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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73A8CD it is the complementary color #8C5732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73A8CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73A8CD shade: #78A8C8, #89BADB, #9ACCEE, #ABDEFF and #BCF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73A8CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73A8CD shade: #73A8CD, #6296BA, #5184A7, #407294 and #2F6081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73A8CD shade: #74A8CC, #7490CC, #7478CC, #8774CC and #9F74CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73A8CD shade: #74A8CC, #7490CC, #7478CC and #7474CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73A8CD shade matches the following richer shades: #74A8CC, #65ABDC, #55ADEB and #46B0FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73A8CD shade: #74A8CC, #83A5BD, #92A3AE, #A2A09F and #B19D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73A8CD shade: #74CCC1, #74C1CC, #74A9CC, #7491CC and #747ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73A8CD shade: #3F81AF, #5595C2, #74A8CC, #92BBD7 and #B0CEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73A8CD shade: #73A8CD, #A974CC and #CCCC74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73A8CD shade: #73A8CD, #CC74A9 and #A9CC74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73A8CD shade: #73A8CD, #A974CC, #CC9774 and #97CC74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73A8CD shade: #73A8CD, #C474CC, #CC9774 and #7DCC74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

Complementary color

CMYK 0 / 38 / 64 / 45

HEX #8C5732

RGB 140 87 50

HSL 24.67, 0.47%, 0.37%

LAB 42.19, 18.18, 30.3

 

CMYK 40 / 16 / 0 / 22

HEX #78A8C8

RGB 120 168 200

HSL 204, 0.42%, 0.63%

LAB 66.65, -7.78, -21.41

 

CMYK 37 / 15 / 0 / 14

HEX #89BADB

RGB 137 186 219

HSL 204.15, 0.53%, 0.7%

LAB 73.25, -7.96, -21.69

 

CMYK 35 / 14 / 0 / 7

HEX #9ACCEE

RGB 154 204 238

HSL 204.29, 0.71%, 0.77%

LAB 79.74, -8.12, -21.99

 

CMYK 33 / 13 / 0 / 0

HEX #ABDEFF

RGB 171 222 255

HSL 203.57, 1%, 0.84%

LAB 86.07, -8.74, -21.33

 

CMYK 26 / 6 / 0 / 0

HEX #BCF0FF

RGB 188 240 255

HSL 193.43, 1%, 0.87%

LAB 91.79, -13.18, -12.63

 

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

CMYK 47 / 19 / 0 / 27

HEX #6296BA

RGB 98 150 186

HSL 204.55, 0.39%, 0.56%

LAB 59.85, -7.4, -24.08

 

CMYK 51 / 21 / 0 / 35

HEX #5184A7

RGB 81 132 167

HSL 204.42, 0.35%, 0.49%

LAB 53, -7, -23.85

 

CMYK 57 / 23 / 0 / 42

HEX #407294

RGB 64 114 148

HSL 204.29, 0.4%, 0.42%

LAB 45.99, -6.48, -23.62

 

CMYK 64 / 26 / 0 / 49

HEX #2F6081

RGB 47 96 129

HSL 204.15, 0.47%, 0.35%

LAB 38.82, -5.75, -23.4

 

CMYK 43 / 18 / 0 / 20

HEX #74A8CC

RGB 116 168 204

HSL 204.55, 0.46%, 0.63%

LAB 66.58, -7.73, -23.75

 

CMYK 43 / 29 / 0 / 20

HEX #7490CC

RGB 116 144 204

HSL 220.91, 0.46%, 0.63%

LAB 59.91, 5.81, -34.05

 

CMYK 43 / 41 / 0 / 20

HEX #7478CC

RGB 116 120 204

HSL 237.27, 0.46%, 0.63%

LAB 53.5, 20.02, -44.12

 

CMYK 34 / 43 / 0 / 20

HEX #8774CC

RGB 135 116 204

HSL 252.95, 0.46%, 0.63%

LAB 54.03, 27.39, -43.18

 

CMYK 22 / 43 / 0 / 20

HEX #9F74CC

RGB 159 116 204

HSL 269.32, 0.46%, 0.63%

LAB 56.31, 34.13, -39.43

 

CMYK 43 / 18 / 0 / 20

HEX #74A8CC

RGB 116 168 204

HSL 204.55, 0.46%, 0.63%

LAB 66.58, -7.73, -23.75

 

CMYK 43 / 29 / 0 / 20

HEX #7490CC

RGB 116 144 204

HSL 220.91, 0.46%, 0.63%

LAB 59.91, 5.81, -34.05

 

CMYK 43 / 41 / 0 / 20

HEX #7478CC

RGB 116 120 204

HSL 237.27, 0.46%, 0.63%

LAB 53.5, 20.02, -44.12

 

CMYK 43 / 43 / 0 / 20

HEX #7474CC

RGB 116 116 204

HSL 240, 0.46%, 0.63%

LAB 52.47, 22.42, -45.75

 

CMYK 43 / 18 / 0 / 20

HEX #74A8CC

RGB 116 168 204

HSL 204.55, 0.46%, 0.63%

LAB 66.58, -7.73, -23.75

 

CMYK 54 / 22 / 0 / 14

HEX #65ABDC

RGB 101 171 220

HSL 204.71, 0.63%, 0.63%

LAB 67.32, -8.26, -31.49

 

CMYK 64 / 26 / 0 / 8

HEX #55ADEB

RGB 85 173 235

HSL 204.8, 0.79%, 0.63%

LAB 67.89, -7.74, -38.89

 

CMYK 72 / 30 / 0 / 2

HEX #46B0FA

RGB 70 176 250

HSL 204.67, 0.95%, 0.63%

LAB 68.94, -6.68, -45.44

 

CMYK 43 / 18 / 0 / 20

HEX #74A8CC

RGB 116 168 204

HSL 204.55, 0.46%, 0.63%

LAB 66.58, -7.73, -23.75

 

CMYK 31 / 13 / 0 / 26

HEX #83A5BD

RGB 131 165 189

HSL 204.83, 0.31%, 0.63%

LAB 66.07, -5.9, -16.12

 

CMYK 16 / 6 / 0 / 32

HEX #92A3AE

RGB 146 163 174

HSL 203.57, 0.15%, 0.63%

LAB 66.03, -3.61, -7.71

 

CMYK 0 / 1 / 2 / 36

HEX #A2A09F

RGB 162 160 159

HSL 20, 0.02%, 0.63%

LAB 66, 0.53, 0.77

 

CMYK 0 / 11 / 19 / 31

HEX #B19D8F

RGB 177 157 143

HSL 24.71, 0.18%, 0.63%

LAB 66.09, 5.03, 10

 

CMYK 43 / 0 / 5 / 20

HEX #74CCC1

RGB 116 204 193

HSL 172.5, 0.46%, 0.63%

LAB 76.53, -29.12, -2.8

 

CMYK 43 / 5 / 0 / 20

HEX #74C1CC

RGB 116 193 204

HSL 187.5, 0.46%, 0.63%

LAB 73.68, -20.92, -12.98

 

CMYK 43 / 17 / 0 / 20

HEX #74A9CC

RGB 116 169 204

HSL 203.86, 0.46%, 0.63%

LAB 66.86, -8.28, -23.32

 

CMYK 43 / 29 / 0 / 20

HEX #7491CC

RGB 116 145 204

HSL 220.23, 0.46%, 0.63%

LAB 60.18, 5.23, -33.63

 

CMYK 43 / 40 / 0 / 20

HEX #747ACC

RGB 116 122 204

HSL 235.91, 0.46%, 0.63%

LAB 54.02, 18.82, -43.29

 

CMYK 64 / 26 / 0 / 31

HEX #3F81AF

RGB 63 129 175

HSL 204.64, 0.47%, 0.47%

LAB 51.67, -6.49, -30.58

 

CMYK 56 / 23 / 0 / 24

HEX #5595C2

RGB 85 149 194

HSL 204.77, 0.47%, 0.55%

LAB 59.27, -7.4, -29.54

 

CMYK 43 / 18 / 0 / 20

HEX #74A8CC

RGB 116 168 204

HSL 204.55, 0.46%, 0.63%

LAB 66.58, -7.73, -23.75

 

CMYK 32 / 13 / 0 / 16

HEX #92BBD7

RGB 146 187 215

HSL 204.35, 0.46%, 0.71%

LAB 73.91, -7.02, -18.48

 

CMYK 22 / 9 / 0 / 11

HEX #B0CEE2

RGB 176 206 226

HSL 204, 0.46%, 0.79%

LAB 81.22, -5.68, -13.22

 

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

CMYK 17 / 43 / 0 / 20

HEX #A974CC

RGB 169 116 204

HSL 276.14, 0.46%, 0.63%

LAB 57.35, 37.04, -37.72

 

CMYK 0 / 0 / 43 / 20

HEX #CCCC74

RGB 204 204 116

HSL 60, 0.46%, 0.63%

LAB 80.34, -12.58, 43.69

 

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

CMYK 0 / 43 / 17 / 20

HEX #CC74A9

RGB 204 116 169

HSL 323.86, 0.46%, 0.63%

LAB 60.06, 41.48, -13.23

 

CMYK 17 / 0 / 43 / 20

HEX #A9CC74

RGB 169 204 116

HSL 83.86, 0.46%, 0.63%

LAB 77.81, -26.21, 39.98

 

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

CMYK 17 / 43 / 0 / 20

HEX #A974CC

RGB 169 116 204

HSL 276.14, 0.46%, 0.63%

LAB 57.35, 37.04, -37.72

 

CMYK 0 / 26 / 43 / 20

HEX #CC9774

RGB 204 151 116

HSL 23.86, 0.46%, 0.63%

LAB 66.7, 15.48, 26.2

 

CMYK 26 / 0 / 43 / 20

HEX #97CC74

RGB 151 204 116

HSL 96.14, 0.46%, 0.63%

LAB 76.69, -32.8, 38.35

 

CMYK 44 / 18 / 0 / 20

HEX #73A8CD

RGB 115 168 205

HSL 204.67, 0.47%, 0.63%

LAB 66.56, -7.71, -24.33

 

CMYK 4 / 43 / 0 / 20

HEX #C474CC

RGB 196 116 204

HSL 294.55, 0.46%, 0.63%

LAB 60.41, 45.04, -32.71

 

CMYK 0 / 26 / 43 / 20

HEX #CC9774

RGB 204 151 116

HSL 23.86, 0.46%, 0.63%

LAB 66.7, 15.48, 26.2

 

CMYK 39 / 0 / 43 / 20

HEX #7DCC74

RGB 125 204 116

HSL 113.86, 0.46%, 0.63%

LAB 75.33, -41.53, 36.33

 

Description

Color code: HEX #73A8CD | qconv.com Color code: HEX #73A8CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 168 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 168 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 18 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 18% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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