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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F892E it is the complementary color #9076D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F892E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F892E shade: #748929, #859B3C, #96AD4F, #A7BF62 and #B8D175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F892E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F892E shade: #6F892E, #5E771B, #4D6508, #3C5300 and #2B4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F892E shade: #6F892D, #88892D, #89722D, #89592D and #89402D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F892E shade: #6F892D, #56892D, #3D892D, #2D8936 and #2D894F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F892E shade matches the following richer shades: #6F892D, #75981F, #7CA710 and #82B601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F892E shade: #6F892D, #697A3C, #626B4B, #5C5D5A and #564E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F892E shade: #89722D, #88892D, #6F892D, #57892D and #3E892D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F892E shade: #3D4B19, #566A23, #6F892D, #88A838 and #9FC248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F892E shade: #6F892E, #2D895A and #7E2D89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F892E shade: #6F892E, #2D6F89 and #892D6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F892E shade: #6F892E, #2D895A, #472D89 and #892D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F892E shade: #6F892E, #2D8975, #472D89 and #892D41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 66 / 46

HEX #6F892E

RGB 111 137 46

HSL 77.14, 0.5%, 0.36%

LAB 53.46, -23.34, 44.13

 

Complementary color

CMYK 31 / 44 / 0 / 18

HEX #9076D1

RGB 144 118 209

HSL 257.14, 0.5%, 0.64%

LAB 55.57, 29.98, -43.52

 

CMYK 15 / 0 / 70 / 46

HEX #748929

RGB 116 137 41

HSL 73.13, 0.54%, 0.35%

LAB 53.78, -21.56, 46.7

 

CMYK 14 / 0 / 61 / 39

HEX #859B3C

RGB 133 155 60

HSL 73.89, 0.44%, 0.42%

LAB 60.57, -22.05, 46.02

 

CMYK 13 / 0 / 54 / 32

HEX #96AD4F

RGB 150 173 79

HSL 74.68, 0.37%, 0.49%

LAB 67.23, -22.4, 45.01

 

CMYK 13 / 0 / 49 / 25

HEX #A7BF62

RGB 167 191 98

HSL 75.48, 0.42%, 0.57%

LAB 73.78, -22.64, 43.89

 

CMYK 12 / 0 / 44 / 18

HEX #B8D175

RGB 184 209 117

HSL 76.3, 0.5%, 0.64%

LAB 80.22, -22.82, 42.73

 

CMYK 19 / 0 / 66 / 46

HEX #6F892E

RGB 111 137 46

HSL 77.14, 0.5%, 0.36%

LAB 53.46, -23.34, 44.13

 

CMYK 21 / 0 / 77 / 53

HEX #5E771B

RGB 94 119 27

HSL 76.3, 0.63%, 0.29%

LAB 46.52, -22.8, 44.46

 

CMYK 24 / 0 / 92 / 60

HEX #4D6508

RGB 77 101 8

HSL 75.48, 0.85%, 0.21%

LAB 39.42, -21.97, 43.44

 

CMYK 28 / 0 / 100 / 67

HEX #3C5300

RGB 60 83 0

HSL 76.63, 1%, 0.16%

LAB 32.14, -20.69, 39.53

 

CMYK 34 / 0 / 100 / 75

HEX #2B4100

RGB 43 65 0

HSL 80.31, 1%, 0.13%

LAB 24.62, -19.09, 32.77

 

CMYK 19 / 0 / 67 / 46

HEX #6F892D

RGB 111 137 45

HSL 76.96, 0.51%, 0.36%

LAB 53.45, -23.42, 44.56

 

CMYK 1 / 0 / 67 / 46

HEX #88892D

RGB 136 137 45

HSL 60.65, 0.51%, 0.36%

LAB 55.4, -12.48, 47.19

 

CMYK 0 / 17 / 67 / 46

HEX #89722D

RGB 137 114 45

HSL 45, 0.51%, 0.36%

LAB 48.94, 0.75, 40.42

 

CMYK 0 / 35 / 67 / 46

HEX #89592D

RGB 137 89 45

HSL 28.7, 0.51%, 0.36%

LAB 42.24, 15.31, 33

 

CMYK 0 / 53 / 67 / 46

HEX #89402D

RGB 137 64 45

HSL 12.39, 0.51%, 0.36%

LAB 36.32, 29.59, 26.08

 

CMYK 19 / 0 / 67 / 46

HEX #6F892D

RGB 111 137 45

HSL 76.96, 0.51%, 0.36%

LAB 53.45, -23.42, 44.56

 

CMYK 37 / 0 / 67 / 46

HEX #56892D

RGB 86 137 45

HSL 93.26, 0.51%, 0.36%

LAB 51.9, -33.39, 42.45

 

CMYK 55 / 0 / 67 / 46

HEX #3D892D

RGB 61 137 45

HSL 109.57, 0.51%, 0.36%

LAB 50.77, -41.64, 40.9

 

CMYK 67 / 0 / 61 / 46

HEX #2D8936

RGB 45 137 54

HSL 125.87, 0.51%, 0.36%

LAB 50.35, -44.62, 36.08

 

CMYK 67 / 0 / 42 / 46

HEX #2D894F

RGB 45 137 79

HSL 142.17, 0.51%, 0.36%

LAB 50.7, -40.65, 23.39

 

CMYK 19 / 0 / 67 / 46

HEX #6F892D

RGB 111 137 45

HSL 76.96, 0.51%, 0.36%

LAB 53.45, -23.42, 44.56

 

CMYK 23 / 0 / 80 / 40

HEX #75981F

RGB 117 152 31

HSL 77.36, 0.66%, 0.36%

LAB 58.36, -29.11, 54.77

 

CMYK 26 / 0 / 90 / 35

HEX #7CA710

RGB 124 167 16

HSL 77.09, 0.83%, 0.36%

LAB 63.31, -33.82, 62.86

 

CMYK 29 / 0 / 99 / 29

HEX #82B601

RGB 130 182 1

HSL 77.24, 0.99%, 0.36%

LAB 68.17, -38.48, 68.86

 

CMYK 19 / 0 / 67 / 46

HEX #6F892D

RGB 111 137 45

HSL 76.96, 0.51%, 0.36%

LAB 53.45, -23.42, 44.56

 

CMYK 14 / 0 / 51 / 52

HEX #697A3C

RGB 105 122 60

HSL 76.45, 0.34%, 0.36%

LAB 48.57, -16.8, 31.64

 

CMYK 8 / 0 / 30 / 58

HEX #626B4B

RGB 98 107 75

HSL 76.88, 0.18%, 0.36%

LAB 43.68, -9.49, 16.84

 

CMYK 1 / 0 / 3 / 64

HEX #5C5D5A

RGB 92 93 90

HSL 80, 0.02%, 0.36%

LAB 39.31, -1.02, 1.58

 

CMYK 18 / 26 / 0 / 59

HEX #564E69

RGB 86 78 105

HSL 257.78, 0.15%, 0.36%

LAB 34.9, 9.45, -14.41

 

CMYK 0 / 17 / 67 / 46

HEX #89722D

RGB 137 114 45

HSL 45, 0.51%, 0.36%

LAB 48.94, 0.75, 40.42

 

CMYK 1 / 0 / 67 / 46

HEX #88892D

RGB 136 137 45

HSL 60.65, 0.51%, 0.36%

LAB 55.4, -12.48, 47.19

 

CMYK 19 / 0 / 67 / 46

HEX #6F892D

RGB 111 137 45

HSL 76.96, 0.51%, 0.36%

LAB 53.45, -23.42, 44.56

 

CMYK 36 / 0 / 67 / 46

HEX #57892D

RGB 87 137 45

HSL 92.61, 0.51%, 0.36%

LAB 51.96, -33.02, 42.53

 

CMYK 55 / 0 / 67 / 46

HEX #3E892D

RGB 62 137 45

HSL 108.91, 0.51%, 0.36%

LAB 50.81, -41.35, 40.95

 

CMYK 19 / 0 / 67 / 71

HEX #3D4B19

RGB 61 75 25

HSL 76.8, 0.5%, 0.2%

LAB 29.65, -14.34, 27.26

 

CMYK 19 / 0 / 67 / 58

HEX #566A23

RGB 86 106 35

HSL 76.9, 0.5%, 0.28%

LAB 41.86, -19.02, 36.19

 

CMYK 19 / 0 / 67 / 46

HEX #6F892D

RGB 111 137 45

HSL 76.96, 0.51%, 0.36%

LAB 53.45, -23.42, 44.56

 

CMYK 19 / 0 / 67 / 34

HEX #88A838

RGB 136 168 56

HSL 77.14, 0.5%, 0.44%

LAB 64.58, -27.54, 52.14

 

CMYK 18 / 0 / 63 / 24

HEX #9FC248

RGB 159 194 72

HSL 77.21, 0.5%, 0.52%

LAB 73.82, -29.59, 55.73

 

CMYK 19 / 0 / 66 / 46

HEX #6F892E

RGB 111 137 46

HSL 77.14, 0.5%, 0.36%

LAB 53.46, -23.34, 44.13

 

CMYK 67 / 0 / 34 / 46

HEX #2D895A

RGB 45 137 90

HSL 149.35, 0.51%, 0.36%

LAB 50.91, -38.44, 17.51

 

CMYK 8 / 67 / 0 / 46

HEX #7E2D89

RGB 126 45 137

HSL 292.83, 0.51%, 0.36%

LAB 34.23, 47.92, -35.03

 

CMYK 19 / 0 / 66 / 46

HEX #6F892E

RGB 111 137 46

HSL 77.14, 0.5%, 0.36%

LAB 53.46, -23.34, 44.13

 

CMYK 67 / 19 / 0 / 46

HEX #2D6F89

RGB 45 111 137

HSL 196.96, 0.51%, 0.36%

LAB 43.85, -12.24, -20.45

 

CMYK 0 / 67 / 19 / 46

HEX #892D6F

RGB 137 45 111

HSL 316.96, 0.51%, 0.36%

LAB 34.69, 46.36, -17.94

 

CMYK 19 / 0 / 66 / 46

HEX #6F892E

RGB 111 137 46

HSL 77.14, 0.5%, 0.36%

LAB 53.46, -23.34, 44.13

 

CMYK 67 / 0 / 34 / 46

HEX #2D895A

RGB 45 137 90

HSL 149.35, 0.51%, 0.36%

LAB 50.91, -38.44, 17.51

 

CMYK 48 / 67 / 0 / 46

HEX #472D89

RGB 71 45 137

HSL 256.96, 0.51%, 0.36%

LAB 26.8, 35.12, -47.38

 

CMYK 0 / 67 / 32 / 46

HEX #892D5D

RGB 137 45 93

HSL 328.7, 0.51%, 0.36%

LAB 33.95, 43.82, -7.58

 

CMYK 19 / 0 / 66 / 46

HEX #6F892E

RGB 111 137 46

HSL 77.14, 0.5%, 0.36%

LAB 53.46, -23.34, 44.13

 

CMYK 67 / 0 / 15 / 46

HEX #2D8975

RGB 45 137 117

HSL 166.96, 0.51%, 0.36%

LAB 51.53, -31.91, 2.86

 

CMYK 48 / 67 / 0 / 46

HEX #472D89

RGB 71 45 137

HSL 256.96, 0.51%, 0.36%

LAB 26.8, 35.12, -47.38

 

CMYK 0 / 67 / 53 / 46

HEX #892D41

RGB 137 45 65

HSL 346.96, 0.51%, 0.36%

LAB 33.09, 40.71, 9.29

 

Description

Color code: HEX #6F892E | qconv.com Color code: HEX #6F892E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 137 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 137 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 66 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 66% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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