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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F492D it is the complementary color #90B6D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F492D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F492D shade: #744928, #855B3B, #966D4E, #A77F61 and #B89174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F492D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F492D shade: #6F492D, #5E371A, #4D2507, #3C1300 and #2B0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F492D shade: #704A2D, #70382D and #702D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F492D shade: #704A2D, #705B2D, #706D2D, #60702D and #4E702D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F492D shade matches the following richer shades: #704A2D, #7D4821, #894614 and #964407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F492D shade: #704A2D, #634B3A, #564D47, #494F54 and #3D5161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F492D shade: #702D35, #70372D, #70492D, #705B2D and #706C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F492D shade: #352315, #523621, #704A2D, #8D5D39 and #AA7045

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F492D shade: #6F492D, #47702D and #2E2D70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F492D shade: #6F492D, #2D7049 and #492D70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F492D shade: #6F492D, #47702D, #2D5470 and #562D70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F492D shade: #6F492D, #33702D, #2D5470 and #6A2D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 59 / 56

HEX #6F492D

RGB 111 73 45

HSL 25.45, 0.42%, 0.31%

LAB 34.67, 12.92, 23.2

 

Complementary color

CMYK 31 / 13 / 0 / 18

HEX #90B6D2

RGB 144 182 210

HSL 205.45, 0.42%, 0.69%

LAB 72.25, -6.14, -18.26

 

CMYK 0 / 37 / 66 / 55

HEX #744928

RGB 116 73 40

HSL 26.05, 0.49%, 0.31%

LAB 35.26, 14.82, 27

 

CMYK 0 / 32 / 56 / 48

HEX #855B3B

RGB 133 91 59

HSL 25.95, 0.39%, 0.38%

LAB 42.44, 13.45, 25.26

 

CMYK 0 / 27 / 48 / 41

HEX #966D4E

RGB 150 109 78

HSL 25.83, 0.32%, 0.45%

LAB 49.46, 12.34, 23.69

 

CMYK 0 / 24 / 42 / 35

HEX #A77F61

RGB 167 127 97

HSL 25.71, 0.28%, 0.52%

LAB 56.34, 11.42, 22.28

 

CMYK 0 / 21 / 37 / 28

HEX #B89174

RGB 184 145 116

HSL 25.59, 0.32%, 0.59%

LAB 63.1, 10.65, 21

 

CMYK 0 / 34 / 59 / 56

HEX #6F492D

RGB 111 73 45

HSL 25.45, 0.42%, 0.31%

LAB 34.67, 12.92, 23.2

 

CMYK 0 / 41 / 72 / 63

HEX #5E371A

RGB 94 55 26

HSL 25.59, 0.57%, 0.24%

LAB 27.26, 14.47, 25.06

 

CMYK 0 / 52 / 91 / 70

HEX #4D2507

RGB 77 37 7

HSL 25.71, 0.83%, 0.16%

LAB 19.71, 16.47, 25.88

 

CMYK 0 / 68 / 100 / 76

HEX #3C1300

RGB 60 19 0

HSL 19, 1%, 0.12%

LAB 12.13, 18.96, 18.56

 

CMYK 0 / 98 / 100 / 83

HEX #2B0100

RGB 43 1 0

HSL 1.4, 1%, 0.08%

LAB 4.84, 20.01, 7.62

 

CMYK 0 / 34 / 60 / 56

HEX #704A2D

RGB 112 74 45

HSL 25.97, 0.43%, 0.31%

LAB 35.07, 12.77, 23.72

 

CMYK 0 / 50 / 60 / 56

HEX #70382D

RGB 112 56 45

HSL 9.85, 0.43%, 0.31%

LAB 30.55, 23.56, 18.04

 

CMYK 0 / 60 / 60 / 56

HEX #702D2D

RGB 112 45 45

HSL 0, 0.43%, 0.31%

LAB 28.14, 29.7, 14.91

 

CMYK 0 / 34 / 60 / 56

HEX #704A2D

RGB 112 74 45

HSL 25.97, 0.43%, 0.31%

LAB 35.07, 12.77, 23.72

 

CMYK 0 / 19 / 60 / 56

HEX #705B2D

RGB 112 91 45

HSL 41.19, 0.43%, 0.31%

LAB 39.78, 2.49, 29.38

 

CMYK 0 / 3 / 60 / 56

HEX #706D2D

RGB 112 109 45

HSL 57.31, 0.43%, 0.31%

LAB 45.04, -8, 35.44

 

CMYK 14 / 0 / 60 / 56

HEX #60702D

RGB 96 112 45

HSL 74.33, 0.43%, 0.31%

LAB 44.61, -16.91, 34.59

 

CMYK 30 / 0 / 60 / 56

HEX #4E702D

RGB 78 112 45

HSL 90.45, 0.43%, 0.31%

LAB 43.36, -24.54, 32.82

 

CMYK 0 / 34 / 60 / 56

HEX #704A2D

RGB 112 74 45

HSL 25.97, 0.43%, 0.31%

LAB 35.07, 12.77, 23.72

 

CMYK 0 / 42 / 74 / 51

HEX #7D4821

RGB 125 72 33

HSL 25.43, 0.58%, 0.31%

LAB 36.18, 19.09, 32.28

 

CMYK 0 / 49 / 85 / 46

HEX #894614

RGB 137 70 20

HSL 25.64, 0.75%, 0.31%

LAB 37.39, 25.04, 40.38

 

CMYK 0 / 55 / 95 / 41

HEX #964407

RGB 150 68 7

HSL 25.59, 0.91%, 0.31%

LAB 38.96, 31.4, 47.03

 

CMYK 0 / 34 / 60 / 56

HEX #704A2D

RGB 112 74 45

HSL 25.97, 0.43%, 0.31%

LAB 35.07, 12.77, 23.72

 

CMYK 0 / 24 / 41 / 61

HEX #634B3A

RGB 99 75 58

HSL 24.88, 0.26%, 0.31%

LAB 33.96, 7.58, 14.04

 

CMYK 0 / 10 / 17 / 66

HEX #564D47

RGB 86 77 71

HSL 24, 0.1%, 0.31%

LAB 33.44, 2.59, 4.91

 

CMYK 13 / 6 / 0 / 67

HEX #494F54

RGB 73 79 84

HSL 207.27, 0.07%, 0.31%

LAB 33.24, -1.23, -3.77

 

CMYK 37 / 16 / 0 / 62

HEX #3D5161

RGB 61 81 97

HSL 206.67, 0.23%, 0.31%

LAB 33.44, -3.26, -11.8

 

CMYK 0 / 60 / 53 / 56

HEX #702D35

RGB 112 45 53

HSL 352.84, 0.43%, 0.31%

LAB 28.32, 30.45, 9.88

 

CMYK 0 / 51 / 60 / 56

HEX #70372D

RGB 112 55 45

HSL 8.96, 0.43%, 0.31%

LAB 30.32, 24.14, 17.74

 

CMYK 0 / 35 / 60 / 56

HEX #70492D

RGB 112 73 45

HSL 25.07, 0.43%, 0.31%

LAB 34.8, 13.38, 23.39

 

CMYK 0 / 19 / 60 / 56

HEX #705B2D

RGB 112 91 45

HSL 41.19, 0.43%, 0.31%

LAB 39.78, 2.49, 29.38

 

CMYK 0 / 4 / 60 / 56

HEX #706C2D

RGB 112 108 45

HSL 56.42, 0.43%, 0.31%

LAB 44.74, -7.43, 35.1

 

CMYK 0 / 34 / 60 / 79

HEX #352315

RGB 53 35 21

HSL 26.25, 0.43%, 0.15%

LAB 15.56, 6.58, 12.78

 

CMYK 0 / 34 / 60 / 68

HEX #523621

RGB 82 54 33

HSL 25.71, 0.43%, 0.23%

LAB 25.39, 9.86, 18.17

 

CMYK 0 / 34 / 60 / 56

HEX #704A2D

RGB 112 74 45

HSL 25.97, 0.43%, 0.31%

LAB 35.07, 12.77, 23.72

 

CMYK 0 / 34 / 60 / 45

HEX #8D5D39

RGB 141 93 57

HSL 25.71, 0.42%, 0.39%

LAB 43.93, 15.68, 28.47

 

CMYK 0 / 34 / 59 / 33

HEX #AA7045

RGB 170 112 69

HSL 25.54, 0.42%, 0.47%

LAB 52.47, 18.45, 33.03

 

CMYK 0 / 34 / 59 / 56

HEX #6F492D

RGB 111 73 45

HSL 25.45, 0.42%, 0.31%

LAB 34.67, 12.92, 23.2

 

CMYK 37 / 0 / 60 / 56

HEX #47702D

RGB 71 112 45

HSL 96.72, 0.43%, 0.31%

LAB 42.94, -27.29, 32.23

 

CMYK 59 / 60 / 0 / 56

HEX #2E2D70

RGB 46 45 112

HSL 240.9, 0.43%, 0.31%

LAB 22.4, 21.7, -38.82

 

CMYK 0 / 34 / 59 / 56

HEX #6F492D

RGB 111 73 45

HSL 25.45, 0.42%, 0.31%

LAB 34.67, 12.92, 23.2

 

CMYK 60 / 0 / 35 / 56

HEX #2D7049

RGB 45 112 73

HSL 145.07, 0.43%, 0.31%

LAB 42.2, -31, 15.49

 

CMYK 35 / 60 / 0 / 56

HEX #492D70

RGB 73 45 112

HSL 265.07, 0.43%, 0.31%

LAB 25.15, 28.27, -34.25

 

CMYK 0 / 34 / 59 / 56

HEX #6F492D

RGB 111 73 45

HSL 25.45, 0.42%, 0.31%

LAB 34.67, 12.92, 23.2

 

CMYK 37 / 0 / 60 / 56

HEX #47702D

RGB 71 112 45

HSL 96.72, 0.43%, 0.31%

LAB 42.94, -27.29, 32.23

 

CMYK 60 / 25 / 0 / 56

HEX #2D5470

RGB 45 84 112

HSL 205.07, 0.43%, 0.31%

LAB 34.12, -4.72, -20.22

 

CMYK 23 / 60 / 0 / 56

HEX #562D70

RGB 86 45 112

HSL 276.72, 0.43%, 0.31%

LAB 26.81, 31.85, -31.5

 

CMYK 0 / 34 / 59 / 56

HEX #6F492D

RGB 111 73 45

HSL 25.45, 0.42%, 0.31%

LAB 34.67, 12.92, 23.2

 

CMYK 54 / 0 / 60 / 56

HEX #33702D

RGB 51 112 45

HSL 114.63, 0.43%, 0.31%

LAB 41.97, -34.16, 30.86

 

CMYK 60 / 25 / 0 / 56

HEX #2D5470

RGB 45 84 112

HSL 205.07, 0.43%, 0.31%

LAB 34.12, -4.72, -20.22

 

CMYK 5 / 60 / 0 / 56

HEX #6A2D70

RGB 106 45 112

HSL 294.63, 0.43%, 0.31%

LAB 29.69, 37.57, -26.75

 

Description

Color code: HEX #6F492D | qconv.com Color code: HEX #6F492D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 73 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 73 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 59 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 59% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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