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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F7525 it is the complementary color #908ADA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F7525. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F7525 shade: #747520, #858733, #969946, #A7AB59 and #B8BD6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F7525. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F7525 shade: #6F7525, #5E6312, #4D5100, #3C3F00 and #2B2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F7525 shade: #6E7424, #746424, #744F24, #743924 and #742424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F7525 shade: #6E7424, #587424, #437424, #2D7424 and #247430

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F7525 shade matches the following richer shades: #6E7424, #788018 and #838D0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F7525 shade: #6E7424, #636731, #595B3D, #4E4F49 and #444256

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F7525 shade: #744F24, #746424, #6E7424, #597424 and #447424

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F7525 shade: #323510, #50541A, #6E7424, #8C932E and #A9B238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F7525 shade: #6F7525, #247439 and #592474

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F7525 shade: #6F7525, #246E74 and #74246E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F7525 shade: #6F7525, #247439, #2A2474 and #74245F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F7525 shade: #6F7525, #247451, #2A2474 and #742447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 68 / 54

HEX #6F7525

RGB 111 117 37

HSL 64.5, 0.52%, 0.3%

LAB 47.28, -13.51, 41.61

 

Complementary color

CMYK 34 / 37 / 0 / 15

HEX #908ADA

RGB 144 138 218

HSL 244.5, 0.52%, 0.7%

LAB 60.93, 20.7, -40.15

 

CMYK 1 / 0 / 73 / 54

HEX #747520

RGB 116 117 32

HSL 60.71, 0.57%, 0.29%

LAB 47.67, -11.51, 44.25

 

CMYK 1 / 0 / 62 / 47

HEX #858733

RGB 133 135 51

HSL 61.43, 0.45%, 0.36%

LAB 54.61, -12.33, 43.63

 

CMYK 2 / 0 / 54 / 40

HEX #969946

RGB 150 153 70

HSL 62.17, 0.37%, 0.44%

LAB 61.4, -12.95, 42.6

 

CMYK 2 / 0 / 48 / 33

HEX #A7AB59

RGB 167 171 89

HSL 62.93, 0.33%, 0.51%

LAB 68.07, -13.43, 41.43

 

CMYK 3 / 0 / 43 / 26

HEX #B8BD6C

RGB 184 189 108

HSL 63.7, 0.38%, 0.58%

LAB 74.62, -13.8, 40.23

 

CMYK 5 / 0 / 68 / 54

HEX #6F7525

RGB 111 117 37

HSL 64.5, 0.52%, 0.3%

LAB 47.28, -13.51, 41.61

 

CMYK 5 / 0 / 82 / 61

HEX #5E6312

RGB 94 99 18

HSL 63.7, 0.69%, 0.23%

LAB 40.16, -12.6, 41.71

 

CMYK 5 / 0 / 100 / 68

HEX #4D5100

RGB 77 81 0

HSL 62.96, 1%, 0.16%

LAB 32.84, -11.39, 40.65

 

CMYK 5 / 0 / 100 / 75

HEX #3C3F00

RGB 60 63 0

HSL 62.86, 1%, 0.12%

LAB 25.31, -9.5, 33.91

 

CMYK 4 / 0 / 100 / 82

HEX #2B2D00

RGB 43 45 0

HSL 62.67, 1%, 0.09%

LAB 17.42, -7.51, 24.89

 

CMYK 5 / 0 / 69 / 55

HEX #6E7424

RGB 110 116 36

HSL 64.5, 0.53%, 0.3%

LAB 46.89, -13.49, 41.61

 

CMYK 0 / 14 / 69 / 55

HEX #746424

RGB 116 100 36

HSL 48, 0.53%, 0.3%

LAB 42.69, -1.62, 37.41

 

CMYK 0 / 32 / 69 / 55

HEX #744F24

RGB 116 79 36

HSL 32.25, 0.53%, 0.3%

LAB 36.8, 10.91, 31

 

CMYK 0 / 51 / 69 / 55

HEX #743924

RGB 116 57 36

HSL 15.75, 0.53%, 0.3%

LAB 31.27, 24.01, 24.64

 

CMYK 0 / 69 / 69 / 55

HEX #742424

RGB 116 36 36

HSL 0, 0.53%, 0.3%

LAB 27.02, 35.05, 19.51

 

CMYK 5 / 0 / 69 / 55

HEX #6E7424

RGB 110 116 36

HSL 64.5, 0.53%, 0.3%

LAB 46.89, -13.49, 41.61

 

CMYK 24 / 0 / 69 / 55

HEX #587424

RGB 88 116 36

HSL 81, 0.53%, 0.3%

LAB 45.21, -23.26, 39.34

 

CMYK 42 / 0 / 69 / 55

HEX #437424

RGB 67 116 36

HSL 96.75, 0.53%, 0.3%

LAB 43.96, -31.59, 37.64

 

CMYK 61 / 0 / 69 / 55

HEX #2D7424

RGB 45 116 36

HSL 113.25, 0.53%, 0.3%

LAB 43.03, -38.59, 36.36

 

CMYK 69 / 0 / 59 / 55

HEX #247430

RGB 36 116 48

HSL 129, 0.53%, 0.3%

LAB 42.88, -39.28, 30.26

 

CMYK 5 / 0 / 69 / 55

HEX #6E7424

RGB 110 116 36

HSL 64.5, 0.53%, 0.3%

LAB 46.89, -13.49, 41.61

 

CMYK 6 / 0 / 81 / 50

HEX #788018

RGB 120 128 24

HSL 64.62, 0.68%, 0.3%

LAB 51.26, -16, 50.59

 

CMYK 7 / 0 / 92 / 45

HEX #838D0B

RGB 131 141 11

HSL 64.62, 0.86%, 0.3%

LAB 55.99, -18.21, 58.01

 

CMYK 5 / 0 / 69 / 55

HEX #6E7424

RGB 110 116 36

HSL 64.5, 0.53%, 0.3%

LAB 46.89, -13.49, 41.61

 

CMYK 4 / 0 / 52 / 60

HEX #636731

RGB 99 103 49

HSL 64.44, 0.36%, 0.3%

LAB 42.12, -10.2, 29.66

 

CMYK 2 / 0 / 33 / 64

HEX #595B3D

RGB 89 91 61

HSL 64, 0.2%, 0.3%

LAB 37.74, -6.27, 17.08

 

CMYK 1 / 0 / 8 / 69

HEX #4E4F49

RGB 78 79 73

HSL 70, 0.04%, 0.3%

LAB 33.33, -1.67, 3.4

 

CMYK 21 / 23 / 0 / 66

HEX #444256

RGB 68 66 86

HSL 246, 0.13%, 0.3%

LAB 28.9, 5.7, -11.63

 

CMYK 0 / 32 / 69 / 55

HEX #744F24

RGB 116 79 36

HSL 32.25, 0.53%, 0.3%

LAB 36.8, 10.91, 31

 

CMYK 0 / 14 / 69 / 55

HEX #746424

RGB 116 100 36

HSL 48, 0.53%, 0.3%

LAB 42.69, -1.62, 37.41

 

CMYK 5 / 0 / 69 / 55

HEX #6E7424

RGB 110 116 36

HSL 64.5, 0.53%, 0.3%

LAB 46.89, -13.49, 41.61

 

CMYK 23 / 0 / 69 / 55

HEX #597424

RGB 89 116 36

HSL 80.25, 0.53%, 0.3%

LAB 45.28, -22.83, 39.44

 

CMYK 41 / 0 / 69 / 55

HEX #447424

RGB 68 116 36

HSL 96, 0.53%, 0.3%

LAB 44.01, -31.22, 37.71

 

CMYK 6 / 0 / 70 / 79

HEX #323510

RGB 50 53 16

HSL 64.86, 0.54%, 0.14%

LAB 21.06, -7.53, 22.32

 

CMYK 5 / 0 / 69 / 67

HEX #50541A

RGB 80 84 26

HSL 64.14, 0.53%, 0.22%

LAB 34.23, -10.34, 32.19

 

CMYK 5 / 0 / 69 / 55

HEX #6E7424

RGB 110 116 36

HSL 64.5, 0.53%, 0.3%

LAB 46.89, -13.49, 41.61

 

CMYK 5 / 0 / 69 / 42

HEX #8C932E

RGB 140 147 46

HSL 64.16, 0.52%, 0.38%

LAB 58.64, -15.93, 50.2

 

CMYK 5 / 0 / 69 / 30

HEX #A9B238

RGB 169 178 56

HSL 64.43, 0.52%, 0.46%

LAB 69.87, -18.71, 58.32

 

CMYK 5 / 0 / 68 / 54

HEX #6F7525

RGB 111 117 37

HSL 64.5, 0.52%, 0.3%

LAB 47.28, -13.51, 41.61

 

CMYK 69 / 0 / 51 / 55

HEX #247439

RGB 36 116 57

HSL 135.75, 0.53%, 0.3%

LAB 43.01, -37.88, 25.61

 

CMYK 23 / 69 / 0 / 55

HEX #592474

RGB 89 36 116

HSL 279.75, 0.53%, 0.3%

LAB 25.7, 38.48, -35.8

 

CMYK 5 / 0 / 68 / 54

HEX #6F7525

RGB 111 117 37

HSL 64.5, 0.52%, 0.3%

LAB 47.28, -13.51, 41.61

 

CMYK 69 / 5 / 0 / 55

HEX #246E74

RGB 36 110 116

HSL 184.5, 0.53%, 0.3%

LAB 42.44, -20.22, -10

 

CMYK 0 / 69 / 5 / 55

HEX #74246E

RGB 116 36 110

HSL 304.5, 0.53%, 0.3%

LAB 29.66, 44.2, -25.4

 

CMYK 5 / 0 / 68 / 54

HEX #6F7525

RGB 111 117 37

HSL 64.5, 0.52%, 0.3%

LAB 47.28, -13.51, 41.61

 

CMYK 69 / 0 / 51 / 55

HEX #247439

RGB 36 116 57

HSL 135.75, 0.53%, 0.3%

LAB 43.01, -37.88, 25.61

 

CMYK 64 / 69 / 0 / 55

HEX #2A2474

RGB 42 36 116

HSL 244.5, 0.53%, 0.3%

LAB 20.1, 28.4, -45.14

 

CMYK 0 / 69 / 18 / 55

HEX #74245F

RGB 116 36 95

HSL 315.75, 0.53%, 0.3%

LAB 28.9, 41.69, -16.91

 

CMYK 5 / 0 / 68 / 54

HEX #6F7525

RGB 111 117 37

HSL 64.5, 0.52%, 0.3%

LAB 47.28, -13.51, 41.61

 

CMYK 69 / 0 / 30 / 55

HEX #247451

RGB 36 116 81

HSL 153.75, 0.53%, 0.3%

LAB 43.45, -33.01, 12.45

 

CMYK 64 / 69 / 0 / 55

HEX #2A2474

RGB 42 36 116

HSL 244.5, 0.53%, 0.3%

LAB 20.1, 28.4, -45.14

 

CMYK 0 / 69 / 39 / 55

HEX #742447

RGB 116 36 71

HSL 333.75, 0.53%, 0.3%

LAB 27.93, 38.31, -2.58

 

Description

Color code: HEX #6F7525 | qconv.com Color code: HEX #6F7525 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 117 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 117 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 68 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 68% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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