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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F485D it is the complementary color #90B7A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F485D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F485D shade: #744858, #855A6B, #966C7E, #A77E91 and #B890A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F485D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F485D shade: #6F485D, #5E364A, #4D2437, #3C1224 and #2B0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F485D shade: #6F485D, #6F4852 and #6F4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F485D shade: #6F485D, #6F4867, #6C486F, #61486F and #57486F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F485D shade matches the following richer shades: #6F485D, #7D395E, #8C2A5F, #9B1B60 and #AA0D61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F485D shade: #6F485D, #60575C, #51665A, #427559 and #338358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F485D shade: #6B486F, #6F4868, #6F485D, #6F4853 and #6F4849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F485D shade: #3D2733, #563848, #6F485D, #885872 and #9E6B87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F485D shade: #6F485D, #6F6148 and #486D6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F485D shade: #6F485D, #5D6F48 and #485D6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F485D shade: #6F485D, #6F6148, #486F59 and #48566F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F485D shade: #6F485D, #6F6D48, #486F59 and #484A6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

Complementary color

CMYK 21 / 0 / 11 / 28

HEX #90B7A2

RGB 144 183 162

HSL 147.69, 0.21%, 0.64%

LAB 71.15, -17.41, 6.39

 

CMYK 0 / 38 / 24 / 55

HEX #744858

RGB 116 72 88

HSL 338.18, 0.23%, 0.37%

LAB 36.08, 21.22, -1.58

 

CMYK 0 / 32 / 20 / 48

HEX #855A6B

RGB 133 90 107

HSL 336.28, 0.19%, 0.44%

LAB 43.3, 20.37, -2.51

 

CMYK 0 / 28 / 16 / 41

HEX #966C7E

RGB 150 108 126

HSL 334.29, 0.17%, 0.51%

LAB 50.35, 19.62, -3.33

 

CMYK 0 / 25 / 13 / 35

HEX #A77E91

RGB 167 126 145

HSL 332.2, 0.19%, 0.57%

LAB 57.25, 18.95, -4.06

 

CMYK 0 / 22 / 11 / 28

HEX #B890A4

RGB 184 144 164

HSL 330, 0.22%, 0.64%

LAB 64.01, 18.35, -4.73

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 43 / 21 / 63

HEX #5E364A

RGB 94 54 74

HSL 330, 0.27%, 0.29%

LAB 28.15, 20.99, -4.63

 

CMYK 0 / 53 / 29 / 70

HEX #4D2437

RGB 77 36 55

HSL 332.2, 0.36%, 0.22%

LAB 20.5, 21.95, -3.47

 

CMYK 0 / 70 / 40 / 76

HEX #3C1224

RGB 60 18 36

HSL 334.29, 0.54%, 0.15%

LAB 12.74, 22.78, -1.74

 

CMYK 0 / 100 / 60 / 83

HEX #2B0011

RGB 43 0 17

HSL 336.28, 1%, 0.08%

LAB 5, 22.47, 0.34

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 35 / 26 / 56

HEX #6F4852

RGB 111 72 82

HSL 344.62, 0.21%, 0.36%

LAB 35.25, 18.22, 0.92

 

CMYK 0 / 35 / 35 / 56

HEX #6F4848

RGB 111 72 72

HSL 0, 0.21%, 0.36%

LAB 34.97, 16.69, 6.85

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 35 / 7 / 56

HEX #6F4867

RGB 111 72 103

HSL 312.31, 0.21%, 0.36%

LAB 35.97, 21.99, -11.27

 

CMYK 3 / 35 / 0 / 56

HEX #6C486F

RGB 108 72 111

HSL 295.38, 0.21%, 0.36%

LAB 35.93, 22.55, -16.38

 

CMYK 13 / 35 / 0 / 56

HEX #61486F

RGB 97 72 111

HSL 278.46, 0.21%, 0.36%

LAB 34.65, 18.64, -18.46

 

CMYK 22 / 35 / 0 / 56

HEX #57486F

RGB 87 72 111

HSL 263.08, 0.21%, 0.36%

LAB 33.58, 15.17, -20.2

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 54 / 25 / 51

HEX #7D395E

RGB 125 57 94

HSL 327.35, 0.37%, 0.36%

LAB 34.18, 34.13, -8.09

 

CMYK 0 / 70 / 32 / 45

HEX #8C2A5F

RGB 140 42 95

HSL 327.55, 0.54%, 0.36%

LAB 34.1, 46.25, -8.59

 

CMYK 0 / 83 / 38 / 39

HEX #9B1B60

RGB 155 27 96

HSL 327.66, 0.7%, 0.36%

LAB 35.2, 55.52, -7.3

 

CMYK 0 / 92 / 43 / 33

HEX #AA0D61

RGB 170 13 97

HSL 327.9, 0.86%, 0.36%

LAB 37.29, 62.02, -4.5

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 9 / 4 / 62

HEX #60575C

RGB 96 87 92

HSL 326.67, 0.05%, 0.36%

LAB 37.98, 4.66, -1.57

 

CMYK 21 / 0 / 12 / 60

HEX #51665A

RGB 81 102 90

HSL 145.71, 0.11%, 0.36%

LAB 41.2, -10.59, 4.19

 

CMYK 44 / 0 / 24 / 54

HEX #427559

RGB 66 117 89

HSL 147.06, 0.28%, 0.36%

LAB 45.08, -24.06, 10.18

 

CMYK 61 / 0 / 33 / 49

HEX #338358

RGB 51 131 88

HSL 147.75, 0.44%, 0.36%

LAB 49.06, -34.98, 16.16

 

CMYK 4 / 35 / 0 / 56

HEX #6B486F

RGB 107 72 111

HSL 293.85, 0.21%, 0.36%

LAB 35.81, 22.19, -16.58

 

CMYK 0 / 35 / 6 / 56

HEX #6F4868

RGB 111 72 104

HSL 310.77, 0.21%, 0.36%

LAB 36.01, 22.19, -11.84

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 35 / 25 / 56

HEX #6F4853

RGB 111 72 83

HSL 343.08, 0.21%, 0.36%

LAB 35.28, 18.38, 0.33

 

CMYK 0 / 35 / 34 / 56

HEX #6F4849

RGB 111 72 73

HSL 358.46, 0.21%, 0.36%

LAB 34.99, 16.83, 6.26

 

CMYK 0 / 36 / 16 / 76

HEX #3D2733

RGB 61 39 51

HSL 327.27, 0.22%, 0.2%

LAB 18.72, 12.58, -3.59

 

CMYK 0 / 35 / 16 / 66

HEX #563848

RGB 86 56 72

HSL 328, 0.21%, 0.28%

LAB 27.5, 16.13, -4.39

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 35 / 16 / 47

HEX #885872

RGB 136 88 114

HSL 327.5, 0.21%, 0.44%

LAB 43.4, 23.89, -6.6

 

CMYK 0 / 32 / 15 / 38

HEX #9E6B87

RGB 158 107 135

HSL 327.06, 0.21%, 0.52%

LAB 51.31, 24.73, -7.14

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 13 / 35 / 56

HEX #6F6148

RGB 111 97 72

HSL 38.46, 0.21%, 0.36%

LAB 41.84, 1.52, 16.34

 

CMYK 35 / 2 / 0 / 56

HEX #486D6F

RGB 72 109 111

HSL 183.08, 0.21%, 0.36%

LAB 43.45, -12.52, -5.31

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 16 / 0 / 35 / 56

HEX #5D6F48

RGB 93 111 72

HSL 87.69, 0.21%, 0.36%

LAB 44.47, -14.28, 19.57

 

CMYK 35 / 16 / 0 / 56

HEX #485D6F

RGB 72 93 111

HSL 207.69, 0.21%, 0.36%

LAB 38.47, -3.1, -12.8

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 13 / 35 / 56

HEX #6F6148

RGB 111 97 72

HSL 38.46, 0.21%, 0.36%

LAB 41.84, 1.52, 16.34

 

CMYK 35 / 0 / 20 / 56

HEX #486F59

RGB 72 111 89

HSL 146.15, 0.21%, 0.36%

LAB 43.46, -19, 7.94

 

CMYK 35 / 23 / 0 / 56

HEX #48566F

RGB 72 86 111

HSL 218.46, 0.21%, 0.36%

LAB 36.33, 1.23, -16.07

 

CMYK 0 / 35 / 16 / 56

HEX #6F485D

RGB 111 72 93

HSL 327.69, 0.21%, 0.36%

LAB 35.61, 20.1, -5.52

 

CMYK 0 / 2 / 35 / 56

HEX #6F6D48

RGB 111 109 72

HSL 56.92, 0.21%, 0.36%

LAB 45.34, -5.5, 20.99

 

CMYK 35 / 0 / 20 / 56

HEX #486F59

RGB 72 111 89

HSL 146.15, 0.21%, 0.36%

LAB 43.46, -19, 7.94

 

CMYK 35 / 33 / 0 / 56

HEX #484A6F

RGB 72 74 111

HSL 236.92, 0.21%, 0.36%

LAB 32.75, 8.9, -21.6

 

Description

Color code: HEX #6F485D | qconv.com Color code: HEX #6F485D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 72 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 72 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 16 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 16% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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