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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD690 it is the complementary color #90296F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD690 shade: #74D68B, #85E89E, #96FAB1, #A7FFC4 and #B8FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD690 shade: #6FD690, #5EC47D, #4DB26A, #3CA057 and #2B8E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD690 shade: #6FD690, #6FD675, #86D66F, #A2D66F and #BDD66F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD690 shade: #6FD690, #6FD6AC, #6FD6C8, #6FC9D6 and #6FADD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD690 shade matches the following richer shades: #6FD690, #60E58B and #52F486

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD690 shade: #6FD690, #7EC796, #8DB89B, #9CAAA0 and #AB9BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD690 shade: #86D66F, #6FD674, #6FD690, #6FD6AB and #6FD6C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD690 shade: #35BE61, #4FCD77, #6FD690, #8FDFA9 and #B0E8C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD690 shade: #6FD690, #6FA1D6 and #D66F78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD690 shade: #6FD690, #906FD6 and #D6906F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD690 shade: #6FD690, #6FA1D6, #D66FB6 and #D6A46F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD690 shade: #6FD690, #6F82D6, #D66FB6 and #D6C36F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

Complementary color

CMYK 0 / 72 / 23 / 44

HEX #90296F

RGB 144 41 111

HSL 319.22, 0.56%, 0.36%

LAB 35.33, 49.94, -16.85

 

CMYK 46 / 0 / 35 / 16

HEX #74D68B

RGB 116 214 139

HSL 134.08, 0.54%, 0.65%

LAB 78.27, -44.87, 28.34

 

CMYK 43 / 0 / 32 / 9

HEX #85E89E

RGB 133 232 158

HSL 135.15, 0.68%, 0.72%

LAB 84.57, -44.66, 27.15

 

CMYK 40 / 0 / 29 / 2

HEX #96FAB1

RGB 150 250 177

HSL 136.2, 0.91%, 0.78%

LAB 90.79, -44.42, 26.04

 

CMYK 35 / 0 / 23 / 0

HEX #A7FFC4

RGB 167 255 196

HSL 139.77, 1%, 0.83%

LAB 93.33, -38.41, 19.98

 

CMYK 28 / 0 / 16 / 0

HEX #B8FFD7

RGB 184 255 215

HSL 146.2, 1%, 0.86%

LAB 94.58, -29.88, 12.13

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 52 / 0 / 36 / 23

HEX #5EC47D

RGB 94 196 125

HSL 138.24, 0.46%, 0.57%

LAB 71.79, -45.46, 26.82

 

CMYK 57 / 0 / 40 / 30

HEX #4DB26A

RGB 77 178 106

HSL 137.23, 0.4%, 0.5%

LAB 65.33, -45.5, 28.16

 

CMYK 63 / 0 / 46 / 37

HEX #3CA057

RGB 60 160 87

HSL 136.2, 0.45%, 0.43%

LAB 58.78, -45.36, 29.61

 

CMYK 70 / 0 / 52 / 44

HEX #2B8E44

RGB 43 142 68

HSL 135.15, 0.54%, 0.36%

LAB 52.15, -44.93, 31.14

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 48 / 0 / 45 / 16

HEX #6FD675

RGB 111 214 117

HSL 123.5, 0.56%, 0.64%

LAB 77.73, -49.73, 38.76

 

CMYK 37 / 0 / 48 / 16

HEX #86D66F

RGB 134 214 111

HSL 106.6, 0.56%, 0.64%

LAB 78.64, -43.69, 43.06

 

CMYK 24 / 0 / 48 / 16

HEX #A2D66F

RGB 162 214 111

HSL 90.29, 0.56%, 0.64%

LAB 80.14, -34.1, 45.24

 

CMYK 12 / 0 / 48 / 16

HEX #BDD66F

RGB 189 214 111

HSL 74.56, 0.56%, 0.64%

LAB 81.87, -23.95, 47.75

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 48 / 0 / 20 / 16

HEX #6FD6AC

RGB 111 214 172

HSL 155.53, 0.56%, 0.64%

LAB 78.72, -39.79, 11.6

 

CMYK 48 / 0 / 7 / 16

HEX #6FD6C8

RGB 111 214 200

HSL 171.84, 0.56%, 0.64%

LAB 79.41, -33.37, -2.35

 

CMYK 48 / 6 / 0 / 16

HEX #6FC9D6

RGB 111 201 214

HSL 187.57, 0.56%, 0.64%

LAB 76.07, -23.49, -14.83

 

CMYK 48 / 19 / 0 / 16

HEX #6FADD6

RGB 111 173 214

HSL 203.88, 0.56%, 0.64%

LAB 68.11, -8.88, -26.94

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 58 / 0 / 39 / 10

HEX #60E58B

RGB 96 229 139

HSL 139.4, 0.72%, 0.64%

LAB 82.05, -55.9, 33.22

 

CMYK 66 / 0 / 45 / 4

HEX #52F486

RGB 82 244 134

HSL 139.26, 0.88%, 0.64%

LAB 86.11, -65.04, 40.9

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 37 / 0 / 25 / 22

HEX #7EC796

RGB 126 199 150

HSL 139.73, 0.39%, 0.64%

LAB 74.5, -33.3, 17.48

 

CMYK 23 / 0 / 16 / 28

HEX #8DB89B

RGB 141 184 155

HSL 139.53, 0.23%, 0.64%

LAB 71.08, -20.28, 10.1

 

CMYK 8 / 0 / 6 / 33

HEX #9CAAA0

RGB 156 170 160

HSL 137.14, 0.08%, 0.64%

LAB 68.28, -6.86, 3.46

 

CMYK 0 / 9 / 3 / 33

HEX #AB9BA6

RGB 171 155 166

HSL 318.75, 0.09%, 0.64%

LAB 65.63, 7.86, -3.6

 

CMYK 37 / 0 / 48 / 16

HEX #86D66F

RGB 134 214 111

HSL 106.6, 0.56%, 0.64%

LAB 78.64, -43.69, 43.06

 

CMYK 48 / 0 / 46 / 16

HEX #6FD674

RGB 111 214 116

HSL 122.91, 0.56%, 0.64%

LAB 77.72, -49.87, 39.24

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 48 / 0 / 20 / 16

HEX #6FD6AB

RGB 111 214 171

HSL 154.95, 0.56%, 0.64%

LAB 78.7, -40.01, 12.1

 

CMYK 48 / 0 / 7 / 16

HEX #6FD6C7

RGB 111 214 199

HSL 171.26, 0.56%, 0.64%

LAB 79.38, -33.62, -1.86

 

CMYK 72 / 0 / 49 / 25

HEX #35BE61

RGB 53 190 97

HSL 139.27, 0.56%, 0.48%

LAB 68.35, -56.39, 36.55

 

CMYK 61 / 0 / 42 / 20

HEX #4FCD77

RGB 79 205 119

HSL 139.05, 0.56%, 0.56%

LAB 73.97, -53.59, 32.71

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 36 / 0 / 24 / 13

HEX #8FDFA9

RGB 143 223 169

HSL 139.5, 0.56%, 0.72%

LAB 82.64, -35.81, 18.87

 

CMYK 24 / 0 / 16 / 9

HEX #B0E8C2

RGB 176 232 194

HSL 139.29, 0.55%, 0.8%

LAB 87.41, -25.31, 12.75

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 48 / 25 / 0 / 16

HEX #6FA1D6

RGB 111 161 214

HSL 210.87, 0.56%, 0.64%

LAB 64.74, -2.24, -32.14

 

CMYK 0 / 48 / 44 / 16

HEX #D66F78

RGB 214 111 120

HSL 354.76, 0.56%, 0.64%

LAB 58.99, 41.19, 13.66

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 33 / 48 / 0 / 16

HEX #906FD6

RGB 144 111 214

HSL 259.22, 0.56%, 0.64%

LAB 54.19, 35.31, -48.54

 

CMYK 0 / 33 / 48 / 16

HEX #D6906F

RGB 214 144 111

HSL 19.22, 0.56%, 0.64%

LAB 66.05, 22.81, 28.29

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 48 / 25 / 0 / 16

HEX #6FA1D6

RGB 111 161 214

HSL 210.87, 0.56%, 0.64%

LAB 64.74, -2.24, -32.14

 

CMYK 0 / 48 / 15 / 16

HEX #D66FB6

RGB 214 111 182

HSL 318.64, 0.56%, 0.64%

LAB 60.82, 49.3, -19.4

 

CMYK 0 / 23 / 48 / 16

HEX #D6A46F

RGB 214 164 111

HSL 30.87, 0.56%, 0.64%

LAB 70.87, 12, 34.53

 

CMYK 48 / 0 / 33 / 16

HEX #6FD690

RGB 111 214 144

HSL 139.22, 0.56%, 0.64%

LAB 78.16, -45.33, 25.56

 

CMYK 48 / 39 / 0 / 16

HEX #6F82D6

RGB 111 130 214

HSL 228.93, 0.56%, 0.64%

LAB 56.29, 15.78, -45.38

 

CMYK 0 / 48 / 15 / 16

HEX #D66FB6

RGB 214 111 182

HSL 318.64, 0.56%, 0.64%

LAB 60.82, 49.3, -19.4

 

CMYK 0 / 9 / 48 / 16

HEX #D6C36F

RGB 214 195 111

HSL 48.93, 0.56%, 0.64%

LAB 78.74, -4.41, 44.38

 

Description

Color code: HEX #6FD690 | qconv.com Color code: HEX #6FD690 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 33% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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