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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73A62A it is the complementary color #8C59D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73A62A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73A62A shade: #78A625, #89B838, #9ACA4B, #ABDC5E and #BCEE71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73A62A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73A62A shade: #73A62A, #629417, #518204, #407000 and #2F5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73A62A shade: #73A729, #95A729, #A79729, #A77529 and #A75329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73A62A shade: #73A729, #51A729, #30A729, #29A745 and #29A767

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73A62A shade matches the following richer shades: #73A729, #76B818 and #79C907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73A62A shade: #73A729, #70963A, #6D854B, #6A745C and #67636D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73A62A shade: #A79629, #96A729, #75A729, #53A729 and #32A729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73A62A shade: #466519, #5C8621, #73A729, #8AC832 and #9DD350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73A62A shade: #73A62A, #29A775 and #A729A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73A62A shade: #73A62A, #2975A7 and #A72975

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73A62A shade: #73A62A, #29A775, #5C29A7 and #A7295C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73A62A shade: #73A62A, #29A79A, #5C29A7 and #A72936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 75 / 35

HEX #73A62A

RGB 115 166 42

HSL 84.68, 0.6%, 0.41%

LAB 62.58, -35.84, 55.07

 

Complementary color

CMYK 34 / 58 / 0 / 16

HEX #8C59D5

RGB 140 89 213

HSL 264.68, 0.6%, 0.59%

LAB 48.91, 46.42, -56.43

 

CMYK 28 / 0 / 78 / 35

HEX #78A625

RGB 120 166 37

HSL 81.4, 0.64%, 0.4%

LAB 62.84, -34.17, 57.11

 

CMYK 26 / 0 / 70 / 28

HEX #89B838

RGB 137 184 56

HSL 82.03, 0.53%, 0.47%

LAB 69.39, -34.68, 57.12

 

CMYK 24 / 0 / 63 / 21

HEX #9ACA4B

RGB 154 202 75

HSL 82.68, 0.55%, 0.54%

LAB 75.83, -35.03, 56.55

 

CMYK 22 / 0 / 57 / 14

HEX #ABDC5E

RGB 171 220 94

HSL 83.33, 0.64%, 0.62%

LAB 82.19, -35.26, 55.69

 

CMYK 21 / 0 / 53 / 7

HEX #BCEE71

RGB 188 238 113

HSL 84, 0.79%, 0.69%

LAB 88.46, -35.41, 54.68

 

CMYK 31 / 0 / 75 / 35

HEX #73A62A

RGB 115 166 42

HSL 84.68, 0.6%, 0.41%

LAB 62.58, -35.84, 55.07

 

CMYK 34 / 0 / 84 / 42

HEX #629417

RGB 98 148 23

HSL 84, 0.73%, 0.34%

LAB 55.93, -35.21, 54.45

 

CMYK 38 / 0 / 97 / 49

HEX #518204

RGB 81 130 4

HSL 83.33, 0.94%, 0.26%

LAB 49.16, -34.29, 52.38

 

CMYK 43 / 0 / 100 / 56

HEX #407000

RGB 64 112 0

HSL 85.71, 1%, 0.22%

LAB 42.27, -32.9, 47.44

 

CMYK 50 / 0 / 100 / 63

HEX #2F5E00

RGB 47 94 0

HSL 90, 1%, 0.18%

LAB 35.22, -31.28, 41.58

 

CMYK 31 / 0 / 75 / 35

HEX #73A729

RGB 115 167 41

HSL 84.76, 0.61%, 0.41%

LAB 62.88, -36.34, 55.71

 

CMYK 11 / 0 / 75 / 35

HEX #95A729

RGB 149 167 41

HSL 68.57, 0.61%, 0.41%

LAB 65.11, -22.51, 58.62

 

CMYK 0 / 10 / 75 / 35

HEX #A79729

RGB 167 151 41

HSL 52.38, 0.61%, 0.41%

LAB 62.09, -6.29, 56.3

 

CMYK 0 / 30 / 75 / 35

HEX #A77529

RGB 167 117 41

HSL 36.19, 0.61%, 0.41%

LAB 53.06, 12.55, 47.57

 

CMYK 0 / 50 / 75 / 35

HEX #A75329

RGB 167 83 41

HSL 20, 0.61%, 0.41%

LAB 45.03, 31.49, 39.38

 

CMYK 31 / 0 / 75 / 35

HEX #73A729

RGB 115 167 41

HSL 84.76, 0.61%, 0.41%

LAB 62.88, -36.34, 55.71

 

CMYK 51 / 0 / 75 / 35

HEX #51A729

RGB 81 167 41

HSL 100.95, 0.61%, 0.41%

LAB 61.26, -47.97, 53.58

 

CMYK 71 / 0 / 75 / 35

HEX #30A729

RGB 48 167 41

HSL 116.67, 0.61%, 0.41%

LAB 60.27, -55.95, 52.27

 

CMYK 75 / 0 / 59 / 35

HEX #29A745

RGB 41 167 69

HSL 133.33, 0.61%, 0.41%

LAB 60.37, -54.23, 40.53

 

CMYK 75 / 0 / 38 / 35

HEX #29A767

RGB 41 167 103

HSL 149.52, 0.61%, 0.41%

LAB 60.86, -48.58, 23.69

 

CMYK 31 / 0 / 75 / 35

HEX #73A729

RGB 115 167 41

HSL 84.76, 0.61%, 0.41%

LAB 62.88, -36.34, 55.71

 

CMYK 36 / 0 / 87 / 28

HEX #76B818

RGB 118 184 24

HSL 84.75, 0.77%, 0.41%

LAB 68.17, -43.39, 65.26

 

CMYK 40 / 0 / 97 / 21

HEX #79C907

RGB 121 201 7

HSL 84.74, 0.93%, 0.41%

LAB 73.45, -49.69, 72.12

 

CMYK 31 / 0 / 75 / 35

HEX #73A729

RGB 115 167 41

HSL 84.76, 0.61%, 0.41%

LAB 62.88, -36.34, 55.71

 

CMYK 25 / 0 / 61 / 41

HEX #70963A

RGB 112 150 58

HSL 84.78, 0.44%, 0.41%

LAB 57.62, -28.33, 43.27

 

CMYK 18 / 0 / 44 / 48

HEX #6D854B

RGB 109 133 75

HSL 84.83, 0.28%, 0.41%

LAB 52.44, -19.11, 28.43

 

CMYK 9 / 0 / 21 / 55

HEX #6A745C

RGB 106 116 92

HSL 85, 0.12%, 0.41%

LAB 47.4, -8.47, 12.03

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 0 / 10 / 75 / 35

HEX #A79629

RGB 167 150 41

HSL 51.9, 0.61%, 0.41%

LAB 61.82, -5.75, 56.05

 

CMYK 10 / 0 / 75 / 35

HEX #96A729

RGB 150 167 41

HSL 68.1, 0.61%, 0.41%

LAB 65.19, -22.08, 58.72

 

CMYK 30 / 0 / 75 / 35

HEX #75A729

RGB 117 167 41

HSL 83.81, 0.61%, 0.41%

LAB 62.99, -35.58, 55.86

 

CMYK 50 / 0 / 75 / 35

HEX #53A729

RGB 83 167 41

HSL 100, 0.61%, 0.41%

LAB 61.34, -47.37, 53.68

 

CMYK 70 / 0 / 75 / 35

HEX #32A729

RGB 50 167 41

HSL 115.71, 0.61%, 0.41%

LAB 60.32, -55.58, 52.33

 

CMYK 31 / 0 / 75 / 60

HEX #466519

RGB 70 101 25

HSL 84.47, 0.6%, 0.25%

LAB 39.04, -24.15, 37.34

 

CMYK 31 / 0 / 75 / 47

HEX #5C8621

RGB 92 134 33

HSL 84.95, 0.6%, 0.33%

LAB 51.19, -30.61, 46.73

 

CMYK 31 / 0 / 75 / 35

HEX #73A729

RGB 115 167 41

HSL 84.76, 0.61%, 0.41%

LAB 62.88, -36.34, 55.71

 

CMYK 31 / 0 / 75 / 22

HEX #8AC832

RGB 138 200 50

HSL 84.8, 0.6%, 0.49%

LAB 74.15, -41.8, 63.99

 

CMYK 26 / 0 / 62 / 17

HEX #9DD350

RGB 157 211 80

HSL 84.73, 0.6%, 0.57%

LAB 78.66, -37.58, 57.57

 

CMYK 31 / 0 / 75 / 35

HEX #73A62A

RGB 115 166 42

HSL 84.68, 0.6%, 0.41%

LAB 62.58, -35.84, 55.07

 

CMYK 75 / 0 / 30 / 35

HEX #29A775

RGB 41 167 117

HSL 156.19, 0.61%, 0.41%

LAB 61.13, -45.61, 16.41

 

CMYK 0 / 75 / 0 / 35

HEX #A729A7

RGB 167 41 167

HSL 300, 0.61%, 0.41%

LAB 42.14, 64.12, -40.25

 

CMYK 31 / 0 / 75 / 35

HEX #73A62A

RGB 115 166 42

HSL 84.68, 0.6%, 0.41%

LAB 62.58, -35.84, 55.07

 

CMYK 75 / 30 / 0 / 35

HEX #2975A7

RGB 41 117 167

HSL 203.81, 0.61%, 0.41%

LAB 46.95, -5.73, -33.37

 

CMYK 0 / 75 / 30 / 35

HEX #A72975

RGB 167 41 117

HSL 323.81, 0.61%, 0.41%

LAB 39.72, 56.91, -13.52

 

CMYK 31 / 0 / 75 / 35

HEX #73A62A

RGB 115 166 42

HSL 84.68, 0.6%, 0.41%

LAB 62.58, -35.84, 55.07

 

CMYK 75 / 0 / 30 / 35

HEX #29A775

RGB 41 167 117

HSL 156.19, 0.61%, 0.41%

LAB 61.13, -45.61, 16.41

 

CMYK 45 / 75 / 0 / 35

HEX #5C29A7

RGB 92 41 167

HSL 264.29, 0.61%, 0.41%

LAB 31, 49.51, -58.78

 

CMYK 0 / 75 / 45 / 35

HEX #A7295C

RGB 167 41 92

HSL 335.71, 0.61%, 0.41%

LAB 38.85, 54.17, 0.91

 

CMYK 31 / 0 / 75 / 35

HEX #73A62A

RGB 115 166 42

HSL 84.68, 0.6%, 0.41%

LAB 62.58, -35.84, 55.07

 

CMYK 75 / 0 / 8 / 35

HEX #29A79A

RGB 41 167 154

HSL 173.81, 0.61%, 0.41%

LAB 62.03, -36.18, -2.94

 

CMYK 45 / 75 / 0 / 35

HEX #5C29A7

RGB 92 41 167

HSL 264.29, 0.61%, 0.41%

LAB 31, 49.51, -58.78

 

CMYK 0 / 75 / 68 / 35

HEX #A72936

RGB 167 41 54

HSL 353.81, 0.61%, 0.41%

LAB 37.96, 51.28, 23.81

 

Description

Color code: HEX #73A62A | qconv.com Color code: HEX #73A62A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 166 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 166 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 75 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 75% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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