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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FB4DC it is the complementary color #904B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FB4DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FB4DC shade: #74B4D7, #85C6EA, #96D8FD, #A7EAFF and #B8FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FB4DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FB4DC shade: #6FB4DC, #5EA2C9, #4D90B6, #3C7EA3 and #2B6C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FB4DC shade: #6FB4DC, #6F96DC, #6F79DC, #826FDC and #9F6FDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FB4DC shade: #6FB4DC, #6F96DC, #6F79DC and #6F6FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FB4DC shade matches the following richer shades: #6FB4DC, #60B8EA and #52BBF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FB4DC shade: #6FB4DC, #7DB0CD, #8CACBF, #9AA8B0 and #A9A4A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FB4DC shade: #6FDCCA, #6FD1DC, #6FB4DC, #6F97DC and #6F7ADC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FB4DC shade: #3090C8, #4EA2D4, #6FB4DC, #90C5E4 and #B1D6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FB4DC shade: #6FB4DC, #AD6FDC and #DCD86F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FB4DC shade: #6FB4DC, #DC6FB4 and #B4DC6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FB4DC shade: #6FB4DC, #AD6FDC, #DC976F and #9EDC6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FB4DC shade: #6FB4DC, #CD6FDC, #DC976F and #7DDC6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

Complementary color

CMYK 0 / 48 / 76 / 44

HEX #904B23

RGB 144 75 35

HSL 22.02, 0.61%, 0.35%

LAB 39.72, 25.89, 35.83

 

CMYK 46 / 16 / 0 / 16

HEX #74B4D7

RGB 116 180 215

HSL 201.21, 0.55%, 0.65%

LAB 70.36, -11.18, -24.02

 

CMYK 43 / 15 / 0 / 8

HEX #85C6EA

RGB 133 198 234

HSL 201.39, 0.71%, 0.72%

LAB 76.87, -11.42, -24.32

 

CMYK 41 / 15 / 0 / 1

HEX #96D8FD

RGB 150 216 253

HSL 201.55, 0.96%, 0.79%

LAB 83.28, -11.61, -24.61

 

CMYK 35 / 8 / 0 / 0

HEX #A7EAFF

RGB 167 234 255

HSL 194.32, 1%, 0.83%

LAB 89.06, -15.93, -16.84

 

CMYK 28 / 1 / 0 / 0

HEX #B8FCFF

RGB 184 252 255

HSL 182.54, 1%, 0.86%

LAB 94.75, -20.26, -8.25

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 53 / 19 / 0 / 21

HEX #5EA2C9

RGB 94 162 201

HSL 201.87, 0.5%, 0.58%

LAB 63.7, -10.54, -26.59

 

CMYK 58 / 21 / 0 / 29

HEX #4D90B6

RGB 77 144 182

HSL 201.71, 0.42%, 0.51%

LAB 56.98, -10.02, -26.31

 

CMYK 63 / 23 / 0 / 36

HEX #3C7EA3

RGB 60 126 163

HSL 201.55, 0.46%, 0.44%

LAB 50.13, -9.33, -26.03

 

CMYK 70 / 25 / 0 / 44

HEX #2B6C90

RGB 43 108 144

HSL 201.39, 0.54%, 0.37%

LAB 43.14, -8.39, -25.73

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 50 / 32 / 0 / 14

HEX #6F96DC

RGB 111 150 220

HSL 218.53, 0.61%, 0.65%

LAB 61.96, 5.82, -39.8

 

CMYK 50 / 45 / 0 / 14

HEX #6F79DC

RGB 111 121 220

HSL 234.5, 0.61%, 0.65%

LAB 54.26, 23.01, -51.98

 

CMYK 41 / 50 / 0 / 14

HEX #826FDC

RGB 130 111 220

HSL 250.46, 0.61%, 0.65%

LAB 53.26, 33.41, -53.49

 

CMYK 28 / 50 / 0 / 14

HEX #9F6FDC

RGB 159 111 220

HSL 266.42, 0.61%, 0.65%

LAB 55.99, 40.75, -48.97

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 50 / 32 / 0 / 14

HEX #6F96DC

RGB 111 150 220

HSL 218.53, 0.61%, 0.65%

LAB 61.96, 5.82, -39.8

 

CMYK 50 / 45 / 0 / 14

HEX #6F79DC

RGB 111 121 220

HSL 234.5, 0.61%, 0.65%

LAB 54.26, 23.01, -51.98

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 59 / 21 / 0 / 8

HEX #60B8EA

RGB 96 184 234

HSL 201.74, 0.77%, 0.65%

LAB 71.36, -12.06, -32.92

 

CMYK 67 / 25 / 0 / 2

HEX #52BBF9

RGB 82 187 249

HSL 202.28, 0.93%, 0.65%

LAB 72.34, -11.33, -39.55

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 39 / 14 / 0 / 20

HEX #7DB0CD

RGB 125 176 205

HSL 201.75, 0.44%, 0.65%

LAB 69.34, -9.45, -20.05

 

CMYK 27 / 10 / 0 / 25

HEX #8CACBF

RGB 140 172 191

HSL 202.35, 0.28%, 0.65%

LAB 68.64, -6.53, -13.3

 

CMYK 13 / 5 / 0 / 31

HEX #9AA8B0

RGB 154 168 176

HSL 201.82, 0.12%, 0.65%

LAB 68.03, -3.24, -5.8

 

CMYK 0 / 3 / 4 / 34

HEX #A9A4A2

RGB 169 164 162

HSL 17.14, 0.04%, 0.65%

LAB 67.72, 1.43, 1.67

 

CMYK 50 / 0 / 8 / 14

HEX #6FDCCA

RGB 111 220 202

HSL 170.09, 0.61%, 0.65%

LAB 81.2, -35.69, -0.8

 

CMYK 50 / 5 / 0 / 14

HEX #6FD1DC

RGB 111 209 220

HSL 186.06, 0.61%, 0.65%

LAB 78.55, -25.87, -14.35

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 50 / 31 / 0 / 14

HEX #6F97DC

RGB 111 151 220

HSL 217.98, 0.61%, 0.65%

LAB 62.24, 5.24, -39.37

 

CMYK 50 / 45 / 0 / 14

HEX #6F7ADC

RGB 111 122 220

HSL 233.94, 0.61%, 0.65%

LAB 54.52, 22.41, -51.57

 

CMYK 76 / 28 / 0 / 22

HEX #3090C8

RGB 48 144 200

HSL 202.11, 0.61%, 0.49%

LAB 56.83, -8.7, -36.82

 

CMYK 63 / 24 / 0 / 17

HEX #4EA2D4

RGB 78 162 212

HSL 202.39, 0.61%, 0.57%

LAB 63.52, -10.28, -33.04

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 37 / 14 / 0 / 11

HEX #90C5E4

RGB 144 197 228

HSL 202.14, 0.61%, 0.73%

LAB 76.96, -9.63, -20.9

 

CMYK 25 / 9 / 0 / 7

HEX #B1D6EC

RGB 177 214 236

HSL 202.37, 0.61%, 0.81%

LAB 83.7, -7.32, -14.81

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 21 / 50 / 0 / 14

HEX #AD6FDC

RGB 173 111 220

HSL 274.13, 0.61%, 0.65%

LAB 57.48, 44.48, -46.52

 

CMYK 0 / 2 / 50 / 14

HEX #DCD86F

RGB 220 216 111

HSL 57.8, 0.61%, 0.65%

LAB 84.73, -12.67, 51.73

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 0 / 50 / 18 / 14

HEX #DC6FB4

RGB 220 111 180

HSL 322.02, 0.61%, 0.65%

LAB 61.55, 50.87, -17.08

 

CMYK 18 / 0 / 50 / 14

HEX #B4DC6F

RGB 180 220 111

HSL 82.02, 0.61%, 0.65%

LAB 82.93, -30.25, 48.89

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 21 / 50 / 0 / 14

HEX #AD6FDC

RGB 173 111 220

HSL 274.13, 0.61%, 0.65%

LAB 57.48, 44.48, -46.52

 

CMYK 0 / 31 / 50 / 14

HEX #DC976F

RGB 220 151 111

HSL 22.02, 0.61%, 0.65%

LAB 68.39, 21.45, 31.46

 

CMYK 28 / 0 / 50 / 14

HEX #9EDC6F

RGB 158 220 111

HSL 94.13, 0.61%, 0.65%

LAB 81.62, -38.25, 47

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 7 / 50 / 0 / 14

HEX #CD6FDC

RGB 205 111 220

HSL 291.74, 0.61%, 0.65%

LAB 61.23, 53.24, -40.35

 

CMYK 0 / 31 / 50 / 14

HEX #DC976F

RGB 220 151 111

HSL 22.02, 0.61%, 0.65%

LAB 68.39, 21.45, 31.46

 

CMYK 43 / 0 / 50 / 14

HEX #7DDC6F

RGB 125 220 111

HSL 112.29, 0.61%, 0.65%

LAB 80.01, -49.01, 44.66

 

Description

Color code: HEX #6FB4DC | qconv.com Color code: HEX #6FB4DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 180 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 180 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 18 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 18% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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