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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F42F5 it is the complementary color #90BD0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F42F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F42F5 shade: #7442F0, #8554FF, #9666FF, #A778FF and #B88AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F42F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F42F5 shade: #6F42F5, #5E30E2, #4D1ECF, #3C0CBC and #2B00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F42F5 shade: #6F42F5, #9F42F5, #CF42F5, #F542EA and #F542B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F42F5 shade: #6F42F5 and #4242F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F42F5 shade matches the following richer shades: #6F42F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F42F5 shade: #6F42F5, #7752E4, #7F62D4, #8772C4 and #8F82B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F42F5 shade: #4274F5, #4245F5, #6E42F5, #9E42F5 and #CE42F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F42F5 shade: #3F0BD9, #511AF2, #6F42F5, #8C69F7 and #AA90F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F42F5 shade: #6F42F5, #F542A4 and #5CF542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F42F5 shade: #6F42F5, #F56E42 and #42F56E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F42F5 shade: #6F42F5, #F542A4, #C8F542 and #42F592

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F42F5 shade: #6F42F5, #F5426E, #C8F542 and #42F5C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

Complementary color

CMYK 24 / 0 / 95 / 26

HEX #90BD0A

RGB 144 189 10

HSL 75.08, 0.9%, 0.39%

LAB 71.11, -35.97, 70.48

 

CMYK 52 / 73 / 0 / 6

HEX #7442F0

RGB 116 66 240

HSL 257.24, 0.85%, 0.6%

LAB 44.09, 60.83, -79.69

 

CMYK 48 / 67 / 0 / 0

HEX #8554FF

RGB 133 84 255

HSL 257.19, 1%, 0.66%

LAB 50.15, 58.64, -78.09

 

CMYK 41 / 60 / 0 / 0

HEX #9666FF

RGB 150 102 255

HSL 258.82, 1%, 0.7%

LAB 55.28, 52.41, -69.68

 

CMYK 35 / 53 / 0 / 0

HEX #A778FF

RGB 167 120 255

HSL 260.89, 1%, 0.74%

LAB 60.67, 46.42, -60.94

 

CMYK 28 / 46 / 0 / 0

HEX #B88AFF

RGB 184 138 255

HSL 263.59, 1%, 0.77%

LAB 66.2, 40.8, -52.03

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 58 / 79 / 0 / 11

HEX #5E30E2

RGB 94 48 226

HSL 255.51, 0.75%, 0.54%

LAB 37.81, 62.43, -82.15

 

CMYK 63 / 86 / 0 / 19

HEX #4D1ECF

RGB 77 30 207

HSL 255.93, 0.75%, 0.46%

LAB 31.83, 62.74, -81.14

 

CMYK 68 / 94 / 0 / 26

HEX #3C0CBC

RGB 60 12 188

HSL 256.36, 0.88%, 0.39%

LAB 26.32, 61.8, -79.18

 

CMYK 75 / 100 / 0 / 34

HEX #2B00A9

RGB 43 0 169

HSL 255.27, 1%, 0.33%

LAB 21.5, 58.92, -75.86

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 35 / 73 / 0 / 4

HEX #9F42F5

RGB 159 66 245

HSL 271.17, 0.9%, 0.61%

LAB 49.33, 68.88, -73.74

 

CMYK 16 / 73 / 0 / 4

HEX #CF42F5

RGB 207 66 245

HSL 287.26, 0.9%, 0.61%

LAB 55.84, 77.6, -62.89

 

CMYK 0 / 73 / 4 / 4

HEX #F542EA

RGB 245 66 234

HSL 303.69, 0.9%, 0.61%

LAB 61, 83.38, -48.17

 

CMYK 0 / 73 / 24 / 4

HEX #F542B9

RGB 245 66 185

HSL 320.11, 0.9%, 0.61%

LAB 58.8, 76.76, -23.8

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 73 / 73 / 0 / 4

HEX #4242F5

RGB 66 66 245

HSL 240, 0.9%, 0.61%

LAB 40.65, 56.53, -88.3

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 48 / 64 / 0 / 11

HEX #7752E4

RGB 119 82 228

HSL 255.21, 0.73%, 0.61%

LAB 46.39, 49.85, -69.14

 

CMYK 40 / 54 / 0 / 17

HEX #7F62D4

RGB 127 98 212

HSL 255.26, 0.57%, 0.61%

LAB 49.5, 38.06, -54.99

 

CMYK 31 / 42 / 0 / 23

HEX #8772C4

RGB 135 114 196

HSL 255.37, 0.41%, 0.61%

LAB 53.14, 26.46, -40.02

 

CMYK 21 / 28 / 0 / 29

HEX #8F82B4

RGB 143 130 180

HSL 255.6, 0.25%, 0.61%

LAB 57.17, 15.49, -24.53

 

CMYK 73 / 53 / 0 / 4

HEX #4274F5

RGB 66 116 245

HSL 223.24, 0.9%, 0.61%

LAB 52.11, 26.67, -69.55

 

CMYK 73 / 72 / 0 / 4

HEX #4245F5

RGB 66 69 245

HSL 238.99, 0.9%, 0.61%

LAB 41.23, 54.91, -87.35

 

CMYK 55 / 73 / 0 / 4

HEX #6E42F5

RGB 110 66 245

HSL 254.75, 0.9%, 0.61%

LAB 43.95, 61.35, -82.75

 

CMYK 36 / 73 / 0 / 4

HEX #9E42F5

RGB 158 66 245

HSL 270.84, 0.9%, 0.61%

LAB 49.2, 68.71, -73.95

 

CMYK 16 / 73 / 0 / 4

HEX #CE42F5

RGB 206 66 245

HSL 286.93, 0.9%, 0.61%

LAB 55.7, 77.41, -63.13

 

CMYK 71 / 95 / 0 / 15

HEX #3F0BD9

RGB 63 11 217

HSL 255.15, 0.9%, 0.45%

LAB 30.17, 69.34, -89.73

 

CMYK 67 / 89 / 0 / 5

HEX #511AF2

RGB 81 26 242

HSL 255.28, 0.89%, 0.53%

LAB 35.79, 73.12, -94.63

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 43 / 57 / 0 / 3

HEX #8C69F7

RGB 140 105 247

HSL 254.79, 0.9%, 0.69%

LAB 54.44, 46.56, -66.66

 

CMYK 32 / 42 / 0 / 2

HEX #AA90F9

RGB 170 144 249

HSL 254.86, 0.9%, 0.77%

LAB 66.01, 32.28, -49.14

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 0 / 73 / 33 / 4

HEX #F542A4

RGB 245 66 164

HSL 327.15, 0.9%, 0.61%

LAB 58.03, 74.35, -12.8

 

CMYK 62 / 0 / 73 / 4

HEX #5CF542

RGB 92 245 66

HSL 111.28, 0.9%, 0.61%

LAB 85.99, -71.12, 69.72

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 0 / 55 / 73 / 4

HEX #F56E42

RGB 245 110 66

HSL 14.75, 0.9%, 0.61%

LAB 62.47, 49.18, 48.83

 

CMYK 73 / 0 / 55 / 4

HEX #42F56E

RGB 66 245 110

HSL 134.75, 0.9%, 0.61%

LAB 85.8, -71.38, 51.74

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 0 / 73 / 33 / 4

HEX #F542A4

RGB 245 66 164

HSL 327.15, 0.9%, 0.61%

LAB 58.03, 74.35, -12.8

 

CMYK 18 / 0 / 73 / 4

HEX #C8F542

RGB 200 245 66

HSL 75.08, 0.9%, 0.61%

LAB 90.77, -37.45, 76.02

 

CMYK 73 / 0 / 40 / 4

HEX #42F592

RGB 66 245 146

HSL 146.82, 0.9%, 0.61%

LAB 86.27, -65.87, 35.14

 

CMYK 55 / 73 / 0 / 4

HEX #6F42F5

RGB 111 66 245

HSL 255.08, 0.9%, 0.61%

LAB 44.04, 61.49, -82.59

 

CMYK 0 / 73 / 55 / 4

HEX #F5426E

RGB 245 66 110

HSL 345.25, 0.9%, 0.61%

LAB 56.52, 69.51, 16.85

 

CMYK 18 / 0 / 73 / 4

HEX #C8F542

RGB 200 245 66

HSL 75.08, 0.9%, 0.61%

LAB 90.77, -37.45, 76.02

 

CMYK 73 / 0 / 18 / 4

HEX #42F5C8

RGB 66 245 200

HSL 164.92, 0.9%, 0.61%

LAB 87.31, -54.65, 8.95

 

Description

Color code: HEX #6F42F5 | qconv.com Color code: HEX #6F42F5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 66 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 66 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 73 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 73% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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