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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F95BD it is the complementary color #906A42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F95BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F95BD shade: #7495B8, #85A7CB, #96B9DE, #A7CBF1 and #B8DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F95BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F95BD shade: #6F95BD, #5E83AA, #4D7197, #3C5F84 and #2B4D71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F95BD shade: #6F95BD, #6F80BD, #736FBD, #886FBD and #9D6FBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F95BD shade: #6F95BD, #6F80BD and #6F6FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F95BD shade matches the following richer shades: #6F95BD, #5E95CE, #4D94DE and #3D94EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F95BD shade: #6F95BD, #8095AC, #91969B, #A2968A and #B39779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F95BD shade: #6FBDBA, #6FABBD, #6F96BD, #6F81BD and #726FBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F95BD shade: #446C95, #5380B0, #6F95BD, #8CAACA and #A8BFD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F95BD shade: #6F95BD, #A56FBD and #B5BD6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F95BD shade: #6F95BD, #BD6F96 and #96BD6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F95BD shade: #6F95BD, #A56FBD, #BD966F and #86BD6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F95BD shade: #6F95BD, #BD6FBD, #BD966F and #6FBD6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

Complementary color

CMYK 0 / 26 / 54 / 44

HEX #906A42

RGB 144 106 66

HSL 30.77, 0.37%, 0.41%

LAB 47.79, 10.24, 28.24

 

CMYK 37 / 19 / 0 / 28

HEX #7495B8

RGB 116 149 184

HSL 210.88, 0.32%, 0.59%

LAB 60.49, -2.63, -21.89

 

CMYK 34 / 18 / 0 / 20

HEX #85A7CB

RGB 133 167 203

HSL 210.86, 0.4%, 0.66%

LAB 67.23, -2.87, -22.11

 

CMYK 32 / 17 / 0 / 13

HEX #96B9DE

RGB 150 185 222

HSL 210.83, 0.52%, 0.73%

LAB 73.84, -3.07, -22.36

 

CMYK 31 / 16 / 0 / 5

HEX #A7CBF1

RGB 167 203 241

HSL 210.81, 0.73%, 0.8%

LAB 80.34, -3.26, -22.62

 

CMYK 28 / 13 / 0 / 0

HEX #B8DDFF

RGB 184 221 255

HSL 208.73, 1%, 0.86%

LAB 86.57, -4.59, -20.5

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 45 / 23 / 0 / 33

HEX #5E83AA

RGB 94 131 170

HSL 210.79, 0.31%, 0.52%

LAB 53.51, -2.27, -24.73

 

CMYK 49 / 25 / 0 / 41

HEX #4D7197

RGB 77 113 151

HSL 210.81, 0.32%, 0.45%

LAB 46.48, -1.81, -24.6

 

CMYK 55 / 28 / 0 / 48

HEX #3C5F84

RGB 60 95 132

HSL 210.83, 0.38%, 0.38%

LAB 39.26, -1.2, -24.49

 

CMYK 62 / 32 / 0 / 56

HEX #2B4D71

RGB 43 77 113

HSL 210.86, 0.45%, 0.31%

LAB 31.84, -0.37, -24.42

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 41 / 32 / 0 / 26

HEX #6F80BD

RGB 111 128 189

HSL 226.92, 0.37%, 0.59%

LAB 54.55, 9.57, -33.94

 

CMYK 39 / 41 / 0 / 26

HEX #736FBD

RGB 115 111 189

HSL 243.08, 0.37%, 0.59%

LAB 50.32, 20.85, -40.56

 

CMYK 28 / 41 / 0 / 26

HEX #886FBD

RGB 136 111 189

HSL 259.23, 0.37%, 0.59%

LAB 52.15, 26.71, -37.56

 

CMYK 17 / 41 / 0 / 26

HEX #9D6FBD

RGB 157 111 189

HSL 275.38, 0.37%, 0.59%

LAB 54.25, 32.93, -34.11

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 41 / 32 / 0 / 26

HEX #6F80BD

RGB 111 128 189

HSL 226.92, 0.37%, 0.59%

LAB 54.55, 9.57, -33.94

 

CMYK 41 / 41 / 0 / 26

HEX #6F6FBD

RGB 111 111 189

HSL 240, 0.37%, 0.59%

LAB 50, 19.8, -41.08

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 54 / 28 / 0 / 19

HEX #5E95CE

RGB 94 149 206

HSL 210.54, 0.53%, 0.59%

LAB 60.19, -1.73, -34.83

 

CMYK 65 / 33 / 0 / 13

HEX #4D94DE

RGB 77 148 222

HSL 210.62, 0.69%, 0.59%

LAB 59.92, 0.78, -44.24

 

CMYK 74 / 38 / 0 / 6

HEX #3D94EF

RGB 61 148 239

HSL 210.67, 0.85%, 0.59%

LAB 60.25, 4.39, -53.16

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 26 / 13 / 0 / 33

HEX #8095AC

RGB 128 149 172

HSL 211.36, 0.21%, 0.59%

LAB 60.84, -2.12, -14.5

 

CMYK 6 / 3 / 0 / 39

HEX #91969B

RGB 145 150 155

HSL 210, 0.05%, 0.59%

LAB 61.83, -0.79, -3.26

 

CMYK 0 / 7 / 15 / 36

HEX #A2968A

RGB 162 150 138

HSL 30, 0.11%, 0.59%

LAB 62.78, 2.33, 7.91

 

CMYK 0 / 16 / 32 / 30

HEX #B39779

RGB 179 151 121

HSL 31.03, 0.28%, 0.59%

LAB 64.24, 5.94, 19.7

 

CMYK 41 / 0 / 2 / 26

HEX #6FBDBA

RGB 111 189 186

HSL 177.69, 0.37%, 0.59%

LAB 71.77, -24.73, -6.04

 

CMYK 41 / 10 / 0 / 26

HEX #6FABBD

RGB 111 171 189

HSL 193.85, 0.37%, 0.59%

LAB 66.66, -14.7, -15.34

 

CMYK 41 / 21 / 0 / 26

HEX #6F96BD

RGB 111 150 189

HSL 210, 0.37%, 0.59%

LAB 60.66, -3.2, -24.46

 

CMYK 41 / 32 / 0 / 26

HEX #6F81BD

RGB 111 129 189

HSL 226.15, 0.37%, 0.59%

LAB 54.82, 8.97, -33.52

 

CMYK 40 / 41 / 0 / 26

HEX #726FBD

RGB 114 111 189

HSL 242.31, 0.37%, 0.59%

LAB 50.24, 20.59, -40.7

 

CMYK 54 / 28 / 0 / 42

HEX #446C95

RGB 68 108 149

HSL 210.37, 0.37%, 0.43%

LAB 44.41, -1.65, -26.66

 

CMYK 53 / 27 / 0 / 31

HEX #5380B0

RGB 83 128 176

HSL 210.97, 0.37%, 0.51%

LAB 52.3, -1.41, -30.11

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 31 / 16 / 0 / 21

HEX #8CAACA

RGB 140 170 202

HSL 210.97, 0.37%, 0.67%

LAB 68.45, -2.76, -19.66

 

CMYK 22 / 11 / 0 / 16

HEX #A8BFD7

RGB 168 191 215

HSL 210.64, 0.37%, 0.75%

LAB 76.37, -2.64, -14.62

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 13 / 41 / 0 / 26

HEX #A56FBD

RGB 165 111 189

HSL 281.54, 0.37%, 0.59%

LAB 55.12, 35.36, -32.7

 

CMYK 4 / 0 / 41 / 26

HEX #B5BD6F

RGB 181 189 111

HSL 66.15, 0.37%, 0.59%

LAB 74.42, -14.68, 38.42

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 0 / 41 / 21 / 26

HEX #BD6F96

RGB 189 111 150

HSL 330, 0.37%, 0.59%

LAB 56.48, 36.07, -7.83

 

CMYK 21 / 0 / 41 / 26

HEX #96BD6F

RGB 150 189 111

HSL 90, 0.37%, 0.59%

LAB 72.25, -26.68, 35.21

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 13 / 41 / 0 / 26

HEX #A56FBD

RGB 165 111 189

HSL 281.54, 0.37%, 0.59%

LAB 55.12, 35.36, -32.7

 

CMYK 0 / 21 / 41 / 26

HEX #BD966F

RGB 189 150 111

HSL 30, 0.37%, 0.59%

LAB 64.79, 9.35, 26.12

 

CMYK 29 / 0 / 41 / 26

HEX #86BD6F

RGB 134 189 111

HSL 102.31, 0.37%, 0.59%

LAB 71.29, -32.45, 33.79

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 0 / 41 / 0 / 26

HEX #BD6FBD

RGB 189 111 189

HSL 300, 0.37%, 0.59%

LAB 57.91, 42.72, -28.15

 

CMYK 0 / 21 / 41 / 26

HEX #BD966F

RGB 189 150 111

HSL 30, 0.37%, 0.59%

LAB 64.79, 9.35, 26.12

 

CMYK 41 / 0 / 41 / 26

HEX #6FBD6F

RGB 111 189 111

HSL 120, 0.37%, 0.59%

LAB 70.12, -40.02, 32.05

 

Description

Color code: HEX #6F95BD | qconv.com Color code: HEX #6F95BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 149 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 149 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 21 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 21% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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