 42.13, 40.88, -0.73

 

CMYK 25 / 0 / 57 / 38

HEX #789F45

RGB 120 159 69

HSL 86, 0.39%, 0.45%

LAB 60.97, -28.47, 42.03

 

CMYK 57 / 0 / 21 / 38

HEX #459F7E

RGB 69 159 126

HSL 158, 0.39%, 0.45%

LAB 59.5, -35.03, 9.22

 

CMYK 31 / 56 / 0 / 37

HEX #6F47A0

RGB 111 71 160

HSL 266.97, 0.39%, 0.45%

LAB 38.59, 35.81, -42.18

 

CMYK 0 / 57 / 53 / 38

HEX #9F454B

RGB 159 69 75

HSL 356, 0.39%, 0.45%

LAB 41.43, 37.96, 15.02

 

CMYK 25 / 0 / 57 / 38

HEX #789F45

RGB 120 159 69

HSL 86, 0.39%, 0.45%

LAB 60.97, -28.47, 42.03

 

CMYK 57 / 0 / 4 / 38

HEX #459F99

RGB 69 159 153

HSL 176, 0.39%, 0.45%

LAB 60.21, -28.16, -4.98

 

Description

Color code: HEX #6F47A0 | qconv.com Color code: HEX #6F47A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 71 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 71 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 56 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 56% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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