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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F4F38 it is the complementary color #90B0C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F4F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F4F38 shade: #744F33, #856146, #967359, #A7856C and #B8977F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F4F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F4F38 shade: #6F4F38, #5E3D25, #4D2B12, #3C1900 and #2B0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F4F38 shade: #6F4F38, #6F4038 and #6F3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F4F38 shade: #6F4F38, #6F5E38, #6F6D38, #636F38 and #546F38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F4F38 shade matches the following richer shades: #6F4F38, #7D4D2A, #8B4B1D, #98480F and #A64601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F4F38 shade: #6F4F38, #625145, #545453, #475661 and #39586E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F4F38 shade: #6F383E, #6F4038, #6F4F38, #6F5E38 and #6F6D38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F4F38 shade: #39281C, #543C2A, #6F4F38, #8B6346 and #A67654

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F4F38 shade: #6F4F38, #4D6F38 and #39386F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F4F38 shade: #6F4F38, #386F4F and #4F386F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F4F38 shade: #6F4F38, #4D6F38, #38586F and #5A386F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F4F38 shade: #6F4F38, #3D6F38, #38586F and #6B386F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

Complementary color

CMYK 28 / 12 / 0 / 22

HEX #90B0C7

RGB 144 176 199

HSL 205.09, 0.33%, 0.67%

LAB 70.25, -5.58, -15.26

 

CMYK 0 / 32 / 56 / 55

HEX #744F33

RGB 116 79 51

HSL 25.85, 0.39%, 0.33%

LAB 37.01, 12.15, 22.69

 

CMYK 0 / 27 / 47 / 48

HEX #856146

RGB 133 97 70

HSL 25.71, 0.31%, 0.4%

LAB 44.2, 11.03, 21.09

 

CMYK 0 / 23 / 41 / 41

HEX #967359

RGB 150 115 89

HSL 25.57, 0.26%, 0.47%

LAB 51.23, 10.13, 19.68

 

CMYK 0 / 20 / 35 / 35

HEX #A7856C

RGB 167 133 108

HSL 25.42, 0.25%, 0.54%

LAB 58.11, 9.38, 18.42

 

CMYK 0 / 18 / 31 / 28

HEX #B8977F

RGB 184 151 127

HSL 25.26, 0.29%, 0.61%

LAB 64.85, 8.75, 17.27

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 35 / 61 / 63

HEX #5E3D25

RGB 94 61 37

HSL 25.26, 0.44%, 0.26%

LAB 29.03, 11.6, 20.57

 

CMYK 0 / 44 / 77 / 70

HEX #4D2B12

RGB 77 43 18

HSL 25.42, 0.62%, 0.19%

LAB 21.39, 13.23, 22.5

 

CMYK 0 / 58 / 100 / 76

HEX #3C1900

RGB 60 25 0

HSL 25, 1%, 0.12%

LAB 13.57, 15.29, 20.49

 

CMYK 0 / 84 / 100 / 83

HEX #2B0700

RGB 43 7 0

HSL 9.77, 1%, 0.08%

LAB 6.01, 17.26, 9.34

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 42 / 50 / 56

HEX #6F4038

RGB 111 64 56

HSL 8.73, 0.33%, 0.33%

LAB 32.55, 19.49, 13.67

 

CMYK 0 / 50 / 50 / 56

HEX #6F3838

RGB 111 56 56

HSL 0, 0.33%, 0.33%

LAB 30.62, 24.23, 11.05

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 15 / 50 / 56

HEX #6F5E38

RGB 111 94 56

HSL 41.45, 0.33%, 0.33%

LAB 40.69, 1.31, 24.26

 

CMYK 0 / 2 / 50 / 56

HEX #6F6D38

RGB 111 109 56

HSL 57.82, 0.33%, 0.33%

LAB 45.08, -7.42, 29.69

 

CMYK 11 / 0 / 50 / 56

HEX #636F38

RGB 99 111 56

HSL 73.09, 0.33%, 0.33%

LAB 44.67, -13.9, 28.94

 

CMYK 24 / 0 / 50 / 56

HEX #546F38

RGB 84 111 56

HSL 89.45, 0.33%, 0.33%

LAB 43.56, -20.27, 27.34

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 38 / 66 / 51

HEX #7D4D2A

RGB 125 77 42

HSL 25.3, 0.5%, 0.33%

LAB 37.54, 16.71, 28.84

 

CMYK 0 / 46 / 79 / 45

HEX #8B4B1D

RGB 139 75 29

HSL 25.09, 0.65%, 0.33%

LAB 38.92, 23.43, 37.8

 

CMYK 0 / 53 / 90 / 40

HEX #98480F

RGB 152 72 15

HSL 24.96, 0.82%, 0.33%

LAB 40.15, 30.25, 45.57

 

CMYK 0 / 58 / 99 / 35

HEX #A64601

RGB 166 70 1

HSL 25.09, 0.99%, 0.33%

LAB 41.98, 36.78, 52.08

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 27 / 11 / 0 / 62

HEX #475661

RGB 71 86 97

HSL 205.38, 0.15%, 0.33%

LAB 35.71, -3, -8.29

 

CMYK 48 / 20 / 0 / 57

HEX #39586E

RGB 57 88 110

HSL 204.91, 0.32%, 0.33%

LAB 35.94, -4.82, -16.13

 

CMYK 0 / 50 / 44 / 56

HEX #6F383E

RGB 111 56 62

HSL 353.45, 0.33%, 0.33%

LAB 30.77, 24.92, 7.36

 

CMYK 0 / 42 / 50 / 56

HEX #6F4038

RGB 111 64 56

HSL 8.73, 0.33%, 0.33%

LAB 32.55, 19.49, 13.67

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 15 / 50 / 56

HEX #6F5E38

RGB 111 94 56

HSL 41.45, 0.33%, 0.33%

LAB 40.69, 1.31, 24.26

 

CMYK 0 / 2 / 50 / 56

HEX #6F6D38

RGB 111 109 56

HSL 57.82, 0.33%, 0.33%

LAB 45.08, -7.42, 29.69

 

CMYK 0 / 30 / 51 / 78

HEX #39281C

RGB 57 40 28

HSL 24.83, 0.34%, 0.17%

LAB 17.79, 6.08, 11.01

 

CMYK 0 / 29 / 50 / 67

HEX #543C2A

RGB 84 60 42

HSL 25.71, 0.33%, 0.25%

LAB 27.53, 7.97, 15.25

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 0 / 29 / 50 / 45

HEX #8B6346

RGB 139 99 70

HSL 25.22, 0.33%, 0.41%

LAB 45.43, 12.5, 22.83

 

CMYK 0 / 29 / 49 / 35

HEX #A67654

RGB 166 118 84

HSL 24.88, 0.33%, 0.49%

LAB 53.71, 14.69, 26.14

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 31 / 0 / 50 / 56

HEX #4D6F38

RGB 77 111 56

HSL 97.09, 0.33%, 0.33%

LAB 43.11, -23.08, 26.68

 

CMYK 49 / 50 / 0 / 56

HEX #39386F

RGB 57 56 111

HSL 241.09, 0.33%, 0.33%

LAB 26.29, 16.47, -31.87

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 50 / 0 / 29 / 56

HEX #386F4F

RGB 56 111 79

HSL 145.09, 0.33%, 0.33%

LAB 42.42, -26.25, 12.32

 

CMYK 29 / 50 / 0 / 56

HEX #4F386F

RGB 79 56 111

HSL 265.09, 0.33%, 0.33%

LAB 28.48, 22.81, -28.25

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 31 / 0 / 50 / 56

HEX #4D6F38

RGB 77 111 56

HSL 97.09, 0.33%, 0.33%

LAB 43.11, -23.08, 26.68

 

CMYK 50 / 21 / 0 / 56

HEX #38586F

RGB 56 88 111

HSL 205.09, 0.33%, 0.33%

LAB 35.92, -4.77, -16.78

 

CMYK 19 / 50 / 0 / 56

HEX #5A386F

RGB 90 56 111

HSL 277.09, 0.33%, 0.33%

LAB 29.79, 26.24, -26.11

 

CMYK 0 / 29 / 50 / 56

HEX #6F4F38

RGB 111 79 56

HSL 25.09, 0.33%, 0.33%

LAB 36.47, 10.37, 18.86

 

CMYK 45 / 0 / 50 / 56

HEX #3D6F38

RGB 61 111 56

HSL 114.55, 0.33%, 0.33%

LAB 42.23, -28.94, 25.38

 

CMYK 50 / 21 / 0 / 56

HEX #38586F

RGB 56 88 111

HSL 205.09, 0.33%, 0.33%

LAB 35.92, -4.77, -16.78

 

CMYK 4 / 50 / 0 / 56

HEX #6B386F

RGB 107 56 111

HSL 295.64, 0.33%, 0.33%

LAB 32.04, 31.68, -22.42

 

Description

Color code: HEX #6F4F38 | qconv.com Color code: HEX #6F4F38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 79 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 79 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 50 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 50% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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