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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FC299 it is the complementary color #903D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FC299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FC299 shade: #74C294, #85D4A7, #96E6BA, #A7F8CD and #B8FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FC299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FC299 shade: #6FC299, #5EB086, #4D9E73, #3C8C60 and #2B7A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FC299 shade: #70C199, #70C183, #72C170, #88C170 and #9EC170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FC299 shade: #70C199, #70C1AF, #70BEC1, #70A8C1 and #7092C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FC299 shade matches the following richer shades: #70C199, #5FD299, #4FE299 and #3EF39A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FC299 shade: #70C199, #80B199, #91A099, #A19098 and #B27F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FC299 shade: #72C170, #70C183, #70C199, #70C1AE and #70BFC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FC299 shade: #439C70, #53B584, #70C199, #8DCEAE and #A9DAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FC299 shade: #6FC299, #7088C1 and #C17870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FC299 shade: #6FC299, #9970C1 and #C19970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FC299 shade: #6FC299, #7088C1, #C17099 and #C1A970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FC299 shade: #6FC299, #7070C1, #C17099 and #C1C170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 21 / 24

HEX #6FC299

RGB 111 194 153

HSL 150.36, 0.4%, 0.6%

LAB 72.4, -34.68, 12.84

 

Complementary color

CMYK 0 / 58 / 29 / 44

HEX #903D66

RGB 144 61 102

HSL 330.36, 0.4%, 0.4%

LAB 38.25, 39.76, -6.75

 

CMYK 40 / 0 / 24 / 24

HEX #74C294

RGB 116 194 148

HSL 144.62, 0.39%, 0.61%

LAB 72.52, -34.29, 15.72

 

CMYK 37 / 0 / 21 / 17

HEX #85D4A7

RGB 133 212 167

HSL 145.82, 0.48%, 0.68%

LAB 78.96, -34.03, 14.72

 

CMYK 35 / 0 / 19 / 10

HEX #96E6BA

RGB 150 230 186

HSL 147, 0.62%, 0.75%

LAB 85.31, -33.77, 13.78

 

CMYK 33 / 0 / 17 / 3

HEX #A7F8CD

RGB 167 248 205

HSL 148.15, 0.85%, 0.81%

LAB 91.58, -33.53, 12.89

 

CMYK 28 / 0 / 12 / 0

HEX #B8FFE0

RGB 184 255 224

HSL 153.8, 1%, 0.86%

LAB 94.78, -28.16, 7.79

 

CMYK 43 / 0 / 21 / 24

HEX #6FC299

RGB 111 194 153

HSL 150.36, 0.4%, 0.6%

LAB 72.4, -34.68, 12.84

 

CMYK 47 / 0 / 24 / 31

HEX #5EB086

RGB 94 176 134

HSL 149.27, 0.34%, 0.53%

LAB 65.87, -34.9, 13.89

 

CMYK 51 / 0 / 27 / 38

HEX #4D9E73

RGB 77 158 115

HSL 148.15, 0.34%, 0.46%

LAB 59.22, -35.09, 15.04

 

CMYK 57 / 0 / 31 / 45

HEX #3C8C60

RGB 60 140 96

HSL 147, 0.4%, 0.39%

LAB 52.47, -35.19, 16.31

 

CMYK 65 / 0 / 37 / 52

HEX #2B7A4D

RGB 43 122 77

HSL 145.82, 0.48%, 0.32%

LAB 45.59, -35.12, 17.73

 

CMYK 42 / 0 / 21 / 24

HEX #70C199

RGB 112 193 153

HSL 150.37, 0.4%, 0.6%

LAB 72.15, -33.94, 12.49

 

CMYK 42 / 0 / 32 / 24

HEX #70C183

RGB 112 193 131

HSL 134.07, 0.4%, 0.6%

LAB 71.71, -38.18, 23.67

 

CMYK 41 / 0 / 42 / 24

HEX #72C170

RGB 114 193 112

HSL 118.52, 0.4%, 0.6%

LAB 71.48, -40.71, 33.32

 

CMYK 30 / 0 / 42 / 24

HEX #88C170

RGB 136 193 112

HSL 102.22, 0.4%, 0.6%

LAB 72.59, -33.49, 34.97

 

CMYK 18 / 0 / 42 / 24

HEX #9EC170

RGB 158 193 112

HSL 85.93, 0.4%, 0.6%

LAB 73.92, -25.5, 36.94

 

CMYK 42 / 0 / 21 / 24

HEX #70C199

RGB 112 193 153

HSL 150.37, 0.4%, 0.6%

LAB 72.15, -33.94, 12.49

 

CMYK 42 / 0 / 9 / 24

HEX #70C1AF

RGB 112 193 175

HSL 166.67, 0.4%, 0.6%

LAB 72.68, -29.09, 1.3

 

CMYK 42 / 2 / 0 / 24

HEX #70BEC1

RGB 112 190 193

HSL 182.22, 0.4%, 0.6%

LAB 72.31, -23.22, -9.06

 

CMYK 42 / 13 / 0 / 24

HEX #70A8C1

RGB 112 168 193

HSL 198.52, 0.4%, 0.6%

LAB 65.98, -11.77, -18.58

 

CMYK 42 / 24 / 0 / 24

HEX #7092C1

RGB 112 146 193

HSL 214.81, 0.4%, 0.6%

LAB 59.76, 0.47, -28.11

 

CMYK 42 / 0 / 21 / 24

HEX #70C199

RGB 112 193 153

HSL 150.37, 0.4%, 0.6%

LAB 72.15, -33.94, 12.49

 

CMYK 55 / 0 / 27 / 18

HEX #5FD299

RGB 95 210 153

HSL 150.26, 0.56%, 0.6%

LAB 76.57, -45.78, 18.57

 

CMYK 65 / 0 / 32 / 11

HEX #4FE299

RGB 79 226 153

HSL 150.2, 0.72%, 0.6%

LAB 80.94, -55.49, 24.5

 

CMYK 74 / 0 / 37 / 5

HEX #3EF39A

RGB 62 243 154

HSL 150.5, 0.88%, 0.6%

LAB 85.73, -64.22, 30.41

 

CMYK 42 / 0 / 21 / 24

HEX #70C199

RGB 112 193 153

HSL 150.37, 0.4%, 0.6%

LAB 72.15, -33.94, 12.49

 

CMYK 28 / 0 / 14 / 31

HEX #80B199

RGB 128 177 153

HSL 150.61, 0.24%, 0.6%

LAB 68.27, -21.37, 7.07

 

CMYK 9 / 0 / 4 / 37

HEX #91A099

RGB 145 160 153

HSL 152, 0.07%, 0.6%

LAB 64.53, -6.7, 1.83

 

CMYK 0 / 11 / 6 / 37

HEX #A19098

RGB 161 144 152

HSL 331.76, 0.08%, 0.6%

LAB 61.47, 7.77, -1.92

 

CMYK 0 / 29 / 15 / 30

HEX #B27F98

RGB 178 127 152

HSL 330.59, 0.25%, 0.6%

LAB 58.89, 23.63, -5.54

 

CMYK 41 / 0 / 42 / 24

HEX #72C170

RGB 114 193 112

HSL 118.52, 0.4%, 0.6%

LAB 71.48, -40.71, 33.32

 

CMYK 42 / 0 / 32 / 24

HEX #70C183

RGB 112 193 131

HSL 134.07, 0.4%, 0.6%

LAB 71.71, -38.18, 23.67

 

CMYK 42 / 0 / 21 / 24

HEX #70C199

RGB 112 193 153

HSL 150.37, 0.4%, 0.6%

LAB 72.15, -33.94, 12.49

 

CMYK 42 / 0 / 10 / 24

HEX #70C1AE

RGB 112 193 174

HSL 165.93, 0.4%, 0.6%

LAB 72.65, -29.32, 1.81

 

CMYK 42 / 1 / 0 / 24

HEX #70BFC1

RGB 112 191 193

HSL 181.48, 0.4%, 0.6%

LAB 72.6, -23.72, -8.63

 

CMYK 57 / 0 / 28 / 39

HEX #439C70

RGB 67 156 112

HSL 150.34, 0.4%, 0.44%

LAB 58.17, -37.28, 15.2

 

CMYK 54 / 0 / 27 / 29

HEX #53B584

RGB 83 181 132

HSL 150, 0.4%, 0.52%

LAB 66.94, -40.35, 16.42

 

CMYK 42 / 0 / 21 / 24

HEX #70C199

RGB 112 193 153

HSL 150.37, 0.4%, 0.6%

LAB 72.15, -33.94, 12.49

 

CMYK 32 / 0 / 16 / 19

HEX #8DCEAE

RGB 141 206 174

HSL 150.46, 0.4%, 0.68%

LAB 77.79, -27.43, 9.39

 

CMYK 22 / 0 / 11 / 15

HEX #A9DAC2

RGB 169 218 194

HSL 150.61, 0.4%, 0.76%

LAB 83.16, -20.68, 6.64

 

CMYK 43 / 0 / 21 / 24

HEX #6FC299

RGB 111 194 153

HSL 150.36, 0.4%, 0.6%

LAB 72.4, -34.68, 12.84

 

CMYK 42 / 30 / 0 / 24

HEX #7088C1

RGB 112 136 193

HSL 222.22, 0.4%, 0.6%

LAB 56.98, 6.26, -32.42

 

CMYK 0 / 38 / 42 / 24

HEX #C17870

RGB 193 120 112

HSL 5.93, 0.4%, 0.6%

LAB 57.98, 27.62, 16.44

 

CMYK 43 / 0 / 21 / 24

HEX #6FC299

RGB 111 194 153

HSL 150.36, 0.4%, 0.6%

LAB 72.4, -34.68, 12.84

 

CMYK 21 / 42 / 0 / 24

HEX #9970C1

RGB 153 112 193

HSL 270.37, 0.4%, 0.6%

LAB 54.25, 32.08, -36.44

 

CMYK 0 / 21 / 42 / 24

HEX #C19970

RGB 193 153 112

HSL 30.37, 0.4%, 0.6%

LAB 65.97, 9.46, 27.22

 

CMYK 43 / 0 / 21 / 24

HEX #6FC299

RGB 111 194 153

HSL 150.36, 0.4%, 0.6%

LAB 72.4, -34.68, 12.84

 

CMYK 42 / 30 / 0 / 24

HEX #7088C1

RGB 112 136 193

HSL 222.22, 0.4%, 0.6%

LAB 56.98, 6.26, -32.42

 

CMYK 0 / 42 / 21 / 24

HEX #C17099

RGB 193 112 153

HSL 329.63, 0.4%, 0.6%

LAB 57.29, 37.39, -8.3

 

CMYK 0 / 12 / 42 / 24

HEX #C1A970

RGB 193 169 112

HSL 42.22, 0.4%, 0.6%

LAB 70.09, 0.78, 32.59

 

CMYK 43 / 0 / 21 / 24

HEX #6FC299

RGB 111 194 153

HSL 150.36, 0.4%, 0.6%

LAB 72.4, -34.68, 12.84

 

CMYK 42 / 42 / 0 / 24

HEX #7070C1

RGB 112 112 193

HSL 240, 0.4%, 0.6%

LAB 50.55, 20.61, -42.52

 

CMYK 0 / 42 / 21 / 24

HEX #C17099

RGB 193 112 153

HSL 329.63, 0.4%, 0.6%

LAB 57.29, 37.39, -8.3

 

CMYK 0 / 0 / 42 / 24

HEX #C1C170

RGB 193 193 112

HSL 60, 0.4%, 0.6%

LAB 76.46, -11.8, 40.68

 

Description

Color code: HEX #6FC299 | qconv.com Color code: HEX #6FC299 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 194 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 194 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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