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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FB562 it is the complementary color #904A9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FB562. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FB562 shade: #74B55D, #85C770, #96D983, #A7EB96 and #B8FDA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FB562. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FB562 shade: #6FB562, #5EA34F, #4D913C, #3C7F29 and #2B6D16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FB562 shade: #6FB562, #86B562, #9CB562, #B2B562 and #B5A262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FB562 shade: #6FB562, #62B56C, #62B582, #62B598 and #62B5AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FB562 shade matches the following richer shades: #6FB562, #63C850, #56DA3D and #49ED2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FB562 shade: #6FB562, #7CA275, #899088, #967D9A and #A26BAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FB562 shade: #9CB562, #86B562, #70B562, #62B56B and #62B581

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FB562 shade: #4A863F, #5AA24C, #6FB562, #89C27E and #A3CF9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FB562 shade: #6FB562, #62B2B5 and #B56291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FB562 shade: #6FB562, #6270B5 and #B56270

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FB562 shade: #6FB562, #62B2B5, #A762B5 and #B56562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FB562 shade: #6FB562, #629AB5, #A762B5 and #B57E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

Complementary color

CMYK 8 / 53 / 0 / 38

HEX #904A9D

RGB 144 74 157

HSL 290.6, 0.36%, 0.45%

LAB 43.15, 42.6, -32.9

 

CMYK 36 / 0 / 49 / 29

HEX #74B55D

RGB 116 181 93

HSL 104.32, 0.37%, 0.54%

LAB 67.69, -37.4, 38.21

 

CMYK 33 / 0 / 44 / 22

HEX #85C770

RGB 133 199 112

HSL 105.52, 0.44%, 0.61%

LAB 74.19, -37.26, 36.98

 

CMYK 31 / 0 / 40 / 15

HEX #96D983

RGB 150 217 131

HSL 106.74, 0.53%, 0.68%

LAB 80.6, -37.09, 35.78

 

CMYK 29 / 0 / 36 / 8

HEX #A7EB96

RGB 167 235 150

HSL 108, 0.68%, 0.75%

LAB 86.92, -36.9, 34.63

 

CMYK 27 / 0 / 33 / 1

HEX #B8FDA9

RGB 184 253 169

HSL 109.29, 0.95%, 0.83%

LAB 93.15, -36.71, 33.53

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 42 / 0 / 52 / 36

HEX #5EA34F

RGB 94 163 79

HSL 109.29, 0.35%, 0.47%

LAB 60.9, -38.49, 36.67

 

CMYK 47 / 0 / 59 / 43

HEX #4D913C

RGB 77 145 60

HSL 108, 0.41%, 0.4%

LAB 54.19, -38.48, 37.91

 

CMYK 53 / 0 / 68 / 50

HEX #3C7F29

RGB 60 127 41

HSL 106.74, 0.51%, 0.33%

LAB 47.36, -38.24, 38.97

 

CMYK 61 / 0 / 80 / 57

HEX #2B6D16

RGB 43 109 22

HSL 105.52, 0.66%, 0.26%

LAB 40.42, -37.6, 39.45

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 26 / 0 / 46 / 29

HEX #86B562

RGB 134 181 98

HSL 93.98, 0.36%, 0.55%

LAB 68.75, -30.4, 37.22

 

CMYK 14 / 0 / 46 / 29

HEX #9CB562

RGB 156 181 98

HSL 78.07, 0.36%, 0.55%

LAB 70.17, -22.02, 39.3

 

CMYK 2 / 0 / 46 / 29

HEX #B2B562

RGB 178 181 98

HSL 62.17, 0.36%, 0.55%

LAB 71.82, -13.17, 41.7

 

CMYK 0 / 10 / 46 / 29

HEX #B5A262

RGB 181 162 98

HSL 46.27, 0.36%, 0.55%

LAB 66.94, -1.91, 35.7

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 46 / 0 / 40 / 29

HEX #62B56C

RGB 98 181 108

HSL 127.23, 0.36%, 0.55%

LAB 67.07, -40.87, 29.54

 

CMYK 46 / 0 / 28 / 29

HEX #62B582

RGB 98 181 130

HSL 143.13, 0.36%, 0.55%

LAB 67.47, -36.92, 18.32

 

CMYK 46 / 0 / 16 / 29

HEX #62B598

RGB 98 181 152

HSL 159.04, 0.36%, 0.55%

LAB 67.96, -32.27, 6.98

 

CMYK 46 / 0 / 3 / 29

HEX #62B5AF

RGB 98 181 175

HSL 175.66, 0.36%, 0.55%

LAB 68.56, -26.73, -4.81

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 51 / 0 / 60 / 22

HEX #63C850

RGB 99 200 80

HSL 110.5, 0.52%, 0.55%

LAB 72.59, -52.16, 50.02

 

CMYK 61 / 0 / 72 / 15

HEX #56DA3D

RGB 86 218 61

HSL 110.45, 0.68%, 0.55%

LAB 77.55, -63.76, 62.89

 

CMYK 69 / 0 / 82 / 7

HEX #49ED2B

RGB 73 237 43

HSL 110.72, 0.84%, 0.55%

LAB 83, -73.64, 73.43

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 23 / 0 / 28 / 36

HEX #7CA275

RGB 124 162 117

HSL 110.67, 0.19%, 0.55%

LAB 62.85, -21.92, 19.3

 

CMYK 5 / 0 / 6 / 44

HEX #899088

RGB 137 144 136

HSL 112.5, 0.03%, 0.55%

LAB 59.01, -4.12, 3.36

 

CMYK 3 / 19 / 0 / 40

HEX #967D9A

RGB 150 125 154

HSL 291.72, 0.13%, 0.55%

LAB 55.57, 15.02, -11.96

 

CMYK 6 / 38 / 0 / 32

HEX #A26BAD

RGB 162 107 173

HSL 290, 0.29%, 0.55%

LAB 53.18, 33.3, -26.5

 

CMYK 14 / 0 / 46 / 29

HEX #9CB562

RGB 156 181 98

HSL 78.07, 0.36%, 0.55%

LAB 70.17, -22.02, 39.3

 

CMYK 26 / 0 / 46 / 29

HEX #86B562

RGB 134 181 98

HSL 93.98, 0.36%, 0.55%

LAB 68.75, -30.4, 37.22

 

CMYK 38 / 0 / 46 / 29

HEX #70B562

RGB 112 181 98

HSL 109.88, 0.36%, 0.55%

LAB 67.56, -38.06, 35.47

 

CMYK 46 / 0 / 41 / 29

HEX #62B56B

RGB 98 181 107

HSL 126.51, 0.36%, 0.55%

LAB 67.06, -41.03, 30.05

 

CMYK 46 / 0 / 29 / 29

HEX #62B581

RGB 98 181 129

HSL 142.41, 0.36%, 0.55%

LAB 67.45, -37.11, 18.84

 

CMYK 45 / 0 / 53 / 47

HEX #4A863F

RGB 74 134 63

HSL 110.7, 0.36%, 0.39%

LAB 50.53, -34.22, 32

 

CMYK 44 / 0 / 53 / 36

HEX #5AA24C

RGB 90 162 76

HSL 110.23, 0.36%, 0.47%

LAB 60.37, -39.72, 37.48

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 29 / 0 / 35 / 24

HEX #89C27E

RGB 137 194 126

HSL 110.29, 0.36%, 0.63%

LAB 73.16, -31.57, 28.47

 

CMYK 21 / 0 / 25 / 19

HEX #A3CF9B

RGB 163 207 155

HSL 110.77, 0.35%, 0.71%

LAB 78.91, -24.28, 21.25

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 46 / 2 / 0 / 29

HEX #62B2B5

RGB 98 178 181

HSL 182.17, 0.36%, 0.55%

LAB 67.85, -23.68, -9.17

 

CMYK 0 / 46 / 20 / 29

HEX #B56291

RGB 181 98 145

HSL 326.02, 0.36%, 0.55%

LAB 52.51, 39.48, -10.94

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 46 / 38 / 0 / 29

HEX #6270B5

RGB 98 112 181

HSL 229.88, 0.36%, 0.55%

LAB 48.91, 13.45, -38.25

 

CMYK 0 / 46 / 38 / 29

HEX #B56270

RGB 181 98 112

HSL 349.88, 0.36%, 0.55%

LAB 51.53, 34.94, 7.18

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 46 / 2 / 0 / 29

HEX #62B2B5

RGB 98 178 181

HSL 182.17, 0.36%, 0.55%

LAB 67.85, -23.68, -9.17

 

CMYK 8 / 46 / 0 / 29

HEX #A762B5

RGB 167 98 181

HSL 289.88, 0.36%, 0.55%

LAB 52.16, 41.43, -32.69

 

CMYK 0 / 44 / 46 / 29

HEX #B56562

RGB 181 101 98

HSL 2.17, 0.36%, 0.55%

LAB 51.85, 31.75, 15.92

 

CMYK 39 / 0 / 46 / 29

HEX #6FB562

RGB 111 181 98

HSL 110.6, 0.36%, 0.55%

LAB 67.51, -38.38, 35.4

 

CMYK 46 / 15 / 0 / 29

HEX #629AB5

RGB 98 154 181

HSL 199.52, 0.36%, 0.55%

LAB 60.82, -11.05, -19.77

 

CMYK 8 / 46 / 0 / 29

HEX #A762B5

RGB 167 98 181

HSL 289.88, 0.36%, 0.55%

LAB 52.16, 41.43, -32.69

 

CMYK 0 / 30 / 46 / 29

HEX #B57E62

RGB 181 126 98

HSL 20.24, 0.36%, 0.55%

LAB 57.68, 17.93, 23.77

 

Description

Color code: HEX #6FB562 | qconv.com Color code: HEX #6FB562 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 181 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 181 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 46 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 46% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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