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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F782A it is the complementary color #9087D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F782A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F782A shade: #747825, #858A38, #969C4B, #A7AE5E and #B8C071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F782A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F782A shade: #6F782A, #5E6617, #4D5404, #3C4200 and #2B3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F782A shade: #6F782A, #786C2A, #78572A, #78422A and #782D2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F782A shade: #6F782A, #5A782A, #45782A, #30782A and #2A7839

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F782A shade matches the following richer shades: #6F782A, #79851D, #849310 and #8EA002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F782A shade: #6F782A, #656B37, #5B5E44, #515152 and #47435F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F782A shade: #78562A, #786B2A, #70782A, #5C782A and #47782A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F782A shade: #373B14, #535A1F, #6F782A, #8B9735 and #A8B53F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F782A shade: #6F782A, #2A7841 and #612A78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F782A shade: #6F782A, #2A7078 and #782A70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F782A shade: #6F782A, #2A7841, #322A78 and #782A61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F782A shade: #6F782A, #2A7859, #322A78 and #782A49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

Complementary color

CMYK 32 / 37 / 0 / 16

HEX #9087D5

RGB 144 135 213

HSL 246.92, 0.48%, 0.68%

LAB 59.94, 21.13, -38.9

 

CMYK 3 / 0 / 69 / 53

HEX #747825

RGB 116 120 37

HSL 62.89, 0.53%, 0.31%

LAB 48.61, -12.85, 43.11

 

CMYK 4 / 0 / 59 / 46

HEX #858A38

RGB 133 138 56

HSL 63.66, 0.42%, 0.38%

LAB 55.53, -13.56, 42.3

 

CMYK 4 / 0 / 52 / 39

HEX #969C4B

RGB 150 156 75

HSL 64.44, 0.35%, 0.45%

LAB 62.31, -14.08, 41.2

 

CMYK 4 / 0 / 46 / 32

HEX #A7AE5E

RGB 167 174 94

HSL 65.25, 0.33%, 0.53%

LAB 68.96, -14.48, 40.01

 

CMYK 4 / 0 / 41 / 25

HEX #B8C071

RGB 184 192 113

HSL 66.08, 0.39%, 0.6%

LAB 75.5, -14.79, 38.82

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 8 / 0 / 77 / 60

HEX #5E6617

RGB 94 102 23

HSL 66.08, 0.63%, 0.25%

LAB 41.13, -14.02, 40.8

 

CMYK 8 / 0 / 95 / 67

HEX #4D5404

RGB 77 84 4

HSL 65.25, 0.91%, 0.17%

LAB 33.83, -12.94, 40.02

 

CMYK 9 / 0 / 100 / 74

HEX #3C4200

RGB 60 66 0

HSL 65.45, 1%, 0.13%

LAB 26.32, -11.29, 34.85

 

CMYK 10 / 0 / 100 / 81

HEX #2B3000

RGB 43 48 0

HSL 66.25, 1%, 0.09%

LAB 18.49, -9.39, 26.17

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 0 / 10 / 65 / 53

HEX #786C2A

RGB 120 108 42

HSL 50.77, 0.48%, 0.32%

LAB 45.48, -3.94, 37.62

 

CMYK 0 / 28 / 65 / 53

HEX #78572A

RGB 120 87 42

HSL 34.62, 0.48%, 0.32%

LAB 39.54, 8.41, 30.98

 

CMYK 0 / 45 / 65 / 53

HEX #78422A

RGB 120 66 42

HSL 18.46, 0.48%, 0.32%

LAB 34.1, 20.97, 24.58

 

CMYK 0 / 63 / 65 / 53

HEX #782D2A

RGB 120 45 42

HSL 2.31, 0.48%, 0.32%

LAB 29.51, 32.61, 18.9

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 25 / 0 / 65 / 53

HEX #5A782A

RGB 90 120 42

HSL 83.08, 0.48%, 0.32%

LAB 46.68, -23.93, 38.22

 

CMYK 43 / 0 / 65 / 53

HEX #45782A

RGB 69 120 42

HSL 99.23, 0.48%, 0.32%

LAB 45.45, -32.11, 36.52

 

CMYK 60 / 0 / 65 / 53

HEX #30782A

RGB 48 120 42

HSL 115.38, 0.48%, 0.32%

LAB 44.56, -38.73, 35.28

 

CMYK 65 / 0 / 53 / 53

HEX #2A7839

RGB 42 120 57

HSL 131.54, 0.48%, 0.32%

LAB 44.55, -38.18, 27.56

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 9 / 0 / 78 / 48

HEX #79851D

RGB 121 133 29

HSL 66.92, 0.64%, 0.32%

LAB 52.87, -17.97, 50.46

 

CMYK 10 / 0 / 89 / 42

HEX #849310

RGB 132 147 16

HSL 66.87, 0.8%, 0.32%

LAB 57.86, -20.74, 58.63

 

CMYK 11 / 0 / 99 / 37

HEX #8EA002

RGB 142 160 2

HSL 66.84, 0.98%, 0.32%

LAB 62.42, -23.15, 64.7

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 6 / 0 / 49 / 58

HEX #656B37

RGB 101 107 55

HSL 66.92, 0.32%, 0.32%

LAB 43.59, -10.9, 28.21

 

CMYK 3 / 0 / 28 / 63

HEX #5B5E44

RGB 91 94 68

HSL 66.92, 0.16%, 0.32%

LAB 38.98, -6.08, 14.56

 

CMYK 1 / 1 / 0 / 68

HEX #515152

RGB 81 81 82

HSL 240, 0.01%, 0.32%

LAB 34.48, 0.22, -0.59

 

CMYK 25 / 29 / 0 / 63

HEX #47435F

RGB 71 67 95

HSL 248.57, 0.17%, 0.32%

LAB 29.86, 8.57, -15.92

 

CMYK 0 / 28 / 65 / 53

HEX #78562A

RGB 120 86 42

HSL 33.85, 0.48%, 0.32%

LAB 39.27, 9.01, 30.67

 

CMYK 0 / 11 / 65 / 53

HEX #786B2A

RGB 120 107 42

HSL 50, 0.48%, 0.32%

LAB 45.19, -3.37, 37.3

 

CMYK 7 / 0 / 65 / 53

HEX #70782A

RGB 112 120 42

HSL 66.15, 0.48%, 0.32%

LAB 48.32, -14.33, 40.47

 

CMYK 23 / 0 / 65 / 53

HEX #5C782A

RGB 92 120 42

HSL 81.54, 0.48%, 0.32%

LAB 46.81, -23.09, 38.41

 

CMYK 41 / 0 / 65 / 53

HEX #47782A

RGB 71 120 42

HSL 97.69, 0.48%, 0.32%

LAB 45.55, -31.39, 36.66

 

CMYK 7 / 0 / 66 / 77

HEX #373B14

RGB 55 59 20

HSL 66.15, 0.49%, 0.15%

LAB 23.64, -8.31, 23.11

 

CMYK 8 / 0 / 66 / 65

HEX #535A1F

RGB 83 90 31

HSL 67.12, 0.49%, 0.24%

LAB 36.46, -11.95, 32.22

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 8 / 0 / 65 / 41

HEX #8B9735

RGB 139 151 53

HSL 67.35, 0.48%, 0.4%

LAB 59.78, -17.99, 48.41

 

CMYK 7 / 0 / 65 / 29

HEX #A8B53F

RGB 168 181 63

HSL 66.61, 0.48%, 0.48%

LAB 70.69, -20.21, 56.34

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 65 / 0 / 46 / 53

HEX #2A7841

RGB 42 120 65

HSL 137.69, 0.48%, 0.32%

LAB 44.67, -36.82, 23.32

 

CMYK 19 / 65 / 0 / 53

HEX #612A78

RGB 97 42 120

HSL 282.31, 0.48%, 0.32%

LAB 28.26, 38.38, -34.19

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 65 / 7 / 0 / 53

HEX #2A7078

RGB 42 112 120

HSL 186.15, 0.48%, 0.32%

LAB 43.41, -18.96, -10.93

 

CMYK 0 / 65 / 7 / 53

HEX #782A70

RGB 120 42 112

HSL 306.15, 0.48%, 0.32%

LAB 31.39, 43.02, -23.92

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 65 / 0 / 46 / 53

HEX #2A7841

RGB 42 120 65

HSL 137.69, 0.48%, 0.32%

LAB 44.67, -36.82, 23.32

 

CMYK 58 / 65 / 0 / 53

HEX #322A78

RGB 50 42 120

HSL 246.15, 0.48%, 0.32%

LAB 22.62, 27.32, -43.57

 

CMYK 0 / 65 / 19 / 53

HEX #782A61

RGB 120 42 97

HSL 317.69, 0.48%, 0.32%

LAB 30.67, 40.5, -15.43

 

CMYK 8 / 0 / 65 / 53

HEX #6F782A

RGB 111 120 42

HSL 66.92, 0.48%, 0.32%

LAB 48.23, -14.78, 40.36

 

CMYK 65 / 0 / 26 / 53

HEX #2A7859

RGB 42 120 89

HSL 156.15, 0.48%, 0.32%

LAB 45.15, -31.73, 10.13

 

CMYK 58 / 65 / 0 / 53

HEX #322A78

RGB 50 42 120

HSL 246.15, 0.48%, 0.32%

LAB 22.62, 27.32, -43.57

 

CMYK 0 / 65 / 39 / 53

HEX #782A49

RGB 120 42 73

HSL 336.15, 0.48%, 0.32%

LAB 29.74, 37.12, -1.15

 

Description

Color code: HEX #6F782A | qconv.com Color code: HEX #6F782A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 120 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 120 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 65 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 65% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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