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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F5864 it is the complementary color #90A79B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F5864. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F5864 shade: #74585F, #856A72, #967C85, #A78E98 and #B8A0AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F5864. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F5864 shade: #6F5864, #5E4651, #4D343E, #3C222B and #2B1018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F5864 shade: #6F5763, #6F575D and #6F5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F5864 shade: #6F5763, #6F576A, #6D576F, #67576F and #61576F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F5864 shade matches the following richer shades: #6F5763, #7F4764, #8F3765, #9F2766 and #AF1766

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F5864 shade: #6F5763, #5F6763, #4F7762, #3F8761 and #2F9761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F5864 shade: #6D576F, #6F576A, #6F5764, #6F575D and #6F5757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F5864 shade: #41333A, #58454F, #6F5763, #866978 and #9A7E8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F5864 shade: #6F5864, #6F6757 and #576D6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F5864 shade: #6F5864, #646F57 and #57646F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F5864 shade: #6F5864, #6F6757, #576F62 and #575F6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F5864 shade: #6F5864, #6F6E57, #576F62 and #57586F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 10 / 56

HEX #6F5864

RGB 111 88 100

HSL 328.7, 0.12%, 0.39%

LAB 40.05, 11.64, -3.3

 

Complementary color

CMYK 14 / 0 / 7 / 35

HEX #90A79B

RGB 144 167 155

HSL 148.7, 0.12%, 0.61%

LAB 66.47, -10.42, 3.51

 

CMYK 0 / 24 / 18 / 55

HEX #74585F

RGB 116 88 95

HSL 345, 0.14%, 0.4%

LAB 40.44, 12.73, 0.43

 

CMYK 0 / 20 / 14 / 48

HEX #856A72

RGB 133 106 114

HSL 342.22, 0.11%, 0.47%

LAB 47.64, 12.11, -0.38

 

CMYK 0 / 17 / 11 / 41

HEX #967C85

RGB 150 124 133

HSL 339.23, 0.11%, 0.54%

LAB 54.65, 11.59, -1.12

 

CMYK 0 / 15 / 9 / 35

HEX #A78E98

RGB 167 142 152

HSL 336, 0.12%, 0.61%

LAB 61.51, 11.12, -1.81

 

CMYK 0 / 13 / 7 / 28

HEX #B8A0AB

RGB 184 160 171

HSL 332.5, 0.14%, 0.67%

LAB 68.22, 10.7, -2.46

 

CMYK 0 / 21 / 10 / 56

HEX #6F5864

RGB 111 88 100

HSL 328.7, 0.12%, 0.39%

LAB 40.05, 11.64, -3.3

 

CMYK 0 / 26 / 14 / 63

HEX #5E4651

RGB 94 70 81

HSL 332.5, 0.15%, 0.32%

LAB 32.6, 12.27, -2.57

 

CMYK 0 / 32 / 19 / 70

HEX #4D343E

RGB 77 52 62

HSL 336, 0.19%, 0.25%

LAB 24.89, 13.03, -1.73

 

CMYK 0 / 43 / 28 / 76

HEX #3C222B

RGB 60 34 43

HSL 339.23, 0.28%, 0.18%

LAB 16.89, 13.96, -0.7

 

CMYK 0 / 63 / 44 / 83

HEX #2B1018

RGB 43 16 24

HSL 342.22, 0.46%, 0.12%

LAB 8.57, 15.08, 0.81

 

CMYK 0 / 22 / 11 / 56

HEX #6F5763

RGB 111 87 99

HSL 330, 0.12%, 0.39%

LAB 39.74, 12.06, -3.13

 

CMYK 0 / 22 / 16 / 56

HEX #6F575D

RGB 111 87 93

HSL 345, 0.12%, 0.39%

LAB 39.56, 10.94, 0.31

 

CMYK 0 / 22 / 22 / 56

HEX #6F5757

RGB 111 87 87

HSL 0, 0.12%, 0.39%

LAB 39.38, 9.89, 3.77

 

CMYK 0 / 22 / 11 / 56

HEX #6F5763

RGB 111 87 99

HSL 330, 0.12%, 0.39%

LAB 39.74, 12.06, -3.13

 

CMYK 0 / 22 / 5 / 56

HEX #6F576A

RGB 111 87 106

HSL 312.5, 0.12%, 0.39%

LAB 39.98, 13.44, -7.11

 

CMYK 2 / 22 / 0 / 56

HEX #6D576F

RGB 109 87 111

HSL 295, 0.12%, 0.39%

LAB 39.94, 13.71, -10.27

 

CMYK 7 / 22 / 0 / 56

HEX #67576F

RGB 103 87 111

HSL 280, 0.12%, 0.39%

LAB 39.32, 11.47, -11.26

 

CMYK 13 / 22 / 0 / 56

HEX #61576F

RGB 97 87 111

HSL 265, 0.12%, 0.39%

LAB 38.73, 9.26, -12.21

 

CMYK 0 / 22 / 11 / 56

HEX #6F5763

RGB 111 87 99

HSL 330, 0.12%, 0.39%

LAB 39.74, 12.06, -3.13

 

CMYK 0 / 44 / 21 / 50

HEX #7F4764

RGB 127 71 100

HSL 328.93, 0.28%, 0.39%

LAB 37.73, 28.02, -6.53

 

CMYK 0 / 62 / 29 / 44

HEX #8F3765

RGB 143 55 101

HSL 328.64, 0.44%, 0.39%

LAB 36.95, 42.22, -8.08

 

CMYK 0 / 75 / 36 / 38

HEX #9F2766

RGB 159 39 102

HSL 328.5, 0.61%, 0.39%

LAB 37.45, 53.65, -7.68

 

CMYK 0 / 87 / 42 / 31

HEX #AF1766

RGB 175 23 102

HSL 328.82, 0.77%, 0.39%

LAB 39.05, 62.02, -4.97

 

CMYK 0 / 22 / 11 / 56

HEX #6F5763

RGB 111 87 99

HSL 330, 0.12%, 0.39%

LAB 39.74, 12.06, -3.13

 

CMYK 8 / 0 / 4 / 60

HEX #5F6763

RGB 95 103 99

HSL 150, 0.04%, 0.39%

LAB 42.81, -3.93, 1.19

 

CMYK 34 / 0 / 18 / 53

HEX #4F7762

RGB 79 119 98

HSL 148.5, 0.2%, 0.39%

LAB 46.63, -18.94, 7.13

 

CMYK 53 / 0 / 28 / 47

HEX #3F8761

RGB 63 135 97

HSL 148.33, 0.36%, 0.39%

LAB 50.98, -31.93, 13.71

 

CMYK 69 / 0 / 36 / 41

HEX #2F9761

RGB 47 151 97

HSL 148.85, 0.53%, 0.39%

LAB 55.69, -42.46, 20.06

 

CMYK 2 / 22 / 0 / 56

HEX #6D576F

RGB 109 87 111

HSL 295, 0.12%, 0.39%

LAB 39.94, 13.71, -10.27

 

CMYK 0 / 22 / 5 / 56

HEX #6F576A

RGB 111 87 106

HSL 312.5, 0.12%, 0.39%

LAB 39.98, 13.44, -7.11

 

CMYK 0 / 22 / 10 / 56

HEX #6F5764

RGB 111 87 100

HSL 327.5, 0.12%, 0.39%

LAB 39.78, 12.25, -3.7

 

CMYK 0 / 22 / 16 / 56

HEX #6F575D

RGB 111 87 93

HSL 345, 0.12%, 0.39%

LAB 39.56, 10.94, 0.31

 

CMYK 0 / 22 / 22 / 56

HEX #6F5757

RGB 111 87 87

HSL 0, 0.12%, 0.39%

LAB 39.38, 9.89, 3.77

 

CMYK 0 / 22 / 11 / 75

HEX #41333A

RGB 65 51 58

HSL 330, 0.12%, 0.23%

LAB 22.99, 7.69, -2.02

 

CMYK 0 / 22 / 10 / 65

HEX #58454F

RGB 88 69 79

HSL 328.42, 0.12%, 0.31%

LAB 31.57, 10.03, -2.89

 

CMYK 0 / 22 / 11 / 56

HEX #6F5763

RGB 111 87 99

HSL 330, 0.12%, 0.39%

LAB 39.74, 12.06, -3.13

 

CMYK 0 / 22 / 10 / 47

HEX #866978

RGB 134 105 120

HSL 328.97, 0.12%, 0.47%

LAB 47.66, 14.18, -3.93

 

CMYK 0 / 18 / 8 / 40

HEX #9A7E8D

RGB 154 126 141

HSL 327.86, 0.12%, 0.55%

LAB 55.8, 13.39, -4.03

 

CMYK 0 / 21 / 10 / 56

HEX #6F5864

RGB 111 88 100

HSL 328.7, 0.12%, 0.39%

LAB 40.05, 11.64, -3.3

 

CMYK 0 / 7 / 22 / 56

HEX #6F6757

RGB 111 103 87

HSL 40, 0.12%, 0.39%

LAB 43.9, 0.26, 10.17

 

CMYK 22 / 2 / 0 / 56

HEX #576D6F

RGB 87 109 111

HSL 185, 0.12%, 0.39%

LAB 44.39, -7.62, -3.81

 

CMYK 0 / 21 / 10 / 56

HEX #6F5864

RGB 111 88 100

HSL 328.7, 0.12%, 0.39%

LAB 40.05, 11.64, -3.3

 

CMYK 10 / 0 / 22 / 56

HEX #646F57

RGB 100 111 87

HSL 87.5, 0.12%, 0.39%

LAB 45.31, -8.93, 12

 

CMYK 22 / 10 / 0 / 56

HEX #57646F

RGB 87 100 111

HSL 207.5, 0.12%, 0.39%

LAB 41.67, -2.31, -7.86

 

CMYK 0 / 21 / 10 / 56

HEX #6F5864

RGB 111 88 100

HSL 328.7, 0.12%, 0.39%

LAB 40.05, 11.64, -3.3

 

CMYK 0 / 7 / 22 / 56

HEX #6F6757

RGB 111 103 87

HSL 40, 0.12%, 0.39%

LAB 43.9, 0.26, 10.17

 

CMYK 22 / 0 / 12 / 56

HEX #576F62

RGB 87 111 98

HSL 147.5, 0.12%, 0.39%

LAB 44.63, -11.76, 4.34

 

CMYK 22 / 14 / 0 / 56

HEX #575F6F

RGB 87 95 111

HSL 220, 0.12%, 0.39%

LAB 40.18, 0.72, -10.11

 

CMYK 0 / 21 / 10 / 56

HEX #6F5864

RGB 111 88 100

HSL 328.7, 0.12%, 0.39%

LAB 40.05, 11.64, -3.3

 

CMYK 0 / 1 / 22 / 56

HEX #6F6E57

RGB 111 110 87

HSL 57.5, 0.12%, 0.39%

LAB 45.93, -3.83, 13

 

CMYK 22 / 0 / 12 / 56

HEX #576F62

RGB 87 111 98

HSL 147.5, 0.12%, 0.39%

LAB 44.63, -11.76, 4.34

 

CMYK 22 / 21 / 0 / 56

HEX #57586F

RGB 87 88 111

HSL 237.5, 0.12%, 0.39%

LAB 38.12, 5.04, -13.23

 

Description

Color code: HEX #6F5864 | qconv.com Color code: HEX #6F5864 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 88 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 88 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 10 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 10% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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