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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F82E1 it is the complementary color #907D1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F82E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F82E1 shade: #7482DC, #8594EF, #96A6FF, #A7B8FF and #B8CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F82E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F82E1 shade: #6F82E1, #5E70CE, #4D5EBB, #3C4CA8 and #2B3A95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F82E1 shade: #6F82E1, #7A6FE1, #996FE1, #B86FE1 and #D76FE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F82E1 shade: #6F82E1 and #6F6FE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F82E1 shade matches the following richer shades: #6F82E1, #6178EF and #536FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F82E1 shade: #6F82E1, #7D8BD3, #8B94C5, #999EB7 and #A7A7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F82E1 shade: #6FBFE1, #6FA0E1, #6F82E1, #7A6FE1 and #996FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F82E1 shade: #2B47D2, #4C64DA, #6F82E1, #919FE8 and #B3BDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F82E1 shade: #6F82E1, #E16FDD and #AFE16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F82E1 shade: #6F82E1, #E16F82 and #82E16F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F82E1 shade: #6F82E1, #E16FDD, #E1CE6F and #6FE172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F82E1 shade: #6F82E1, #E16FBB, #E1CE6F and #6FE195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

Complementary color

CMYK 0 / 13 / 79 / 44

HEX #907D1E

RGB 144 125 30

HSL 50, 0.66%, 0.34%

LAB 52.61, -3.02, 50.62

 

CMYK 47 / 41 / 0 / 14

HEX #7482DC

RGB 116 130 220

HSL 231.92, 0.6%, 0.66%

LAB 56.92, 18.77, -47.72

 

CMYK 44 / 38 / 0 / 6

HEX #8594EF

RGB 133 148 239

HSL 231.51, 0.77%, 0.73%

LAB 63.67, 17.83, -47.53

 

CMYK 41 / 35 / 0 / 0

HEX #96A6FF

RGB 150 166 255

HSL 230.86, 1%, 0.79%

LAB 70.16, 16.18, -45.97

 

CMYK 35 / 28 / 0 / 0

HEX #A7B8FF

RGB 167 184 255

HSL 228.41, 1%, 0.83%

LAB 75.89, 10.54, -36.94

 

CMYK 28 / 21 / 0 / 0

HEX #B8CAFF

RGB 184 202 255

HSL 224.79, 1%, 0.86%

LAB 81.65, 5.47, -27.98

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 54 / 46 / 0 / 19

HEX #5E70CE

RGB 94 112 206

HSL 230.36, 0.53%, 0.59%

LAB 50.01, 20.38, -50.9

 

CMYK 59 / 50 / 0 / 27

HEX #4D5EBB

RGB 77 94 187

HSL 230.73, 0.45%, 0.52%

LAB 43.02, 21.87, -51.2

 

CMYK 64 / 55 / 0 / 34

HEX #3C4CA8

RGB 60 76 168

HSL 231.11, 0.47%, 0.45%

LAB 35.9, 23.7, -51.53

 

CMYK 71 / 61 / 0 / 42

HEX #2B3A95

RGB 43 58 149

HSL 231.51, 0.55%, 0.38%

LAB 28.67, 25.99, -51.84

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 46 / 51 / 0 / 12

HEX #7A6FE1

RGB 122 111 225

HSL 245.79, 0.66%, 0.66%

LAB 52.89, 32.98, -56.94

 

CMYK 32 / 51 / 0 / 12

HEX #996FE1

RGB 153 111 225

HSL 262.11, 0.66%, 0.66%

LAB 55.66, 40.43, -52.35

 

CMYK 18 / 51 / 0 / 12

HEX #B86FE1

RGB 184 111 225

HSL 278.42, 0.66%, 0.66%

LAB 58.97, 48.53, -46.89

 

CMYK 4 / 51 / 0 / 12

HEX #D76FE1

RGB 215 111 225

HSL 294.74, 0.66%, 0.66%

LAB 62.72, 56.92, -40.73

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 51 / 51 / 0 / 12

HEX #6F6FE1

RGB 111 111 225

HSL 240, 0.66%, 0.66%

LAB 52.05, 30.57, -58.34

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 59 / 50 / 0 / 6

HEX #6178EF

RGB 97 120 239

HSL 230.28, 0.82%, 0.66%

LAB 54.25, 26.82, -62.69

 

CMYK 67 / 56 / 0 / 1

HEX #536FFD

RGB 83 111 253

HSL 230.12, 0.98%, 0.66%

LAB 52.17, 34.75, -73.85

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 41 / 34 / 0 / 17

HEX #7D8BD3

RGB 125 139 211

HSL 230.23, 0.49%, 0.66%

LAB 59.46, 13.07, -38.63

 

CMYK 29 / 25 / 0 / 23

HEX #8B94C5

RGB 139 148 197

HSL 230.69, 0.33%, 0.66%

LAB 62.25, 8.04, -26.36

 

CMYK 16 / 14 / 0 / 28

HEX #999EB7

RGB 153 158 183

HSL 230, 0.17%, 0.66%

LAB 65.47, 3.46, -13.52

 

CMYK 1 / 1 / 0 / 34

HEX #A7A7A9

RGB 167 167 169

HSL 240, 0.01%, 0.66%

LAB 68.55, 0.38, -1.04

 

CMYK 51 / 15 / 0 / 12

HEX #6FBFE1

RGB 111 191 225

HSL 197.89, 0.66%, 0.66%

LAB 73.6, -15.35, -24.54

 

CMYK 51 / 29 / 0 / 12

HEX #6FA0E1

RGB 111 160 225

HSL 214.21, 0.66%, 0.66%

LAB 64.93, 1.58, -37.93

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 46 / 51 / 0 / 12

HEX #7A6FE1

RGB 122 111 225

HSL 245.79, 0.66%, 0.66%

LAB 52.89, 32.98, -56.94

 

CMYK 32 / 51 / 0 / 12

HEX #996FE1

RGB 153 111 225

HSL 262.11, 0.66%, 0.66%

LAB 55.66, 40.43, -52.35

 

CMYK 80 / 66 / 0 / 18

HEX #2B47D2

RGB 43 71 210

HSL 229.94, 0.66%, 0.5%

LAB 37.25, 39.97, -74.01

 

CMYK 65 / 54 / 0 / 15

HEX #4C64DA

RGB 76 100 218

HSL 229.86, 0.66%, 0.58%

LAB 46.6, 28.54, -63.28

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 38 / 31 / 0 / 9

HEX #919FE8

RGB 145 159 232

HSL 230.34, 0.65%, 0.74%

LAB 67.01, 12.61, -38.39

 

CMYK 25 / 21 / 0 / 6

HEX #B3BDEF

RGB 179 189 239

HSL 230, 0.65%, 0.82%

LAB 77.41, 7.29, -25.94

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 0 / 51 / 2 / 12

HEX #E16FDD

RGB 225 111 221

HSL 302.11, 0.66%, 0.66%

LAB 63.83, 58.94, -36.66

 

CMYK 22 / 0 / 51 / 12

HEX #AFE16F

RGB 175 225 111

HSL 86.32, 0.66%, 0.66%

LAB 84.02, -34.43, 50.13

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 0 / 51 / 42 / 12

HEX #E16F82

RGB 225 111 130

HSL 350, 0.66%, 0.66%

LAB 60.77, 46.16, 10.61

 

CMYK 42 / 0 / 51 / 12

HEX #82E16F

RGB 130 225 111

HSL 110, 0.66%, 0.66%

LAB 81.7, -49.57, 46.77

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 0 / 51 / 2 / 12

HEX #E16FDD

RGB 225 111 221

HSL 302.11, 0.66%, 0.66%

LAB 63.83, 58.94, -36.66

 

CMYK 0 / 8 / 51 / 12

HEX #E1CE6F

RGB 225 206 111

HSL 50, 0.66%, 0.66%

LAB 82.54, -5.59, 49.22

 

CMYK 51 / 0 / 49 / 12

HEX #6FE172

RGB 111 225 114

HSL 121.58, 0.66%, 0.66%

LAB 80.99, -54.55, 44.3

 

CMYK 51 / 42 / 0 / 12

HEX #6F82E1

RGB 111 130 225

HSL 230, 0.66%, 0.66%

LAB 56.86, 19.14, -50.64

 

CMYK 0 / 51 / 17 / 12

HEX #E16FBB

RGB 225 111 187

HSL 320, 0.66%, 0.66%

LAB 62.48, 53.46, -19.59

 

CMYK 0 / 8 / 51 / 12

HEX #E1CE6F

RGB 225 206 111

HSL 50, 0.66%, 0.66%

LAB 82.54, -5.59, 49.22

 

CMYK 51 / 0 / 34 / 12

HEX #6FE195

RGB 111 225 149

HSL 140, 0.66%, 0.66%

LAB 81.51, -49.06, 27.5

 

Description

Color code: HEX #6F82E1 | qconv.com Color code: HEX #6F82E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 130 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 130 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 42 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 42% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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