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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F5AE6 it is the complementary color #90A519. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F5AE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F5AE6 shade: #745AE1, #856CF4, #967EFF, #A790FF and #B8A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F5AE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F5AE6 shade: #6F5AE6, #5E48D3, #4D36C0, #3C24AD and #2B129A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F5AE6 shade: #6F5AE6, #955AE6, #BB5AE6, #E05AE6 and #E65AC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F5AE6 shade: #6F5AE6 and #5A5AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F5AE6 shade matches the following richer shades: #6F5AE6 and #654BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F5AE6 shade: #6F5AE6, #7A6AD7, #8579C7, #8F88B8 and #9A97A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F5AE6 shade: #5A90E6, #5A6BE6, #6F5AE6, #955AE6 and #BA5AE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F5AE6 shade: #391FCF, #5036E1, #6F5AE6, #8F7EEB and #AEA2F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F5AE6 shade: #6F5AE6, #E65AB5 and #7DE65A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F5AE6 shade: #6F5AE6, #E66F5A and #5AE66F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F5AE6 shade: #6F5AE6, #E65AB5, #D1E65A and #5AE68B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F5AE6 shade: #6F5AE6, #E65A8B, #D1E65A and #5AE6B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

Complementary color

CMYK 13 / 0 / 85 / 35

HEX #90A519

RGB 144 165 25

HSL 69, 0.74%, 0.37%

LAB 64.09, -24.28, 62.2

 

CMYK 48 / 60 / 0 / 12

HEX #745AE1

RGB 116 90 225

HSL 251.56, 0.69%, 0.62%

LAB 47.57, 43.96, -65.53

 

CMYK 45 / 56 / 0 / 4

HEX #856CF4

RGB 133 108 244

HSL 251.03, 0.86%, 0.69%

LAB 54.28, 42.57, -65.28

 

CMYK 41 / 51 / 0 / 0

HEX #967EFF

RGB 150 126 255

HSL 251.16, 1%, 0.75%

LAB 60.45, 39.1, -61.37

 

CMYK 35 / 44 / 0 / 0

HEX #A790FF

RGB 167 144 255

HSL 252.43, 1%, 0.78%

LAB 66.05, 33.03, -52.38

 

CMYK 28 / 36 / 0 / 0

HEX #B8A2FF

RGB 184 162 255

HSL 254.19, 1%, 0.82%

LAB 71.73, 27.48, -43.34

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 55 / 66 / 0 / 17

HEX #5E48D3

RGB 94 72 211

HSL 249.5, 0.61%, 0.55%

LAB 40.76, 46.09, -68.7

 

CMYK 60 / 72 / 0 / 25

HEX #4D36C0

RGB 77 54 192

HSL 250, 0.56%, 0.48%

LAB 34.03, 47.75, -68.75

 

CMYK 65 / 79 / 0 / 32

HEX #3C24AD

RGB 60 36 173

HSL 250.51, 0.66%, 0.41%

LAB 27.41, 49.24, -68.42

 

CMYK 72 / 88 / 0 / 40

HEX #2B129A

RGB 43 18 154

HSL 251.03, 0.79%, 0.34%

LAB 21.13, 49.99, -67.32

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 35 / 61 / 0 / 10

HEX #955AE6

RGB 149 90 230

HSL 265.29, 0.74%, 0.63%

LAB 51.17, 52.17, -62.39

 

CMYK 19 / 61 / 0 / 10

HEX #BB5AE6

RGB 187 90 230

HSL 281.57, 0.74%, 0.63%

LAB 55.68, 60.79, -54.91

 

CMYK 3 / 61 / 0 / 10

HEX #E05AE6

RGB 224 90 230

HSL 297.43, 0.74%, 0.63%

LAB 60.67, 69.57, -46.67

 

CMYK 0 / 61 / 14 / 10

HEX #E65AC6

RGB 230 90 198

HSL 313.71, 0.74%, 0.63%

LAB 60.08, 66, -29.47

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 61 / 61 / 0 / 10

HEX #5A5AE6

RGB 90 90 230

HSL 240, 0.74%, 0.63%

LAB 45.91, 40.88, -71.17

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 59 / 69 / 0 / 4

HEX #654BF5

RGB 101 75 245

HSL 249.18, 0.89%, 0.63%

LAB 44.79, 55.6, -81.4

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 43 / 51 / 0 / 16

HEX #7A6AD7

RGB 122 106 215

HSL 248.81, 0.58%, 0.63%

LAB 51.1, 33.04, -54.16

 

CMYK 33 / 39 / 0 / 22

HEX #8579C7

RGB 133 121 199

HSL 249.23, 0.41%, 0.63%

LAB 54.85, 22.56, -39.05

 

CMYK 22 / 26 / 0 / 28

HEX #8F88B8

RGB 143 136 184

HSL 248.75, 0.25%, 0.63%

LAB 58.89, 12.97, -24.17

 

CMYK 9 / 11 / 0 / 34

HEX #9A97A9

RGB 154 151 169

HSL 250, 0.09%, 0.63%

LAB 63.23, 4.69, -9.01

 

CMYK 61 / 37 / 0 / 10

HEX #5A90E6

RGB 90 144 230

HSL 216.86, 0.74%, 0.63%

LAB 59.74, 8.1, -48.93

 

CMYK 61 / 53 / 0 / 10

HEX #5A6BE6

RGB 90 107 230

HSL 232.71, 0.74%, 0.63%

LAB 49.98, 30.56, -64.55

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 35 / 61 / 0 / 10

HEX #955AE6

RGB 149 90 230

HSL 265.29, 0.74%, 0.63%

LAB 51.17, 52.17, -62.39

 

CMYK 19 / 61 / 0 / 10

HEX #BA5AE6

RGB 186 90 230

HSL 281.14, 0.74%, 0.63%

LAB 55.55, 60.56, -55.12

 

CMYK 72 / 85 / 0 / 19

HEX #391FCF

RGB 57 31 207

HSL 248.86, 0.74%, 0.47%

LAB 30.29, 60.96, -83.75

 

CMYK 64 / 76 / 0 / 12

HEX #5036E1

RGB 80 54 225

HSL 249.12, 0.74%, 0.55%

LAB 37.44, 57.92, -82.23

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 39 / 46 / 0 / 8

HEX #8F7EEB

RGB 143 126 235

HSL 249.36, 0.73%, 0.71%

LAB 58.75, 31.98, -53.07

 

CMYK 28 / 33 / 0 / 5

HEX #AEA2F1

RGB 174 162 241

HSL 249.11, 0.74%, 0.79%

LAB 70.31, 21.26, -38

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 0 / 61 / 21 / 10

HEX #E65AB5

RGB 230 90 181

HSL 321, 0.74%, 0.63%

LAB 59.41, 63.59, -20.78

 

CMYK 46 / 0 / 61 / 10

HEX #7DE65A

RGB 125 230 90

HSL 105, 0.74%, 0.63%

LAB 82.75, -55.37, 57.43

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 0 / 52 / 61 / 10

HEX #E66F5A

RGB 230 111 90

HSL 9, 0.74%, 0.63%

LAB 60.72, 44.51, 33.44

 

CMYK 61 / 0 / 52 / 10

HEX #5AE66F

RGB 90 230 111

HSL 129, 0.74%, 0.63%

LAB 81.79, -61.83, 46.57

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 0 / 61 / 21 / 10

HEX #E65AB5

RGB 230 90 181

HSL 321, 0.74%, 0.63%

LAB 59.41, 63.59, -20.78

 

CMYK 9 / 0 / 61 / 10

HEX #D1E65A

RGB 209 230 90

HSL 69, 0.74%, 0.63%

LAB 87.43, -25.57, 63.92

 

CMYK 61 / 0 / 40 / 10

HEX #5AE68B

RGB 90 230 139

HSL 141, 0.74%, 0.63%

LAB 82.18, -57.54, 33.36

 

CMYK 52 / 61 / 0 / 10

HEX #6F5AE6

RGB 111 90 230

HSL 249, 0.74%, 0.63%

LAB 47.5, 44.47, -68.5

 

CMYK 0 / 61 / 40 / 10

HEX #E65A8B

RGB 230 90 139

HSL 339, 0.74%, 0.63%

LAB 58.04, 58.51, 1.56

 

CMYK 9 / 0 / 61 / 10

HEX #D1E65A

RGB 209 230 90

HSL 69, 0.74%, 0.63%

LAB 87.43, -25.57, 63.92

 

CMYK 61 / 0 / 21 / 10

HEX #5AE6B5

RGB 90 230 181

HSL 159, 0.74%, 0.63%

LAB 82.97, -49.25, 12.77

 

Description

Color code: HEX #6F5AE6 | qconv.com Color code: HEX #6F5AE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 90 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 90 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 61 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 61% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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