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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FA1C7 it is the complementary color #905E38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FA1C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FA1C7 shade: #74A1C2, #85B3D5, #96C5E8, #A7D7FB and #B8E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FA1C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FA1C7 shade: #6FA1C7, #5E8FB4, #4D7DA1, #3C6B8E and #2B597B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FA1C7 shade: #6FA1C7, #6F89C7, #6F72C7, #846FC7 and #9C6FC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FA1C7 shade: #6FA1C7, #6F89C7, #6F72C7 and #6F6FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FA1C7 shade matches the following richer shades: #6FA1C7, #5FA3D7, #4FA5E7 and #3FA8F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FA1C7 shade: #6FA1C7, #7F9FB7, #8F9DA7, #A09A97 and #B09886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FA1C7 shade: #6FC7BD, #6FBAC7, #6FA2C7, #6F8BC7 and #6F74C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FA1C7 shade: #4079A4, #528EBB, #6FA1C7, #8DB4D2 and #ABC8DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FA1C7 shade: #6FA1C7, #A56FC7 and #C5C76F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FA1C7 shade: #6FA1C7, #C76FA2 and #A2C76F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FA1C7 shade: #6FA1C7, #A56FC7, #C7946F and #91C76F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FA1C7 shade: #6FA1C7, #C06FC7, #C7946F and #77C76F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

Complementary color

CMYK 0 / 35 / 61 / 44

HEX #905E38

RGB 144 94 56

HSL 25.91, 0.44%, 0.39%

LAB 44.55, 16.35, 29.88

 

CMYK 40 / 17 / 0 / 24

HEX #74A1C2

RGB 116 161 194

HSL 205.38, 0.39%, 0.61%

LAB 64.24, -6.63, -21.76

 

CMYK 38 / 16 / 0 / 16

HEX #85B3D5

RGB 133 179 213

HSL 205.5, 0.49%, 0.68%

LAB 70.89, -6.83, -22.03

 

CMYK 35 / 15 / 0 / 9

HEX #96C5E8

RGB 150 197 232

HSL 205.61, 0.64%, 0.75%

LAB 77.43, -7, -22.31

 

CMYK 33 / 14 / 0 / 2

HEX #A7D7FB

RGB 167 215 251

HSL 205.71, 0.91%, 0.82%

LAB 83.85, -7.15, -22.6

 

CMYK 28 / 9 / 0 / 0

HEX #B8E9FF

RGB 184 233 255

HSL 198.59, 1%, 0.86%

LAB 89.71, -10.77, -15.76

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 48 / 21 / 0 / 29

HEX #5E8FB4

RGB 94 143 180

HSL 205.81, 0.36%, 0.54%

LAB 57.39, -6.21, -24.49

 

CMYK 52 / 22 / 0 / 37

HEX #4D7DA1

RGB 77 125 161

HSL 205.71, 0.35%, 0.47%

LAB 50.47, -5.77, -24.28

 

CMYK 58 / 25 / 0 / 44

HEX #3C6B8E

RGB 60 107 142

HSL 205.61, 0.41%, 0.4%

LAB 43.4, -5.19, -24.08

 

CMYK 65 / 28 / 0 / 52

HEX #2B597B

RGB 43 89 123

HSL 205.5, 0.48%, 0.33%

LAB 36.15, -4.37, -23.89

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 44 / 31 / 0 / 22

HEX #6F89C7

RGB 111 137 199

HSL 222.27, 0.44%, 0.61%

LAB 57.46, 7.15, -35.08

 

CMYK 44 / 43 / 0 / 22

HEX #6F72C7

RGB 111 114 199

HSL 237.95, 0.44%, 0.61%

LAB 51.31, 20.91, -44.76

 

CMYK 34 / 44 / 0 / 22

HEX #846FC7

RGB 132 111 199

HSL 254.32, 0.44%, 0.61%

LAB 52.28, 28.19, -43.1

 

CMYK 22 / 44 / 0 / 22

HEX #9C6FC7

RGB 156 111 199

HSL 270.68, 0.44%, 0.61%

LAB 54.62, 34.93, -39.27

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 44 / 31 / 0 / 22

HEX #6F89C7

RGB 111 137 199

HSL 222.27, 0.44%, 0.61%

LAB 57.46, 7.15, -35.08

 

CMYK 44 / 43 / 0 / 22

HEX #6F72C7

RGB 111 114 199

HSL 237.95, 0.44%, 0.61%

LAB 51.31, 20.91, -44.76

 

CMYK 44 / 44 / 0 / 22

HEX #6F6FC7

RGB 111 111 199

HSL 240, 0.44%, 0.61%

LAB 50.54, 22.73, -45.98

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 56 / 24 / 0 / 16

HEX #5FA3D7

RGB 95 163 215

HSL 206, 0.6%, 0.61%

LAB 64.59, -6.63, -32.99

 

CMYK 66 / 29 / 0 / 9

HEX #4FA5E7

RGB 79 165 231

HSL 206.05, 0.76%, 0.61%

LAB 65.23, -5.59, -40.86

 

CMYK 74 / 32 / 0 / 3

HEX #3FA8F7

RGB 63 168 247

HSL 205.76, 0.92%, 0.61%

LAB 66.35, -4.1, -47.89

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 31 / 13 / 0 / 28

HEX #7F9FB7

RGB 127 159 183

HSL 205.71, 0.28%, 0.61%

LAB 63.94, -5.28, -16.01

 

CMYK 14 / 6 / 0 / 35

HEX #8F9DA7

RGB 143 157 167

HSL 205, 0.12%, 0.61%

LAB 63.95, -2.84, -6.9

 

CMYK 0 / 4 / 6 / 37

HEX #A09A97

RGB 160 154 151

HSL 20, 0.05%, 0.61%

LAB 64.01, 1.63, 2.34

 

CMYK 0 / 14 / 24 / 31

HEX #B09886

RGB 176 152 134

HSL 25.71, 0.21%, 0.61%

LAB 64.49, 6.02, 12.75

 

CMYK 44 / 0 / 5 / 22

HEX #6FC7BD

RGB 111 199 189

HSL 173.18, 0.44%, 0.61%

LAB 74.76, -28.9, -3.26

 

CMYK 44 / 7 / 0 / 22

HEX #6FBAC7

RGB 111 186 199

HSL 188.86, 0.44%, 0.61%

LAB 71.3, -19.88, -13.86

 

CMYK 44 / 19 / 0 / 22

HEX #6FA2C7

RGB 111 162 199

HSL 205.23, 0.44%, 0.61%

LAB 64.44, -7.1, -24.27

 

CMYK 44 / 30 / 0 / 22

HEX #6F8BC7

RGB 111 139 199

HSL 220.91, 0.44%, 0.61%

LAB 58.01, 5.98, -34.22

 

CMYK 44 / 42 / 0 / 22

HEX #6F74C7

RGB 111 116 199

HSL 236.59, 0.44%, 0.61%

LAB 51.83, 19.7, -43.93

 

CMYK 61 / 26 / 0 / 36

HEX #4079A4

RGB 64 121 164

HSL 205.8, 0.44%, 0.45%

LAB 48.82, -5.32, -28.64

 

CMYK 56 / 24 / 0 / 27

HEX #528EBB

RGB 82 142 187

HSL 205.71, 0.44%, 0.53%

LAB 56.81, -6.27, -29.4

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 33 / 14 / 0 / 18

HEX #8DB4D2

RGB 141 180 210

HSL 206.09, 0.43%, 0.69%

LAB 71.53, -5.92, -19.38

 

CMYK 23 / 10 / 0 / 13

HEX #ABC8DE

RGB 171 200 222

HSL 205.88, 0.44%, 0.77%

LAB 79.18, -4.93, -14.16

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 17 / 44 / 0 / 22

HEX #A56FC7

RGB 165 111 199

HSL 276.82, 0.44%, 0.61%

LAB 55.58, 37.54, -37.69

 

CMYK 1 / 0 / 44 / 22

HEX #C5C76F

RGB 197 199 111

HSL 61.36, 0.44%, 0.61%

LAB 78.38, -13.36, 43.63

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 0 / 44 / 19 / 22

HEX #C76FA2

RGB 199 111 162

HSL 325.23, 0.44%, 0.61%

LAB 58.15, 41.34, -12.14

 

CMYK 19 / 0 / 44 / 22

HEX #A2C76F

RGB 162 199 111

HSL 85.23, 0.44%, 0.61%

LAB 75.87, -27.03, 39.95

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 17 / 44 / 0 / 22

HEX #A56FC7

RGB 165 111 199

HSL 276.82, 0.44%, 0.61%

LAB 55.58, 37.54, -37.69

 

CMYK 0 / 26 / 44 / 22

HEX #C7946F

RGB 199 148 111

HSL 25.23, 0.44%, 0.61%

LAB 65.33, 14.55, 27.03

 

CMYK 27 / 0 / 44 / 22

HEX #91C76F

RGB 145 199 111

HSL 96.82, 0.44%, 0.61%

LAB 74.83, -33.25, 38.43

 

CMYK 44 / 19 / 0 / 22

HEX #6FA1C7

RGB 111 161 199

HSL 205.91, 0.44%, 0.61%

LAB 64.16, -6.55, -24.71

 

CMYK 4 / 44 / 0 / 22

HEX #C06FC7

RGB 192 111 199

HSL 295.23, 0.44%, 0.61%

LAB 58.69, 45.51, -32.59

 

CMYK 0 / 26 / 44 / 22

HEX #C7946F

RGB 199 148 111

HSL 25.23, 0.44%, 0.61%

LAB 65.33, 14.55, 27.03

 

CMYK 40 / 0 / 44 / 22

HEX #77C76F

RGB 119 199 111

HSL 114.55, 0.44%, 0.61%

LAB 73.49, -41.93, 36.45

 

Description

Color code: HEX #6FA1C7 | qconv.com Color code: HEX #6FA1C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 161 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 161 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 19 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 19% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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