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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FF0A9 it is the complementary color #900F56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FF0A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FF0A9 shade: #74F0A4, #85FFB7, #96FFCA, #A7FFDD and #B8FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FF0A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FF0A9 shade: #6FF0A9, #5EDE96, #4DCC83, #3CBA70 and #2BA85D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FF0A9 shade: #6FEFA9, #6FEF86, #7BEF6F, #9DEF6F and #C0EF6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FF0A9 shade: #6FEFA9, #6FEFCC, #6FEFEE, #6FCEEF and #6FACEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FF0A9 shade matches the following richer shades: #6FEFA9 and #63FCA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FF0A9 shade: #6FEFA9, #7CE3AA, #89D6AC, #96C9AD and #A3BCAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FF0A9 shade: #7CEF6F, #6FEF85, #6FEFA7, #6FEFC9 and #6FEFEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FF0A9 shade: #25E87C, #4AEC93, #6FEFA9, #95F3BF and #BAF7D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FF0A9 shade: #6FF0A9, #6F9EEF and #EF746F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FF0A9 shade: #6FF0A9, #A76FEF and #EFA76F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FF0A9 shade: #6FF0A9, #6F9EEF, #EF6FB8 and #EFC16F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FF0A9 shade: #6FF0A9, #6F78EF, #EF6FB8 and #EFE76F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 30 / 6

HEX #6FF0A9

RGB 111 240 169

HSL 146.98, 0.81%, 0.69%

LAB 86.29, -51.55, 23.72

 

Complementary color

CMYK 0 / 90 / 40 / 44

HEX #900F56

RGB 144 15 86

HSL 326.98, 0.81%, 0.31%

LAB 31.68, 54.42, -6.32

 

CMYK 52 / 0 / 32 / 6

HEX #74F0A4

RGB 116 240 164

HSL 143.23, 0.81%, 0.7%

LAB 86.36, -51.33, 26.4

 

CMYK 48 / 0 / 28 / 0

HEX #85FFB7

RGB 133 255 183

HSL 144.59, 1%, 0.76%

LAB 91.65, -49.95, 24.06

 

CMYK 41 / 0 / 21 / 0

HEX #96FFCA

RGB 150 255 202

HSL 149.71, 1%, 0.79%

LAB 92.69, -41.99, 15.91

 

CMYK 35 / 0 / 13 / 0

HEX #A7FFDD

RGB 167 255 221

HSL 156.82, 1%, 0.83%

LAB 93.86, -33.61, 7.91

 

CMYK 28 / 0 / 6 / 0

HEX #B8FFF0

RGB 184 255 240

HSL 167.32, 1%, 0.86%

LAB 95.16, -24.93, 0.1

 

CMYK 54 / 0 / 30 / 6

HEX #6FF0A9

RGB 111 240 169

HSL 146.98, 0.81%, 0.69%

LAB 86.29, -51.55, 23.72

 

CMYK 58 / 0 / 32 / 13

HEX #5EDE96

RGB 94 222 150

HSL 146.25, 0.66%, 0.62%

LAB 80.08, -51.57, 24.95

 

CMYK 62 / 0 / 36 / 20

HEX #4DCC83

RGB 77 204 131

HSL 145.51, 0.55%, 0.55%

LAB 73.81, -51.46, 26.29

 

CMYK 68 / 0 / 40 / 27

HEX #3CBA70

RGB 60 186 112

HSL 144.76, 0.51%, 0.48%

LAB 67.46, -51.15, 27.73

 

CMYK 74 / 0 / 45 / 34

HEX #2BA85D

RGB 43 168 93

HSL 144, 0.59%, 0.41%

LAB 61.05, -50.55, 29.29

 

CMYK 54 / 0 / 29 / 6

HEX #6FEFA9

RGB 111 239 169

HSL 147.19, 0.8%, 0.69%

LAB 85.99, -51.14, 23.31

 

CMYK 54 / 0 / 44 / 6

HEX #6FEF86

RGB 111 239 134

HSL 130.78, 0.8%, 0.69%

LAB 85.42, -57.15, 40.17

 

CMYK 49 / 0 / 54 / 6

HEX #7BEF6F

RGB 123 239 111

HSL 114.38, 0.8%, 0.69%

LAB 85.55, -57.17, 51.36

 

CMYK 34 / 0 / 54 / 6

HEX #9DEF6F

RGB 157 239 111

HSL 98.44, 0.8%, 0.69%

LAB 87.02, -46.88, 53.46

 

CMYK 20 / 0 / 54 / 6

HEX #C0EF6F

RGB 192 239 111

HSL 82.03, 0.8%, 0.69%

LAB 88.96, -34.58, 56.23

 

CMYK 54 / 0 / 29 / 6

HEX #6FEFA9

RGB 111 239 169

HSL 147.19, 0.8%, 0.69%

LAB 85.99, -51.14, 23.31

 

CMYK 54 / 0 / 15 / 6

HEX #6FEFCC

RGB 111 239 204

HSL 163.59, 0.8%, 0.69%

LAB 86.74, -43.78, 6.19

 

CMYK 54 / 0 / 0 / 6

HEX #6FEFEE

RGB 111 239 238

HSL 179.53, 0.8%, 0.69%

LAB 87.62, -35.49, -10.32

 

CMYK 54 / 14 / 0 / 6

HEX #6FCEEF

RGB 111 206 239

HSL 195.47, 0.8%, 0.69%

LAB 78.32, -19.15, -24.88

 

CMYK 54 / 28 / 0 / 6

HEX #6FACEF

RGB 111 172 239

HSL 211.41, 0.8%, 0.69%

LAB 68.84, -0.96, -39.51

 

CMYK 54 / 0 / 29 / 6

HEX #6FEFA9

RGB 111 239 169

HSL 147.19, 0.8%, 0.69%

LAB 85.99, -51.14, 23.31

 

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

CMYK 54 / 0 / 29 / 6

HEX #6FEFA9

RGB 111 239 169

HSL 147.19, 0.8%, 0.69%

LAB 85.99, -51.14, 23.31

 

CMYK 45 / 0 / 25 / 11

HEX #7CE3AA

RGB 124 227 170

HSL 146.8, 0.65%, 0.69%

LAB 82.98, -42.69, 18.7

 

CMYK 36 / 0 / 20 / 16

HEX #89D6AC

RGB 137 214 172

HSL 147.27, 0.48%, 0.69%

LAB 79.84, -32.82, 13.33

 

CMYK 25 / 0 / 14 / 21

HEX #96C9AD

RGB 150 201 173

HSL 147.06, 0.32%, 0.69%

LAB 76.84, -22.38, 8.64

 

CMYK 13 / 0 / 7 / 26

HEX #A3BCAE

RGB 163 188 174

HSL 146.4, 0.16%, 0.69%

LAB 74.07, -11.27, 4.21

 

CMYK 48 / 0 / 54 / 6

HEX #7CEF6F

RGB 124 239 111

HSL 113.91, 0.8%, 0.69%

LAB 85.59, -56.89, 51.41

 

CMYK 54 / 0 / 44 / 6

HEX #6FEF85

RGB 111 239 133

HSL 130.31, 0.8%, 0.69%

LAB 85.41, -57.3, 40.64

 

CMYK 54 / 0 / 30 / 6

HEX #6FEFA7

RGB 111 239 167

HSL 146.25, 0.8%, 0.69%

LAB 85.96, -51.52, 24.29

 

CMYK 54 / 0 / 16 / 6

HEX #6FEFC9

RGB 111 239 201

HSL 162.19, 0.8%, 0.69%

LAB 86.67, -44.46, 7.65

 

CMYK 54 / 0 / 2 / 6

HEX #6FEFEB

RGB 111 239 235

HSL 178.13, 0.8%, 0.69%

LAB 87.54, -36.26, -8.88

 

CMYK 84 / 0 / 47 / 9

HEX #25E87C

RGB 37 232 124

HSL 146.77, 0.81%, 0.53%

LAB 81.6, -68.35, 39.87

 

CMYK 69 / 0 / 38 / 7

HEX #4AEC93

RGB 74 236 147

HSL 147.04, 0.81%, 0.61%

LAB 83.73, -61.26, 31.31

 

CMYK 54 / 0 / 29 / 6

HEX #6FEFA9

RGB 111 239 169

HSL 147.19, 0.8%, 0.69%

LAB 85.99, -51.14, 23.31

 

CMYK 39 / 0 / 21 / 5

HEX #95F3BF

RGB 149 243 191

HSL 146.81, 0.8%, 0.77%

LAB 89.04, -39.04, 16.43

 

CMYK 25 / 0 / 13 / 3

HEX #BAF7D6

RGB 186 247 214

HSL 147.54, 0.79%, 0.85%

LAB 92.49, -25.67, 9.69

 

CMYK 54 / 0 / 30 / 6

HEX #6FF0A9

RGB 111 240 169

HSL 146.98, 0.81%, 0.69%

LAB 86.29, -51.55, 23.72

 

CMYK 54 / 34 / 0 / 6

HEX #6F9EEF

RGB 111 158 239

HSL 217.97, 0.8%, 0.69%

LAB 65.01, 6.99, -45.5

 

CMYK 0 / 51 / 54 / 6

HEX #EF746F

RGB 239 116 111

HSL 2.34, 0.8%, 0.69%

LAB 63.33, 46.91, 25.3

 

CMYK 54 / 0 / 30 / 6

HEX #6FF0A9

RGB 111 240 169

HSL 146.98, 0.81%, 0.69%

LAB 86.29, -51.55, 23.72

 

CMYK 30 / 54 / 0 / 6

HEX #A76FEF

RGB 167 111 239

HSL 266.25, 0.8%, 0.69%

LAB 57.86, 47.37, -56.58

 

CMYK 0 / 30 / 54 / 6

HEX #EFA76F

RGB 239 167 111

HSL 26.25, 0.8%, 0.69%

LAB 74.28, 20.56, 39.4

 

CMYK 54 / 0 / 30 / 6

HEX #6FF0A9

RGB 111 240 169

HSL 146.98, 0.81%, 0.69%

LAB 86.29, -51.55, 23.72

 

CMYK 54 / 34 / 0 / 6

HEX #6F9EEF

RGB 111 158 239

HSL 217.97, 0.8%, 0.69%

LAB 65.01, 6.99, -45.5

 

CMYK 0 / 54 / 23 / 6

HEX #EF6FB8

RGB 239 111 184

HSL 325.78, 0.8%, 0.69%

LAB 64.31, 57.3, -14.93

 

CMYK 0 / 19 / 54 / 6

HEX #EFC16F

RGB 239 193 111

HSL 38.44, 0.8%, 0.69%

LAB 80.54, 6.85, 47.11

 

CMYK 54 / 0 / 30 / 6

HEX #6FF0A9

RGB 111 240 169

HSL 146.98, 0.81%, 0.69%

LAB 86.29, -51.55, 23.72

 

CMYK 54 / 50 / 0 / 6

HEX #6F78EF

RGB 111 120 239

HSL 235.78, 0.8%, 0.69%

LAB 55.12, 29.49, -61.24

 

CMYK 0 / 54 / 23 / 6

HEX #EF6FB8

RGB 239 111 184

HSL 325.78, 0.8%, 0.69%

LAB 64.31, 57.3, -14.93

 

CMYK 0 / 3 / 54 / 6

HEX #EFE76F

RGB 239 231 111

HSL 56.25, 0.8%, 0.69%

LAB 90.16, -12.51, 58.48

 

Description

Color code: HEX #6FF0A9 | qconv.com Color code: HEX #6FF0A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 240 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 240 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 30% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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