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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F7895 it is the complementary color #90876A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F7895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F7895 shade: #747890, #858AA3, #969CB6, #A7AEC9 and #B8C0DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F7895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F7895 shade: #6F7895, #5E6682, #4D546F, #3C425C and #2B3049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F7895 shade: #6F7894, #706F94, #7A6F94, #846F94 and #8E6F94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F7895 shade: #6F7894 and #6F6F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F7895 shade matches the following richer shades: #6F7894, #5B6DA9, #4662BD, #3258D1 and #1E4DE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F7895 shade: #6F7894, #838280, #978D6C, #AB9858 and #C0A243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F7895 shade: #6F8C94, #6F8294, #6F7894, #6F6F94 and #796F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F7895 shade: #4B5166, #5D647D, #6F7894, #878EA6 and #9EA4B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F7895 shade: #6F7895, #926F94 and #87946F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F7895 shade: #6F7895, #946F78 and #78946F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F7895 shade: #6F7895, #926F94, #948B6F and #71946F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F7895 shade: #6F7895, #946F8B, #948B6F and #6F9478

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 19 / 0 / 42

HEX #6F7895

RGB 111 120 149

HSL 225.79, 0.15%, 0.51%

LAB 50.67, 3.43, -16.79

 

Complementary color

CMYK 0 / 6 / 26 / 44

HEX #90876A

RGB 144 135 106

HSL 45.79, 0.15%, 0.49%

LAB 56.38, -1.48, 16.84

 

CMYK 19 / 17 / 0 / 44

HEX #747890

RGB 116 120 144

HSL 231.43, 0.11%, 0.51%

LAB 50.87, 3.86, -13.51

 

CMYK 18 / 15 / 0 / 36

HEX #858AA3

RGB 133 138 163

HSL 230, 0.14%, 0.58%

LAB 57.85, 3.6, -13.84

 

CMYK 18 / 14 / 0 / 29

HEX #969CB6

RGB 150 156 182

HSL 228.75, 0.18%, 0.65%

LAB 64.67, 3.37, -14.19

 

CMYK 17 / 13 / 0 / 21

HEX #A7AEC9

RGB 167 174 201

HSL 227.65, 0.24%, 0.72%

LAB 71.35, 3.14, -14.54

 

CMYK 16 / 13 / 0 / 14

HEX #B8C0DC

RGB 184 192 220

HSL 226.67, 0.34%, 0.79%

LAB 77.91, 2.94, -14.9

 

CMYK 26 / 19 / 0 / 42

HEX #6F7895

RGB 111 120 149

HSL 225.79, 0.15%, 0.51%

LAB 50.67, 3.43, -16.79

 

CMYK 28 / 22 / 0 / 49

HEX #5E6682

RGB 94 102 130

HSL 226.67, 0.16%, 0.44%

LAB 43.5, 3.75, -16.56

 

CMYK 31 / 24 / 0 / 56

HEX #4D546F

RGB 77 84 111

HSL 227.65, 0.18%, 0.37%

LAB 36.11, 4.12, -16.37

 

CMYK 35 / 28 / 0 / 64

HEX #3C425C

RGB 60 66 92

HSL 228.75, 0.21%, 0.3%

LAB 28.46, 4.58, -16.24

 

CMYK 41 / 34 / 0 / 71

HEX #2B3049

RGB 43 48 73

HSL 230, 0.26%, 0.23%

LAB 20.47, 5.17, -16.2

 

CMYK 25 / 19 / 0 / 42

HEX #6F7894

RGB 111 120 148

HSL 225.41, 0.15%, 0.51%

LAB 50.63, 3.18, -16.26

 

CMYK 24 / 25 / 0 / 42

HEX #706F94

RGB 112 111 148

HSL 241.62, 0.15%, 0.51%

LAB 48.2, 8.87, -19.97

 

CMYK 18 / 25 / 0 / 42

HEX #7A6F94

RGB 122 111 148

HSL 257.84, 0.15%, 0.51%

LAB 49.06, 12.2, -18.57

 

CMYK 11 / 25 / 0 / 42

HEX #846F94

RGB 132 111 148

HSL 274.05, 0.15%, 0.51%

LAB 49.99, 15.62, -17.06

 

CMYK 4 / 25 / 0 / 42

HEX #8E6F94

RGB 142 111 148

HSL 290.27, 0.15%, 0.51%

LAB 50.99, 19.11, -15.46

 

CMYK 25 / 19 / 0 / 42

HEX #6F7894

RGB 111 120 148

HSL 225.41, 0.15%, 0.51%

LAB 50.63, 3.18, -16.26

 

CMYK 25 / 25 / 0 / 42

HEX #6F6F94

RGB 111 111 148

HSL 240, 0.15%, 0.51%

LAB 48.12, 8.54, -20.1

 

CMYK 25 / 19 / 0 / 42

HEX #6F7894

RGB 111 120 148

HSL 225.41, 0.15%, 0.51%

LAB 50.63, 3.18, -16.26

 

CMYK 46 / 36 / 0 / 34

HEX #5B6DA9

RGB 91 109 169

HSL 226.15, 0.31%, 0.51%

LAB 47.01, 9.82, -34.29

 

CMYK 63 / 48 / 0 / 26

HEX #4662BD

RGB 70 98 189

HSL 225.88, 0.47%, 0.51%

LAB 43.82, 18.7, -51.11

 

CMYK 76 / 58 / 0 / 18

HEX #3258D1

RGB 50 88 209

HSL 225.66, 0.63%, 0.51%

LAB 41.63, 29.47, -66.26

 

CMYK 87 / 66 / 0 / 10

HEX #1E4DE5

RGB 30 77 229

HSL 225.83, 0.79%, 0.51%

LAB 39.98, 42.23, -80.41

 

CMYK 25 / 19 / 0 / 42

HEX #6F7894

RGB 111 120 148

HSL 225.41, 0.15%, 0.51%

LAB 50.63, 3.18, -16.26

 

CMYK 0 / 1 / 2 / 49

HEX #838280

RGB 131 130 128

HSL 40, 0.01%, 0.51%

LAB 54.4, -0.01, 1.21

 

CMYK 0 / 7 / 28 / 41

HEX #978D6C

RGB 151 141 108

HSL 46.05, 0.17%, 0.51%

LAB 58.71, -1.68, 18.99

 

CMYK 0 / 11 / 49 / 33

HEX #AB9858

RGB 171 152 88

HSL 46.27, 0.33%, 0.51%

LAB 63.19, -1.73, 36.07

 

CMYK 0 / 16 / 65 / 25

HEX #C0A243

RGB 192 162 67

HSL 45.6, 0.5%, 0.51%

LAB 67.62, 0.25, 51.99

 

CMYK 25 / 5 / 0 / 42

HEX #6F8C94

RGB 111 140 148

HSL 192.97, 0.15%, 0.51%

LAB 56.36, -8.3, -7.63

 

CMYK 25 / 12 / 0 / 42

HEX #6F8294

RGB 111 130 148

HSL 209.19, 0.15%, 0.51%

LAB 53.47, -2.64, -11.95

 

CMYK 25 / 19 / 0 / 42

HEX #6F7894

RGB 111 120 148

HSL 225.41, 0.15%, 0.51%

LAB 50.63, 3.18, -16.26

 

CMYK 25 / 25 / 0 / 42

HEX #6F6F94

RGB 111 111 148

HSL 240, 0.15%, 0.51%

LAB 48.12, 8.54, -20.1

 

CMYK 18 / 25 / 0 / 42

HEX #796F94

RGB 121 111 148

HSL 256.22, 0.15%, 0.51%

LAB 48.97, 11.86, -18.71

 

CMYK 26 / 21 / 0 / 60

HEX #4B5166

RGB 75 81 102

HSL 226.67, 0.15%, 0.35%

LAB 34.68, 2.86, -12.95

 

CMYK 26 / 20 / 0 / 51

HEX #5D647D

RGB 93 100 125

HSL 226.88, 0.15%, 0.43%

LAB 42.65, 3.32, -14.85

 

CMYK 25 / 19 / 0 / 42

HEX #6F7894

RGB 111 120 148

HSL 225.41, 0.15%, 0.51%

LAB 50.63, 3.18, -16.26

 

CMYK 19 / 14 / 0 / 35

HEX #878EA6

RGB 135 142 166

HSL 226.45, 0.15%, 0.59%

LAB 59.21, 2.68, -13.5

 

CMYK 14 / 10 / 0 / 28

HEX #9EA4B7

RGB 158 164 183

HSL 225.6, 0.15%, 0.67%

LAB 67.46, 1.78, -10.51

 

CMYK 26 / 19 / 0 / 42

HEX #6F7895

RGB 111 120 149

HSL 225.79, 0.15%, 0.51%

LAB 50.67, 3.43, -16.79

 

CMYK 1 / 25 / 0 / 42

HEX #926F94

RGB 146 111 148

HSL 296.76, 0.15%, 0.51%

LAB 51.4, 20.52, -14.79

 

CMYK 9 / 0 / 25 / 42

HEX #87946F

RGB 135 148 111

HSL 81.08, 0.15%, 0.51%

LAB 59.41, -11.46, 18.05

 

CMYK 26 / 19 / 0 / 42

HEX #6F7895

RGB 111 120 149

HSL 225.79, 0.15%, 0.51%

LAB 50.67, 3.43, -16.79

 

CMYK 0 / 25 / 19 / 42

HEX #946F78

RGB 148 111 120

HSL 345.41, 0.15%, 0.51%

LAB 50.71, 16.09, 0.73

 

CMYK 19 / 0 / 25 / 42

HEX #78946F

RGB 120 148 111

HSL 105.41, 0.15%, 0.51%

LAB 58.34, -17.18, 16.41

 

CMYK 26 / 19 / 0 / 42

HEX #6F7895

RGB 111 120 149

HSL 225.79, 0.15%, 0.51%

LAB 50.67, 3.43, -16.79

 

CMYK 1 / 25 / 0 / 42

HEX #926F94

RGB 146 111 148

HSL 296.76, 0.15%, 0.51%

LAB 51.4, 20.52, -14.79

 

CMYK 0 / 6 / 25 / 42

HEX #948B6F

RGB 148 139 111

HSL 45.41, 0.15%, 0.51%

LAB 57.95, -1.35, 16.21

 

CMYK 24 / 0 / 25 / 42

HEX #71946F

RGB 113 148 111

HSL 116.76, 0.15%, 0.51%

LAB 57.88, -19.74, 15.71

 

CMYK 26 / 19 / 0 / 42

HEX #6F7895

RGB 111 120 149

HSL 225.79, 0.15%, 0.51%

LAB 50.67, 3.43, -16.79

 

CMYK 0 / 25 / 6 / 42

HEX #946F8B

RGB 148 111 139

HSL 314.59, 0.15%, 0.51%

LAB 51.3, 19.48, -9.63

 

CMYK 0 / 6 / 25 / 42

HEX #948B6F

RGB 148 139 111

HSL 45.41, 0.15%, 0.51%

LAB 57.95, -1.35, 16.21

 

CMYK 25 / 0 / 19 / 42

HEX #6F9478

RGB 111 148 120

HSL 134.59, 0.15%, 0.51%

LAB 57.96, -18.75, 10.71

 

Description

Color code: HEX #6F7895 | qconv.com Color code: HEX #6F7895 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 120 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 120 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 19 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 19% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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