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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F6D29 it is the complementary color #9092D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F6D29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F6D29 shade: #746D24, #857F37, #96914A, #A7A35D and #B8B570

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F6D29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F6D29 shade: #6F6D29, #5E5B16, #4D4903, #3C3700 and #2B2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F6D29 shade: #6F6D29, #6F5A29, #6F4729, #6F3429 and #6F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F6D29 shade: #6F6D29, #5E6F29, #4B6F29, #386F29 and #296F2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F6D29 shade matches the following richer shades: #6F6D29, #7C791C, #888510 and #949004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F6D29 shade: #6F6D29, #636235, #565642, #4A4A4E and #3E3E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F6D29 shade: #6F4729, #6F5A29, #6F6D29, #5F6F29 and #4C6F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F6D29 shade: #333213, #51501E, #6F6D29, #8D8B34 and #ABA83F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F6D29 shade: #6F6D29, #296F35 and #51296F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F6D29 shade: #6F6D29, #296F6D and #6D296F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F6D29 shade: #6F6D29, #296F35, #292B6F and #6F2963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F6D29 shade: #6F6D29, #296F4A, #292B6F and #6F294E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

Complementary color

CMYK 33 / 32 / 0 / 16

HEX #9092D6

RGB 144 146 214

HSL 238.29, 0.46%, 0.7%

LAB 62.8, 15.02, -35

 

CMYK 0 / 6 / 69 / 55

HEX #746D24

RGB 116 109 36

HSL 54.75, 0.53%, 0.3%

LAB 45.33, -6.8, 40.17

 

CMYK 0 / 5 / 59 / 48

HEX #857F37

RGB 133 127 55

HSL 55.38, 0.41%, 0.37%

LAB 52.33, -7.66, 39.2

 

CMYK 0 / 3 / 51 / 41

HEX #96914A

RGB 150 145 74

HSL 56.05, 0.34%, 0.44%

LAB 59.19, -8.32, 38

 

CMYK 0 / 2 / 44 / 35

HEX #A7A35D

RGB 167 163 93

HSL 56.76, 0.3%, 0.51%

LAB 65.9, -8.83, 36.75

 

CMYK 0 / 2 / 39 / 28

HEX #B8B570

RGB 184 181 112

HSL 57.5, 0.34%, 0.58%

LAB 72.5, -9.24, 35.52

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 0 / 3 / 77 / 63

HEX #5E5B16

RGB 94 91 22

HSL 57.5, 0.62%, 0.23%

LAB 37.7, -7.84, 37.9

 

CMYK 0 / 5 / 96 / 70

HEX #4D4903

RGB 77 73 3

HSL 56.76, 0.93%, 0.16%

LAB 30.28, -6.55, 37.57

 

CMYK 0 / 8 / 100 / 76

HEX #3C3700

RGB 60 55 0

HSL 55, 1%, 0.12%

LAB 22.63, -4.56, 31.26

 

CMYK 0 / 14 / 100 / 83

HEX #2B2500

RGB 43 37 0

HSL 51.63, 1%, 0.08%

LAB 14.61, -2.25, 21.36

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 0 / 19 / 63 / 56

HEX #6F5A29

RGB 111 90 41

HSL 42, 0.46%, 0.3%

LAB 39.33, 2.27, 31.01

 

CMYK 0 / 36 / 63 / 56

HEX #6F4729

RGB 111 71 41

HSL 25.71, 0.46%, 0.3%

LAB 34.08, 13.79, 24.85

 

CMYK 0 / 53 / 63 / 56

HEX #6F3429

RGB 111 52 41

HSL 9.43, 0.46%, 0.3%

LAB 29.4, 25.09, 19.08

 

CMYK 0 / 63 / 63 / 56

HEX #6F2929

RGB 111 41 41

HSL 0, 0.46%, 0.3%

LAB 27.09, 31.07, 16.12

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 15 / 0 / 63 / 56

HEX #5E6F29

RGB 94 111 41

HSL 74.57, 0.46%, 0.3%

LAB 44.1, -17.63, 35.95

 

CMYK 32 / 0 / 63 / 56

HEX #4B6F29

RGB 75 111 41

HSL 90.86, 0.46%, 0.3%

LAB 42.8, -25.67, 34.14

 

CMYK 50 / 0 / 63 / 56

HEX #386F29

RGB 56 111 41

HSL 107.14, 0.46%, 0.3%

LAB 41.8, -32.63, 32.73

 

CMYK 63 / 0 / 60 / 56

HEX #296F2C

RGB 41 111 44

HSL 122.57, 0.46%, 0.3%

LAB 41.25, -36.66, 30.43

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 0 / 2 / 77 / 51

HEX #7C791C

RGB 124 121 28

HSL 58.13, 0.63%, 0.3%

LAB 49.55, -10.2, 47.82

 

CMYK 0 / 2 / 88 / 47

HEX #888510

RGB 136 133 16

HSL 58.5, 0.79%, 0.3%

LAB 54.08, -11.59, 55.67

 

CMYK 0 / 3 / 97 / 42

HEX #949004

RGB 148 144 4

HSL 58.33, 0.95%, 0.3%

LAB 58.27, -12.19, 61.51

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 0 / 1 / 46 / 61

HEX #636235

RGB 99 98 53

HSL 58.7, 0.3%, 0.3%

LAB 40.65, -6.9, 25.66

 

CMYK 0 / 0 / 23 / 66

HEX #565642

RGB 86 86 66

HSL 60, 0.13%, 0.3%

LAB 36.04, -3.82, 11.69

 

CMYK 5 / 5 / 0 / 69

HEX #4A4A4E

RGB 74 74 78

HSL 240, 0.03%, 0.3%

LAB 31.59, 0.9, -2.38

 

CMYK 31 / 31 / 0 / 65

HEX #3E3E5A

RGB 62 62 90

HSL 240, 0.18%, 0.3%

LAB 27.32, 7.32, -16.69

 

CMYK 0 / 36 / 63 / 56

HEX #6F4729

RGB 111 71 41

HSL 25.71, 0.46%, 0.3%

LAB 34.08, 13.79, 24.85

 

CMYK 0 / 19 / 63 / 56

HEX #6F5A29

RGB 111 90 41

HSL 42, 0.46%, 0.3%

LAB 39.33, 2.27, 31.01

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 14 / 0 / 63 / 56

HEX #5F6F29

RGB 95 111 41

HSL 73.71, 0.46%, 0.3%

LAB 44.18, -17.18, 36.05

 

CMYK 32 / 0 / 63 / 56

HEX #4C6F29

RGB 76 111 41

HSL 90, 0.46%, 0.3%

LAB 42.86, -25.27, 34.22

 

CMYK 0 / 2 / 63 / 80

HEX #333213

RGB 51 50 19

HSL 58.13, 0.46%, 0.14%

LAB 20.17, -4.81, 19.62

 

CMYK 0 / 1 / 63 / 68

HEX #51501E

RGB 81 80 30

HSL 58.82, 0.46%, 0.22%

LAB 33.09, -7.18, 28.97

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 0 / 1 / 63 / 45

HEX #8D8B34

RGB 141 139 52

HSL 58.65, 0.46%, 0.38%

LAB 56.46, -10.85, 45.37

 

CMYK 0 / 2 / 63 / 33

HEX #ABA83F

RGB 171 168 63

HSL 58.33, 0.46%, 0.46%

LAB 67.29, -12.3, 52.84

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 63 / 0 / 52 / 56

HEX #296F35

RGB 41 111 53

HSL 130.29, 0.46%, 0.3%

LAB 41.37, -35.32, 25.79

 

CMYK 27 / 63 / 0 / 56

HEX #51296F

RGB 81 41 111

HSL 274.29, 0.46%, 0.3%

LAB 25.21, 32.52, -33.45

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 63 / 0 / 2 / 56

HEX #296F6D

RGB 41 111 109

HSL 178.29, 0.46%, 0.3%

LAB 42.68, -22.04, -5.4

 

CMYK 2 / 63 / 0 / 56

HEX #6D296F

RGB 109 41 111

HSL 298.29, 0.46%, 0.3%

LAB 29.37, 40.22, -26.58

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 63 / 0 / 52 / 56

HEX #296F35

RGB 41 111 53

HSL 130.29, 0.46%, 0.3%

LAB 41.37, -35.32, 25.79

 

CMYK 63 / 61 / 0 / 56

HEX #292B6F

RGB 41 43 111

HSL 238.29, 0.46%, 0.3%

LAB 21.38, 21.71, -39.84

 

CMYK 0 / 63 / 11 / 56

HEX #6F2963

RGB 111 41 99

HSL 310.29, 0.46%, 0.3%

LAB 29.07, 38.58, -19.31

 

CMYK 0 / 2 / 63 / 56

HEX #6F6D29

RGB 111 109 41

HSL 58.29, 0.46%, 0.3%

LAB 44.91, -8.78, 37.24

 

CMYK 63 / 0 / 33 / 56

HEX #296F4A

RGB 41 111 74

HSL 148.29, 0.46%, 0.3%

LAB 41.74, -31.29, 14.26

 

CMYK 63 / 61 / 0 / 56

HEX #292B6F

RGB 41 43 111

HSL 238.29, 0.46%, 0.3%

LAB 21.38, 21.71, -39.84

 

CMYK 0 / 63 / 30 / 56

HEX #6F294E

RGB 111 41 78

HSL 328.29, 0.46%, 0.3%

LAB 28.16, 35.21, -6.98

 

Description

Color code: HEX #6F6D29 | qconv.com Color code: HEX #6F6D29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 109 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 109 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 63 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 63% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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