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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F9823 it is the complementary color #9067DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F9823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F9823 shade: #74981E, #85AA31, #96BC44, #A7CE57 and #B8E06A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F9823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F9823 shade: #6F9823, #5E8610, #4D7400, #3C6200 and #2B5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F9823 shade: #709922, #909922, #998322, #996322 and #994322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F9823 shade: #709922, #509922, #309922, #229935 and #229955

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F9823 shade matches the following richer shades: #709922, #74A913 and #79B804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F9823 shade: #709922, #6B8A32, #667B41, #626B50 and #5D5C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F9823 shade: #998322, #8F9922, #709922, #509922 and #309922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F9823 shade: #3F5613, #57781B, #709922, #88BB2A and #9ED23C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F9823 shade: #6F9823, #229964 and #932299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F9823 shade: #6F9823, #227099 and #992270

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F9823 shade: #6F9823, #229964, #4C2299 and #992258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F9823 shade: #6F9823, #229987, #4C2299 and #992234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 77 / 40

HEX #6F9823

RGB 111 152 35

HSL 81.03, 0.63%, 0.37%

LAB 58, -31.36, 53

 

Complementary color

CMYK 35 / 53 / 0 / 14

HEX #9067DC

RGB 144 103 220

HSL 261.03, 0.63%, 0.63%

LAB 52.73, 41.41, -54.27

 

CMYK 24 / 0 / 80 / 40

HEX #74981E

RGB 116 152 30

HSL 77.7, 0.67%, 0.36%

LAB 58.29, -29.57, 54.99

 

CMYK 22 / 0 / 71 / 33

HEX #85AA31

RGB 133 170 49

HSL 78.35, 0.55%, 0.43%

LAB 64.93, -30.18, 55.2

 

CMYK 20 / 0 / 64 / 26

HEX #96BC44

RGB 150 188 68

HSL 79, 0.47%, 0.5%

LAB 71.47, -30.61, 54.71

 

CMYK 19 / 0 / 58 / 19

HEX #A7CE57

RGB 167 206 87

HSL 79.66, 0.55%, 0.57%

LAB 77.9, -30.91, 53.87

 

CMYK 18 / 0 / 53 / 12

HEX #B8E06A

RGB 184 224 106

HSL 80.34, 0.66%, 0.65%

LAB 84.25, -31.12, 52.86

 

CMYK 27 / 0 / 77 / 40

HEX #6F9823

RGB 111 152 35

HSL 81.03, 0.63%, 0.37%

LAB 58, -31.36, 53

 

CMYK 30 / 0 / 88 / 47

HEX #5E8610

RGB 94 134 16

HSL 80.34, 0.79%, 0.29%

LAB 51.23, -30.63, 52.02

 

CMYK 34 / 0 / 100 / 55

HEX #4D7400

RGB 77 116 0

HSL 80.17, 1%, 0.23%

LAB 44.33, -29.6, 49.34

 

CMYK 39 / 0 / 100 / 62

HEX #3C6200

RGB 60 98 0

HSL 83.27, 1%, 0.19%

LAB 37.29, -28.09, 43.48

 

CMYK 46 / 0 / 100 / 69

HEX #2B5000

RGB 43 80 0

HSL 87.75, 1%, 0.16%

LAB 30.04, -26.5, 37.45

 

CMYK 27 / 0 / 78 / 40

HEX #709922

RGB 112 153 34

HSL 80.67, 0.64%, 0.37%

LAB 58.36, -31.48, 53.7

 

CMYK 6 / 0 / 78 / 40

HEX #909922

RGB 144 153 34

HSL 64.54, 0.64%, 0.37%

LAB 60.63, -17.9, 56.63

 

CMYK 0 / 14 / 78 / 40

HEX #998322

RGB 153 131 34

HSL 48.91, 0.64%, 0.37%

LAB 55.2, -2.03, 51.9

 

CMYK 0 / 35 / 78 / 40

HEX #996322

RGB 153 99 34

HSL 32.77, 0.64%, 0.37%

LAB 46.73, 16.16, 43.82

 

CMYK 0 / 56 / 78 / 40

HEX #994322

RGB 153 67 34

HSL 16.64, 0.64%, 0.37%

LAB 39.42, 33.92, 36.48

 

CMYK 27 / 0 / 78 / 40

HEX #709922

RGB 112 153 34

HSL 80.67, 0.64%, 0.37%

LAB 58.36, -31.48, 53.7

 

CMYK 48 / 0 / 78 / 40

HEX #509922

RGB 80 153 34

HSL 96.81, 0.64%, 0.37%

LAB 56.69, -43.18, 51.51

 

CMYK 69 / 0 / 78 / 40

HEX #309922

RGB 48 153 34

HSL 112.94, 0.64%, 0.37%

LAB 55.61, -51.72, 50.1

 

CMYK 78 / 0 / 65 / 40

HEX #229935

RGB 34 153 53

HSL 129.58, 0.64%, 0.37%

LAB 55.46, -52.45, 42.29

 

CMYK 78 / 0 / 44 / 40

HEX #229955

RGB 34 153 85

HSL 145.71, 0.64%, 0.37%

LAB 55.87, -47.67, 26.8

 

CMYK 27 / 0 / 78 / 40

HEX #709922

RGB 112 153 34

HSL 80.67, 0.64%, 0.37%

LAB 58.36, -31.48, 53.7

 

CMYK 31 / 0 / 89 / 34

HEX #74A913

RGB 116 169 19

HSL 81.2, 0.8%, 0.37%

LAB 63.46, -37.79, 62.24

 

CMYK 34 / 0 / 98 / 28

HEX #79B804

RGB 121 184 4

HSL 81, 0.96%, 0.37%

LAB 68.28, -42.72, 68.38

 

CMYK 27 / 0 / 78 / 40

HEX #709922

RGB 112 153 34

HSL 80.67, 0.64%, 0.37%

LAB 58.36, -31.48, 53.7

 

CMYK 22 / 0 / 64 / 46

HEX #6B8A32

RGB 107 138 50

HSL 81.14, 0.47%, 0.37%

LAB 53.53, -25.19, 42.34

 

CMYK 17 / 0 / 47 / 52

HEX #667B41

RGB 102 123 65

HSL 81.72, 0.31%, 0.37%

LAB 48.73, -18.01, 29.1

 

CMYK 8 / 0 / 25 / 58

HEX #626B50

RGB 98 107 80

HSL 80, 0.14%, 0.37%

LAB 43.79, -8.68, 14.02

 

CMYK 2 / 3 / 0 / 63

HEX #5D5C5F

RGB 93 92 95

HSL 260, 0.02%, 0.37%

LAB 39.25, 1.04, -1.58

 

CMYK 0 / 14 / 78 / 40

HEX #998322

RGB 153 131 34

HSL 48.91, 0.64%, 0.37%

LAB 55.2, -2.03, 51.9

 

CMYK 7 / 0 / 78 / 40

HEX #8F9922

RGB 143 153 34

HSL 65.04, 0.64%, 0.37%

LAB 60.55, -18.34, 56.52

 

CMYK 27 / 0 / 78 / 40

HEX #709922

RGB 112 153 34

HSL 80.67, 0.64%, 0.37%

LAB 58.36, -31.48, 53.7

 

CMYK 48 / 0 / 78 / 40

HEX #509922

RGB 80 153 34

HSL 96.81, 0.64%, 0.37%

LAB 56.69, -43.18, 51.51

 

CMYK 69 / 0 / 78 / 40

HEX #309922

RGB 48 153 34

HSL 112.94, 0.64%, 0.37%

LAB 55.61, -51.72, 50.1

 

CMYK 27 / 0 / 78 / 66

HEX #3F5613

RGB 63 86 19

HSL 80.6, 0.64%, 0.21%

LAB 33.48, -19.92, 34.13

 

CMYK 28 / 0 / 78 / 53

HEX #57781B

RGB 87 120 27

HSL 81.29, 0.63%, 0.29%

LAB 46.36, -26.29, 44.15

 

CMYK 27 / 0 / 78 / 40

HEX #709922

RGB 112 153 34

HSL 80.67, 0.64%, 0.37%

LAB 58.36, -31.48, 53.7

 

CMYK 27 / 0 / 78 / 27

HEX #88BB2A

RGB 136 187 42

HSL 81.1, 0.63%, 0.45%

LAB 70.14, -37.23, 62.7

 

CMYK 25 / 0 / 71 / 18

HEX #9ED23C

RGB 158 210 60

HSL 80.8, 0.63%, 0.53%

LAB 78.28, -38.16, 64.99

 

CMYK 27 / 0 / 77 / 40

HEX #6F9823

RGB 111 152 35

HSL 81.03, 0.63%, 0.37%

LAB 58, -31.36, 53

 

CMYK 78 / 0 / 35 / 40

HEX #229964

RGB 34 153 100

HSL 153.28, 0.64%, 0.37%

LAB 56.13, -44.66, 18.95

 

CMYK 4 / 78 / 0 / 40

HEX #932299

RGB 147 34 153

HSL 296.97, 0.64%, 0.37%

LAB 37.2, 59.69, -39.89

 

CMYK 27 / 0 / 77 / 40

HEX #6F9823

RGB 111 152 35

HSL 81.03, 0.63%, 0.37%

LAB 58, -31.36, 53

 

CMYK 78 / 27 / 0 / 40

HEX #227099

RGB 34 112 153

HSL 200.67, 0.64%, 0.37%

LAB 44.56, -8.78, -28.89

 

CMYK 0 / 78 / 27 / 40

HEX #992270

RGB 153 34 112

HSL 320.67, 0.64%, 0.37%

LAB 36.15, 54.89, -16.08

 

CMYK 27 / 0 / 77 / 40

HEX #6F9823

RGB 111 152 35

HSL 81.03, 0.63%, 0.37%

LAB 58, -31.36, 53

 

CMYK 78 / 0 / 35 / 40

HEX #229964

RGB 34 153 100

HSL 153.28, 0.64%, 0.37%

LAB 56.13, -44.66, 18.95

 

CMYK 50 / 78 / 0 / 40

HEX #4C2299

RGB 76 34 153

HSL 261.18, 0.64%, 0.37%

LAB 26.68, 46.46, -57.43

 

CMYK 0 / 78 / 42 / 40

HEX #992258

RGB 153 34 88

HSL 332.77, 0.64%, 0.37%

LAB 35.24, 52.12, -2.13

 

CMYK 27 / 0 / 77 / 40

HEX #6F9823

RGB 111 152 35

HSL 81.03, 0.63%, 0.37%

LAB 58, -31.36, 53

 

CMYK 78 / 0 / 12 / 40

HEX #229987

RGB 34 153 135

HSL 170.92, 0.64%, 0.37%

LAB 56.95, -35.95, 0.35

 

CMYK 50 / 78 / 0 / 40

HEX #4C2299

RGB 76 34 153

HSL 261.18, 0.64%, 0.37%

LAB 26.68, 46.46, -57.43

 

CMYK 0 / 78 / 66 / 40

HEX #992234

RGB 153 34 52

HSL 350.92, 0.64%, 0.37%

LAB 34.32, 49.2, 19.89

 

Description

Color code: HEX #6F9823 | qconv.com Color code: HEX #6F9823 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 152 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 152 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 77 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 77% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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