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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F58CA it is the complementary color #90A735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F58CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F58CA shade: #7458C5, #856AD8, #967CEB, #A78EFE and #B8A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F58CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F58CA shade: #6F58CA, #5E46B7, #4D34A4, #3C2291 and #2B107E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F58CA shade: #6F58CA, #8E58CA, #AC58CA, #CA58C9 and #CA58AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F58CA shade: #6F58CA and #5858CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F58CA shade matches the following richer shades: #6F58CA, #6446DC and #5A34ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F58CA shade: #6F58CA, #796AB8, #847BA6, #8F8D95 and #999F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F58CA shade: #587ECA, #585FCA, #6F58CA, #8D58CA and #AB58CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F58CA shade: #47319E, #563BBD, #6F58CA, #8A77D4 and #A597DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F58CA shade: #6F58CA, #CA589C and #6FCA58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F58CA shade: #6F58CA, #CA6F58 and #58CA6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F58CA shade: #6F58CA, #CA589C, #B3CA58 and #58CA85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F58CA shade: #6F58CA, #CA587A, #B3CA58 and #58CAA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

Complementary color

CMYK 14 / 0 / 68 / 35

HEX #90A735

RGB 144 167 53

HSL 72.11, 0.52%, 0.43%

LAB 64.82, -23.95, 53.78

 

CMYK 41 / 55 / 0 / 23

HEX #7458C5

RGB 116 88 197

HSL 255.41, 0.48%, 0.56%

LAB 45.25, 37.14, -53.26

 

CMYK 38 / 51 / 0 / 15

HEX #856AD8

RGB 133 106 216

HSL 254.73, 0.59%, 0.63%

LAB 52.12, 35.95, -53.03

 

CMYK 36 / 47 / 0 / 8

HEX #967CEB

RGB 150 124 235

HSL 254.05, 0.74%, 0.7%

LAB 58.88, 34.88, -52.83

 

CMYK 34 / 44 / 0 / 0

HEX #A78EFE

RGB 167 142 254

HSL 253.39, 0.98%, 0.78%

LAB 65.53, 33.9, -52.65

 

CMYK 28 / 37 / 0 / 0

HEX #B8A0FF

RGB 184 160 255

HSL 255.16, 1%, 0.81%

LAB 71.25, 28.59, -44.08

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 49 / 62 / 0 / 28

HEX #5E46B7

RGB 94 70 183

HSL 252.74, 0.45%, 0.5%

LAB 38.16, 38.85, -56.64

 

CMYK 53 / 68 / 0 / 36

HEX #4D34A4

RGB 77 52 164

HSL 253.39, 0.52%, 0.42%

LAB 31.15, 40.36, -56.8

 

CMYK 59 / 77 / 0 / 43

HEX #3C2291

RGB 60 34 145

HSL 254.05, 0.62%, 0.35%

LAB 24.16, 41.8, -56.71

 

CMYK 66 / 87 / 0 / 51

HEX #2B107E

RGB 43 16 126

HSL 254.73, 0.77%, 0.28%

LAB 17.42, 42.65, -55.96

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 30 / 56 / 0 / 21

HEX #8E58CA

RGB 142 88 202

HSL 268.42, 0.52%, 0.57%

LAB 48.25, 44.71, -51.18

 

CMYK 15 / 56 / 0 / 21

HEX #AC58CA

RGB 172 88 202

HSL 284.21, 0.52%, 0.57%

LAB 51.85, 52.31, -45.23

 

CMYK 0 / 56 / 0 / 21

HEX #CA58C9

RGB 202 88 201

HSL 300.53, 0.52%, 0.57%

LAB 55.84, 59.94, -38.1

 

CMYK 0 / 56 / 16 / 21

HEX #CA58AA

RGB 202 88 170

HSL 316.84, 0.52%, 0.57%

LAB 54.49, 54.9, -22.31

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 56 / 56 / 0 / 21

HEX #5858CA

RGB 88 88 202

HSL 240, 0.52%, 0.57%

LAB 43.24, 32.72, -59.51

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 55 / 68 / 0 / 14

HEX #6446DC

RGB 100 70 220

HSL 252, 0.68%, 0.57%

LAB 41.62, 50.82, -72.44

 

CMYK 62 / 78 / 0 / 7

HEX #5A34ED

RGB 90 52 237

HSL 252.32, 0.84%, 0.57%

LAB 39.15, 63.27, -86.22

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 34 / 42 / 0 / 28

HEX #796AB8

RGB 121 106 184

HSL 251.54, 0.35%, 0.57%

LAB 49.29, 24.11, -39.26

 

CMYK 20 / 26 / 0 / 35

HEX #847BA6

RGB 132 123 166

HSL 252.56, 0.19%, 0.57%

LAB 53.84, 12.7, -21.68

 

CMYK 4 / 5 / 0 / 42

HEX #8F8D95

RGB 143 141 149

HSL 255, 0.04%, 0.57%

LAB 59.03, 2.32, -3.99

 

CMYK 4 / 0 / 18 / 38

HEX #999F83

RGB 153 159 131

HSL 72.86, 0.13%, 0.57%

LAB 64.33, -7.21, 13.91

 

CMYK 56 / 38 / 0 / 21

HEX #587ECA

RGB 88 126 202

HSL 220, 0.52%, 0.57%

LAB 53.23, 9.25, -43.51

 

CMYK 56 / 53 / 0 / 21

HEX #585FCA

RGB 88 95 202

HSL 236.32, 0.52%, 0.57%

LAB 44.97, 28.39, -56.71

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 30 / 56 / 0 / 21

HEX #8D58CA

RGB 141 88 202

HSL 267.89, 0.52%, 0.57%

LAB 48.14, 44.46, -51.36

 

CMYK 15 / 56 / 0 / 21

HEX #AB58CA

RGB 171 88 202

HSL 283.68, 0.52%, 0.57%

LAB 51.73, 52.05, -45.44

 

CMYK 55 / 69 / 0 / 38

HEX #47319E

RGB 71 49 158

HSL 252.11, 0.53%, 0.41%

LAB 29.42, 39.21, -56.01

 

CMYK 54 / 69 / 0 / 26

HEX #563BBD

RGB 86 59 189

HSL 252.46, 0.52%, 0.49%

LAB 35.56, 45.47, -64.44

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 35 / 44 / 0 / 17

HEX #8A77D4

RGB 138 119 212

HSL 252.26, 0.52%, 0.65%

LAB 55.43, 28.56, -45.48

 

CMYK 26 / 32 / 0 / 13

HEX #A597DE

RGB 165 151 222

HSL 251.83, 0.52%, 0.73%

LAB 66.06, 20.25, -34.23

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 0 / 56 / 23 / 21

HEX #CA589C

RGB 202 88 156

HSL 324.21, 0.52%, 0.57%

LAB 53.96, 52.86, -14.94

 

CMYK 45 / 0 / 56 / 21

HEX #6FCA58

RGB 111 202 88

HSL 107.89, 0.52%, 0.57%

LAB 73.76, -48.59, 47.86

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 0 / 45 / 56 / 21

HEX #CA6F58

RGB 202 111 88

HSL 12.11, 0.52%, 0.57%

LAB 56.71, 33.7, 28.66

 

CMYK 56 / 0 / 45 / 21

HEX #58CA6F

RGB 88 202 111

HSL 132.11, 0.52%, 0.57%

LAB 73.2, -51.72, 35.83

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 0 / 56 / 23 / 21

HEX #CA589C

RGB 202 88 156

HSL 324.21, 0.52%, 0.57%

LAB 53.96, 52.86, -14.94

 

CMYK 11 / 0 / 56 / 21

HEX #B3CA58

RGB 179 202 88

HSL 72.11, 0.52%, 0.57%

LAB 77.6, -24.2, 53.29

 

CMYK 56 / 0 / 34 / 21

HEX #58CA85

RGB 88 202 133

HSL 143.68, 0.52%, 0.57%

LAB 73.55, -47.93, 24.95

 

CMYK 45 / 56 / 0 / 21

HEX #6F58CA

RGB 111 88 202

HSL 252.11, 0.52%, 0.57%

LAB 45.11, 37.43, -56.39

 

CMYK 0 / 56 / 40 / 21

HEX #CA587A

RGB 202 88 122

HSL 342.11, 0.52%, 0.57%

LAB 52.89, 48.58, 3.58

 

CMYK 11 / 0 / 56 / 21

HEX #B3CA58

RGB 179 202 88

HSL 72.11, 0.52%, 0.57%

LAB 77.6, -24.2, 53.29

 

CMYK 56 / 0 / 17 / 21

HEX #58CAA8

RGB 88 202 168

HSL 162.11, 0.52%, 0.57%

LAB 74.28, -40.54, 7.29

 

Description

Color code: HEX #6F58CA | qconv.com Color code: HEX #6F58CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 88 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 88 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 56 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 56% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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