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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE5D8 it is the complementary color #901A27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE5D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE5D8 shade: #74E5D3, #85F7E6, #96FFF9, #A7FFFF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE5D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE5D8 shade: #6FE5D8, #5ED3C5, #4DC1B2, #3CAF9F and #2B9D8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE5D8 shade: #70E4D8, #70E4B8, #70E499, #70E47A and #86E470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE5D8 shade: #70E4D8, #70D2E4, #70B3E4, #7093E4 and #7074E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE5D8 shade matches the following richer shades: #70E4D8 and #63F2E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE5D8 shade: #70E4D8, #7ED7CD, #8CC9C2, #99BCB8 and #A7AEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE5D8 shade: #70E499, #70E4B8, #70E4D7, #70D3E4 and #70B4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE5D8 shade: #2BD8C5, #4DDECE, #70E4D8, #93EBE1 and #B6F1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE5D8 shade: #6FE5D8, #7A70E4 and #E4A870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE5D8 shade: #6FE5D8, #D770E4 and #E4D770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE5D8 shade: #6FE5D8, #7A70E4, #E4707E and #DBE470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE5D8 shade: #6FE5D8, #9D70E4, #E4707E and #B8E470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 6 / 10

HEX #6FE5D8

RGB 111 229 216

HSL 173.39, 0.69%, 0.67%

LAB 84.16, -36.43, -3.87

 

Complementary color

CMYK 0 / 82 / 73 / 44

HEX #901A27

RGB 144 26 39

HSL 353.39, 0.69%, 0.33%

LAB 31.38, 48.25, 24.17

 

CMYK 49 / 0 / 8 / 10

HEX #74E5D3

RGB 116 229 211

HSL 170.44, 0.68%, 0.68%

LAB 84.2, -36.57, -1.15

 

CMYK 46 / 0 / 7 / 3

HEX #85F7E6

RGB 133 247 230

HSL 171.05, 0.88%, 0.75%

LAB 90.42, -36.54, -1.92

 

CMYK 41 / 0 / 2 / 0

HEX #96FFF9

RGB 150 255 249

HSL 176.57, 1%, 0.79%

LAB 93.82, -31.84, -6.71

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 52 / 0 / 6 / 10

HEX #6FE5D8

RGB 111 229 216

HSL 173.39, 0.69%, 0.67%

LAB 84.16, -36.43, -3.87

 

CMYK 55 / 0 / 7 / 17

HEX #5ED3C5

RGB 94 211 197

HSL 172.82, 0.57%, 0.6%

LAB 77.87, -36.33, -3.07

 

CMYK 60 / 0 / 8 / 24

HEX #4DC1B2

RGB 77 193 178

HSL 172.24, 0.48%, 0.53%

LAB 71.51, -36.13, -2.2

 

CMYK 66 / 0 / 9 / 31

HEX #3CAF9F

RGB 60 175 159

HSL 171.65, 0.49%, 0.46%

LAB 65.06, -35.8, -1.24

 

CMYK 73 / 0 / 11 / 38

HEX #2B9D8C

RGB 43 157 140

HSL 171.05, 0.57%, 0.39%

LAB 58.53, -35.25, -0.17

 

CMYK 51 / 0 / 5 / 11

HEX #70E4D8

RGB 112 228 216

HSL 173.79, 0.68%, 0.67%

LAB 83.91, -35.76, -4.24

 

CMYK 51 / 0 / 19 / 11

HEX #70E4B8

RGB 112 228 184

HSL 157.24, 0.68%, 0.67%

LAB 83.12, -43.18, 11.5

 

CMYK 51 / 0 / 33 / 11

HEX #70E499

RGB 112 228 153

HSL 141.21, 0.68%, 0.67%

LAB 82.5, -49.34, 26.79

 

CMYK 51 / 0 / 46 / 11

HEX #70E47A

RGB 112 228 122

HSL 125.17, 0.68%, 0.67%

LAB 82.02, -54.36, 41.73

 

CMYK 41 / 0 / 51 / 11

HEX #86E470

RGB 134 228 112

HSL 108.62, 0.68%, 0.67%

LAB 82.77, -49.47, 47.64

 

CMYK 51 / 0 / 5 / 11

HEX #70E4D8

RGB 112 228 216

HSL 173.79, 0.68%, 0.67%

LAB 83.91, -35.76, -4.24

 

CMYK 51 / 8 / 0 / 11

HEX #70D2E4

RGB 112 210 228

HSL 189.31, 0.68%, 0.67%

LAB 79.12, -24, -17.76

 

CMYK 51 / 21 / 0 / 11

HEX #70B3E4

RGB 112 179 228

HSL 205.34, 0.68%, 0.67%

LAB 70.38, -7.87, -31.12

 

CMYK 51 / 36 / 0 / 11

HEX #7093E4

RGB 112 147 228

HSL 221.9, 0.68%, 0.67%

LAB 61.58, 10.22, -44.84

 

CMYK 51 / 49 / 0 / 11

HEX #7074E4

RGB 112 116 228

HSL 237.93, 0.68%, 0.67%

LAB 53.53, 28.7, -57.63

 

CMYK 51 / 0 / 5 / 11

HEX #70E4D8

RGB 112 228 216

HSL 173.79, 0.68%, 0.67%

LAB 83.91, -35.76, -4.24

 

CMYK 59 / 0 / 7 / 5

HEX #63F2E2

RGB 99 242 226

HSL 173.29, 0.85%, 0.67%

LAB 87.8, -42.11, -3.82

 

CMYK 51 / 0 / 5 / 11

HEX #70E4D8

RGB 112 228 216

HSL 173.79, 0.68%, 0.67%

LAB 83.91, -35.76, -4.24

 

CMYK 41 / 0 / 5 / 16

HEX #7ED7CD

RGB 126 215 205

HSL 173.26, 0.53%, 0.67%

LAB 80.43, -29.07, -3.46

 

CMYK 30 / 0 / 3 / 21

HEX #8CC9C2

RGB 140 201 194

HSL 173.11, 0.36%, 0.67%

LAB 76.83, -20.98, -2.77

 

CMYK 19 / 0 / 2 / 26

HEX #99BCB8

RGB 153 188 184

HSL 173.14, 0.21%, 0.67%

LAB 73.67, -12.55, -1.89

 

CMYK 4 / 0 / 1 / 32

HEX #A7AEAD

RGB 167 174 173

HSL 171.43, 0.04%, 0.67%

LAB 70.53, -2.65, -0.35

 

CMYK 51 / 0 / 33 / 11

HEX #70E499

RGB 112 228 153

HSL 141.21, 0.68%, 0.67%

LAB 82.5, -49.34, 26.79

 

CMYK 51 / 0 / 19 / 11

HEX #70E4B8

RGB 112 228 184

HSL 157.24, 0.68%, 0.67%

LAB 83.12, -43.18, 11.5

 

CMYK 51 / 0 / 6 / 11

HEX #70E4D7

RGB 112 228 215

HSL 173.28, 0.68%, 0.67%

LAB 83.88, -36, -3.75

 

CMYK 51 / 7 / 0 / 11

HEX #70D3E4

RGB 112 211 228

HSL 188.79, 0.68%, 0.67%

LAB 79.41, -24.5, -17.34

 

CMYK 51 / 21 / 0 / 11

HEX #70B4E4

RGB 112 180 228

HSL 204.83, 0.68%, 0.67%

LAB 70.66, -8.41, -30.68

 

CMYK 80 / 0 / 9 / 15

HEX #2BD8C5

RGB 43 216 197

HSL 173.41, 0.69%, 0.51%

LAB 78.26, -45.78, -2.63

 

CMYK 65 / 0 / 7 / 13

HEX #4DDECE

RGB 77 222 206

HSL 173.38, 0.69%, 0.59%

LAB 80.89, -41.94, -3.49

 

CMYK 51 / 0 / 5 / 11

HEX #70E4D8

RGB 112 228 216

HSL 173.79, 0.68%, 0.67%

LAB 83.91, -35.76, -4.24

 

CMYK 37 / 0 / 4 / 8

HEX #93EBE1

RGB 147 235 225

HSL 173.18, 0.69%, 0.75%

LAB 87.51, -28.68, -3.52

 

CMYK 24 / 0 / 2 / 5

HEX #B6F1EB

RGB 182 241 235

HSL 173.9, 0.68%, 0.83%

LAB 91.17, -19.75, -3.17

 

CMYK 52 / 0 / 6 / 10

HEX #6FE5D8

RGB 111 229 216

HSL 173.39, 0.69%, 0.67%

LAB 84.16, -36.43, -3.87

 

CMYK 46 / 51 / 0 / 11

HEX #7A70E4

RGB 122 112 228

HSL 245.17, 0.68%, 0.67%

LAB 53.31, 33.26, -57.96

 

CMYK 0 / 26 / 51 / 11

HEX #E4A870

RGB 228 168 112

HSL 28.97, 0.68%, 0.67%

LAB 73.33, 15.66, 37.44

 

CMYK 52 / 0 / 6 / 10

HEX #6FE5D8

RGB 111 229 216

HSL 173.39, 0.69%, 0.67%

LAB 84.16, -36.43, -3.87

 

CMYK 6 / 51 / 0 / 11

HEX #D770E4

RGB 215 112 228

HSL 293.28, 0.68%, 0.67%

LAB 63.04, 56.98, -41.9

 

CMYK 0 / 6 / 51 / 11

HEX #E4D770

RGB 228 215 112

HSL 53.28, 0.68%, 0.67%

LAB 85.13, -8.86, 51.9

 

CMYK 52 / 0 / 6 / 10

HEX #6FE5D8

RGB 111 229 216

HSL 173.39, 0.69%, 0.67%

LAB 84.16, -36.43, -3.87

 

CMYK 46 / 51 / 0 / 11

HEX #7A70E4

RGB 122 112 228

HSL 245.17, 0.68%, 0.67%

LAB 53.31, 33.26, -57.96

 

CMYK 0 / 51 / 45 / 11

HEX #E4707E

RGB 228 112 126

HSL 352.76, 0.68%, 0.67%

LAB 61.3, 46.31, 13.71

 

CMYK 4 / 0 / 51 / 11

HEX #DBE470

RGB 219 228 112

HSL 64.66, 0.68%, 0.67%

LAB 87.83, -18.92, 54.92

 

CMYK 52 / 0 / 6 / 10

HEX #6FE5D8

RGB 111 229 216

HSL 173.39, 0.69%, 0.67%

LAB 84.16, -36.43, -3.87

 

CMYK 31 / 51 / 0 / 11

HEX #9D70E4

RGB 157 112 228

HSL 263.28, 0.68%, 0.67%

LAB 56.44, 41.64, -52.76

 

CMYK 0 / 51 / 45 / 11

HEX #E4707E

RGB 228 112 126

HSL 352.76, 0.68%, 0.67%

LAB 61.3, 46.31, 13.71

 

CMYK 19 / 0 / 51 / 11

HEX #B8E470

RGB 184 228 112

HSL 82.76, 0.68%, 0.67%

LAB 85.43, -32.39, 51.48

 

Description

Color code: HEX #6FE5D8 | qconv.com Color code: HEX #6FE5D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 229 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 229 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 6 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 6% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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