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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F4229 it is the complementary color #90BDD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F4229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F4229 shade: #744224, #855437, #96664A, #A7785D and #B88A70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F4229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F4229 shade: #6F4229, #5E3016, #4D1E03, #3C0C00 and #2B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F4229 shade: #6F4229, #6F2F29 and #6F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F4229 shade: #6F4229, #6F5529, #6F6829, #636F29 and #516F29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F4229 shade matches the following richer shades: #6F4229, #7C3E1C, #883B10 and #943704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F4229 shade: #6F4229, #634535, #564942, #4A4D4E and #3E505A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F4229 shade: #6F2936, #6F2F29, #6F4129, #6F5429 and #6F6729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F4229 shade: #331E13, #51301E, #6F4229, #8D5434 and #AB663F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F4229 shade: #6F4229, #486F29 and #292C6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F4229 shade: #6F4229, #296F41 and #41296F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F4229 shade: #6F4229, #486F29, #29576F and #50296F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F4229 shade: #6F4229, #336F29, #29576F and #65296F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

Complementary color

CMYK 33 / 12 / 0 / 16

HEX #90BDD6

RGB 144 189 214

HSL 201.43, 0.46%, 0.7%

LAB 74.3, -8.9, -17.34

 

CMYK 0 / 43 / 69 / 55

HEX #744224

RGB 116 66 36

HSL 22.5, 0.53%, 0.3%

LAB 33.43, 18.73, 27.17

 

CMYK 0 / 37 / 59 / 48

HEX #855437

RGB 133 84 55

HSL 22.31, 0.41%, 0.37%

LAB 40.58, 17.22, 25.26

 

CMYK 0 / 32 / 51 / 41

HEX #96664A

RGB 150 102 74

HSL 22.11, 0.34%, 0.44%

LAB 47.6, 15.97, 23.57

 

CMYK 0 / 28 / 44 / 35

HEX #A7785D

RGB 167 120 93

HSL 21.89, 0.3%, 0.51%

LAB 54.49, 14.93, 22.08

 

CMYK 0 / 25 / 39 / 28

HEX #B88A70

RGB 184 138 112

HSL 21.67, 0.34%, 0.58%

LAB 61.25, 14.05, 20.74

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 49 / 77 / 63

HEX #5E3016

RGB 94 48 22

HSL 21.67, 0.62%, 0.23%

LAB 25.42, 18.53, 25.34

 

CMYK 0 / 61 / 96 / 70

HEX #4D1E03

RGB 77 30 3

HSL 21.89, 0.93%, 0.16%

LAB 17.98, 20.55, 25.49

 

CMYK 0 / 80 / 100 / 76

HEX #3C0C00

RGB 60 12 0

HSL 12, 1%, 0.12%

LAB 10.73, 22.71, 16.63

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 58 / 63 / 56

HEX #6F2F29

RGB 111 47 41

HSL 5.14, 0.46%, 0.3%

LAB 28.31, 27.89, 17.69

 

CMYK 0 / 63 / 63 / 56

HEX #6F2929

RGB 111 41 41

HSL 0, 0.46%, 0.3%

LAB 27.09, 31.07, 16.12

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 23 / 63 / 56

HEX #6F5529

RGB 111 85 41

HSL 37.71, 0.46%, 0.3%

LAB 37.91, 5.28, 29.37

 

CMYK 0 / 6 / 63 / 56

HEX #6F6829

RGB 111 104 41

HSL 54, 0.46%, 0.3%

LAB 43.42, -5.94, 35.61

 

CMYK 11 / 0 / 63 / 56

HEX #636F29

RGB 99 111 41

HSL 70.29, 0.46%, 0.3%

LAB 44.49, -15.39, 36.49

 

CMYK 27 / 0 / 63 / 56

HEX #516F29

RGB 81 111 41

HSL 85.71, 0.46%, 0.3%

LAB 43.18, -23.22, 34.67

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 50 / 77 / 51

HEX #7C3E1C

RGB 124 62 28

HSL 21.25, 0.63%, 0.3%

LAB 33.59, 24.19, 32.15

 

CMYK 0 / 57 / 88 / 47

HEX #883B10

RGB 136 59 16

HSL 21.5, 0.79%, 0.3%

LAB 34.8, 30.54, 39.76

 

CMYK 0 / 63 / 97 / 42

HEX #943704

RGB 148 55 4

HSL 21.25, 0.95%, 0.3%

LAB 36.06, 37.15, 45.97

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 30 / 46 / 61

HEX #634535

RGB 99 69 53

HSL 20.87, 0.3%, 0.3%

LAB 32.18, 10.68, 14.78

 

CMYK 0 / 15 / 23 / 66

HEX #564942

RGB 86 73 66

HSL 21, 0.13%, 0.3%

LAB 32.12, 4.2, 6.21

 

CMYK 5 / 1 / 0 / 69

HEX #4A4D4E

RGB 74 77 78

HSL 195, 0.03%, 0.3%

LAB 32.51, -0.99, -1.02

 

CMYK 31 / 11 / 0 / 65

HEX #3E505A

RGB 62 80 90

HSL 201.43, 0.18%, 0.3%

LAB 32.92, -4.3, -8.14

 

CMYK 0 / 63 / 51 / 56

HEX #6F2936

RGB 111 41 54

HSL 348.86, 0.46%, 0.3%

LAB 27.39, 32.25, 7.89

 

CMYK 0 / 58 / 63 / 56

HEX #6F2F29

RGB 111 47 41

HSL 5.14, 0.46%, 0.3%

LAB 28.31, 27.89, 17.69

 

CMYK 0 / 41 / 63 / 56

HEX #6F4129

RGB 111 65 41

HSL 20.57, 0.46%, 0.3%

LAB 32.53, 17.43, 22.96

 

CMYK 0 / 24 / 63 / 56

HEX #6F5429

RGB 111 84 41

HSL 36.86, 0.46%, 0.3%

LAB 37.63, 5.88, 29.04

 

CMYK 0 / 7 / 63 / 56

HEX #6F6729

RGB 111 103 41

HSL 53.14, 0.46%, 0.3%

LAB 43.12, -5.37, 35.28

 

CMYK 0 / 41 / 63 / 80

HEX #331E13

RGB 51 30 19

HSL 20.63, 0.46%, 0.14%

LAB 13.71, 8.77, 11.65

 

CMYK 0 / 41 / 63 / 68

HEX #51301E

RGB 81 48 30

HSL 21.18, 0.46%, 0.22%

LAB 23.53, 12.94, 17.73

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 0 / 40 / 63 / 45

HEX #8D5434

RGB 141 84 52

HSL 21.57, 0.46%, 0.38%

LAB 41.61, 20.51, 28.51

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 35 / 0 / 63 / 56

HEX #486F29

RGB 72 111 41

HSL 93.43, 0.46%, 0.3%

LAB 42.62, -26.85, 33.89

 

CMYK 63 / 60 / 0 / 56

HEX #292C6F

RGB 41 44 111

HSL 237.43, 0.46%, 0.3%

LAB 21.65, 21.01, -39.4

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 63 / 0 / 41 / 56

HEX #296F41

RGB 41 111 65

HSL 140.57, 0.46%, 0.3%

LAB 41.57, -33.17, 19.28

 

CMYK 41 / 63 / 0 / 56

HEX #41296F

RGB 65 41 111

HSL 260.57, 0.46%, 0.3%

LAB 23.19, 28.38, -36.8

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 35 / 0 / 63 / 56

HEX #486F29

RGB 72 111 41

HSL 93.43, 0.46%, 0.3%

LAB 42.62, -26.85, 33.89

 

CMYK 63 / 22 / 0 / 56

HEX #29576F

RGB 41 87 111

HSL 200.57, 0.46%, 0.3%

LAB 34.87, -7.8, -18.46

 

CMYK 28 / 63 / 0 / 56

HEX #50296F

RGB 80 41 111

HSL 273.43, 0.46%, 0.3%

LAB 25.07, 32.25, -33.68

 

CMYK 0 / 41 / 63 / 56

HEX #6F4229

RGB 111 66 41

HSL 21.43, 0.46%, 0.3%

LAB 32.78, 16.83, 23.27

 

CMYK 54 / 0 / 63 / 56

HEX #336F29

RGB 51 111 41

HSL 111.43, 0.46%, 0.3%

LAB 41.58, -34.23, 32.43

 

CMYK 63 / 22 / 0 / 56

HEX #29576F

RGB 41 87 111

HSL 200.57, 0.46%, 0.3%

LAB 34.87, -7.8, -18.46

 

CMYK 9 / 63 / 0 / 56

HEX #65296F

RGB 101 41 111

HSL 291.43, 0.46%, 0.3%

LAB 28.11, 37.99, -28.65

 

Description

Color code: HEX #6F4229 | qconv.com Color code: HEX #6F4229 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 66 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 66 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 63 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 63% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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